Tagged: Robert Clotworthy

Summary: 
An Interpol agent tracks the world’s most wanted art thief.

Year: 2021

Cinema Release Dates:  5th November 2021 (Australia), 5th November 2021 (UK), 5th November 2021 (USA)

VOD Release Dates: 12th November 2021 (Australia), 12th November 2021 (Thailand), 12th November 2021 (UK), 12th November 2021 (USA)

Country: USA

Director: Rawson Marshall Thurber

Screenwriter: Rawson Marshall Thurber

Cast: Vincenzo Amato (Director Gallo), Ritu Aya (Inspector Urvashi Das), Daniel Bernhardt (Drago Grande), Robert Clotworthy (Opening Narrator), Chris Diamantopoulos (Sotto Voce), Gal Gadot (The Bishop), Ethan Herschenfeld (Aranoub Magdy), Dwayne Johnson (John Hartley), Ivan Mbakop (Tambwe), Brenna Marie Narayan (Cleopatra), Rafael Petardi (Security Chief Ricci), Ryan Reynolds (Nolan Booth), Ed Sheeran (himself)

Running Time: 118 mins

Classification: M (Australia), 12A (UK), PG-13 (USA)

OUR RED NOTICE REVIEWS

David Griffiths’ Red Notice Review:

It is perhaps a sign of the times when the biggest film to be released in Phuket this week is on a streaming platform despite the fact that cinemas are open. And when we say big – we mean big in every single way. Not only is Netflix’s Red Notice starring three of the biggest names in Hollywood at the moment – the film itself is the most expensive Netflix film ever made with a budget of around US$160 million. The good news is that this time we also have a big budget film that works in every single way.

Directed and written by Rawson Marshall Thurber (Skyscraper) Red Notice begins with Special Agents John Hartley (Dwayne Johnson – Moana) and Urvashi Das (Ritu Arya – The Umbrella Academy) hot on the heels of notorious art and relic thief Nolan Booth (Ryan Reynolds – Deadpool) as he is about to steal one of Cleopatra’s rare golden eggs.

However when Hartley suddenly finds himself named as an accomplice of Booth’s he suddenly has to find himself teaming up with Booth and going up against his arch rival, The Bishop (Gal Gadot – Wonder Woman), in a bid to find the other golden eggs and clearing his name.

The plot of Red Notice seems simple but it’s not. Thurber’s screenplay is intricate with twists and turns galore that are forever catching their audience off guard. You could forgive a film starring three big names if it decided to become a walking cliché but that is something that Red Notice certainly never does. Instead it becomes a smart film that seems like a cross between Ocean’s Eleven and Indiana Jones and somehow manages to work to the point that it is sure to become one of the most memorable films of 2021.

As a film it is sleek – really sleek. The screenplay delivers a believability to it while its action set pieces look so good they could have been taken straight from a Bond film – there are fast cars, ritzy locations and chases galore, and somehow it all comes together to create something quite magical. Some people maybe a little worried about seeing Rawson Marshall Thurber’s name as director given that his last action film – Skyscraper – was such an awful clichéd mess, but Thurber has obviously learnt from his mistakes because Red Notice is flawless.

In fact one of the things that makes this film so special is the fact that Thurber has mixed genres so well together his past. While everybody wants to forget Skyscraper we need to remember that Thurber is also the man responsible for the best comedies of the last decade – We’re The Millers. That brilliant comedic timing is certainly present here in Red Notice, the film contains some absolute zingers with dialogue – and this is one time when outside the Deadpool universe where Ryan Reynolds smart-ass routine actually works well and enhances his character. You get a strong feeling while watching the film part of Reynolds’ performance working so well most likely comes back to Thurber’s screenplay.

The other thing that makes Red Notice work so well are the performances of its stars. Gadot, Johnson and Reynolds have a special magic between them that makes them one of the best ensembles we have seen over recent years. Whether it be delivering comedic lines between each other and locked in battle with some spectacular fight sequences these three work together brilliantly well. Gadot cements herself as a screen siren who can deliver both action and drama with her role of The Bishop while Johnson once again mixes action and comedy together brilliantly well and shows why he deserves to be called the biggest star in Hollywood at the moment.

Red Notice is perhaps one of the biggest surprises of 2021. This is one slick action/crime flick that also contains just the right amount of humour without tripping itself it. Its three leads bring their A-Game and they are working with a screenplay that delivers a truly memorable heist film. This is an amazing film and once again Netflix have delivered a game-changer in the cinematic universe.

Dave’s rating Out Of 5

Kyle McGrath’s Red Notice Review:

Kyle’s rating Out Of 5

Average Subculture Rating:

Other Subculture Red Notice Reviews:

You can read our Red Notice review for The Phuket News right here – https://www.thephuketnews.com/red-notice-us-200mn-blockbuster-goes-straight-to-streaming-82008.php

Trailer:

 

Summary: Sabina Wilson (Kristen Stewart), Elena Houghlin (Naomi Scott), and Jane Kano (Ella Balinska) are working for the mysterious Charles Townsend (Robert Clotworthy), whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere.

