Tagged: Little Women

Tonight saw the 2020 Academy Award winners announced. Here are all the major winners:

 

BEST SUPPORTING ACTOR

WINNER: Brad Pitt (Once Upon A Time In Hollywood)

NOMINEES: Tom Hanks (A Beautiful Day In The Neighbourhood), Al Pacino (The Irishman), Joe Pesci (The Irishman), Anthony Hopkins (Two Popes)

 

BEST ANIMATED FEATURE FILM

 

WINNER: Toy Story 4

NOMINEES: How To Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link

 

BEST ANIMATED SHORT FILM

WINNER: Hair Love

NOMINEES:  Dcera (Daughter), Kitbull, Memorable, Sister

 

BEST ORIGINAL SCREENPLAY

WINNER: Bong Joon Ho & Han Jin Wor (Parasite)

NOMINEES: Rian Johnson (Knives Out), Noah Baumbach (Marriage Story), Sam Mendes (1917), Quentin Tarantino (Once Upon A Time In Hollywood)

 

BEST ADAPTED SCREENPLAY

WINNER: Taika Waititti (Jo Jo Rabbit)

NOMINEES: Steve Zaillan (The Irishman), Todd Phillips & Scott Silver (Joker), Greta Gerwig (Little Women), Anthony McCarten (Two Popes)

 

BEST LIVE ACTION SHORT FILM

WINNER: The Neighbour’s Widow

NOMINEES: Brotherhood, Nefta Football Club, Saria, A Sister

 

ACHIEVEMENT IN PRODUCTION DESIGN

WINNER: Barbara Ling and Nancy Haigh (Once Upon A Time In Hollywood)

NOMINEES: Bob Shaw and Regina Greaves (The Irishman), Ra Vincent and Nora Sopkova (Jo Jo Rabbit), Dennis Gassner and Lee Sandales (1917), Lee Ha Jun and Cho Won Woo (Parasite)

 

ACHIEVEMENT IN COSTUME DESIGN

WINNER: Jacqueline Durran (Little Women)

NOMINEES: Sandy Powell and Christopher Peterson (The Irishman), Mayes C. Rubeo (Jojo Rabbit), Mark Bridges (Joker), Arianne Phillips (Once Upon A Time In Hollywood)

 

BEST DOCUMENTARY FEATURE FILM

WINNER: American Factory

NOMINEES: The Cave, The Edge Of Democracy, For Sama, Honeyland

 

BEST DOCUMENTARY SHORT SUBJECT

WINNER: Learning To Skateboard In A War Zone (If You’re A Girl)

NOMINEES: In The Absence, Life Overtakes Me, St. Louis Superan, Walk Run Cha-Cha

 

BEST ACTRESS IN A SUPPORTING ROLE

WINNER: Laura Dern (Marriage Story)

NOMINEES: Kathy Bates (Richard Jewell), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)

 

 

ACHIEVEMENT IN SOUND EDITING

WINNER: Donald Sylvester (Ford vs Ferrari)

NOMINEES: Alan Robert Murray (Joker), Oliver Tarney and Rachael Tate (1917), Wyllie Stateman (Once Upon A Time In Hollywood), Matthew Wood and David Acord (Star Wars: The Rise Of Skywalker)

 

 

ACHIEVEMENT IN SOUND MIXING

WINNER: Mark Taylor and Stuart Wilson (1917)

NOMINEES: Gary Rydstrom, Tom Johnson and Mark Ulano (Ad Astra), Paul Massey, David Giammarco and Steven A. Morrow (Ford vs Ferrari), Tom Ozanich, Dean Zupancic, Tod Maitland (Joker), Michael Minkler, Christian P. Minkler, Mark Ulano (Once Upon A Time In Hollywood)

 

ACHIEVEMENT IN CINEMATOGRAPHY

WINNER: Roger Deakins (1917)

NOMINEES: Rodriego Prieto (The Irishman), Lawrence Sher (Joker), Jarin Blaschke (The Lighthouse), Robert Richardson (Once Upon A Time In Hollywood)

 

ACHIEVEMENT IN FILM EDITING

WINNER: MichaeL McCusker and Andrew Buckland (Ford vs Ferrari)

NOMINEES: Thelma Schoonmaker (The Irishman), Tom Eagles (Jojo Rabbit), Jeff Groth (Joker), Yang Jinmo (Parasite)

 

ACHIEVEMENT IN VISUAL EFFECTS

WINNER: Guillaume Rocheron, Greg Butler and Dominic Tuohy (1917)

