Stan today announced that Catherine will continue her reign when the second season of Emmy Award-nominated comedy drama The Great debuts 20 November, the same day as the US and only on Stan.
The comedy drama, led by Elle Fanning (Super 8) and Nicholas Hoult (Stan’s True History of the Kelly Gang), will return for another 10-episode run after it’s first smash-hit season, joined by acclaimed actress Gillian Anderson.
In season two of The Great, Catherine finally takes the Russian throne for her own — but if she thought coup-ing her husband was difficult, it’s nothing compared to the realities of ‘liberating’ a country that doesn’t want to be. She’ll battle her court, her team, even her own mother (played by guest star Gillian Anderson) in a bid to bring the enlightenment to Russia. Meanwhile she’ll also battle her heart as Peter slowly transitions from much-hated husband, to prisoner? Ally? Lover? Ultimately Catherine will learn that to change a country, you must let it change you, that there is a fine line between idealism and delusion, and that becoming ‘Great’, will ask more of her than she could have imagined.
The series stars Elle Fanning as Catherine, Nicholas Hoult, Phoebe Fox, Adam Godley, Gwilym Lee, Charity Wakefield, Douglas Hodge, Sacha Dhawan, Bayo Gbadamosi and Australian Belinda Bromilow.
The Great is created, written and executive produced by Australian Oscar®-nominated writer Tony McNamara and executive produced by Marian Macgowan, Mark Winemaker, Elle Fanning, Nicholas Hoult, Echo Lake’s Brittany KahanWard,Doug Mankoff and Andrew Spaulding, Thruline’s Josh Kesselman and Ron West, and Matt Shakman. The project is produced by Civic Center Media in association with MRC Television.
The Great Season 2 premieres 20 November, same day as the US and only on Stan.
Every episode of The Great Season 1 is now streaming.
Stan has today released a new teaser for the highly anticipated satirical drama series The Great,created by Australia’s own Oscar®-nominated writer Tony McNamara (The Favourite) and starring Elle Fanning (Maleficent, The Neon Demon) and BAFTA® nominee Nicholas Hoult (Stan Original Film True History of the Kelly Gang, X-Men Franchise).
The Great is a satirical, comedic drama about the rise of Catherine the Great from outsider to the longest reigning female ruler in Russia’s history. Season One is a fictionalised, fun and anachronistic story of an idealistic, romantic young girl, who arrives in Russia for an arranged marriage to the mercurial Emperor Peter. Hoping for love and sunshine, she finds instead a dangerous, depraved, backward world that she resolves to change. All she has to do is kill her husband, beat the church, baffle the military and get the court onside. A very modern story about the past which encompasses the many roles she played over her lifetime as lover, teacher, ruler, friend, and fighter. Incorporating historical facts occasionally, the series stars Elle Fanning as Catherine, Nicholas Hoult, Phoebe Fox, Adam Godley, Gwilym Lee, Charity Wakefield, Douglas Hodge, Sacha Dhawan, Sebastian de Souza, Bayo Gbadamosi and Belinda Bromilow.
The Greatis created, written and executive produced by Oscar®-nominated writer Tony McNamara (The Favourite) and executive produced by Marian Macgowan, Thruline’s Josh Kesselman and Ron West, Echo Lake’s Brittany Kahan Ward, Doug Mankoff and Andrew Spaulding, Elle Fanning, Mark Winemaker and Matt Shakman. The series is from Civic Center Media in association with MRC Television.
The Great premieres 16 May only on Stan – same day as the US.
Stan today announced the much-anticipated series The Great from Australian Oscar-nominated screenwriter Tony McNamara (The Favourite) will premiere only on Stan from 16 May – same day as the US.
The comedy series chronicles the genre-bending, anti-historical ride through 18th Century Russia and follows the wildly comedic rise of Catherine the Nothing to Catherine the Great – as depicted by Hollywood heavyweight Elle Fanning (The Neon Demon, Super 8), starring alongside BAFTA Award nominee Nicholas Hoult (Stan Original Film True History of the Kelly Gang, The Favourite) and a sensational supporting cast that includes Phoebe Fox, Adam Godley, Gwilym Lee, Charity Wakefield, Douglas Hodge and Sacha Shawan.
The Great is created, written and executive produced by Tony McNamara and executive produced by Marian Macgowan, Thruline’s Josh Kesselman and Ron West, Echo Lake’s Brittany Kahan Ward, Doug Mankoff and Andrew Spaulding, Elle Fanning, Mark Winemaker and Matt Shakman.
The Great premieres 16 May only on Stan – same day as the US.
Summary: High ranking British officials Colonel Katherine Powell (Helen Mirren) and Lt. General Frank Benson (Alan Rickman) think that their hard work is finally paid off and they have been able to track the location of a number of terrorists in Kenya. When it is determined that all the terrorists will be in the same building for a meeting a plan is put in place to use drones to watch their movement and pounce when the time is right.
But when things start to go wrong and Powell and Benson realise that they are going to have to use American drone pilot Steve Watts (Aaron Paul) for a kill mission, the whole case becomes political. That then esculates when a young girl innocently goes into the ‘kill zone’ to sell bread.
