Stan has today released the official trailer for the brand new event series Your Honor, starring Oscar nominee and Emmy, Golden Globe®, Screen Actors Guild® and Tony® Award winner Bryan Cranston (Breaking Bad). BAFTA winner Peter Moffat (The Night Of, Undercover) serves as showrunner, executive producer and writer of multiple episodes. The series is executive produced by Emmy nominees Robert and Michelle King (The Good Fight, The Good Wife, Evil) and Liz Glotzer (Evil, The Good Fight). Emmy-nominated and BAFTA-winning writer/director Edward Berger (Patrick Melrose) executive produces and directs the first three episodes.Your Honoris set to premiere this December, only on Stan
The 10-episode legal thriller stars Cranston as Michael Desiato, a respected New Orleans judge whose teenage son, Adam (Hunter Doohan), is involved in a hit-and-run that leads to a high-stakes game of lies, deceit and impossible choices. SAG Award winner Michael Stuhlbarg (Call Me By Your Name) stars as Jimmy Baxter, the much-feared head of a crime family opposite Emmy and Golden Globe nominee Hope Davis (For the People) as his wife, Gina, who might be even more dangerous than her husband. The series also stars Carmen Ejogo (Selma), Isiah Whitlock Jr. (The Wire), and Sofia Black-D’Elia (The Night Of). Guest stars include Amy Landecker (Transparent), Margo Martindale (The Americans),Lorraine Toussaint (Orange Is the New Black), Chet Hanks (Empire), Lamar Johnson (The Hate You Give) and Lilli Kay (Chambers).
Your Honor is set to premiere in December, only on Stan and same day as U.S.
Summary: It’s 1968 in America. Change is blowing in the wind…but seemingly far removed from the unrest in the cities is the small town of Mill Valley where for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time-stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tomb.
Australian Cinema Release Date: 26th September 2019
Thailand Cinema Release Date: TBA
Australian DVD Release Date: 12th February 2020
Country: United States, Canada, Hong Kong
Director: Andre Ovredal
Screenwriter: Dan Hageman, Kevin Hageman, Guillermo del Toro (story), Patrick Melton (story), Marcus Dunstan (story), Alvin Schwartz (novels)
Cast: Austin Abrams (Tommy Milner), Hume Baugh (Deodat Bellows), Gil Bellows (Chief Turner), Javier Botet (Big Toe Corpse), Will Carr (Ephraim Bellows), Zoe Margaret Colletti (Stella Nicholls), Victoria Fodor (Mrs. Milner), Natalie Ganzhorn (Ruth Steinberg), Michael Garza (Ramon Morales), Karen Glave (Claire Baptiste), Troy James (Jangly Man), Brandon Knox (Harold Bellows), Kyle Labine (Deputy Hobbs), Jane Moffat (Delanie Bellows), Dean Norris (Roy Nicholls), Kathleen Pollard (Sarah Bellows), Deborah Pollitt (Mrs. Steinberg), Gabriel Rush (Auggie Hilderbrandt), Amanda Smith (Gertrude Bellows), Matt Smith (Mr. Steinberg), Mark Stegar (Harold The Scarecrow/Pale Lady), Ajanae Stephenson (Lou Lou – 8yrs), Lorraine Toussaint (Lou Lou), Marie Ward (Mrs. Hilderbrandt), Austin Zajur (Chuck Steinberg)
Running Time: 108 mins
Classification: M (Australia) 13 (Thailand)
OUR SCARY STORIES TO TELL IN THE DARK REVIEWS & RATINGS:
Dave Griffiths’ Our Scary Stories To Tell In The Dark Review:
After the disappointment that was It Chapter Two it is with a sense of relief that I am able to say that Scary Stories To Tell In The Dark was a film that surprised me a lot more than I thought it would. The film feels like it should be described as Goosebumps for teenagers but there seems to be something a little darker to this film that will mean that horror fans of all ages will be drawn to the film.
Based on the novel by Alvin Schwartz the film follows a group of young friends – the horror-obsessed Stella Nicholls (Zoe Margaret Colletti – Annie, Wildlife), the very mature Auggie Hilderbrandt (Gabriel Rush – Moonrise Kingdom, No Letting Go), the fun-loving Chuck Steinberg (Austin Zajur – Fist Fight, Kidding) and the outsider that nobody knows anything about Ramon Morales (Michael Garza – Wayward Pines, Timeless)who find themselves in a world of paranormal trouble after trying to out-run the town’s resident bully – Tommy (Austin Abrams – Paper Towns, Gangster Squad) after a Halloween prank goes badly wrong.