Year: 2019

Australian Cinema Release Date: 14th November 2019

Thailand Cinema Release Date: 2nd December 2019

Australian DVD Release Date: 11th March 2020

Country: United States

Director: Elisabeth Banks

Screenwriter: Elisabeth Banks, David Auburn (story), Evan Spiliotopoulos

Cast: Ella Balinska (Jane Kano), Elisabeth Banks (Bosley), Batur Belirdi (Bettor), Noah Centineo (Langston), Sam Clafin (Alexander Brock), Robert Clotworthy (Charlie (voice)), Anna Drexler (Susan Olson), Nat Faxon (Peter Fleming), Frank Ferruccio (Detective Flynn), Hannah Hoekstra (Ingrid), Djimon Housou (Edgar Bosley), Jiana (Jane Kano), Emre Kentmengolu (Prince Alim Hassan), Sebastian Kroehnert (Sven Ludwig), Robert Maaser (Big Man), Luis Gerardo Mendez (Saint), Chris Pang (Jonny Smith), Murali Perumal (Pradeep Prasad), Andreas Schroders (The Accountant), Naomi Scott (Elena Houghlin), David Schutter (Ralph), Marie-Lou Sellem (Fatima Ahmed), Jaclyn Smith (Kelly Garrett), Kristen Stewart (Sabina Wilson), Patrick Stewart (John Bosley), Jonathan Tucker (Hodak), Franz Xaver Zach (Watchmaker Schmidt)

Running Time: 118 mins

Classification: M (Australia) 13 (Thailand)

 

 

OUR CHARLIE’S ANGELS REVIEWS & RATINGS:

 

Dave Griffiths Review:

We were promised one of the biggest blockbusters of the year, what we got was a C-Grade action flick that didn’t even register a blip at the box office. That really is the only kind way to describe the Charlie’s Angels reboot.

Of course by now you have probably heard the many varied excuses that have been offered up trying to explain why Charlie’s Angels has struggled so badly at the box office. The reason, according to the film’s director, Elizabeth Banks, is that sexism is still rife in Hollywood. But if that were the case then why was the original Charlie’s Angels films such a success and why have films like Tomb Raider, Salt, The Hunger Games etc not suffered the same fate? No, the reason why this film failed so badly is simple – it is a bad film that doesn’t live up to its potential and it suffers from a serious lack of star power.

Plot-wise Charlie’s Angels sees a gifted young scientist, Elena Houghlin (Naomi Scott), help create a device that could be the answer to the Earth’s energy crisis. However, when she learns that it can easily be used as a deadly weapon but it still made public by the corporation she works for she turns to Charlie’s Agency to try and contain the weapon.

Led by Bosley (Elizabeth Banks) Jane Kano (Ella Balinska) and Sabina Wilson (Kristen Stewart) embark on a mission that sees them have to take on a highly skilled assassin know as Hodak (Jonathan Tucker) who is determined to get the weapon into the hands of his employer.

What sounds like a pretty basic synopsis actually turns quite convoluted and is perhaps step one to why so many of the traditional Charlie’s Angels fans have turned their back on this film. The small agency with three angels has now turned into a worldwide agency with a seemingly endless supply of angels and if that doesn’t remove things too far from the original concept the audience is then introduced to an army of Bosleys (mostly notably played by Banks, Patrick Stewart and Djimon Hounsou) within the first five minutes of the film. This worldwide agency idea didn’t work for the last offering in the Men In Black franchise and again doesn’t work here.

Like its plot overload the film is also dangerously let down by its action sequences. What should be straightforward fight and chase sequences look cumbersome and amateurish here. A surprise considering that while Elizabeth Banks has never shot action before her cinematographer Bill Pope has worked on films such as The Matrix and Spider-Man 2 and should have been able to make the film look a lot better than this.

The one saving grace for the film was Kristen Stewart. She may have been let down by a poor script and bad action sequences but she still manages to shine with great charisma and a quick wit which at times is the only thing that makes the film watchable. Still, even her performance couldn’t match the star-power of Cameron Diaz, Drew Barrymore and Lucy Liu like the film’s predecessor had.

With very little star push and a script that made it seem C-Grade Charlie’s Angels seems like it was doomed before it even left the studio floor. Ladies and gentlemen I think we just found this year’s Golden Razzie winner.

 

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:  Charlie's Angels (2019) on IMDb

 

Other Subculture Entertainment Charlie’s Angels Reviews:

Our Charlie’s Angels review that appeared in ‘The Phuket News’ can be read at this link – https://www.thephuketnews.com/all-girl-power-but-no-star-power-in-charlie-angels-reboot-73765.php

Trailer: