Tagged: Cillian Murphy

Summary:  Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path.

Year: 2021

Cinema Release Dates: 27th May 2021 (Australia), 24th June 2021 (Thailand), 3rd June 2021 (UK), 28th May 2021 (USA)

VOD Release Dates: TBA

Country: USA

Director: John Krasinski

Screenwriter: John Krasinski

Cast: Emily Blunt (Evelyn Abbott), Chad Corbi (Jim Chimney), Wayne Duvall (Roger), Djimon Hounsou (Man On Island), Noah Jupe (Marcus Abbott), John Krasinski (Lee Abbott), Scoot McNairy (Marina Man), Cillian Murphy (Emmett), Millicent Simmonds (Regan Abbott)

Running Time: 97 mins

Classification: M (Australia), 13 (Thailand), 15 (UK), PG-13 (USA)

OUR A QUIET PLACE PART II REVIEWS

David Griffiths’ A Quiet Place Part II Review:

Cinemas are back open and the movies are back with a BANG! There has been no ‘slow-opening’ when it comes to blockbusters being released with one of the most eagerly anticipated films of the year opening this week… after a delay of exactly a year (thanks Covid!!!).

Back in 2018 genre film fans were shocked when real-life husband and wife team John Krasinski (TV’S The Office) and Emily Blunt (Edge Of Tomorrow) brought their passion project, titled A Quiet Place, to the big screen. The film itself was a virtual cinematic masterpiece and fans begun asking for a sequel almost straight-away. Now that sequel has landed with A Quiet Place Part II and once again those fans are going to be enthralled.

Part II picks up exactly where the original film left off. The subsequent fire, thanks to the finale of Part 1, sees Evelyn Abbott (Blunt) and her kids, Regan (Millicent Simmonds – Wonderstruck) and Marcus (Noah Jupe – Honey Boy), seeking shelter elsewhere while the creatures still hunt them down whenever they make a noise.

They soon find shelter in an old mill alongside family friend, Emmett (Cillian Murphy – Inception), but when Regan finds a radio transmission on her father’s radio she becomes insistent that the group travel to where the feed is being transmitted from. She soon makes it known that if the others don’t follow her she is willing to go it alone.

It becomes very obvious early on with Part II that as a filmmaker Krasinki wanted to makes this film bigger and better than the original but without losing that ‘indie’ feel that was so obvious in the first film – and to his credit he manages to do that. The opening sequence which is a short prequel to the event is mind-blowing – brilliantly directed and still has a small town feel to it which makes it perfect fodder for those that love shows like Stranger Things.

From there though the film returns to the almost slower pace that made the first film so special. The film focuses on characterisation whether it be the audience being frustrated at behaviour of Marcus that often puts his family at risk or the emotional growth that we see from Regan this time around. The fact that the people behind the camera also had the sense to risk a large portion of this film being carried by young Millicent Simmonds pays off as well.

Simmonds is brilliant in this film and often steals scenes from her more experienced co-stars like Emily Blunt. She uses her deafness to her advantage in her portrayal of her character on screen and some of the film’s most important and memorable moments are played out with her alongside Cillian Murphy. Both Murphy and Simmonds are also made look even better by Krasinski and his cinematographer, Polly Morgan (Lucy In The Sky), who frequently give small nods to cult classics like Alien throughout the film.

The real key to A Quiet Place Part II working so well as a film though is the fact that Krasinski never allows this film to give in to the cheesiness that Hollywood so often feels like these films need. There are no tacky, throw-away lines placed into the film to try and get a cheap life and there are certainly none of those laughable jump scares that seem to litter horror and sci-fi films these days. It is obvious that Krasinski has learnt his craft by watching the films of the masters – directors like Spielberg, Carpenter and Scott, and thankfully for fans of the genre their work is mirrored in his.The Quiet Place Part II is better suited to those that have already seen the original film. While the flashback at the start of the film does do enough to give newcomers a bit of back-story once the film comes back to the current day there are things that happen that would only be understood by those who have seen the original. The great news is that for fans of the original this is a more than worthy watch and it reveals Millicent Simmonds as a future star in a role that is now truly memorable.

