Summary: A group of immortal mercenaries discover a new recruit just as they find themselves being ‘hunted’.
Australian Cinema Release Date: TBA
Thailand Cinema Release Date: TBA
Australian VOD Release Date: 10th July 2020
Director: Gina Prince-Blythewood
Screenwriter: Greg Rucka
Cast: Joey Anash (Keane), Peter Brooke (Sergeant Wright), Simon Chandler (Father Sykes), Chiwetel Ejiofor (Copley), Majid Essaidi (Sadeq), Tuncay Gunes (Nelson), Steve Healey (David Eves), Aanya Hirdaramani (Savatt), Jordan Holland (Ashton), Natacha Karam (Dizzy), Marwan Kenzari (Joe), Kiki Layne (Nile), Anamaria Marinca (Dr. Meta Kozak), Luca Marinelli (Nicky), Harry Melling (Merrick), Van Veronica Ngo (Quynh), Shala Nyx (Gita), Olivia Ross (Celeste), Matthias Schoenaerts (Booker), Orlando Seale (Jean-Pierre), Charlize Theron (Andy), Mette Towley (Jordan), Micheal Ward (Lykon), Andrei Zayats (Andrei)
Running Time: 125 mins
Classification: MA15+ (Australia)
OUR THE OLD GUARD REVIEWS & RATINGS:
Dave Griffiths’ The Old Guard Review:
One of the winners out of the worldwide cinema lockdown has been streaming service Netflix. Many may have expected the service to sit back and simply count their cash as more and more people took up memberships to alleviate the lockdown boredom. Instead Netflix have decided to use this period to flex its creative muscle and once again show Hollywood that they well and truly ready to swim in the big pool now.
Of course last year the streaming platform showed that when it came to serious cinema they were well and truly in the fight when they created and released the Oscar nominated films The Irishman and Marriage Story. Then earlier this year Netflix showed it was ready to enter the blockbuster market when it released Extraction starring one of the world’s most recognisable actors, Chris Hemsworth. Now they show that was no fluke by dropping another popcorn-worthy blockbuster The Old Guard with Charlize Theron (Mad Max: Fury Road).
There is really only one way to describe The Old Guard – a thinking person’s blockbuster. Based on a four-part graphic novel series The Old Guard centres around a group of immortal mercenaries led by Andy (Theron). While the group are eagerly trying to find the whereabouts of a new ‘immortal’ Nile (KiKi Layne – If Beale Street Could Talk) they also realise that their latest mission, tasked to them by Copley (Chiwetel Ejiofor – 12 Years A Slave), was a set-up designed to bring them out into the open. It is there that mystery begins – who is Copley working for and why does it seem that he wants them captured?
It is a pretty basic plotline but together director Gina Prince-Blythewood (The Secret Life Of Bees) and screenwriter Greg Rucka (Whiteout) have managed to create an action-thriller that goes a little bit deeper than many would have expected.
Of course you have your action scenes. And while they may lack the visual brilliance of the ones in Extraction they are more than serviceable as Theron lays waste to enemy after enemy. But where The Old Guard trumps many other films in the action genre is when its plot takes it into deep themes such as how difficult it is to live with immortality, someone facing the fact that they are going to die sooner rather later and the ethical debate of whether medical science can really ever go too far. You could also possibly argue that another major ethically dilemma raised in the film is whether the owners of pharmaceutical companies are really in the business for their consumer’s health and well-being or whether or not it is all about the mighty buck. Yes, as you can see The Old Guard does indeed raise some pretty spicy and thought-provoking questions.
The Old Guard does work as a stand-alone film you do feel that a few scenes have been included to try and kick-start this as a franchise. While Andy’s flashback memories are a great way to show how she has suffered due to persecution and her immortality over the years they also serve as a way to introduce other characters you feel will return in the sequels.
Luckily that doesn’t distract too much from what works in this film. Casting wise Theron and the actors in her crew work remarkably well. The film also showcases the talents of Kiki Layne who seems to embrace the chance to play a character torn between who she can trust while trying to get her head around a world that she never knew existed. Fans of the Harry Potter franchise will also get a pleasant surprise when they get to see Harry Melling, who portrayed Dudley in the Potter-verse, turn up as the film’s Bond-like villain.
