Today, Disney+ announced FX’s “Pistol,” the limited series about the legendary Sex Pistols guitarist Steve Jones, directed by Academy Award®-winner Danny Boyle, will premiere Tuesday, May 31 exclusively on Disney+ in Australia, under the Star banner. The premiere will feature all six episodes.
Based on Jones’ 2017 memoir Lonely Boy: Tales from a Sex Pistol, “Pistol” was created and written by Craig Pearce and will be executive produced by Boyle, Pearce, Tracey Seaward, Gail Lyon, Anita Camarata, Steve Jones, Paul Lee, Hope Hartman and wiip. The series is produced by FX Productions.
“Pistol” is a six-episode limited series about a rock and roll revolution. The furious, raging storm at the centre of this revolution are the Sex Pistols – and at the centre of this series is Sex Pistols’ founding member and guitarist, Steve Jones. Jones’ hilarious, emotional and at times heart-breaking journey guides us through a kaleidoscopic telling of three of the most epic, chaotic and mucus-spattered years in the history of music. Based on Jones’ memoir Lonely Boy: Tales from a Sex Pistol, this is the story of a band of spotty, noisy, working-class kids with “no future,” who shook the boring, corrupt Establishment to its core, threatened to bring down the government and changed music and culture forever.
“Pistol” stars Australian actor Toby Wallace as Steve Jones, Jacob Slater as Paul Cook, Anson Boon as John Lydon, Christian Lees as Glen Matlock, Louis Partridge as Sid Vicious, Sydney Chandler as Chrissie Hynde, Talulah Riley as Vivienne Westwood, Maisie Williams as punk icon Jordan, Emma Appleton as Nancy Spungen and Thomas Brodie-Sangster as Malcolm McLaren.
Robust parental controls ensure that Disney+ remains a suitable viewing experience for everyone in the family. Subscribers can set access limits on mature content and create PIN-protected profiles alongside the already existing Kids Profiles to give parents and guardians peace of mind.
Summary: Two young British soldiers during the First World War are given an impossible mission: deliver a message deep in enemy territory that will stop 1,600 men, and one of the soldiers’ brothers, from walking straight into a deadly trap.
Australian Cinema Release Date: 9st January 2020
Thailand Cinema Release Date: 30th January 2020
Australian DVD Release Date: TBA
Country: United States, United Kingdom
Director: Sam Mendes
Screenwriter: Sam Mendes, Krysty Wilson-Ciarns
Cast: Benjamin Adams (Sergeant Harrop), Gabriel Akuwudike (Private Buchanan), Andy Apollo (Sergeant Miller), Daniel Attwell (Captain Sandbach), Elliott Baxter (Private Singer), Jacob James Beswick (Lance Corporal Duff), Anson Boon (Private Cooke), Pip Carter (Lieutenant Gordon), Dean Charles-Chapman (Lance Corporal Blake), Bradley Connor (Sergeant Gardner), Samson Cox-Vinell (Orderly Dixon), Benedict Cumberbatch (Colonel McKenzie), Josef Davies (Private Stokes), Claire Duburcq (Lauri), Elliott Edusah (Private Grey), Justin Edwards (Captain Ivins), Colin Firth (General Erinmore), Tommy French (Private Butler), Kenny Fullwood (Private Rossi), John Hollingworth (Sergeant Guthrie), Luke Hornsby (Private Pinewood), Gerran Howell (Private Parry), Adam Hugill (Private Atkins), Michael Jibson (Lieutenant Hutton), Taddeo Kufus (Soldat Baumer), Jonny Lavelle (Orderly Byrne), Spike Leighton (Private Kilgour), Merlin Leonhardt (Soldat Muller), George MacKay (Lance Corporal Schofield), Richard Madden (Lieutenant Joseph Blake), Daniels Mays (Sergeant Sanders), Richard McCabe (Colonel Collins), Joe Mendes (Private Willock), Ryan Nolan (Private Malky), Jamie Parker (Lieutenant Richards), Billy Postlethwaite (NCO Harvey), Nabhaan Rizwan (Sepoy Jondalar), Michael Rouse (Captain Rylands), Jonah Russell (Captain Morahan), Adrian Scarborough (Major Hepburn), Andrew Scott (Lieutenant Leslie), Jack Shalloo (Private Seymour), Mark Strong (Captain Smith), Paul Tinto (NCO Baker), Chris Walley (Private Bullen), Ian Wilson (Sergeant Wright)
Running Time: 119 mins
Classification: MA15+ (Australia) TBC (Thailand)
OUR 1917 REVIEWS & RATINGS:
Dave Griffiths Review:
Over the years the cinematic world has been blessed with some pretty amazing war films. Think of the sheer emotional nature of films like Schindler’s List and Hacksaw Ride or the epic sale of films like Saving Private Ryan and Pearl Harbor. It feels like it is the war genre when some of the truly great filmmakers of our generation have really had a chance to show us what they are capable of an that legacy certainly continues with 1917.