Dave’s rating Out Of 5

Kyle McGrath’s A Quiet Place Part II Review:

A Quiet Place was the 2018 surprise hit film directed by John Krasinski and starring himself and real world wife Emily Blunt as Lee & Evelyn Abbott, parents to Regan and Marcus played by Millicent Simmonds and Noah Jupe. Largely set a year and a half after strange brutal monsters have wiped out most of humanity by attacking anything which makes a sound. The film followed the Abbotts as they try to make a literal quiet life for themselves on their farm in this new world of terror as they expect the birth of a new child. One day a series of events lead to the family being stalked by at least one of these creatures (there are 3 in the area), during which Evelyn gives birth, Lee is killed and Regan, a deaf teenager, discovers that the hearing aid her father made for her while it doesnt help her hearing emits such a frequency that weakens the monsters impervious shell allowing for the family to finally take down the creature with aide of a shotgun. The film ends with a cliffhanger as 2 more monsters race to investigate the explosive sound.

A Quiet Place part 2 picks up directly after these events,  besides a flashback, where Evelyn, her 2 children and newborn infant are forced to flee their farm in search of aide and a new place to call home. They quickly come into contact with Emmett (Cillian Murphy) a neighbour with his own tragic story and former friend of the Abbotts in the old world. Upon hearing a radio broadcast the survivors set out to see if they can reach the source and if with Regan’s earpiece they might be able to honour her father Lee by providing some sort of larger scale fight back against these, until now, seemingly unbeatable monsters.

A Quiet Place was a movie that i personally didnt enjoy nearly as much as many others did. I found it to be a film with quite an interesting premise and being set in a world where characters had to remain as silent as possible I was really interested to see how it played out. Unfortunately while the movie featured a talented cast of actors, impressive special effects and effective jump scares the writing and world building I found somewhat lacking & hurt the believability of the film.

The thing which bothered me most watching the movie was that while I found John Krasinski had done an amazing job in taking a horror story of such an odd nature with little to no spoken dialogue and making it work extremely well, the film by its very nature almost encouraged the audience to think “why dont they do this, why dont they do that”. Some of this second guessing is inevitable with a genre film such as this but here was a movie with great actors, looked amazing and incredibly was never boring despite such long and silent moments when one could argue not much was happening. However I have to assume that most of the audience would like me be thinking about what they would find themselves doing in a situation such as the Abbotts found themselves in and this is just sitting in the audience for 90 minutes, rhe Abbotts have been living in this world for a year and a half and we see the story opens with the death of one of their children. If we the audience can think “maybe they should be living near that waterfall which provides cover for sound” maybe the Abbotts should have thought of these things as well. If I would carry around an egg timer or, hell, even a rock just to throw to the side to privide some sort of distraction for these blind creatures who hunt by sound maybe Lee Abbott should be as well.

It was an interesting movie and I was impressed that it made for such a unique cinema going experience where the audience feels the need to keep as quiet as possible like say a deep sea movie would encourage us to hold our breath. Some parts of the film I quite liked such as the family having a deaf daughter and knowing sign language, rather than this being a ridiculous coincidence I saw it as a reason that the Abbotts have survived so long, they already knew how to communicate with each other silently. But as the plot contrivances and holes began to pile up I couldn’t find ways to explain them all away.

A Quiet Place 2 however I found to be a different case. A lot more is happening here with much of the film surprisingly not focusing as much on Emily Blunt’s character but on Regan and Emmett as they go on a quest of there own to reach what they hope will be a settlement and more survivors. The question is would they be people worth saving.

Despite the original film’s cliche’d “she cocks the shotgun and it cuts to credits” apparent sequel bait ending I can 100% believe that John Krasinski is being honest when saying that they never intended to make a sequel. Reason being is remember those 2 monsters that were racing to destroy whatever had made that shotgun blast? Well they both disappeared from existence which makes watching this movie as some sort of double feature quite humorous indeed as an immediate threat is set up only to be instantly forgotten about. Having the remaining Abbotts quickly dispatch 2 monsters in the film’s opening when a single creature had stalked them the entire previous movie may have nerfed the central threat of the series a little but still Kathy Bates’ character from Misery would be pissed at such inconsistency.

A lot of this movie is put on the shoulders of both Cillian Murphy and especially Millicent Simmonds. Simmonds as Regan trying to do what her father would have done and Murphy as Emmett a man who has lost everything, including possibly his mind, needing to protect his dead friend’s daughter both provided incredible performances which more than carry the film. Cillian Murphy is one of the most talented actors of his generation and fits well into his role giving us a character we’re not sure if we can trust or not.