Australian Cinema Release Date: 24th March 2016
Australian DVD/Blu-Ray/On Demand Release Date: 20th July
Director: Gavin Hood
Screenwriter: Guy Hibbert
Cast: Barkhad Abdi (Jama Farah), Mohamed Abdirahmaan (Abdi), Ahmed Mohamed Ali (Omar), Carl Beukes (Sergeant Mike Gleeson), Babou Ceesay (Sergeant Mushtaq Saddiq), Bob Chappell (Simon Powell), Francis Chouler (Jack Cleary), Monica Dolan (Angela Northman), Kim Engelbrecht (Lucy Galvez), Sonia Esguiera (Esther Alvarez), Daniel Fox (Tom Bellamy), Phoebe Fox (Carrie Gershon), Iain Glen (James Willett), Armaan Haggio (Musa Mo’Allim), Abdullah Hassan (Shahid Ahmed), Dek Hassan (Abdullah Al-Hardy), Faisa Hassan (Fatima Mo’Allim), Jon Heffernan (Major Harold Webb), Gavin Hood (Lt. Colonel Ed Walsh), Graham Hopkins (Nigel Adler), Jessica Jones (Kate Barnes), Tyrone Keogh (Sammy), Liz King (Susan Danford/Ayesha Al-Hady), Vusi Kunene (Major Moses Owiti), Warren Masemola (Agent Atieno), Richard McCabe (George Matherson), Roberto Meyer (Rasheed Hamud), Helen Mirren (Colonel Katherine Powell), Ali Mohamed (Khalid), Ma Mohamed (Osman Abade), Jeremy Northam (Brian Woodale), Michael O’Keefe (Ken Stanitzke), Abdi Mohamed Osman (Amadu Mukhtar), Aaron Paul (Steve Watts), Alan Rickman (Lt. General Frank Benson), Laila Robins (Ms. Jillian Goodman), Zak Rowlands (Second Crewman – K. Moore), Monde Sibisi (Muhammad Abdisallam), Abdilatief Takow (Ali), Aisha Takow (Alia Mo’Allim), Lemogang Tsipa (Matt Levery), Luke Tyler (Robert Powell), Ebby Weyime (Damisi), Meganne Young (Lizzy)
Runtime: 102 mins
OUR EYE IN THE SKY REVIEWS & RATINGS:
Director Gavin Hood seems like he has a lot to say about the military and Government officials. Over the years he has delivered movies such as Rendition (which looked at CIA interrogation techniques), X-Men Origins: Wolverine which despite its blockbuster appeal was critical of military experiments on soldiers and his big journey into the sci-fi genre was Ender’s Game a film that was extremely critical about warfare and its involvement with children. Now Hood explores the notion of how politics can interfere with modern warfare with his latest offering, Eye In The Sky. Of course the importance of this film takes another big step forward after the sad death of Alan Rickman, this is his final performance on screen.
As a film itself Eye In The Sky holds its own but the similarities between it and a movie that surfaced last year called Good Kill (starring Ethan Hawke) are alarming. Surprisingly the two films would actually fit together as a good companion piece (take note those who program the films at The Astor), while Good Kill explored the effects that drone warfare has on the pilot that has to deliver the ‘kill’ Eye In The Sky looks at the dangers that occur when politics and modern warfare come face-to-face together.
To Hood’s credit Eye In The Sky would not have been an easy film to direct as the film is almost like two different films in one. While the shots on the ground in Kenya call for chases and action the scenes set back in England call for tense maybe dialogue driven scenes. To Hood’s credit he pulls off both equally as well as each other and it is absolute credit to him that some of the scenes set in the political offices are just as tense as the moments of action in Kenya. Ender’s Game taught as that Gavin Hood was a director to watch and Eye In The Sky shows audiences worldwide that he is a director that at the top of his game can produce a sleek military thriller.
To give the film credit though it really does explore the issue of politics and public relations getting in the way of modern warfare remarkably well. The film’s theory is probably best described by a masterful piece of screenwriting by Guy Hibbert (who also wrote Five Minutes Of Heaven) who at one point has the politicians debating whether it would be better PR for them if they let the terrorists do their terrorist attack or whether they kill an innocent child along with the terrorists. It’s just one bit of writing that will stick with me for a long time.
When your two leads are Alan Rickman and Helen Mirren of course the acting is going to be top notch, and while Mirren once again puts in a brilliant performance you can only wonder whether or not she is miscast and it seems implausible that a woman of her age would still have a military career. Rickman again also puts in a good performance but just seems to breeze through in a role that doesn’t call for him to do anything special. And for those wondering if this is a time that Aaron Paul gets the chance to put his teeth into a meaty role, think again because he like Rickman just seems to get a dream run without having to do much.
While Eye In The Sky is not as good as Good Kill it is still a film that is worth taking a look at if you want to see a film not afraid to raise some questions about modern day warfare. Gavin Hood brings just the right amount of suspense to the film while Rickman and Mirren and predictably good in their roles. Not quite an Oscar worthy film… but not far off either.