As a filmmaker Sam Mendes has certainly proved himself to be one of the most ‘intense’ of the modern generation. That intensity has been delivered with powerful drama and dialogue in films like American Beauty and Revolutionary Road while it also returned through the power of stunts and action with his trip into the Bond universe with Skyfall and Spectre. With 1917 Mendes manages to fuse both of his skills in drama and his style of action together in a way that results with a unique film that will go down as one of the finest in 2020.
Plot wise 1917 is quite basic. It is set during World War I in France and General Erinmore (Colin Firth – A Single Man) receives word that an Allied attack is going to be walking right into a trap set by the Germans. In a desperate bid to stop the annihilation of 1600 men he gives Lance Corporal Blake (Dean-Charles Chapman – Game Of Thrones) and Lance Corporal Schofield (George MacKay – Peter Pan) a near impossible task. He asks them to go through the front-line and go behind the enemy line to deliver a letter that should stop the attack from ever happening.
In a lot of ways the style Mendes uses to tell the story is very similar to what Peter Jackson used with The Lord Of The Rings. The film itself entirely surrounds the impossible journey that the two embark on yet somehow Mendes stops the film from every becoming boring at all. Around every corner he places a new task and obstacle in the way of the pair and his idea of using a one-shot technique means that the audience is right there amongst the action. Whether it be urgently pushing past soldiers in the trenches, battling to swim against a raging river or coming under heavy enemy fire Mendes has the audience right there beside the heroes which only further enhances the suspense and intensity throughout the film.
Surprisingly the screenplay which Mendes co-wrote with Krysty Wilson-Cairns (Penny Dreadful) also keeps the dialogue to the bare minimum. For a lot of the film the pair either use silence or brief but powerful dialogue to get some in-depth points across. At one point Blake and Schofield debate whether war medals really mean anything or not, and while some writers would let it take up five minutes of the film Mendes and Wilson-Cairns let both characters make their point within a minute. Likewise anything we learn about the two men is fitted nicely into some of the most natural dialogue you will ever hear on the screen.
Such is Mendes’ maturity as a filmmaker that he never allows the action sequences to ever take anything away from the drama of the film. Plane crashes and enemy fire occur in real time and while it does have the audience on the edge of their seat Mendes never allows it to over-shadow the film’s major storyline or detract from it.
I have heard some people suggest that the film would have been further enhanced if the two leads had been more recognisable actors, but I fail to see how that would have helped. Chapman and MacKay put in absolutely brilliant performances and there could be very little more asked of them. The two share some very poignant scenes together and in all honestly they carry the film throughout as the camera never leaves them. Very few young actors could pull off such an intense acting performance but these two seem to do it with ease.
1917 is one of those films that leaves you in complete stunned silence as you watch it. Mendes never allows his audience to rest, instead he takes them on the journey with his two heroes using camera angles we haven’t seen since The Children Of Men. Yes at times 1917 feels utterly claustrophobic but it is also a visual delight that will find its audience going through a range of emotions as they view it. This film is a true classic that will be savoured by true movie lovers.