NOMINEES: Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick (Avengers: Endgame), Pablo Helmann, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephanie Grabli (The Irishman), Robert Legato, Adam Valdez, Andrew R. Jones and Elliott Newman (The Lion King), Roger Guyett, Neal Scanlan, Patrick Tubach, Dominic Tuohy (Star Wars: The Rise Of Skywalker)

 

ACHIEVEMENT IN MAKE-UP AND HAIR STYLE

 

WINNER: Kazu Hiro, Anne Morgan and Vivican Baker (Bombshell)

NOMINEES: Nicki Ledermann and Kay Georgiou (Joker), Jeremy Woodhead (Judy), Paul Gooch, Arjen Tuiten and David White (Maleficent: Mistress Of Evil), Naomi Donne, Tristan Versluis and Rebecca Cole (1917)

 

BEST INTERNATIONAL FEATURE FILM

WINNER: Parasite

NOMINEES: Corpus Christi, Honeyland, Les Miserables, Pain And Glory

 

BEST ORIGINAL SCORE

WINNER: Hildur Guonadottir (Joker)

NOMINEES: Alexandre Desplat (Little Women), Randy Newman (Marriage Story), Thomas Newman (1917), John Williams (Star Wars: The Rise Of Skywalker)

 

BEST ORIGINAL SONG

WINNER: ‘(I’m Gonna) Love Me Again’ – Elton John and Bernie Taupin (Rocketman)

NOMINEES: ‘I Can’t Let You Throw Yourself Away’ – Randy Newman (Toy Story 4), ‘I’m Standing With You’ – Diane Warren (Breakthrough), ‘Into The Unknown’ – Kristen Anderson-Lopez and Robert Lopez (Frozen II), ‘Standing Up’ – Joshuah Brian Campbell and Cynthia Erivo (Harriet)

 

BEST ACHIEVEMENT IN DIRECTING

WINNER: Bong Joon Ho (Parasite)

NOMINEES: Martin Scorcese (The Irishman), Todd Phillips (Joker), Sam Mendes (1917), Quentin Tarantino (Once Upon A Time In Hollywood)

 

BEST ACTOR IN A LEADING ROLE

WINNER: Joaquin Phoenix (Joker)

NOMINEES: Antonio Banderas (Pain & Glory), Leonardo DiCaprio (Once Upon A Time In Hollywood), Adam Driver (Marriage Story), Jonathan Pryce (Two Popes)

 

BEST ACTRESS IN A LEADING ROLE

WINNER: Renee Zellweger (Judy)

NOMINEES: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saorise Ronan (Little Women), Charlize Theron (Bombshell)

 

BEST PICTURE

WINNER: Parasite

NOMINEES: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon A Time In Hollywood

The AACTA International Awards have been announced in LA and the winners are:

 

AACTA International Award for Best Film
PARASITE

AACTA International Award for Best Direction
Quentin Tarantino – ONCE UPON A TIME IN HOLLYWOOD

AACTA International Award for Best Screenplay
Taika Waititi – JOJO RABBIT

AACTA International Award for Best Lead Actor
Adam Driver – MARRIAGE STORY

AACTA International Award for Best Lead Actress
Saoirse Ronan – LITTLE WOMEN

AACTA International Award for Best Supporting Actor
Brad Pitt – ONCE UPON A TIME IN HOLLYWOOD

AACTA International Award for Best Supporting Actress
Margot Robbie – BOMBSHELL

Summary: Jo March reflects back and forth on her life, telling the beloved story of the March sisters – four young women each determined to live life on their own terms.