Emily Blunt somewhat falls to the side in this film which is a pity but while the last film’s theme of protecting one’s children suited her having a much more substantial role, this film’s theme of children growing up and leaving the nest means it wouldnt have worked here. On that note in fact I was somewhat disappointed that the character of Marcus and Evelyn’s roles in the latter half of the film had been exchanced. Not to give anything away but this movie features a scene that makes the previous films stepping on a nail look preferable. The result is that Marcus is forced to stay mostly in one location taking care of a newborn while Evelyn goes in search of medical supplies. I couldnt help but think both their actions could have been swapped around with Evelyn being in the unfavorable position of having both her son and daughter out in the wild with her unable to do anything to help them. Especially considering that Marcus’ character arc in this film, not to mention the whole “leaving the nest” theme, would have fit better had he been the one forced by circumstances to be the protector rather than the one being protected.

The film has plenty more going on in it this time than in the last film. The characters moving from one location to another rather than the entire film being set in one fortified location also avoids the issues I had with world building in the previous movie. The characters act in a more believable way as they are thrust into dangerous situatuons that occur naturally rather than preventable situations they should have prepared for.

As the narratives split to 3 different focal points throughout the story it must be said that a credible job is done to seemlessly jump from one storyline to another without awkwardness or lapses in tone. As tension builds with Marcus exploring his surroundings and not knowing what he will find or what will jump out at him it also is gearing up with Regan and Emmett on their quest.

Once again the movie makes for an incredibly tense cinema going experience. It really goes to show Krasinski’s ability as a director that he can have 100s of people sitting in a room deathly silent on the edge of their seats too afraid to be the one to disturb the quiet by crinkling a bag of crisps and woe betide anyone who forgot to put their phones on silent as they’ll earn the scorn of an entire cinema moreso than usual.

Rarely do I find myself enjoying a sequel as much or more than the original and even more rarely do I find myself such a fan of a sequel to a film I didnt really care for. A Quiet Place Part 2 like Happy Death Day 2U is one of those freak occurrences. I was surprised when this movie got pushed so far forward from its initial 2020 release date with no question of an on demand release. However with its small and talented cast directed with an impressive eye for tension and jump scares this is a genre film the likes of which deserves to be seen on the big screen as much as any huge blockbuster. The interesting premise of the original film is still going strong here and I’m interested to see where the franchise could go from here.

Kyle’s rating Out Of 5:

Lee Griffiths’s A Quiet Place Part II Review:

Lee’s rating Out Of 5:

Average Subculture Rating:

IMDB Rating:

A Quiet Place Part II (2020) on IMDb

Other Subculture A Quiet Place Part II Reviews:

Nil.

Trailer:

Warner Bros. Pictures and Roadshow Films are partnering with exhibitors to invite audiences to celebrate the 10thAnniversary re-release of Christopher Nolan’s critically acclaimed box office sensation INCEPTION on July 16. This special anniversary theatrical event will also give audiences a never-before-seen look at footage from Nolan’s highly anticipated film TENET, which will debut worldwide two weeks later, on July 30.

“As cinema lovers return to theatres across the country we are thrilled to be bringing TENET, Christopher Nolan’s latest epic, to the big screen,” Said Joel Pearlman, CEO Roadshow Films. “Fans of Nolan’s work know the scope and scale of his films are made for the theatrical environment and as we countdown to the opening of this latest global film event, we are excited to offer his classic INCEPTION in cinemas on its 10th anniversary, July 16th.”

John David Washington is the new Protagonist in Christopher Nolan’s original sci-fi action spectacle “Tenet.” Armed with only one word—Tenet—and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Not time travel. Inversion. The film also stars Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, with Michael Caine, and Kenneth Branagh.  Nolan wrote and directed the film and also produced with Emma Thomas.

“Inception,” a 2010 science fiction action film written and directed by Nolan, who also produced the film with Emma Thomas, stars Leonardo DiCaprio as a professional thief who steals information by infiltrating the subconscious of his targets. He is offered a chance to have his criminal history erased as payment for the implantation of another person’s idea into a target’s subconscious. The ensemble cast includes Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Dileep Rao, Cillian Murphy, Tom Berenger, and Michael Caine.

For further information on session times and participating cinemas, please visit your local cinema website for full details.

 

Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.

