Tagged: Another Round

When the Oscar winners are read out tomorrow there will be one Australian company listening on with baited breath as they have a number of nominations over various categories.

Blackmagic Design is best known for its camera gear and post production software, which is used on more than 80% of Hollywood films, concerts and streaming services from “Marvel”, and “Game of Thrones” to Disney’s live action remake of “The Lion King” and Elton John’s “Farewell Yellow Brick Road World Tour”. 

Blackmagic Design products, such as its DaVinci Resolve Studio and Pocket Cinema Camera 6K were used on the following nominated films ranging from Best Motion Picture, Best International Feature Film, Best Documentary Feature and Achievement in Visual Effects:

  • “Mulan” graded with DaVinci Resolve Studio by Natasha Leonnet at Company 3;
  • “Minari” graded with DaVinci Resolve Studio by David Cole at Fotokem. DP Lachlan Milne ACS, NZCS also used DaVinci Resolve Studio to create LUTs for the film prior to production;
  • “Another Round” graded with DaVinci Resolve Studio by Emil Eriksson at Zentropa;
  • “Hunger Ward” graded with DaVinci Resolve Studio by John Davidson. Pocket Cinema Camera 6K used to shoot a number of scenes;
  • “The Mole Agent” Colorist Ismael Cabrera Echeverría of Filmo Estudios used DaVinci Resolve Studio for final color adjustments and mastering, along with a DeckLink 4K Extreme 12G;
  • “News of the World” graded with DaVinci Resolve Studio by Stephen Nakamura of Company 3;
  • “One and Only Ivan” graded with DaVinci Resolve Studio by Rob Pizzey of Goldcrest Post Production London;
  • “Feeling Through” graded with DaVinci Resolve Studio by Cullen Kelly; and
  • “Love and Monsters” DP Lachlan Milne, ACS, NZCS also used DaVinci Resolve Studio to create LUTs for the film prior to production.

Hunger Ward, which has been nominated in the Best Short Documentary category, was shot in an active war zone in Yemen, using Blackmagic’s Pocket Cinema Camera 6K.

The film’s director of photography, Jeffrey Bell, spruiked Blackmagic’s pocket-sized camera, which allowed his team to discreetly capture unique and powerful moments on its journey following two female health care workers fighting to thwart the spread of starvation.

PETER KRAUSZ

Peter is a former Chair of the AFCA, FIPRESCI juror: Munich Film Festival and Adelaide Film Festival, Broadcaster and film reviewer for Movie Metropolis on WYN FM 88.9 (Saturdays 8PM-10PM), Sole film reviewer for the monthly publication The Melbourne Catholic, advisor to the Tasmanian Film Festival (BOFA), Indonesian Film Festival, Polish Film Festival, and other festival and film events. He also serves on jury panels and hosts Q&As for film screenings. 

Currently Peter Krausz has 5 reviews on Subculture Entertainment

Summary: A group of middle-aged school teachers take part in a medical experiment that involves constant drinking in a bid to turn around their mundane lives

Year: 2020

Cinema Release Dates: 11th February 2021 (Australia), 18th December 2020 (USA)

VOD Release Dates: TBA

Country: Denmark, Sweden, Netherlands

Director: Thomas Vinterberg

Screenwriter: Thomas Vinterberg, Tobias Lindholm

Cast: Maria Bonnevie (Anika), Cassius Aasav Browning (Sander), Aya Grann (Josephine), Martin Greis-Rosenthal (Overtjener), Waldemar Beer Hansen (Hjalte), Max Kaysen Hoyrup (Brille), Gustav Sigurth Jeppeson (Rasmus), Thomas Bo Larsen (Tommy), Freja Bella Lindahl (Caro), Albert Rudbeck Lindhart (Sebastian), Lucas Helt Mortensen (Fjonk), Mads Mikkelsen (Martin), Magnus Millang (Nikolaj), Maria Ovi (Sigrid), Clara Phillipson (Nicola), Helene Reingaard Neumann (Amalie), Lars Ranthe (Peter), Frederik Winther Rasmussen (Malthe), Mercedes Claro Schelin (Laura), Magnus Sjorup (Jonas), Silas Cornelius Van (Kasper), Aksel Vedseggard (Jason), Susse Wold (Rektor)

Running Time: 117 mins

Classification: M (Australia), TV-MA (USA)

ANOTHER ROUND REVIEWS

David Griffiths’ Another Round Review:

After the disaster that was Buddy Games you could probably understand why I was a little nervous about sitting down and watching another film about middle aged men getting up to drunken hi-jinks with Another Round. Of course I didn’t factor something major into the equation though – Buddy Games of course came from that merry old country of the USA while Another Round hails from Scandinavia… a region of the world known for its brilliant cinematic pieces.