Year: 2020

Australian Cinema Release Date: 1st January 2020

Thailand Cinema Release Date: 9th January 2020

Australian DVD Release Date: TBA

Country: United States

Director: Greta Gerwig

Screenwriter: Greta Gerwig, Louisa May Alcott

Cast: Dash Barber (Fred Vaughn), Timothee Charlamet (Theodore ‘Laurie’ Laurence), Chris Cooper (Mr. Laurence), J.M. Davis (Susan Robbins), Laura Dern (Marmee March), Lilly Englert (Kate Vaughn), Sasha Frolova (Mrs. Hummel), Louie Garrel (Friedrich Bhaer), Jayne Houdeyshell (Hannah), Ana Kayne (Olivia), Tom Kemp (Asa Melvin), Charlotte Kinder (Viola), Adrianne Krstansky (Mrs. Dashwood), Tracy Letts (Mr. Dashwood), Bill Mootos (Mr. Davis), Jen Nikolaisen (Evelyn Meriweather), James Norton (John Brooke),  Bob Odenkirk (Father March), Maryanne Plunkett (Mrs. Kirke), Florence Pugh (Amy March), Abby Quinn (Annie Moffat), Jared Reinfeldt (Ned Moffat), Hadley Robinson (Sallie Gardiner Moffat), Saoirse Ronan (Jo March), Amber Leanne Rothberg (Young Meg), Eliza Scanlen (Beth March), Meryl Streep (Aunt March), Emma Watson (Meg March), Lewis D. Wheeler (Josiah Workman)

Running Time: 135 mins

Classification: G (Australia) TBC (Thailand)

 

 

OUR LITTLE WOMEN REVIEWS & RATINGS:

 

Dave Griffiths Review:

Timeless tales never die. That is the only defence you can really use against people who are convinced that the new adaption of Little Women should never have been made. Yes, there have been a number of cinematic versions of Louisa May Alcott’s classic tale that have made it to the big screen over the years, but every adaption has its own tone and feel and that is what makes them unique. I can remember the same being said when Baz Luhrmann re-created Romeo + Juliet… and look how well that ended up turning out. Besides after the quirkiness of Ladybird how could anybody not be curious to see what Greta Gerwig was going to do with Alcott’s classic.

Gerwig does do little to change the basic storyline. The film is set in 1868 with Jo March (Saoirse Ronan – Brooklyn), a budding young writer getting a story published by a local publisher. At the same time her work is heavily criticised by one of her co-workers and in a bid to escape how she feels about it she uses the fact that her sister, Beth (Eliza Scanlen – Sharp Objects) is sick to return home. As she spends time with her mother (Laura Dern – Wild) and her other two sisters, Meg (Emma Watson – Harry Potter & The Philospher’s Stone) and Amy (Florence Pugh – The Commuter) she reflects on their lives and the obstacles they have overcome.

A scathing critic would probably try to point out that Little Women’s main focus is on female empowerment but I would argue that Gerwig’s film goes even deeper than that. This is not simply a film about female empowerment this is the film that explores the notion of how a family pulls together to overcome some of the most turbulent and life-changing obstacles that anybody can face. From the harsh fights between Amy and Jo, through the four sisters having to face numerous struggles with their father is off at war this is more a film about family then it is anything else.

The power of this version of Little Women though is how much the film draws you into the character’s lives. At a quick glance the character of Jo could be considered cold-hearted especially towards the men in her life, including Laurie (Timothee Chalamet – Beautiful Boy). But through the power of Gerwig’s writing and directing the audience gets to see what makes Jo this way and that is something that can’t be said for all versions of Little Women. Gerwig also allows the film to show the struggle of the artist as well – whether it be a writer, a painter or a teacher all find themselves tested during this time of war and this secondary element to the plot adds a powerful element to the film that continues to draw the audience in.

What also drives this film is a repeat of one of the strengths from Lady Bird. As a director it is obvious that Gerwig knows how to draw the best out of her cast. Here Saoirse Ronan is once again in award winning form and she is well supported by Emma Watson and Florence Pugh who both seem to have turned up their acting game several levels as well. In regards to Ronan though she is well directed by Gerwig with the scene of the final confrontation between herself and Laurie being an absolute highlight. The raw emotion that is generated from the screen during the scene is a rarity in modern day cinema and needs to be cherished.

A special mention must also be made to Meryl Streep (The Devil Wears Prada). While she has limited screen time she managed to steal every scene she was in with a truly powerful performance. Her scenes with both Saoirse Ronan and Florence Pugh are some of the best examples of brilliant acting you will all year. There is a real power with those scenes and neither younger actress seems to be over-awed by the fact that they are sharing the scene with acting royalty.

Every adaption of Little Women has something that sets it apart from the others but few have the sheer emotion and power that we see here with Gerwig’s interpretation. Here Gerwig uncovers secret layers to the plot that lesser filmmakers would have not noticed while at the same time she directs one of the most talented younger casts that modern day cinema has ever seen assembled. If you leave in preconceived notions you have about Little Woman at the cinema door you will find yourself totally drawn into this worthy drama.

 

 

Average Subculture Rating:

 

 

IMDB Rating: Little Women (2019) on IMDb

 

Other Subculture Entertainment LittleWomen Reviews: N/A

Trailer: