Tagged: Tess Haubrich

 

Opening October 10 with Hotel Mumbai stars Armie Hammer, Dev Patel and Tilda Cobham-Hervey on the red carpet, the Adelaide Film Festival has now unveiled the full stunning line-up of guests for 2018. Australians Wayne Blair, Benjamin Law, Justine Clarke, Warwick Thornton, Tess Haubrich, Erica Glynn, Margaret Pomeranz, David Stratton and Venice prize winners Jennifer Kent and Baykali Ganambarr will be joined by international guests including Jordan’s Widad Shafakoj, Denmark’s Clara Rugaard and Indonesia’s Kamila Andini for the eleven day screen spectacular.

 

Jennifer Kent, director of Venice Special Jury Prize winner and ADL Film Fest FUND film The Nightingale will walk the red carpet at the Australian Premiere with Baykali Ganambarr, winner of the Venice Film Festival’s Marcello Mastroianni Award for Best New Talent and former member of the internationally acclaimed Djuki Mala dance group, Jim Everett, associate producer and aboriginal consultant and producer Kristina Ceyton (The Babadook, Cargo).

 

Exciting young star of I Am MotherDanish actress Clara Rugaard, best known for playing Juliet in Still Star-Crossed with writer/director Grant Sputore and producer Timothy White

 

Multi-award winning filmmaker and humanitarian activist from Jordan, Widad Shafakoj will present the Australian Premiere of her doco, 17, which follows the Jordanian team’s journey to the FIFA Under-17 Women’s World Cup. Widad will also be part of a fascinating panel discussion on The Cinematic World of Arab Women with Arab Film Festival Australia Committee members Dr Mehal Krayem and Dr Paula Abood. 

Recipients of the Don Dunstan Award, indigenous screen pioneer Freda Glynn, her children, Erica Glynn, Warwick Thornton, and grandchildren Tanith Glynn-Maloney and Dylan River will be celebrated with a suite of events including the World Premiere of She Who Must Be Loved (directed by Erica, produced by Tanith), the launch of KIN, a collection of essays which recognise the remarkable contribution to the industry of this talented family, and screenings of Warwick’s 2003 debut Samson & Delilah, and Dylan’s much-anticipated documentary Finke: There and Back.

 

The World Premiere of ABC/NETFLIX thriller Pine Gap will see stars Tess Haubrich (Alien: Covenant, Wolf Creek 2) and Sachin Joab (Lion) walk the red carpet with director Mat King and producers. 

 

In Adelaide to present their films in the festival’s Feature Fiction Competition in partnership with University of South Australia’s School of Creative Industries is Australian mystery thriller Celeste director Ben Hackworth and Indonesian director Kamila Andini with her APSA and Berlinale Crystal Bear winning The Seen and Unseen. Also in competition, the festival welcomes the cast and crew of Australian feature Emu Runner including cast Wayne Blair, Rhae-Kye Waites, Mary Waites, Letisha Boney and Stella Carter with director/writer Imogen Thomas and producer Victor Evatt

 

The Flinders University Feature Documentary Competition title Happy Sad Man will be presented by filmmaker Genevieve Bailey (I Am Eleven) and subjects from her compelling documentary. 

 

Youtube sensation (10+ million subscribers) Ozzy Man will join filmmakers Jeremy Kelly-Bakker and Tom Phillips for the World Premiere of Lucy and DiC

 

Comedian, writer and creator of The Family Law, Benjamin Law and showrunner Sophie Miller for the series 3 World Premiere on the big screen. 

 

Star of Look Both WaysJustine Clarke and producer Bridget Ikin will be in conversation with Margaret Pomeranz following a special screening of Sarah Watt’s remarkable debut. 

 

Bridget Ikin will also World Premiere The Woman and the Car alongside director Kate Blackmore

 

World premiere of the National Film and Sound Archive of Australia’s (NFSA) digital restoration of South Australian classic starring Jack Thompson NFSA Restores: Sunday Too Far Away, presented by star Max Cullen, producer Matt Carroll, DOP Geoff Burton, and former SAFC executive Penny Chapman

 

Max Cullen will also join director Thomas M Wright and writer Erik Jensen for a special screening of Acute Misfortune, a dramatised portrait of the late Australian artist Adam Cullen. 