Of course The Old Guard is not going to reach the lofty award-winning heights of its stable-mates The Irishman and Marriage Story. Aimed at a different audience this is a film that will enjoyed by those who enjoy comic-book movies while showing the cinematic world that streaming services can now hire big name stars and place them in movies that can really pack a punch.
Kyle McGrath’s The Old Guard Review
Average Subculture Rating:
Other Subculture Entertainment The Old Guard Reviews:
Summary: When young Detective Chris Allen (Casey Affleck) is moved into a tough squad of the Atlanta Police Department he is unaware that his new partner, Marcus Belmont (Anthony Mackie), is corrupt and working with a group of criminals including Gabe Welch (Aaron Paul), Michael Atwood (Chiwetel Ejiofor), Russell Welch (Norman Reedus) and another corrupt officer, Franco Rodriguez (Clifton Collins Jnr.).
With the group running a series of robberies for Russian Mafia boss Irina Vlaslov (Kate Winslet) they find themselves stretched to the limit and it is decided that the only way to pull off the hardest of the robberies is to have Triple 9 (Police officer down) call put across the airwaves. Their chosen target is Chris because they know his uncle, respected Detective Jeffrey Allen (Woody Harrelson) will pull every officer onto the case.
Australian Cinema Release Date: 3rd March 2016
Australian DVD Release Date: TBA
Director: John Hillcoat
Screenwriter: Matt Cook
Cast: Terri Abney (Leah Green), Casey Affleck (Chris Allen), Armando Alonzo (Emilio), Michelle Ang (Trina Ling), Carlos Aviles (Fernando Rivera), Alexander Babara (Ben Feldman), Anthony Belevstov (Yussel Gotlib), Ian Casselberry (Gomez), Clifton Collins Jnr. (Franco Rodriguez), Luis Da Silva Jnr. (Luis Pinto), Chiwetel Ejiofor (Michael Atwood), Gal Gadot (Elena Vlaslov), Michael Harding (Walter Sims), Woody Harrelson (Jeffrey Allen), Karen Kaia Livers (Shanice), Anthony Mackie (Marcus Belmont), Blake McLennan (Felix), Valiant Michael (Sergio), E. Roger Mitchell (Smith), Teresa Palmer (Michelle Allen), Aaron Paul (Gabe Welch), Norman Reedus (Russell Welch), Terence Rosemore (Joshua Parks), Labrandon Shead (Sgt. Pete Nelson), Christiana Simonds (Christina), Michael Kenneth Williams (Sweet Pea), Kate Winslet (Irina Vlaslov)
Runtime: 115 mins
OUR TRIPLE 9 REVIEWS & RATINGS:
Yes it might be a year when we are getting films like Batman vs Superman and of course another Captain America film but one of the films I was most excited to see this year was Triple 9. Triple 9 looked like it would be interesting watch, not only did it have a stellar cast involved including two of my favourites Woody Harrelson and Kate Winslet (who never normally chooses a bad script) but was also directed by John Hillcoat whose filmography contains films like TheProposition, The Road and Lawless all films that have revealed that he is gritty director certainly worth watching the work of. Throw in a healthy dose of Police corruption and this was well and truly on the road to becoming one of my fave films of the year. That was until I sat down and watched it.
To be honest Triple 9 isn’t a bad film, in fact many elements of the film do in fact work. Hillcoat is at his normal gritty best with some realistic action sequences in which a normal cops and robbers chase across Atlanta becomes something of violent beauty, while some of the urban shoot-outs will have the audience on the edge of their seat. The problem with Triple 9 though is that it tries to do too much and is sadly let down by a script that needed just a few more re-writes.
It’s not surprising to learn that Triple 9’s screenwriter Matt Cook is a first time feature writer. The idea behind Triple 9 is sound but still the screenplay itself has some very big holes. First of all there is way too much happening and too many of the characters are too similar, so similar in fact that some of the critics at the Melbourne media screening were turning to each other and asking ‘who the hell was?’ after the screening… never a good sign.
As a screenwriter Cook seems to created quite a good world with a massive amount of back story that just doesn’t come through during the film. Just how did Michael start having a relationship with Elena, what ended etc are just never fully explained. Then there are huge plotholes like if all the team need is for a Triple 9 call to go over the airwaves do they really need to shoot a cop or can they just ‘pretend’ a cop has been shot? A seasoned screenwriter would have known to have ironed out things like that during the writing process but sadly that is something that Cook has overlooked. Hillcoat does all he can to make the screenplay watchable but just falls short of making this a decent film.