It is partially true that Another Round is about drunken hi-jinks, because realistically the film goes a lot deeper than that. The film centres around a depressed high school history teacher named Martin (Mads Mikkelsen – Doctor Strange) who is made aware of how far he has sunk into depression when his senior history class raises concerns that they are being so badly taught that they are likely to fail their graduation exams.

That makes Martin realise that his depression is also affecting his marriage and he needs to do something about it. That something is soon discovered when Martin and his school teacher buddies find out about a study, conducted by psychiatrist Finn Skarderud, that has revealed that humans may function better if they are slightly intoxicated. Soon Martin, Tommy (Thomas Bo Larsen – The Hunt), Nikolaj (Magnus Millang – Heavy Load) and Peter (Lars Ranthe – Adam’s Apples) are conducting their own ‘research’ into the experiment with mixed results.

What director/screenwriter Thomas Vinterberg (The Hunt) has created here is one of the most important films of 2021. Often as a man you find yourself going through a range of emotions and never really knowing how to deal with them. Unlike Hollywood would have you think we don’t sit around talking to each other about marriage problems and if we are feeling a bit ‘down’ that week. Instead men hold onto it and let it fester – and sometimes it takes a movie like this one to really make us guys think ‘hey maybe I should do something about that.’

Another Round is not a film that glorifies a drinking culture, to the contrary without spoiling any major plot points I can say that the experiment at hand in the film causes some serious problems for some of the characters at hand. Likewise this isn’t a film that goes for the ‘childish’ style of excessive drinking that films like Buddy Games do, instead this is a film that has some powerful things to say and gets that across beautifully well. The heart and emotion that surrounds this film is understood even more when you realise that the director’s daughter died only days before the film begun shooting… something that touched the entire cast and crew as she was also to have a role in the film.

The powerful screenplay behind Another Round also has a massive affect on the acting performances in the film. Mads Mikkelsen is amazing here to the point where you find yourself asking – could there be an Oscar nomination in the wind? His portrayal of Martin has to be seen to be believed and he is so convincing in the role it really does feel like the audience is being taken on a character journey throughout the film.

I strongly get the feeling that when I put together my Best Of list at the end of this year that Another Round is going to be pretty high on it. This film not only deserves its Golden Globe nominations but is one of the films of the year.

Dave’s rating Out Of 5

Alex First’s Another Round Review:

Alex’s Rating Out Of 5:

Greg King’s Another Round Review:

Greg King’s Rating Out Of 5:

Peter Krausz’s Another Round Review:

Peter Krausz’s Rating Out Of 5:

Average Subculture Rating:

IMDB Rating:

Another Round (2020) on IMDb

Other Subculture Another Round Reviews:

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Trailer:

The Adelaide Film Festival (AFF) – to be held from October 14 – 25 – has today announced the first five films in the Festival program.

The films announced today include the Australian Premiere of Another Round, from the team behind The Hunt: – director Thomas Vinterberg and Scandinavia’s biggest star Mads Mikkelsen. Another Round, a sobering comedy about dealing with the world through the bottom of a glass, will screen in Adelaide direct from its world premiere at the Toronto International Film Festival.

Also announced today, the World Premiere of the Adelaide Film Festival Investment Fund (AFFIF) feature documentary, Phil Liggett: The Voice of Cycling. From the filmmakers behind AFF Audience prize winning Remembering the Man and MAMIL (Middle Aged Men in Lycra), Nickolas Bird and Eleanor Sharpe, comes this fascinating portrait of cycling royalty. Amateur racer turned broadcaster, Phil Liggett has covered forty-seven Tours de France and fifteen Olympic Games, calling every triumph, tragedy and scandal with his inimitable wit and poetry.