 

World Premieres of Adelaide Film Festival FUND works will be presented by:

Davi director Victoria Cocks and producer Anna Bardsley-Jones

A Stone’s Throw director Luke Wissell and producer Ashleigh Knott

Running 62: The Arrival VR director Madeleine Parry, producers Molly O’Connor and Anton Andreacchio and subject Zibeon Fielding 

Demonic producers Bonnie McBride and Anna Vincent

The Art of the Game filmmakers Matthew Bate, Trent Parke and Narelle Autio whose ADLFF FUND VR The Summation of Force  is also screening in the Jumpgate VR Lounge

The Waiting Room director Molly Reynolds and producer Rolf de Heer

 

Guests presenting their Australian Showcase screenings include:

Dying to Live activist-documentarian Richard Todd (Frackman

Love in the Time of Antidepressants filmmaker Paul Gallasch and producer Katrina Lucas

Melodrama/Random/Melbourne! director Matthew Victor Pastor and Senses of Cinema’s Bill Mousoulis

Two-person artist collective Soda_Jerk will present their political revenge fable Terror Nullius

Producer Rita Walsh will present I Used to be Normal: A Boyband Fangirl Story 

Producer/director Janine Hosking with producers Trish Lake and Katey Grusovin for The Eulogy 

 

Short film and Made in SA filmmakers presenting their films include Lucy Campbell and Peter Ninos (The Big Nothing), Sara West (Mutt), David Muggleton (Freedom), Lucy Knox (An Act of Love), Indianna Bell and Josiah Allen (Small Town P.D.)Kiara Milera (Wild) and Steve Bakala Warramurra (Bakala). Also in Adelaide for the festival are filmmakers from the 2018 Sit Down Shutup and Watch Film & New Media Festival

 

The International Feature Fiction Jury filmmaker and selector for Venice and selection committee for Cannes Directors FortnightPaolo Bertolin; Renowned South Australian director, Emmy, Peabody and multiple AFI award-winner Scott Hicks; and Sarah Perks writer, curator, film producer and Artistic Director of HOME in Manchester where she enables the investment and presentation of films created by artists.

 

The Flinders University Feature Documentary Competition will be determined by an all female, all award-winning Jury of filmmakers: lawyer, writer and filmmaker and Larissa Behrendt (After the Apology), multi-award winning editor Tania Nehme (Tanna, Ten Canoes) and award-winning writer, producer and director Madeleine Parry (Nanette).

 

The AFTRS Virtual Reality Competition jury consists of industry professionals at the forefront of screen making with emerging technologies, AFTRS Head of Cinematography Kim Batterham and Google Creative Lab’s Mathew Tizard. The final VR Jury member is internationally acclaimed artist and VR creative Sue Austin, who will present her underwater live art event ‘Creating the Spectacle!’ in a Southern Hemisphere premiere in two shows only at North Adelaide Aquatic Centre. 

 

Festival “faces’ Natasha Wanganeen (Cargo, Rabbit-Proof Fence) and Rashidi Edward (F*!#ing Adelaide) will be rubbing shoulders with the industry including Hotel Mumbai director/writer Anthony Maras, writer John Collee and producers Julie Ryan and Joe Thomas, plus Gillian Armstrong, in Adelaide for the SAFC’s inaugural Lottie Lyell AwardWIFT Australia’s Megan Riakos and Tracey Corbin-Matchett to launch the Raising Films Australia Survey, SPA’s Matt Deaner and The Wheeler Centre’s Sophie Black among many others!

 

Plus the artists featured at the Reactive Wall

Since 2013 ADL Film Fest has showcased the work of artists as they respond to premieres of the festival. In 2018 we welcome Alex Beckinsale, Cameron Smith, Cassie Thring, Christina Peek and Sarah Tickle who cover everything from mixed media and digital art to painting. Joining these artists is local legend Roy Ananda, known for his work inspired by film and pop culture. Roy will be working with these artists, all graduates of the Adelaide Central School of Art, to realise the most ambitious iteration of the Reactive Wall to date. 

