Tagged: Daniel Kaluuya

Summary: A couple’s first date takes an unexpected turn when a police officer pulls them over.

Year: 2020

Australian Cinema Release Date: 12th March 2020

Thailand Cinema Release Date: TBA

Australian DVD Release Date: TBA

Country: United States, Canada

Director: Melina Matsoukas

Screenwriter: Lena Waithe

Cast: Flea (Mr Shepherd), Melina Halfkenny (Naomi), Daniel Kaluuya (Slim), Benito Martinez (Sheriff Edgar), Indya Moore (Goddess), Chloe Sevigny (Mrs. Shepherd), Sturgill Simpson (Police Officer Reed), Bryant Tardy (Chubby), Jodie Turner-Smith (Queen), Jahi Di’Allo Winston (Junior), Bokeem Woodbine (Uncle Earl)

Running Time: 132 mins

Classification: MA15+ (Australia)

 

 

OUR QUEEN & SLIM REVIEWS & RATINGS:

 

Dave Griffiths’ Queen & Slim Review

There have been a number of films over the years that have dealt with the topic of white Police violence against black citizens. Films like Fruitville Station and The Hate U Give have shown a spotlight on the issue with some sheer cinematic brilliance. Now comes Queen & Slim a film that explores the topic while bordering on being a genre flick.

Directed by Melina Matsoukas (Insecure) Queen & Slim possibly depicts one of the worst Tinder dates of all time. Bored and frustrated are having one of her clients put to death lawyer Queen (Jodie Turner-Smith – Jett) responds to a Tinder request from the quiet and law-abiding Slim (Daniel Kaluuya – Black Panther). However, the date ends disastrously when on their way home they are pulled over by a white Police Officer. When he pulls his gun and shoots Queen Slim is forced to kill him in self defence.

Convinced that nobody will believe their story the pair begin a journey across America aided by Slim’s ex-military turned criminal Uncle Earl (Bokeem Woodbine – Spider-Man: Homecoming) as they try to evade the manhunt that is now coming their way. Meanwhile the rest of America takes sides – some say they should be brought in as criminals while others want to help them escape Police.

The first thing that I should say about Queen & Slim is that this is not a multiplex film. I’ve read comments that the film is over-long etc. That simply is not true, but as you view the film your realise that Matsoukas has shot this is a way that is reminiscent of the arthouse films that Larry Clarke made in his heyday – films like Bully and Kids that made a point and stuck with you long after the credits had rolled.

The style in which Matsoukas has shot this film is hard-hitting and gritty. She is a filmmaker who is obviously not afraid to take risks – how many other filmmakers these days would have the courage to have an entire scene shot from a camera mounted and locked off on a car. Her style also allows the audience to feel like they are part of the action which in turn makes you feel a lot closer to the two main characters – Queen and Slim. The result is an understanding and closeness to them that most other filmmakers could only dream about capturing.

Having said that though there are some weaknesses with the film. At times it feels like as a director Matsoukas has been let down by the screenplay she is working with. There are too many times during the film were events happen that should be treated as major events but are never fully explored. From a man who wants to talk to them but is hit by their car through to a teenager who idolises them despite his father’s beliefs, these events happen way too fast and the audience never really get to feel the full affect of the events that surround these characters.

The film is at its best though when it allows the audience to soak up the locations and the characters that the characters find themselves around as the film goes on. One of the best characters in the film is Queen’s Uncle Earl and because of the extended time you spend with him as character the impact of his involvement in the story weighs more heavily for the audience watching. Likewise when Slim takes Queen to a dingy blues bar – the suspense is through the roof as you are never really sure whether the couple are welcome there or whether someone will turn them in.

One of the highlights of the film though are the acting performances. If nothing else Queen & Slim has introduced the cinematic world to two future stars. Daniel Kaluuya and Jodie Turner Smith put in two stunning performances. No matter whether they are asked to deliver a deep and meaningful dramatic scene moved along only by dialogue or asked to perform graphic sex in the front seat of a car the two deliver in spades. As the film meanders along you get a strong feeling that these two actors are people we are going to be watching on the big screen for many years to come.

As a film Queen & Slim does have its flaws but it also has moments of true cinematic awe as well. Two brilliantly performed roles by the film’s stars makes up for the film’s errors while Bokeem Woodbine makes a welcome return in a truly memorable performance that only he could deliver. Likewise the film introduces us to a filmmaker that can only be described as a director that we all need to become aware of. Melina Matsoukas’ gritty style of filmmaking is a welcome relief in a cinematic world where it feels like every film needs to look ‘clean.’ Hard-hitting and at times experimental Queen & Slim is not a film that is easy to forget.

 

 

 

IMDB Rating: 
Queen & Slim (2019) on IMDb

Other Subculture Entertainment Queen & Slim Reviews: N/A

Trailer:

Sicario

Summary: When FBI Agent Kate Macer (Emily Blunt), her partner Reggie (Daniel Kaluuya) and her boss, Jennings (Victor Garber) accidentally uncover a Mexican drug cartel’s house of death Kate suddenly finds herself thrust into a brand new, very dangerous world.