Starring Emily Blunt, Cillian Murphy, Millicent Simmonds, Noah Jupe, Djimon Hounsou and directed by John Krasinski A Quiet Place Part II will be released in cinemas on March 19th, 2020.

Transcendence

Summary: A terminally ill scientist downloads his mind into a computer. This grants him power beyond his wildest dreams, and soon he becomes unstoppable.

Year: 2014

Australian Cinema Release Date: 24th April, 2014

Australian DVD Release Date: TBA

Country: UK, China, USA

Director: Wally Pfister

Screenwriter: Jack Paglen

Cast: Johnny Bautista (Scott), Xander Berkeley (Dr Thomas Casey), Paul Bettany (Max Waters), Fernando Chien (Heng), Clifton Collins Jnr. (Martin), Johnny Depp (Dr. Will Caster), Morgan Freeman (Joseph Tagger), Lukas Haas (James Thomas), Rebecca Hall (Evelyn Caster), Corey Hardrict (Joel Edmund), Cole Hauser (Colonel Stevens), Falk Hentschel (Bob), Wallace Langham (Dr. Strauss), Steven Liu (Chiu), Kate Mara (Bree), Cillian Murphy (Agent Buchanan), Akshay Patel (James), Luce Rains (Roger), Josh Stewart (Paul)

Runtime: 119 mins

Classification: M

OUR TRANSCENDENCE REVIEWS & RATINGS:

Adam Ross: You can check out Adam’s Transcendence review on The Good The Bad The Ugly Film Show Ep #77

Stars(1)

Greg King: You can check out Greg’s Transcendence review on www.filmreviews.net.au

Stars(2)

Nick Gardener: You can check out Nick’s Transcendence review on Southern FM

Stars(2.5)

David Griffiths:

Transendence is one of those films that a first time director can only dream about being at the helm at for their debut. Just think about it, it’s an intriguing very modern story and then you find out that the likes of Johnny Depp, Morgan Freeman and Paul Bettany are queuing up for roles. It is no secret that the true cinemaphiles have been waiting for the day that cinematographer Wally Pfister steps up to the director’s seat. After all this is a man who has worked on some of the most iconic films of the modern age – films like Memento, Insomnia, Inception and The Dark Knight trilogy. Pfister has more than done his time as the ‘apprentice’ and when his mentor Christopher Nolan decided to pass on the Transendence project he was the perfect man for the job, but sadly he is let down by a script that never really gave this film a fighting chance.

The film takes it audience deep into the world of artificial intelligence by following Dr. Will Caster (Johnny Depp – Lucky Them, The Lone Ranger), his wife Evelyn (Rebecca Hall – A Promise, Closed Circuit) and his co-worker Max Waters (Paul Bettany – Iron Man 3, Blood). The together the three of them have been taking the science world by storm as they come closer to closer in bridging the gap between computers and humans.

While there work has impressed rivals such as Joseph Tagger (Morgan Freeman – The Lego Movie, Last Vegas) it has also warranted the attention of a renegade group of vigilantes, which includes Bree (Kate Mara – Deadfall, TV’S House Of Cards), who believe that science is going too far. The result is that one of these group members guns down Will with a radioactive bullet. Evelyn and Max then work hard to bring Will online before he dies while Agent Buchanan (Cillian Murphy – Aloft, The Dark Knight Rises) tries to hunt down those responsible.

The second half of the film that takes a completely different tack. With Will online and working with Evelyn, Max has now teamed up with the vigilantes and believes the work is evil and needs to be stopped. Together with Agent Buchanan and Joseph Tagger they all work at a way to stop Will from taking over the world.

If that synopsis sounds ridiculous then it goes part of the way of explaining just how hard it is to watch Transcendence. The film starts well enough but by the time the lone gunman guns down Will with a radioactive bullet rather than just simply killing him you begin to realise that this is a film that jumps the shark at every possible chance.

At a glance Jack Paglen’s screenplay seems intelligent but after giving the film much thought you soon begin to realise that the plot makes no sense at all and that he has simply tried to use techno babble throughout, that actually makes no sense. Honestly at times it does seem like the actors have no idea what they are reading at all.

Then there is the plausibility of what actually happens. Nothing ever seems to be fully explained, not even simple things such as Max’s defection to ‘the other side.’ One moment he is kidnapped and the next moment he is working with the group, what was it that he was shown that made him change his mind, or was it just simply a case of Stockholm Syndrome… we don’t know because we are never told. Paglen can’t even work out whether he is for or against such technology at all, this is evident by the fact that the film just seems to skirt around the edges and never make a serious stance either way.