 

Sarah Tickle on TERROR NULLIUS

Alex Beckinsale on I AM MOTHER

Cameron Smith on THE NIGHTINGALE

Cassie Thring on THE SEEN AND UNSEEN

Roy Ananda on THE EYES OF ORSON WELLES

Christina Peek on ART ON SCREEN 

Come and explore the Reactive Wall projects in the GU Film House Courtyard on your way to the box office as these works come to life in response to the festival’s biggest films.

Summary: The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.

Year: 2017

Australian Cinema Release Date: 19th May 2017

Australian DVD Release Date: 16th August 2017

Country: United Kingdom, United States

Director: Ridley Scott

Screenwriter: Dante Harper, John Logan, Michael Green (story), Jack Paglen (story), Dan O’Bannon (characters), Ronald Shushett (characters)

Cast: Demian Bichir (Lope), Javier Botet (Xenomorph), Andrew Crawford (Neomorph), Billy Crudup (Oram), Nathaniel Dean (Hallett), Carmen Ejogo (Karine), Alexander England (Ankor), Michael Fassbender (David/Walter), James Franco (Branson), Tess Haubrich (Rosenthal), Callie Hernandez (Upworth), Lorelei King (Mother (voice)), Goran D. Kleut (Xenomorph/Neomorph), Uli Latukefu (Cole), Danny McBride (Tennesse),  Guy Pearce (Peter Weyland), Noomi Rapace (Dr. Elizabeth Shaw), Benjamin Rigby (Ledward), Amy Seimetz (Faris), Jussie Smollett (Ricks), Katherine Waterson (Daniels)

Runtime: 122 mins

Classification: MA15+

 

OUR ALIEN: COVENANT REVIEWS & RATINGS:

 

Kyle McGrath’s Alien: Covenant Review:

2012 saw the release of Prometheus, the first prequel in the Alien franchise and Ridley Scott’s return to the series following the original Alien (1979). It followed the ill fated crew of the unfortunately named ship Prometheus on its expedition into deep space to search for the possible  origin of mankind based on cave drawings of “Engineers” discovered worldwide by archaeologists including Elizabeth Shaw (Noomi Rapace). Several mishaps, sabotages and terrifying discoveries later, such as the team in reality discovering they were on some sort of weapons testing planet or the revelation the entire mission was in fact a means for the team’s extremely elderly benefactor, himself on board, to ask the Engineers to prolong his life. At the end of the film the entire team was wiped out and the mission a failure. The only survivors being Shaw and the severely damaged cyborg David (Michael Fassbender) on Shaw’s insistence set off to continue the search for answers and to discover the Engineer’s true home world.
Alien Covenant set 10 years after the disappearance of the Prometheus follows the crew of the Covenant, ship carrying 2000 colonists plus embryos on its way to populate a new world. A signal is picked up during repairs after a catastrophic event which awakens the dozen or so crew members from hypersleep (and kills the captain), not wishing to go back to sleep they decide to investigate the source of the signal. The planet does not turn out to be as welcoming as they had hoped and the crew come across David who had been busy.
Reaction to Prometheus was mixed to say the least, this seems to have influenced the filmmakers and the direction of the series hugely. Rather than follow on as a more direct follow up to Prometheus Alien a Covenant for the most part throws everything out the window and presents us with something more akin to a remake of Alien & Prometheus than simply a follow up to the latter.
The one almost universally liked thing about Prometheus was the creepy performance of Fassbender in the role of the android David. Now I’ll agree that he was one of the. Eat parts of the film but that doesn’t mean they should have made the entire next film about him at the expense of literally everyone else. Also what’s better than one creepy Fassbender androids? Two of them of course.
This is made worse by the way the filmmakers apparently haven’t really learned from the failings of the previous film. We don’t care about any of the characters in this film as they’re slowly picked off one by one. They’re nothing but fodder and their bizarre frankly suicidal behaviour, itself drawing the ire of fans last time, is still present here. These people invite death upon themselves because that’s what we the audience are apparently there for.
Another smart move from Prometheus this film corrupts is that the filmmakers realised that as iconic as H. R Giger’s Alien designs are they’ve largely been run into the ground or parodied to death for the last 30+ years. Fans may still eat it up but to much of the audience Giger’s Alien is now about as scary as Boris Karloff’s Mummy after Laurel & Hardy were done with him. The alien egg no longer has the mystery or horror about it that it once did, now it’s just as predictable as a jack in the box.
I’ve heard this is a “return to form” for Ridley Scott but that’s only in the most literal way as he has created something which feels like a cheap (though much more expensive) imitation of a movie he made almost 40 years ago. Alien Covenant comes off as a soulless attempt to cash in on a long dry idea. The new ideas Prometheus did well to establish this fails to take advantage of instead attempting to rehash what Alien (1979) did well which doesn’t work anymore.