Likewise the weak screenplay also leaves some of the cast floundering as well. Luckily Casey Affleck and Kate Winslet are there to save things. Affleck does a more than admirable job playing the fresh faced Chris, but it is Winslet that really excels herself. Casting Winslet as a Russian Mafia boss was a risky pick. A pick so risky that if she had failed she could have been looking at finding herself in Golden Razzie territory, luckily though she is up to the task and Winslet delivers another fine performance… this time showing that she can pretty much handle anything that is thrown at her.
Also up to the task is Harrelson who seems to borrow a little bit from his role that he had in Rampart. Those suffering though are the likes of Antony Mackie, Aaron Paul and Chiwetel Ejiofor who in roles where they are severely hampered by the fact that their characters are dangerously clichéd. Then there are poor Gal Gadot, Teresa Palmer and Michelle Ang whose characters just seem to go missing for huge chunks of the film.
There is no doubt that with a little bit more work on the screenplay Triple 9 could have been a brilliant film. The poor screenplay unfortunately though leaves the audience asking too many questions and dumps this film right in the middle of a heap of other average films. While it may appeal to fans of The Shield don’t expect the writing of Triple 9 to ever lift it to anything near as brilliant.
Australian director John Hillcoat makes visceral, violent, dark and aggressively masculine thrillers, ranging from the bleak prison drama Ghosts… Of The Civil Dead through to the gritty outback western The Proposition, the apocalyptic journey into a heart of darkness with The Road or the prohibition era crime drama Lawless. And he seems to be able to attract A-list actors to work with him. Hillcoat’s latest film is another gritty and morally murky crime drama that is not for the squeamish or faint hearted. Triple 9 features a strong cast, some strong action sequences and a high body count. But it is also something of a disappointment given his body of work.
Written by first time writer Matt Cook, Triple 9 is set on the mean streets of Atlanta, Georgia, a lawless city full of crime and corruption where the gang and gun culture seems out of control. But the script itself raises too many questions and there are some gaping holes in the plot. Some of the dialogue is cliched, and the characterisation underdone.
When the film opens a carefully planned bank robbery is in progress. The thieves rob some money but their prime interest lies with a safety deposit box that holds some important documents vital to a Russian gangster incarcerated in a Siberian gulag. The thieves turn out to be a couple of former special forces operatives and a couple of corrupt cops. They have been blackmailed by the powerful Irina Vaslov (Kate Winslet, cast against type), the wife of the Russian gangster, into working for the Kosher Nostra, a criminal gang of Russian Jews. But Irina welshes on paying them, instead she forces them to break into a Homeland Security safe house, an even more secure location, to steal further incriminating evidence. The thieves plan to distract the police by killing honest cop Chris Allen (Casey Affleck).
On the trail of the daring brazen thieves is veteran detective Jeffrey Allen (Woody Harrelson), who happens to be Chris’s cousin.
The title comes from the police code for “Officer Down,” a code that sees police officers everywhere stop what they are doing and respond immediately to the distress signal. The film itself is full of some violent action, double crosses and revenge. But this contemporary heist thriller is also a morally empty film, and its seedy air of corruption and desperation reminds audiences of Training Day and the films of Sidney Lumet (Serpico, Dog Day Afternoon, etc).
Hillcoat certainly directs with energy and he maintains a fast pace throughout. He effectively ramps up the action with a superb urban shootout that imitates Michael Mann’s superb Heat, and an exciting adrenaline charged car chase on the city’s freeway.
Belgian cinematographer Nicholas Karakatsanis (the moody crime drama The Drop, etc) gives the film a grimy authenticity as he has shot the film largely using a restless handheld cameras to take us into the action. This is particularly effective in a couple of tense scenes. He has also shot in muted colours, lots of reds and blacks that is meant to intensify the mood, but the colour scheme also sometimes renders it hard to discern what is happening. The film has also been edited in that rapid, kinetic style by Dylan Tichenor (who has worked with the likes of Paul Thomas Anderson and Wes Anderson) which sometimes renders the action incomprehensible. And too many of the characters seems too similar and we never really get a handle on them and what makes them tick.