With Jennings’ blessing Kate finds herself recruited to join a black-op mission led by special Agent Matt graver (Josh Brolin) and a Columbian operative known only as Alejandro (Benicio Del Toro). The mission soon sees Kate very much in the middle of the borderland drug war in a word where there seems to be no rules whether you are on the side of good or evil.

Year: 2015

Australian Cinema Release Date: 24th September 2015

Australian DVD Release Date: TBA

Country: USA

Director: Denis Villeneuve

Screenwriter: Taylor Sheridan

Cast: Edgar Arreola (Guillermo), Jon Bernthal (Ted), Emily Blunt (Kate Macer), Josh Brolin (Matt Graver), Julio Cedillo (Fausto Alarcon), Benicio Del Toro (Alejandro), Laurence Scott Deveraux (Alex Driver), Jeffrey Donovan (Steve Forsing), Victor Garber (Dave Jennings), David Garver (Bob Fisks), Maximiliano Hernandez (Silvio), Daniel Kaluuya (Reggie Wayne), Lora Martinez-Cunningham (Jacinta), Jesus Nevarez-Castillo (Eliseo), Hank Rogerson (Phil Coopers), Bernardo P. Saracino (Manuel Diaz), Boots Southerland (U.S. Marshall Keith), Adam Taylor (U.S. Marshall Kevin), Matthew Tompkins (Jessie Garza), Raoul Trujillo (Rafael), Kevin Wiggins (Burnett)

Runtime: 121 mins

Classification: M

 

OUR SICARIO REVIEWS & RATINGS:

 

David Griffiths:

No I’m not chucking in my card to the Comic Book And Cult Film Lovers Association but one of the films I was most looking forward to this year was Sicario. Yes I am not too embarrassed to admit that the fact that a certain director is at the helm of a movie is sometimes enough to make me wanna see a film and that was certainly the case here. See to me Denis Villeneuve’s last film was a cinematic masterpiece. I can watch Prisoners over and over again and find something new that I like about each time, add that to the fact that Villeneuve was directing a borderland crime film starring Josh Brolin and yes Sicario had me at hello. My biggest fear for Sicario was that Hollywood would have claimed Villeneuve and that he would decide to rope in his grittiness and harshness, luckily that certainly isn’t the case here.

Many have labeled Sicario a blockbuster for this year, yet that title just doesn’t seem to fit comfortably with this film. This film is harsh, bloody harsh and it’s not hard to see that the popcorn set are going to struggle with the film’s brutal opening in with Kate finds a house that contains more dead bodies than your local morgue. And in typical Villeneuve fashion he doesn’t make it easy watch for its audience, no as he goes in for the close-up on a decaying man’s face you are well and truly aware of the fact that while he is making a Hollywood film he certainly hasn’t been claimed by Hollywood.

Visually Sicario is a blessing. Villeneuve along with DOP Roger Deakins have made this movie look like some kind of modern day western with it’s yellow tinge and cinematic aerial desert shots, and somehow that works wonders with Brolin and Del Toro cruising around like modern day Sherrifs seeking vengeance. Sadly though Sicario’s screenplay isn’t always as good as the visuals the audience are being treated to. Unlike Prisoners this film has some weak points that leave the audience shaking their head, nothing major but little moments like Kate picking up the Police Officer in the bar… isn’t it just too much coincidence that her partner would just happen to be good friends with the guy?

Still there are powerful moments in Sicario, moments that are so powerful that they will stick in your mind for ages. From the fact that this is a very much anti-Mexican tourism video as Villeneuve takes you past bodies hanging from Mexican border-town overpasses to suspenseful scenes such as the border battle which will have any cinema lover watching with baited breath. Then there is the magnificent finale with Del Toro and a dining table… I’m not going to say anything else but that as I don’t want to spoil the film… but hell it is one of the most suspenseful scenes you are going to see in cinema for a long, long time. Adding to the suspense all throughout this film is the pounding soundtrack that simply becomes a character upon itself.

Now you may have heard some people criticize Emily Blunt’s acting performance in Sicario. Don’t believe it. She puts in a great effort and those complaining about her performance are simply looking for something that doesn’t need to be there. Kate is not Lara Croft in a Police uniform. She’s a very innocent but good at her job cop normally used to dealing with hostage situations who suddenly finds herself thrown into a world she just doesn’t understand. Anyone that goes into this film expecting Blunt to be the gun-ho character she was in Edge Of Tomorrow is going to be disappointed, it’s just not what Kate is.

Then there is Brolin and Del Toro who knock their performances out of the park. Brolin is gruff and rough as you expect him to be and is well backed up by Del Toro who has an air of mystery about him from the moment he first appears on the screen here. Some of the Del Toro’s performances have been a little questionable recently (no I still have not recovered from that scene with him, Diaz and a windshield in The Counselor) but here he bounces back with a brutal performance and for once he doesn’t over act his way through it. He’s just on song.