While trying to hide, and in a bid to impress Ramon, Stella leads the group into the ‘haunted house’ the house where it is alleged that Sarah Bellows (Kathleen Pollard – The Shape Of Water, The Handmaid’s Tale) killed a number of the town’s children a few years earlier. Sadly for the friends and Chuck’s sister Ruth (Natalie Ganzhorn – Make It Pop, Wet Bum) visiting the house makes them part of a series of stories that could cost them their lives.
The most intriguing part of the film is that while it is supposed to be a film aimed for teenagers director Andre Ovredal (Trollhunter, The Autopsy Of Jane Doe) gives the film a darker edge that makes a lot more interesting for an older audience as well. Where the film works well though is that it doesn’t fall into any of the mistakes that It Chapter Two did. The team of screenwriters which includes the legendary Guillermo del Toro (Pan’s Labyrinth, Hellboy) have made the key central characters likeable which instantly means the audience are barracking for them to live when the horror starts. The team have also carefully chosen which stories from the original novels to use and the result is an interesting collection of ‘horrors’ that in no way feel like a group of short stories put together to make a larger story. The only weakness is at times that the ‘horrors’ at hand don’t always seem to mirror the fear or nightmare that the character it relates to has as well as it could have done.
Given the creative minds of Del Toro and Ovredal coming together for this film there is little wonder that the horror and fantasy aspects of this film look so good. The ‘creatures’ and horrors that are seen throughout the film do have a real Pan’s Labyrinth feel and look to them. It’s these horrors that also seem more ‘scary’ than what you would expect in a film aimed at teenagers. The end result though is a film that will also be enjoyed by adults rather than films like Goosebumps that are more suited to teenagers. It also means that sequences like the Scarecrow sequence and the scenes in the mental hospital and Police Station are going to stick in the minds of the audience a lot longer than many of them would have expected them to.
The young cast also put in great performances. Zoe Margaret Colletti leads the way with a performance that is much more mature than her years would suggest. In a challenging role Colletti is a real stand-out and it is obvious that she has a great career ahead of her. Her character goes through a range of emotions from sheer fear to worry about the relationship that she has with her father and the young actress doesn’t skip a beat no matter what situation her character is put in. She is well supported by Michael Garza who really announces himself as an actor to watch while veteran actor Gil Bellows (The Shawshank Redemption, Patriot) also brings his A-Game to the film.
Creepily spectacular Scary Stories To Tell In The Dark is a throwback to films like Jeepers Creepers and Gremlins, films that were aimed for teenagers but had more of a horror side than most films aimed at that age-group. On reflection we should have expected something special when the minds of del Toro and Ovredal came together but I don’t think any of us expected something as enjoyable as this.
Average Subculture Rating:
Other Subculture Entertainment Scary Stories To Tell In The Dark Reviews:
Summary: When four lifelong friends travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling, and romancing to make the Big Easy blush.
Australian Cinema Release Date: 31st August 2017
Australian DVD Release Date: TBA
Director: Malcolm D. Lee
Screenwriter: Kenya Barris, Tracy Oliver, Erica Rivinoja (story)
Cast: Deborah Ayorinde (Simone), Ricky Bell (himself), Donna Biscoe (Delores), Michael Bivins (himself), Mariah Carey (herself), Morris Chestnut (himself), Kyle Clements (Officer Sims), Mike Colter (Stewart Pierce), Sean ‘Diddy’ Combs (himself), Common (himself), D-Nice (himself), Gabrielle Dennis (herself), Ronnie DeVoe (himself), Ava DuVernay (herself), Kenneth ‘Babyface’ Edmonds (himself), Aadyn Encalarde (Riley), Estelle (herself), Faith Evans (herself), Kevin Frazier (himself), Doug E. Fresh (himself), Johnny Gill (himself), Lara Grice (Bethany), Tiffany Haddish (Dina), Carla Hall (herself), Regina Hall (Ryan Pierce), Melissa Harris-Perry (herself), Lalah Hathaway (herself), Sunny Hostin (herself), Charreah Jackson (herself), Queen Latifah (Sasha Franklin), Alona Leoine (Sonya), William Levy (himself), Mase (himself), Maxwell (himself), MC Lyte (herself), Terry McMillan (herself), Robert Miano (Hobo Bob), Ne-Yo (himself), Shrey Neil (Vikram), Jaina Lee Ortiz (herself), Jannette Sepwa (Rhonda), Jada Pinkett Smith (Lisa Cooper), Kofi Siriboe (Malik), Tonia Stewart (Aunt Marian), Larenz Tate (Julian Stevens), Lorraine Toussaint (herself), Ralph Tresvant (himself), Iyanla Vanzant (herself), Kate Walsh (Elizabeth Davelli), Ricky Wayne (Ted), Cayden Williams (Austin)
Runtime: 122 mins
OUR GIRL’S TRIP REVIEWS & RATINGS:
Comedies aimed at a female audience have proven to be very popular at the box office over the past few years. Some, like Bridesmaids and Pitch Perfect have been on song (excuse the pun) and worked wonderfully well. Then came Rough Night, the film that Hollywood hoped would be a female version of The Hangover, but it flops badly. Following on with that same goal we now have Girls Trip… a film that is head and shoulders above Rough Night.
In a story of friendship we meet The Flossie Possie – made up of the world’s new Oprah, Ryan Pierce (Regina Hall – Scary Movie 4, Law Abiding Citizen), almost-bankrupt gossip columnist Sasha Franklin (Queen Latifah – Living Single, Chicago), boring divorced mother Lisa Cooper (Jada Pinkett Smith – Collateral, Scream 2) and the fun loving but very violent Dina (Tiffany Haddish – Keanu, Meet The Spartans).
The Flossie Possie started out in High School but have drifted apart over the years, but now they are back together and heading to New Oreleans where Ryan is the keynote speaker at a conference while her agent Elizabeth (Kate Walsh – Grey’s Anatomy, The Perks Of Being A Wallflower) works on a business deal that will see Ryan and her husband Stewart (Mike Colter – Luke Cage, Million Dollar Baby) become one of the richest celebrity couples in America. But with their marriage not as perfect as first seems and each of the members of the Possie dealing with their own demons this could turn out to be a very interesting weekend indeed.
As a film Girls Trip does hold up. The characters are instantly likable and for once a comedy gives you just enough back story for each of the characters to seem real, and even more importantly is there a no clichéd characters here. These important things all working with the screenplay and for director Malcolm D. Lee (Undercover Brother, The Best Man) means as an audience you find yourself barracking for these characters straight away.
What also works with the screenplay is the relationships between the characters. We get that there is tension between Sasha and Ryan without the screenplay having to spell it out in plain English for us. The script also allows for an interesting development between Ryan and Stewart by introducing his mistress, Simone (Deborah Ayorinde – Luke Cage, Game Of Silence) and then introducing a potential love interest for Ryan in the form of the almost perfect bass-player Julian (Larenz Tate – The Postman, Ray). The twisted four-way relationship never feels forced, which the screenwriters need to be congratulated about, and once again draws the audiences interest.
However, the major flaw of Girls Trip is that it feels like the screenwriters were never one hundred per cent sure what kind of comedy they were looking to make the film. There are witty lines and great moments of comedy that will make you laugh, Dina’s exchange with her boss as she is being fired is hilarious, but then when you suddenly find yourself watching a women pee on a crowd beneath her while she is on a zip line or another giving fellatio to a banana you find yourself wondering what are they trying to achieve here. These kinds of gags work in films like American Pie or The Hangover because they are constant, but there they seem out of place. Ironically it is when this film is showing moments of true heart and feelings between its characters that it works, that makes the outrageous comedic moments seem like an even stranger fit.
One of the main things that does work in favour of Girls Trip though is the performances of its cast. Everybody comes together really well and together Regina Hall, Queen Latifah, Jada Pinkett Smith and Tiffany Haddish are one of the best comedic ensembles that we have seen in quite a while. Hall brings are sensitivity to the film, Latifah brings heart and Haddish is there for the more outrageous moments. Then you have the utility – Smith who does a mixture of whatever each scene calls for. Then there is Larenz Tate who must be itching towards a headline role in a film soon, while Kate Walsh also delivers some of the film’s most funny moments.
Girls Trip does have a little issue with its comedic tone but for the most part this is a film that works pretty well. There are moments that will make you chuckle, which is more than you can say for a lot of comedies these days, while there is enough heart to win over any audience. If you’re looking for the perfect girls night out then Girls Trip should be number one on your list.
Bridesmaids pretty much set the standard for the R-rated raunchy girls misbehaving comedy, and we have seen a lot of these female centric versions of The Hangover. But subsequent films in this subgenre, like the recent Rough Night, Bad Sisters and even Sex And The City 2, have continually lowered the bar. And now we get to Girls Trip, an African-American variation on the girls behaving badly formula. But this is a dreary, offensive and largely unfunny comedy which, quite frankly, scrapes the faecal matter off the bottom of the barrel.
As with Rough Night the basic plot centres around the reunion between a group of female friends who were once tight in college, twenty years ago, who get together for a wild weekend. Known as the “flossy posse” they were known for their hard partying ways. Over the course of time though they drifted apart and haven’t seen each other for five years.
Ryan (played by Regina Hall) is now a successful author and self-help guru who supposedly has it all. She is married to Stewart (Mike Colter) a former football star and is about to sign a lucrative deal to host her own nationally syndicated television talk show and book deal. She has been asked to deliver the keynote address at the annual Essence Festival in New Orleans. So, for some reason she decides to get the flossy posse back together to share in her success.
Sasha (Queen Latifah) graduated with a degree in journalism but, strapped for cash, is now reduced to writing for a low rate gossip blog. She dishes the dirt on celebrities. Lisa (Jada Pinkett Smith) is a conservative, straitlaced divorcee, a helicopter mum who tries to protect her two children. She plays it safe and leads an unadventurous life and has to be talked into going to New Orleans with her former friends. And Dina (Tiffany Haddish) is still the wild child, the sexually aggressive hard partying type who hasn’t really changed her behaviour. She is unable to hold down a job because of her brash manner and a series of wrong choices.
Once the quartet hits New Orleans the ladies cut loose. However, before too long old resentments, lingering tensions and new revelations threaten the friendship and test their bonds. Sasha learns the truth about Stewart, who has been cheating on Ryan with seductive and well-endowed Instagram model Simone (Deborah Ayinode), and she has to choose whether to publish her scoop or remain silent out of loyalty to Ryan. Dina’s wild ways get them thrown out of a luxurious five-star hotel and they find temporary accommodations in a two-dollar hooker hotel. Cue plenty of drinking, brawling, crass sexual innuendo, and some frank dialogue, but little of it rings true.
Girls Trip has been written by a trio of writers, including Erica Rivinoja, who hails from a background in television and animated films; Kenya Barris (Barbershop: The Next Cut, and lots of tv work including Blackish); and Tracy Oliver (Barbershop: The Next Cut, etc). Directed by Malcolm D Lee, better known for Barbershop: The Next Cut and Scary Movie 5, Girls Trip gets the tone wrong from the start. As with Rough Night, I found it hard to believe that a successful character like Ryan would hang out with these losers by choice, especially at such a pivotal point in her career. This is fairly formulaic stuff, with plenty of the gross out humour and crude dialogue that we have seen before.
Most of the main characters are an unlikeable bunch, and the time spent in their company is tiresome. At an overly generous 122-minutes, the film is way too long for what it wants to say. Although this ode to sisterhood delivers some positive messages about friendship, female bonding, the joys of being single in the 21st century, and staying true to yourself, we have to sit through nearly two hours of dreck to get there. The film also explores issues of race, class and gender politics.
There is some surprisingly strong chemistry between the four leads though. Girls Trip reunites Latifah and Pinkett Smith twenty years after the both appeared in the heist thriller Set It Off. Hall delivers her usual solid performance here. Latifah always has a brash style and plenty of attitude, but here she often seems uncomfortable and doesn’t exactly bring her A-game. This is a breakout performance from Haddish, who delivers a volatile and scenery chewing performance as the unpredictable Dina, and she does bring some energy to the material, and virtually steals the film.
There are also lots of star studded cameos though from celebrities playing themselves. Girls Trip is a sub-Apatow like comedy, but it is largely unfunny, with too many flat spots and many supposedly humorous moments that are misjudged. The film hits a low point with a tasteless sequence set on a flying fox over New Orleans’ famous Bourbon Street that sets a new low for this kind of comedy.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Girl’s Trip Reviews: You can also listen to Dave’s Girl’s Trip review from That’s Entertainment on 31/08/2017 right here.