Strong performances from Affleck, Winslet and Harrelson bolster the film. Winslet steps into a role originally intended for Cate Blanchett (who wisely said “nyet”), but she adopts a convincing Russian accent and a cool icy demeanour. Affleck delivers one of his best perfomances yet as the fresh faced cop unaware of the corruption surrounding him. Harrelson is also good as the seedy and jaded veteran cop with an addiction problem, a role that has some similarities to his recent work in True Detective and the gritty drama Rampart.
Unfortunately, talented players like Anthony Mackie, Chiwetel Ejiofor, Clifton Collins jr, Breaking Bad‘s Aaron Paul and The Walking Dead‘s Norman Reedus find themselves stuck with cliched, one-dimensional characters ands do not leave much of an impression.
With its convoluted plotting and cliched characters, Triple 9 is unfortunately just another police action thriller that doesn’t really offer anything particualrly new or surprising.
John Hillcoat has an impressive back catalogue to show off. All of them tapping into a vein of masculinity being tested. Whether it be Ray Winstone saving face in The Proposition, Viggo Mortensen going above and beyond fatherly duties in The Road, or literally every cell mate in Ghosts… Of the Civil Dead. Based on a screenplay by Matt Cook, Triple 9 lets Hillcoat return to these themes and, well, triple them. Not always to great effect.
In Atlanta, Georgia, three professional criminals (Chiwetel Ejiofor, Norman Reedus and Aaron Paul) join up with two corrupt lawmen (Anthony Mackie and Clifton Collins Jnr) to rob a bank at the behest of a Russian mob wife (Kate Winslet). She stiffs the group on their reward, politely and violently asking them do one last robbery for the sake of her incarnated husband.
Each of the man has a lot to lose, financially and personally, if they don’t steam ahead. Ejiofor, for example, will lose custody rights to the kid he’s fathered with Winslet’s sister. So, realizing that the robbery is impossible unless they come up with a big enough distraction, the decision is made to kill a cop on the day. With Atlanta’s police searching for a cop killer, they should have plenty of time to get in and out unnoticed. Enter Casey Affleck as Mackie’s new partner, who he clearly doesn’t care for.
Triple 9 is bolshy, angry and suffers from excess in all departments. With such a pedigree of cast on display, I haven’t even mentioned Woody Harrelson yet, it’s understandable the film wants to get plenty of bang for its buck.
This should be an ensemble piece, but it feels like Triple 9 can’t decide who its focus is. Is it Affleck stumbling around naively? Is it Mackie wrestling with his subconscious? Perhaps it’s Ejiofor battling to see his son. Triple 9 wants it to be all of them. And that’s fine, but it doesn’t achieve its goals.
Meanwhile, Hillcoat’s direction paints a suitably sweaty, gritty world lit in blue and red. At it’s best, it’s a reminder of Ghosts… of the Civil Dead. At it’s worst it’s Heat as directed by Michael Bay, where men are real chest beating men and women have minimal dialogue or clothing. That’s not an exaggeration as Triple 9 ensures that anyone remotely female is saved for background or wifely duties. It’s only really Winslet that manages to rise above the heap and she does so with an outrageous accent.
There is still a lot to enjoy here, with some breathtaking set pieces that suggest Hillcoat could be eyeing up an action movies as his next gig. But this is then clouded by overripe dialogue, undercooked characterisation and so much backstabbing it makes Wild Things blush. Please understand, this isn’t a bad film. It’s perfectly serviceable, but it is not what we expect from Hillcoat, who has proven in the past he can play with restraint. Enjoyable, but a bit of a misstep.
Triple 9, directed by John Hillcoat and containing a decent cast consisting of Kate Winslet, Aaron Paul, Norman Reedus, Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Woody Harrelson and many more. Personally I am not one who is into all the Police and crime films but after seeing Triple 9 I must say that is a film that is definitely worth watching. The film opens with a bang consisting of a bank robbery and from that point on the film is non-stop action. There aren’t any big defying scenes of the film that consist of car chases and explosions but the film is very confronting when it comes to the criminal side of things. The film has a lot of graphic scenes which really gives the film a very dark feel to it. Some of the things I liked about the film was the story and the acting. The story itself had many twists and turns that you don’t see coming and it adds so much to the film when you see something you don’t believe would happen. The acting in the film from all the actors was incredible. The pure emotion that was seen on screen was great to me.
If your a fan of the Police and crime films this is a film that you really should go see.
This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick take a look at new release films ‘Triple 9,’ ‘The Lady In The Van,’ and ‘The Finest Hours’. This episode also contains interviews with Chiwetel Ejiofor, Casey Affleck, Anthony Mackie, Chris Pine, Robertino Zambrano (Love In The Time Of March Madness), and Janette Goodey (The Story Of Percivel Pilts).
Also listen out for the boys launching our brand new Rectify Season Three giveaway thanks to our good friends at eOne Entertainment. With this hit series starring Aden Young, J. Smith Cameron, Abigail Spencer and Sharon Conley now being released on DVD we have 5 copies to giveaway. In order to win listen out for Dave G asking this week’s question then head over to either our Facebook or Twitter page and send us a private message with the answer.
The brand new Z For Zachariah trailer has been released. The film which is directed by Craig Zobel and stars Chris Pine, Margot Robbie and Chiwetel Ejiofor is set for release in the United States on August 21.
The 2013 SAG Awards nominations are now in. Here they are:
Outstanding Performance By A Male Actor In A Leading Role
Bruce Dern (Nebraska)
Chiwetel Ejiofor (12 Years A Slave)
Tom Hanks (Captain Phillips)
Matthew McConaughey (Dallas Buyers Club)
Forest Whitaker (Lee Daniels’ The Butler)
Outstanding Performance By A Female Actor In A Leading Role
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Meryl Streep (August: Osage County)
Emma Thompson (Saving Mr. Banks)
Outstanding Performance By A Male Actor In A Supporting Role
Barkhad Abdi (Captain Phillips)
Daniel Bruhl (Rush)
Michael Fassbender (12 Years A Slave)
James Gandolfini (Enough Said)
Jared Leto (Dallas Buyers Club)
Outstanding Performance By A Female Actor In A Supporting Role
Jennifer Lawrence (American Hustle)
Lupita Nyong’o (12 Years A Slave)
Julia Roberts (August: Osange County)
June Squibb (Nebraska)
Oprah Winfrey (Lee Daniels’ The Butler)
Outstanding Performance By A Cast In A Motion Picture
12 Years A Slave – Bendict Cumberbatch, Paul Dano, Garrett Dillahunt, Chiwetel Ejiofor, Michael Fassbender, Paul Giamatti, Scoot McNairy, Lupita Nyong’o, Adepero Oduye, Sarah Paulson, Brad Pitt, Michael Kenneth Williams, Alfre Woodward
American Hustle – Amy Adams, Christian Bale, Louis C.K., Bradley Cooper, Paul Herman, Jack Huston, Jennifer Lawrence, Alessandro Nivola, Michael Pena, Jeremy Renner, Elisabeth Rohm, Shea Whigham
August: Osange County – Abigail Breslin, Chris Cooper, Benedict Cumberbatch, Juliette Lewis, Margo Martindale, Ewan McGregor, Dermot Mulroney, Julianne Nicholson, Julia Roberts, Sam Shepard, Meryl Streep, Misty Upham
Dallas Buyers Club – Jennifer Garner, Matthew McConaughey, Jared Leto, Denis O’Hare, Dallas Roberts, Steve Zahn
Lee Daniels’ The Butler – Mariah Carey, John Cusack, Jane Fonda, Cuba Gooding Jnr., Terrence Howard, Lenny Kravitz, James Marsden, David Oyelowo, Alex Pettyfer, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Forest Whitaker, Robin Williams, Oprah Winfrey
Outstanding Performance By A Male Actor In A Television Movie or Mini-Series
Matt Damon (Behind The Candelabra)
Michael Douglas (Behind The Candelabra)
Jeremy Irons (The Hollow Crown)
Rob Lowe (Killing Kennedy)
Al Pacino (Phil Spector)
Outstanding Performance By A Female Actor In A Television Movie or Mini-Series
Angela Bassett (Betty & Coretta)
Helena Bonham Carter (Burton And Taylor)
Holly Hunter (Top Of The Lake)
Helen Mirren (Phil Spector)
Elisabeth Moss (Top Of The Lake)
Outstanding Performance By A Male Actor In A Drama Series
Steve Buscemi (Boardwalk Empire)
Bryan Cranston (Breaking Bad)
Jeff Daniels (The Newsroom)
Peter Dinklage (Game Of Thrones)
Kevin Spacey (House of Cards)
Outstanding Performance By A Female Actor In A Drama Series
Claire Danes (Homeland)
Anna Gunn (Breaking Bad)
Jessica Lange (American Horror Story: Coven)
Maggie Smith (Downton Abbey)
Kerrry Washington (Scandal)
Outstanding Performance By A Male Actor In A Comedy Series
Alec Baldwin (30 Rock)
Jason Bateman (Arrested Development)
Ty Burrell (Modern Family)
Don Cheadle (House Of Lies)
Jim Parsons (The Big Bang Theory)
Outstanding Performance By A Female Actor In A Comedy Series
Mayim Bialik (The Big Bang Theory)
Julie Bowen (Modern Family)
Edie Falco (Nurse Jackie)
Tina Fey (30 Rock)
Julia-Louis Dreyfus (Veep)
Outstanding Performance By An Ensemble In A Drama Series
Boardwalk Empire – Patricia Arquette, Margot Bignham, Steve Buscemi, Brian Geraghty, Stephen Graham, Erik La Ray Harvey, Jack Huston, Ron Livingstone, Domenick Lombardozzi, Gretchen Mol, Ben Rosenfield, Michael Stuhlbarg, Jacob Ware, Shea Whigham, Michael Kenneth Williams, Jeffrey Wright
Breaking Bad – Michael Bowen, Betsy Brandt, Bryan Cranston, Lavell Crawford, Tait Fletcher, Laura Fraser, Anna Gunn, Matthew T. Metzler, RJ Mitte, Dean Norris, Bob Odenkirk, Aaron Paul, Jesse Plemons, Steven Michael Quezada, Kevin Rankin, Patrick Sane
Downton Abbey – Hugh Bonneville, Laura Carmichael, Jim Carter, Brendan Coyle, Michelle Dockery, Kevin Doyle, Jessica Brown Findlay, Siobhan Finneran, Joanne Froggatt, Rob James-Collier, Allen Leach, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Matt Milne, Lesley Nicol, Amy Nuttall, David Robb, Maggie Smith, Ed Speleers, Dan Stevens, Cara Theobold, Penelope Wilton
Game Of Thrones – Alfie Allen, John Bradley, Oona Chaplin, Gwendoline Christie, Emilia Clarke, Nikolaj Coster-Waldau, Mackenzie Crook, Charles Dance, Joe Dempsie, Peter Dinklage, Natalie Dormer, Nathalie Emmanuel, Michelle Fairley, Jack Gleeson, Iain Glenn, Kit Harington, Lena Headey, Isaac Hempstead Wright, Kristofer Hivju, Paul Kaye, Sibel Kekilli, Rose Leslie, Richard Madden, Rory McCann, Michael McElhatton, Ian McElhinney, Philip McGinley, Hannah Murray, Iwan Rehon, Sophie Turner, Carice Van Houten, Maisie Williams
Homeland – F. Murray Abraham, Sarita Choudhury, Claire Danes, Rupert Friend, Tracy Letts, Damian Lewis, Mandy Patinkin, Morgan Saylor
Outstanding Performance By An Ensemble In A Comedy Series
30Rock – Scott Adsit, Alec Baldwin, Katrina Bowden, Kevin Brown, Grizz Chapman, Tina Fey, Judah Friedlander, Jane Krakowski, John Lutz, James Marsden, Jack McBrayer, Tracey Morgan, Keith Powell
Arrested Development – Will Arnett, Jason Bateman, John Beard, Michael Cera, David Cross, Portia De Rossi, Isla Fisher, Tony Hale, Ron Howard, Liza Minnelli, Alia Shawkat, Jeffrey Tambor, Jessica Walter, Henry Winkler
The Big Bang Theory – Mayim Bialik, Kaley Cuoco, Johnny Galecki, Simon Helberg, Kunal Nayyar, Jim Parsons, Melissa Rauch
Modern Family – Julie Bowen, Ty Burrell, Aubrey Anderson Emmons, Jesse Tyler Ferguson, Nolan Gould, Sarah Hyland, Ed O’Neill, Rico Rodriguez, Eric Stonestreet, Sofia Vergara, Ariel Winter
Veep – Sufe Bradshaw, Anna Chlumsky, Gary Cole, Kevin Dunn, Tony Hale, Julia Louis-Dreyfus, Reid Scott, Timothy Simons, Matt Walsh
STUNT ENSEMBLE HONORS
Outstanding Action Performance By A Stunt Ensemble In A Motion Picture
All Is Lost
Fast & Furious 6
Outstanding Action Performance By A Stunt Ensemble In A Comedy or Drama Series