Even the top notch cast here cannot save Transcendence. Johnny Depp once again shows that when he is away from his Pirates Of The Caribbean his lack of acting ability is evident for all to see while the likes of Cillian Murphy, Paul Bettany and Morgan Freeman are simply wasted in their roles. In fact you can only wonder why the three of them even decided to sign on for the film in the first place. The only cast member who does get a chance to show anything at all is Rebecca Hall, but then even she isn’t really a standout.

Transcendence will go down as one of the biggest cinema failures of 2014, and rightfully so. The wishy-washy script makes for a dull watch that even seemed to bore its cast.

Stars(2)

 

Average Subculture Rating (out of 5): Stars(2)

IMDB Rating: Transcendence (2014) on IMDb

Other Subculture Media Reviews of ‘Transcendence′: Please check our full Transcendence review that aired on The Good The Bad The Ugly Film Show Ep #77

Trailer:

Transcendence

The trailer for the new film “Transcendence” has just been released. The film is directed by Wally Pfister, produced by Christoper Nolan and stars Johnny Depp, Kate Mara, Morgan Freeman, Rebecca Hall, Cillian Murphy and Paul Bettany. The film opens in the U.S. on the 18th April, 2014. You can view the Transcendence trailer below.

 

Broken

Summary: Directed by multi-award winning theatre director, Rufus Norris, and starring Tim Roth and Cillian Murphy, BROKEN is a captivating and heartbreaking exploration of love in all its many forms, set in a seemingly normal street of contemporary Britain. Introducing young Eloise Laurence in an extraordinary debut performance, Broken features an unforgettable soundtrack by Blur’s Damon Albarn and is based on the acclaimed British novel by Daniel Clay, inspired by Harper Lee’s To Kill a Mockingbird.

Year: 2012

Australian Cinema Release Date: 16th May, 2013

Australian DVD Release Date: TBA

Country: UK

Director: Rufus Norris

Screenwriter: Mark O’Rowe, Daniel Clay (novel)

Cast: Martha Bryant (Sunrise), Clare Burt (Mrs. Buckley), Faye Daveney (Saskia), Robert Emms (Rick Buckley), Lino Facioli (Stephen), Lukas Fernandes-Pendse (Henry Barlow), Michael Fernandes-Pendse (Harry Barlow), Nell Tiger Free (Anna), Rory Girvan (Wayne), Seeta Indrani (Dr. Mortimer), Lily James (Older Skunk), Rory Kinnear (Bob Oswald), Rosalie Kosky (Susan Oswald), Eloise Laurence (Skunk), Denis Lawson (Mr. Buckley), Zana Marjanovic (Kasia), Bill Milner (Jed), Cillian Murphy (Mike Kiernan), Tim Roth (Archie), George Sargeant (Dillon), Nicola Sloane (Doctor Sinclair)

Runtime: 90 mins

Classification:MA5+

SUBCULTURE MEDIA/THE GOOD THE BAD THE UGLY FILM SHOW REVIEWS/RATINGS OF ‘BROKEN’:

David Griffiths: Stars(5)

Please check Dave’s review of ‘Broken’ that is available on The Helium Entertainment Channel.

Adam Ross: Stars(5)

Please check Adam’s review of ‘Broken’ that is available on www.thecrat.com.

Greg King: Stars(3.5)

Please check Greg’s review of ‘Broken’ that is available on www.filmreviews.net.au

Nick Gardener: Stars(3.5)

Please check Nick’s review of ‘Broken’ that is available on The Good The Bad The Ugly Film Show.

Average Subculture Rating (out of 5): Stars(4)

IMDB Rating: Broken (2012) on IMDb

Other Subculture Media Reviews of ‘Broken′: Check Episode #32 of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Broken’.

Trailer:

Summary: Eight years on, a new terrorist leader, Bane, overwhelms Gotham s finest, and the Dark Knight resurfaces to protect a city that has branded him an enemy.

