In 2018, David Gordon Green’s Halloween, starring icon Jamie Lee Curtis,killed at the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman.
And the Halloween night when Michael Myers returned isn’t over yet.
Minutes after Laurie Strode (Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor.
But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster.
The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.
Evil dies tonight.
Universal Pictures, Miramax, Blumhouse Productions and Trancas International Films present Halloween Kills, co-starring Will Patton as Officer Frank Hawkins, Thomas Mann (Kong: Skull Island) and Anthony Michael Hall (The Dark Knight).
From the returning filmmaking team responsible for the 2018 global phenomenon, Halloween Kills is written by Scott Teems (SundanceTV’s Rectify) and Danny McBride and David Gordon Green based on characters created by John Carpenter and Debra Hill. The film is directed by David Gordon Green and produced by Malek Akkad, Jason Blum and Bill Block. The executive producers are John Carpenter, Jamie Lee Curtis, Danny McBride, David Gordon Green and Ryan Freimann.
Get ready for singing, dancing, teen romance and whole lot of eyeshadow!
Set to a rock ’n roll ‘80s soundtrack produced by the legendary Harvey Mason, Jr. with dance numbers by choreographer Mandy Moore(La La Land), Valley Girl is a musical adaptation of the classic 1983 hit film starring Nicolas Cage that changed American teenage life forever.
Julie (Jessica Rothe, La La Land) is the ultimate ‘80s Valley Girl. That is, until she falls hard for Randy (Josh Whitehouse, Poldark), a Sunset Strip punk rocker, who challenges everything Julie stands for. Despite push-back from friends and family, Julie must break out of the safety of her world to follow her heart and discover what it really means to be a Valley Girl.
Directed by Emmy Award-winner Rachel Lee Goldenberg (A Deadly Adoption), Valley Girlalso stars Chloe Bennet(Agents of S.H.I.E.L.D.),Mae Whitman(The Perks of Being a Wallflower),Ashleigh Murray(Riverdale),Jessie Ennis(Better Call Saul),Rob Huebel(The Goldbergs),Judy Greer(Kidding),Alicia Silverstone (American Woman), Camila Morrone(Never Goin’ Back) and Logan Paul (The Space Between Us).
ValleyGirl premieres from midnight tonight in Australia, only on Stan. The original 1983 film is also available to stream now on Stan.
Summary: Life isn’t going well for Scott Lang (Paul Rudd). After famously being arrested for a modern day Robin Hood crime his release from prison finds himself unable to keep down a job – a big issue since his ex-wife, Maggie (Judy Greer), and her new partner Police Detective Paxton (Bobby Cannavale) won’t give him any form of custody to his daughter, Cassie (Abby Ryder Forsten).
He finally gives in to his best friend’s urges and decides to help out with a heist that suddenly finds him being recruited by Dr. Hank Pym (Michael Douglas) to become ‘Ant-Man.’ While Pym’s daughter, Hope (Evangeline Lilly), thinks it is a bad idea soon Scott is being trained to help prevent the money hungry Darren Cross (Corey Stoll) from selling technology that is destined to be used for evil.
Australian Cinema Release Date: 16th July 2015
Australian DVD Release Date: TBA
Country: United States
Director: Peyton Reed
Screenwriter: Edgar Wright, Joe Cornish, Adam McKay, Paul Rudd, Stan Lee (comic), Jack Kirby (comic), Larry Lieber (comic)
Cast: Hayley Atwell (Peggy Carter), Carlos Aviles (Carlos), Nicholas Barrera (Ernesto), Bobby Cannavale (Paxton), Joe Chrest (Frank), Robert Crayton (Peachy), David Dastmalchian (Kurt), Martin Donovan (Mitchell Carson), Michael Douglas (Dr. Hank Pym), Chris Evans (Steve Rogers/Captain America), Abby Ryder Fortson (Cassie Lang), Judy Greer (Maggie Lang), Dax Griffin (Young Pym), Wood Harris (Gale), Tom Kenny (Hideous Rabbit), Lyndsi LaRose (Emily), Evangeline Lilly (Hope van Dyne), Anthony Mackie (Sam Wilson/Falcon), Cesar Mendoza (Gabriel), Jordi Molla (Castillo), Michael Pena (Luis), Paul Rudd (Scott Lang/Ant-Man), John Slattery (Howard Stark), Sebastian Stan (Bucky Barnes), Corey Stoll (Darren Cross/Yellowjacket), T.I. (Dave), Gregg Turkington (Dale), Danny Vasquez (Ignacio)
Runtime: 117 mins
OUR ANT-MAN REVIEWS & RATINGS:
The Marvel universe has been chugging along quick nicely for a while now. The franchise has peaked with amazing films like Guardians Of The Galaxy and Captain America: Winter Soldier and even it’s weaker films, Thor 2 etc, are films that are worth more than one watch. But now comes the film that many would consider the problem child for Marvel, Ant-Man.