 

 

Average Subculture Rating:  

 

 

IMDB Rating:  Alien: Covenant (2017) on IMDb

 

Other Subculture Entertainment Alien: Covenant Reviews: N/A

 

Trailer:

Infini

Summary: 

In a futuristic world Whit Carmichael (Daniel MacPherson) struggles to make a living as he and his wife, Lisa (Tess Haubrich) await the birth of their first child. Eager to make some more money Whit decides to join the elite squadrons who ‘slipstream’ throughout the universe. But as he nervously awaits his first slipstream all hell breaks out as the team before him returns from a deep space mining station with an alien infection. In a bid to escape the carnage Whit slipstreams to the outpost.

This means that another team on the opposite coast is then put together to rescue him. But with very little answers at their fingertips the rescue team which is made of people such as Claire Grenich (Grace Huang), Charlie Kent (Luke Hemsworth), Morgan Jacklar (Bren Foster), Chester Huntington (Luke Ford) and Harris Menzies (Harry Pavlidis) soon realise that something serious is about to greet them when they see that the very experienced and tough Rex Mannings (Dwaine Stevenson) is being sent with them. Even that though can not prepare them for the hell that they are about to embrace.

Year: 2015

Australian Cinema Release Date: 7th May, 2015

Australian DVD Release Date: 7th May, 2015

Country: Australia

Director: Shane Abbess

Screenwriter: Shane Abbess, Brian Cachia

Cast: Brendan Clearkin (Depot Sergeant Hackford), Kevin Copeland (Seet Johanson), Luke Ford (Chester Huntington), Bren Foster (Morgan Jacklar), Belinda Gosbee (Science Officer Hepburn), Tess Haubrich (Lisa Carmichael), Luke Hemsworth (Charlie Kent), Grace Huang (Claire Grenich), Richard Huggett (Montoli), Dean Kyrwood (Schmiddy), Richard Maait (Matson), Daniel MacPherson (Whit Carmichael), Damon Manns (Fisher), Louise Mignone (Philipa Boxen), Matt Minto (Chief), Harry Pavlidis (Harris Menzies), Andy Rodoreda (Sefton Norick), Dwaine Stevenson (Rex Mannings), Paul Winchester (David Ponter)

Runtime: 110 mins

Classification: MA15+

 

OUR INFINI REVIEWS & RATINGS:

 

David Griffiths:

Amongst sci-fi fans Infini just has to be one of the most eagerly anticipated films of 2015. Anyone who saw director Shane Abbess’s debut film Gabriel knew one thing and that was this was a director with a gift. Gabriel is rightfully one of the best genre films ever made in Australia and it seems to have been a long wait to see what Abbess would do next and now it arrives in the form of Infini… a film that is worth the wait.

Viewers be warned though Infini is a film that is only going to be enjoyed by serious sci-fi fans, others could just be left by the way side scratching their heads. In a way Abbess has made Infini a dirty film. A film not only that has grime wherever you look on the screen but also a film that is going to mess with its audiences’ head in the same way the alien infection is messing with the characters at hand. Like them you are left wondering ‘what is real and what isn’t?’ and to the films credit it works.