Year: 2012

Australian Cinema Release Date: 19th July, 2012

Australian DVD Release Date: 28th November, 2012

Country: United States/United Kingdom

Director: Christopher Nolan

Screenwriter: David S. Goyer, Bob Kane (characters), Christopher Nolan, Jonathan Nolan

Cast: Alon Aboutboul (Dr. Pavel), Christian Bale (Bruce Wayne/Batman), Rob Brown (Allen), Michael Caine (Alfred), Marion Cotillard (Miranda), Marvin Duerkholz (Logan), Aaron Eckhart (Harvey Dent), Chris Ellis (Fr. Reilly), Will Estes (Officer Simon Jansen), Tyler Dean Flores (Mark), Morgan Freeman (Fox), Gus Lewis (Bruce Wayne Age 8), Joseph Gordon-Levitt (Blake), Burn Gorman (Stryver), Tom Hardy (Bane), Anne Hathaway (Selina), Reggie Lee (Ross), Ben Mendelsohn (Daggett), Matthew Modine (Foley), Cillian Murphy (Dr. Jonathan Crane/Scarecrow), Liam Neeson (Ra’s Al Ghul), John Nolan (Fredericks), Gary Oldman (Commissioner Gordon), Josh Pence (Young Ra’s Al Ghul), Daniel Sunjata (Captain Jones), Juno Temple (Jen)

Runtime: 165 mins

Classification: M

Dave Griffiths’s ‘The Dark Knight Rises’ Review:

Let’s be honest when director Christopher Nolan (Inception, The Dark Knight) created The Dark Knight he set the bar pretty high for his Batman trilogy. How do you put together a finale when the second film of the trilogy is globally described as a cinematic masterpiece? With The Dark Knight Rises Nolan had his work cut out for him, but so talented is he that he yet again manages to create a film that is a serious contender film of the year.

The Dark Knight Rises is set eight years after the finale of The Dark Knight. While Gotham remembers Harvey Dent as a hero Batman (Christian Bale – The Flowers Of War, The Fighter) is remembered as a murderer and is still considered an outlaw. Commissioner Gordon (Gary Oldman – Lawless, Tinker Tailor Soldier Spy) knows the truth but doesn’t have the courage to speak out.

Meanwhile Bruce Wayne (Christian Bale) has hidden himself away from the public, the only person he allows to see him is the trusty butler, Alfred (Michael Caine – Journey 2: The Mysterious Island, Car 2). Bruce is unaware that he still has supporters out there though, people like young police officer Blake (Joseph Gordon-Levitt – 50/50, Inception) who are just waiting for the day for their hero to rise.

Bruce’s interest in the world returns when he meets a cat burglar, Selina (Anne Hathaway – One Day, Rio) who seems to be a small part of a scheme put together by the extremely dangerous Bane (Tom Hardy – Lawless, This Means War).

Nolan brings an entirely different feeling to The Dark Knight Rises then what he allowed to come through in The Dark Knight or Batman Begins. While The Dark Knight focused on the psychological (like its ‘bad guy’ The Joker) The Dark Knight rises mirrors Bane with its focus on violence mixed with a sensationally creative storyline that has its audience guessing at every turn.

Like he did with Inception Nolan also allows the visuals of The Dark Knight Rises to visually stimulate his audience. The early shots from the plane look amazing, as does many of his cityscape shots. As a director/screenwriter he really is someone he has realised that even action movies need to have substance if they are to be taken seriously.

Christian Bale, as usual, puts in a dominant performance as Bruce/Batman, but even he is overshadowed by a brilliant performance by Joseph Gordon-Levitt. Despite his performance in Inception he is still underrated, yet here he once again shows the world just how good he really is.

The actor you have to feel sorry for is Tom Hardy. He is seriously held back by his character, Bane. He looks physically intimidating but a lot of his characterization is ripped away by the fact that the mask he has to wear completely denies him the opportunity to use his voice or facial expressions to show emotions.

Of course many eyes are on Anne Hathaway as Selina/Catwoman. She does an okay job but you can only wonder whether someone like Angelina Jolie would have done a better job. Michael Caine also does some wonderfully emotional acting but poor old Morgan Freeman (The Magic Of Belle Isle) and Marion Cotillard (Rust & Bone, Contagion) seems underused in their roles.

The Dark Knight Rises is a film that must be seen on the big screen, once again Christopher Nolan has delivered a film that can instantly be filed under film classics.

Other Subculture Media Reviews of ‘The Dark Knight Rises’: http://www.helium.com/items/2350626-movie-reviews-the-dark-knight-rises-2012.

Rating: 5/5 Stars

IMDB Rating: The Dark Knight Rises (2012) on IMDb