Bangarra means making fire, and for 30 years the Bangarra Dance Theatre has blazed fiercely. AFF will host the South Australian Premiere of Firestarter – The Story of Bangarra, about Australia’s most renowned arts company; it’s the story of three brothers—Stephen, Russell, and David Page—and it’s the story of the way that art can become a weapon that helps people to survive and a nation to heal.  The film is co-directed by Wayne Blair (Top End Wedding, The Sapphires) and Nel Minchin (Matilda & Me, Making Muriel). The project received principal production investment from Screen Australia in association with Screen NSW and is financed with support from the ABC.

AFF will also feature the South Australian premiere of High Ground, the most powerful and engrossing Australian film of the year.  The critical darling at this year’s Berlin film Festival, High Ground, directed by Stephen Johnson (Yolngu Boy) takes an unflinching look at the brutal facts of white settlement. This is a film with all the breathtaking beauty and savagery of this country, rich in dramatic tension driven by taut, understated performances by newcomer Jacob Junior Nayinggul, and also starring Simon Baker (Breathe) and screen legend Jack Thompson. The film received major production investment from Screen Australia, in association with Screen Territory and Film Victoria.

The Painter and the Thief is described by The Guardian as “the year’s most moving documentary”.  This acclaimed Norwegian documentary, which won the world cinema documentary special jury prize at this year’s Sundance Film Festival, is unflinching and delicate in its depiction of the growing emotional bond between an artist and the junkie thief who stole her paintings.  Director is Benjamin Ree (Magnus).
“We are so very lucky it is safe to enjoy seeing films in cinemas here in South Australia and it is thrilling to announce that we are going ahead with a physical Festival in 2020. I am excited to share the first films that will be screening. These five films are representative of the program we will be presenting in October – inventive, absorbing, brilliant, provocative” said Mat Kesting, Adelaide Film Festival CEO and Creative Director.

Mr Kesting also announced that the 2020 Festival’s principal venue partner will be Palace Nova East End Cinemas.

Minister for Innovation and Skills David Pisoni said: “The 2020 Adelaide Film Festival will showcase the very best of Australian and international cinema while celebrating our city’s love of the creative industries. The local screen industry supports hundreds of local jobs, from screen writers and set designers and tradies to producers and directors. The AFF represents a wonderful opportunity for cinema audiences to enjoy an enriching cultural experience while supporting local businesses.”

Festival passes are now available. Passes can be purchased with the choice of a 3, 7 or 10 MultiPass. The true AFF fanatic can indulge in a full festival experience with a Gold or Platinum pass to squeeze in as many films as possible into their schedule.  For AFF Members there is an amazing early bird deal of 20% off all passes and ticketing, doubling the regular AFF Member discount. This offer is strictly limited until 16 August. See the AFF website to see all the benefits of an AFF Membership including priority access at the Festival and a sneak peek at the full AFF 2020 Program with an invitation to the launch in September.

See all details of these first five films at www.adelaidefilmfestival.org

GREG KING

Greg King2

Greg King has had a life long love of films. He has been reviewing popular films for over 15 years. Since 1994, he has been the film reviewer for BEAT magazine. His reviews have also appeared in the Herald Sun newspaper, S-Press, Stage Whispers, and a number of other magazines, newspapers and web sites.

Greg also hosts Movies At Dusk on 3WBC 94.1FM every Sunday between 7-7pm. The two hour show includes interviews with film makers, reviews and news from the world of film and entertainment. he also co-hosts the breakfast show The Wednesday Motley Crew with David Griffiths every Wednesday morning between 7-10am on 3WBC 94.1FM.

Greg also presents film reviews regularly on Terry Phibbs’ Dusk program every Sunday at 6.30pm on 3WBC 94,1FM and at 2.30pm as part of Peter Cassidy’s Saturday Afternoon Program.

He was the producer of Media Moves Cinema Scene, heard every Saturday morning from 11.00am to 12 noon, on radio station 3CR in Melbourne.

Greg is also the secretary of the Australian Film Critics Association.

When not viewing movies, Greg’s other passions include reading, listening to music, and the St Kilda football club.

Currently Greg King has 15 reviews on Subculture Entertainment