Early on it feels like Infini is going to be your typical Doom computer game style movie with characters solving the problem at hand and then making it to the next ‘level.’ But it is there where Abbess turns the whole film on its head. He takes just about every Hollywood cliché and formula that you would expect in a sci-fi like this and then completely shatters them to the point where it is virtually impossible for the audience to predict what is going to happen next… and yes that is the way cinema is supposed to work, although the idea of making a film without sign posts seems like a foreign concept to most young filmmakers these days. Abbess also deserves credit for having the guts to kill characters whenever he pleases as well which only adds to the suspenseful nature of the film that is already enough to make your heart race throughout.

It is obvious that Abbess wanted to make Infini seem like a throwback to the genre flicks of the 1980s and 1990s and there are more than enough nods to classic films like Aliens to keep true fans of the genre happy. But the appealing part of Infini is that Abbess is also willing to try new and untried things. The almost schizophrenic scene between Whit and Chester is something that fans will remember for a long time after viewing this film while the ending is haunting and chilling enough to be one that you simply won’t forget.

One of the big surprises that many will have when viewing Infini will be the acting performance of Daniel MacPherson. Too many he is just the host of Dancing With The Stars, many have forgotten that over the years he has built up an impressive acting resume that consists of popular shows such as Neighbours, City Homicide and The Bill. Here MacPherson puts in a terrific performance that will have Hollywood noticing as he calmly mixes dramatic character acting with some full on action sequences. Yes believe or not MacPherson steps up to the plate as a buff action hero and one of the highlights of the film is his physical fight with Luke Ford… a fight that also shows that Abbess can more than handle himself as a director when his characters need to get physical as well. Ford also puts in a credible performance throughout the film and scenes between him and MacPherson really pack some acting muscle.

Infini is the kind of film that you need to watch when you can give it your 100 per cent attention. Blink or turn away from the screen for even a moment and you’ll miss something that is going to be important later on. Part action flick and part sci-fi that goes as deep as Prometheus this is a film that once again shows why Shane Abbess is one of the best genre filmmakers around. With a surprisingly great performance from leading man Daniel MacPherson and an ending that is truly rewarding this is one sci-fi flick that is worth watching over and over… and yes this time around I am begging for a sequel. Infini is a surprise hit, an intelligent sci-fi film that really packs a punch.

Stars(4)

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: Infini (2015) on IMDb

 

Other Subculture Entertainment Infini reviews: You will also be able to hear our Infini review on an upcoming episode of The Good The Bad The Ugly Film Show. You can also read our Infini review on The Book The Film The T-Shirt.

Trailer:

FeatureInfini

A trailer and scene from new Australian sci-fi has been released ahead of its release on May 8th.

Set in the dark reaches of space, INFINI is the story of an elite search and rescue team transported to a distant mining station to save Whit Carmichael (Daniel MacPherson) who is the lone survivor of a freak accident. Using Slipstream technology the team must transport into a hostile environment and quarantine a lethal biological weapon, which is set to arrive on Earth within the hour.

Filmmaker Shane Abbess is best known for his 2007 fantasy action debut, Gabriel, which is one of the most commercially successful independent Australian films of all time. The INFINI ensemble cast includes MacPherson, Grace Huang, Luke Hemsworth, Kevin Copeland, Dwaine Stevenson, Harry Pavlidis, Louisa Mignone, Tess Haubrich, Bren Foster and Luke Ford. Filmed and post-produced in New South Wales, the film is the first project from Storm Vision Entertainment, the joint venture label of Storm Alley Entertainment and Eclectik Vision media group.

INFINI premiered at 2015 Gold Coast Film Festival on April 12, with Abbess, producer Matthew Graham and co-writer/composer Brian Cachia joining MacPherson, Huang and Hemsworth in a Q&A following the screening. Select talent also joined Supanova Pop Culture Expo panels in Melbourne 11 April and Gold Coast 18 April. Internationally, INFINI enjoyed its World Premiere at Brussels International Fantastic Film Festival that same weekend, with other international film festival announcements to come.
INFINI will be available on Digital from May 8. Platforms are iTunes, Google Play, Foxtel On Demand, Sony PlayStation, Microsoft Xbox, Telstra, Quickflix, Fetch TV and Dendy Direct. Available for iTunes pre-order now https://itunes.apple.com/us/movie/infini/id982179317?ls=1

You can view the Infini trailer and clip below.