[FILM REVIEW] CONCLAVE Review (2025)

Summary: When Cardinal Lawrence is tasked with leading one of the world’s most secretive and ancient events, selecting a new Pope, he finds himself at the center of a web of conspiracies and intrigue that could shake the very foundation of the Catholic Church.

Year: 2025

Cinema Release Dates:  19th January 2025 (Australia), TBA (Thailand), 29th November 2024 (UK), 25th October 2024 (USA)

VOD Release Dates: TBA

Country: UK, USA

Director: Edward Berger

Screenwriter: Peter Straughan

Cast: Sergio Castellitto (Tedesco), Roberto Citran (Lombardi), Valeria Da Silva (Father Haas), Carlos Diehz (Benetiz), Vincenzo Failla (Guttoso), Ralph Fiennes (Lawrence), Garrick Hagon (Krasinski), Willie Jonah (Lowenstein), Romuald Andrzej Klos (Brotzkus), Jacek Koman (Wozniak), Rony Kramer (Mendoza), John Lithgow (Tremblay), Loris Loddi (Villanueva), Thomas Loibl (Mandorff), Balkissa Souley Maiga (Sister Shanumi), Lucian Msamati (Adeyemi), Joseph Mydell (Nakitanda), Merab Ninidze (Sabbadin), Brian F. O’Byrne (O’Malley), Isabella Rossellini (Sister Agnes), Madhav Sharma (Landolfi), Antonio Toma (Jr. Cardinal-Deacon Guerrini), Stanley Tucci (Bellini)

Running Time: 120 minutes

Classification: PG (Australia), TBC (Thailand), 12A (UK), PG (USA)

OUR CONCLAVE REVIEWS

David Griffiths Conclave Review

David’s rating Out Of 5

Kyle McGrath’s Conclave Review

Kyle’s rating Out Of 5

Alex First’s Conclave Review

Subterfuge and tension abound in the compelling papal thriller Conclave.

The Pope has died and cardinals have been summoned to the Vatican from around the world to elect his successor.

The man charged with the responsibility of seeing the process through to finality is the College of Cardinals dean, Brit Thomas Lawrence (Ralph Fiennes).

Of late, he has been struggling with his faith, but nevertheless he takes his duties seriously.

As it turns out, all sorts of curve balls are thrown at him.

First and foremost, there is a jostling for the top job between the conservative (traditionalist) and the progressive (liberal) factions.

Leading the charge for the former is larger than life Cardinal Goffredo Tedesco (Sergio Castellitto), who believes it is high time that an Italian is back in the job.

The latter is represented by American Cardinal Aldo Bellini (Stanley Tucci), the early favourite, who feigns a lack of interest, but is keen to see the church move forward.

Another hungry for the position is Canadian Cardinal Joseph Tremblay (John Lithgow), over whom a cloud of suspicion hangs.

A popular candidate is Nigerian Cardinal Joshua Adeyemi (Lucian Msamati), who is hiding a secret.

As the cardinals gather, one more than anticipated arrives, being a secret appointee by the late pontiff.

He is Mexican Cardinal Vincent Benitez (Carlos Deihz), who works in Kabul and has been posted to other world trouble spots.

The cardinals are being looked after by nuns, led by Sister Agnes (Isabella Rossellini), who inadvertently becomes caught up in the byplay.

Behind the locked doors of the Sistine Chapel, ballot after ballot takes place without a decisive outcome.

External violence rears its ugly head and shakes up the cardinals.

Then, before this is over, there will be one final twist.

Conclave proves to be a right royal scrap between cardinals on different sides of the fence, many coveting the role as head of the Catholic church.

What we see is scandalous, ugly and duplicitous, but it also enthralling.

Based on a 2016 book by British novelist Robert Harris, the riveting screenplay is by Peter Straughan (Tinker Tailor Soldier Spy).

Strong direction comes from Edward Berger (All Quiet on the Western Front).

Everything about the film – the look, the feel, the sound, the dialogue and the performances – is top shelf.

Ralph Fiennes is considered and empathetic in the lead, forever trying to juggle opposing forces.

Stanley Tucci is passionate as the cardinal wanting to build on the late Pope’s legacy.

Carlos Deihz is measured and respectful as the newbie who has seen much firsthand, but is taken aback by his colleague’s carnivorous mentality.

Isabella Rossellini impresses with her relatively small, but significant behind the scenes role.

Stéphane Fontaine’s cinematography, including excellent use of close ups, is a major drawcard, as is the striking costuming by Lisy Christl.

From the opening strains, the score by Volker Bertelmann is nerve jangling. Conclave, which hardly paints the church in a positive light, is a fine production that has you second guessing throughout.

Alex’s rating Out Of 5

Average Subculture rating Out Of 5

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