So why is Ant-Man the film that seems to have been causing Marvel the most amount of trouble. Well first of all the fanboys have been all over the film, criticizing the casting of Paul Rudd (like they did with Robert Downey Jnr. before Iron Man) and seemingly being outraged that they would even entertain inserting comedy into the film (yep because nobody had a chuckle during Guardians Of The Galaxy). But like is the case with so many problem children the real root of the issue was happening behind closed doors. See Ant-Man was supposed to be a Edgar Wright film. Yes the man who is largely responsible for the Cornetto Trilogy was supposed to be at the helm, but because he didn’t fall into Marvel’s line found himself turfed out and replaced with Peyton Reed (the man who brought us Bring It On), but the good news is that despite all this upheaval Ant-Man turns out to be a pretty decent film.
Now before you go into the cinema to feat on Ant-Man be aware that the problems behind the scenes have resulted in Ant-Man being very different to any of the other films in the Marvel universe, but that actually ends up being a good thing. Gone are the epic scenes of large flying ships crashing to Earth or the destruction of a major city and instead we are left with an action packed scene that occurs in a little girl’s bedroom but will have you laughing out loud as a giant Thomas The Tank Engine goes crashing out of the side of the house. Yes it is scenes like that has Edgar Wright’s finger prints all over it.
There are things that let Ant-Man down a little, the most annoying being that Michael Pena and Bobby Cannavale are simply playing walking clichés, but the plusses certainly outweigh the negatives. The screenwriting team have inserted the much needed heart that was missing from Avengers: Age Of Ultron as both Hank and Scott try to repair the relationships with their daughters while the well-written script has allows some of the cast to bring their A-Game to the acting stakes as well.
Yes that is right everybody it seems that throughout this film that Michael Douglas forgets that he is in a comic book movie and actually turns up his acting output to that of what we recently saw in Arbitrage. Douglas is on fire here and it seems to have a carry on affect on some of the actors around him as well. Evangeline Lilly brilliantly plays a character with divided loyalty and it is Hope that much of the suspense centres around. Is she really on Pym and Scott’s side or is her loyalty to Darren Cross more than what they bargained for? She plays the double agent well and you can only hope that both her and Douglas are used more in the Avengers franchise now.
Then there is Paul Rudd, who as I previously mentioned had the fanboys baying for his blood before the film was even released. Now I will admit that I was skeptical about Paul Rudd’s ability to play an action hero, but he well and truly made me eat my words with his performance. Rudd not got buff for the role but seems to become Ant-Man with complete ease. He manages to pull off the action sequences awesomely well, while it is also some of his quick wit and one liners that make the film a please to watch. Apparently we should also be thanking him for helping the script run smoothly after Wright’s departure… so Mr. Rudd from the bottom of our heart we thank you.
So the best way to approach Ant-Man is to go into the cinema not expecting anything like you have seen in the Marvel universe to date. Yes Ant-Man has two Avengers appear (one in the main frame of the film, the other in the credits) and there are a few references to the Avengers and Spider-Man, but this is very much a film that is out there on its own. Yes this is a child that is very different to its siblings, but sometimes they make the best friends, right? Ant-Man is enjoyable enough to make you hope that the character appears again somewhere… very soon.