If you’re a fan of Denis Villeneuve’s past films you are certainly not going to be disappointed by Sicario. It is brutal, rough and in-your-face, just the way a crime thriller should be. Brolin and Del Toro bring their A-Games and this is one film that is a must see for 2015.

Stars(4)

 
 

 

 

Adam Ross:

You can hear Adam’s full Sicario review on The Good The Bad The Ugly Film Show Ep #147

 

 

 

Stars(4)

 

 

 

 

Greg King:

You can read Greg’s full Sicario review on www.filmreviews.net.au

 

 

 

Stars(4)

 

 

 

Nick Gardener:

 

You can hear Nick’s full Sicario review on The Good The Bad The Ugly Film Show Ep #147

 

 

 

 

 

 

Stars(4)

 

 

 

 

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: Sicario (2015) on IMDb

 

Other Subculture Entertainment Sicario reviews: You can listen to our full Sicario  review on The Good The Bad The Ugly Film Show Ep #147. You can also read our Sicario review on The Book The Film The T-Shirt.

Trailer:

Kick-Ass 2

Summary: Kick-Ass, Hit Girl and Red Mist return for the follow-up to 2010’s irreverent global hit: Kick-Ass 2. After Kick-Ass’ (Aaron Taylor-Johnson) insane bravery inspires a new wave of self-made masked crusaders, led by the badass Colonel Stars and Stripes (Jim Carrey), our hero joins them on patrol. When these amateur superheroes are hunted down by Red Mist (Christopher Mintz-Plasse) – reborn as The Mother F%&*^r – only the blade-wielding Hit Girl (Chloë Grace Moretz) can prevent their annihilation. With graduation looming and uncertain what to do, Dave decides to start the world’s first superhero team with Mindy. Unfortunately, when Mindy is busted for sneaking out as Hit Girl, she’s forced to retire. With no one left to turn to, Dave joins forces with Justice Forever, run by a born-again ex-mobster named Colonel Stars and Stripes.

Year: 2013

Australian Cinema Release Date: 22nd August, 2013

Australian DVD Release Date: TBA

Country: United States, United Kingdom

Director: Jeff Wadlow

Screenwriter: Jeff Wadlow, Mark Millar (comic book), John Romita Jnr. (comic book)

Cast: Amy Anzel (Mrs. Zane), Lee Asquith-Coe (Officer Barnhart), Lindy Booth (Night Bitch), Garret M. Brown (Mr. Lizewski), Yancy Butler (Mrs. D’Amico), Jim Carrey (Colonel Stars & Stripes), Morris Chestnut (Detective Marcus Williams), Enzo Cilenti (Lou), Cinna (Eisenhower), Trenyce Cobbins (Coach Podell), Samantha Coughlan (Apocalypse Meow), Elles Crewe-Candy (Pimp Daddy), Clark Duke (Marty/Battle Guy), Robert Emms (Insect Man), Donald Faison (Dr. Gravity), Tanya Fear (Harlow), Lyndsy Fonseca (Kate Deauxma), Iain Glen (Uncle Ralph), Angelica Jopling (Lois), Daniel Kaluuya (Black Death), Olga Kurkulina (Mother Russia), Claudia Lee (Brooke), John Leguizamo (Javier), Chuck Liddell (himself), Christopher Mintz-Plasse (Chris D’Amico/The Motherfucker), Chloe Grace Moretz (Mindy Macready/Hit-Girl), Wesley Morgan (Simon), Andy Nyman (The Tumor), Amanda Piery (Moon Bird), Augustus Prew (Todd/Ass Kicker), Ella Purnell (Dolce), Parker Sawyers (Blast Hammer), Stewart Scudamore (Eyal), Matt Steinberg (Mr. Radical), Aaron Taylor-Johnson (Dave Lizewski/Kick-Ass), Dimitri Vantis (Tony), Benedict Wong (Mr. Kim), Sophie Wu (Erika Cho), Tom Wu (Genghis Carnage)

Runtime: 103 mins

Classification:MA15+

OUR REVIEWS/RATINGS OF ‘THE MORTAL INSTRUMENTS: CITY OF BONES’:

David Griffiths: Stars(3)

Please check Dave’s review of ‘Kick-Ass 2’ that is available on The Helium Entertainment Channel

Greg King: Stars(3)

Please check Greg’s review of ‘Kick-Ass 2’ that is available on www.filmreviews.net.au

 

Nick Gardener: Stars(3)

Please check Nick’s review of ‘Kick-Ass 2’ that is available on ‘The Good The Bad The Ugly Film Show’ Episode #46

 

Adam Ross: Stars(3)

Please check Adam’s review of ‘Kick-Ass 2’ that is available on ‘The Good The Bad The Ugly Film Show’ Episode #46

Average Subculture Rating (out of 5): Stars(3)

IMDB Rating:  Kick-Ass 2 (2013) on IMDb

Other Subculture Media Reviews of ‘Kick-Ass 2′: Please check Episode 46 of ‘The Good The Bad The Ugly Film Show’ for more reviews of ‘Kick-Ass 2’.

Trailer: