Tagged: Wes Anderson

Summary: 
A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in “The French Dispatch Magazine”.

Year: 2021

Cinema Release Dates:  9th December 2021 (Australia), 22nd October 2021 (UK), 22nd October 2021 (USA)

VOD Release Dates: TBA

Country: USA, Germany

Director: Wes Anderson

Screenwriter: Wes Anderson

Cast: Mathieu Amalric (The Commissaire), Nicolas Avinee (Vittel), Bob Balaban (Uncle Nick), Mohamed Belhadjine (Mitch-Mitch), Adrien Brody (Julian Cadazio), Timothee Chalamet (Zeffirelli), Mauricette Coudivat (Maman), Willem Dafoe (Albert The Abacus), Cecile de France (Mrs B), Benicio del Toro (Moses Rosenthaler), Guillaume Gallienne (Mr. B), Winston Ait Hellal (Gigi), Tom Hudson (Mitch-Mitch (on stage)), Anjelica Huston (Narrator (voice)), Lyna Khoudri (Juliette), Alex Lawther (Morisot), Frances McDormand (Lucinda Krementz), Elisabeth Moss (Alumna), Bill Murray (Arthur Howitzer Jr.), Edward Norton (The Chauffeur), Steve Park (Nescaffier), Rodolphe Pauly (Patrolman Maupassant), Tony Revolori (Young Rosenthaler), Saoirse Ronan (Junkie/Showgirl #1), Jason Schwartzman (Hermes Jones), Lea Seydoux (Simone), Lois Smith (Upshur ‘Maw’ Clampette), Tilda Swinton (J.K.L. Berensen), Christoph Waltz (Paul Duval), Owen Wilson (Herbsaint Sazerac), Henry Winkler (Uncle Joe), Jeffrey Wright (Roebuck Wright)

Running Time: 107 mins

Classification: M (Australia), 15 (UK), R (USA)

OUR THE FRENCH DISPATCH REVIEWS

David Griffiths’ The French Dispatch Review:

There is always a funny reaction in film circles when you mention the name Wes Anderson. Either the person you are talking to will start to tell you that Anderson is a genius or they will nod and then say “yeah no thanks.”

Yes like a lot of classic things Anderson is an acquired taste and one that people either love and or hate. Myself? Well, I’m in the former category. I fell in love with the work of Mr. Anderson when I discovered The Darjeeling Limited. I loved its quirkiness, I loved how different it was and from then on I was hooked.

If though you are in the other camp then there is no way that you will ever be able to get into The French Dispatch, for me though this is one of the films of the year. Only Anderson could bring together stories like this and have the end result be something as special as this.

The film is pulled together by a fictional magazine known as The French Dispatch who is edited by the forthright but slightly crazy Arthur Howitzer Jnr (Bill Murray – Lost In Translation). He has pulled together a group of eccentric writers including the intrepid Lucinda Krementz (Frances McDormand – Fargo), J.K.L Berensen (Tilda Swinton – Snowpiercer), the cycling crazy Herbsaint Sazerac (Owen Wilson – Wedding Crashers), and food critic Roebuck Wright (Jeffrey Wright – Shaft).

The film itself is made up of the stories they are telling in their articles from a mysterious painter (Benicio Del Toro – Sicario) who is in love with his prison guard (Lea Seydoux – No Time To Die) through the story of opposing revolutionary leaders who are in love with each other.

That is where there are strengths and weaknesses with this film. The film comes together like a bunch of short films with a common theme, and like all short films, there are the good and bad.  The stories such as the one involving the artist and Owen Wilson’s fast-moving trip through a small town are brilliant but some of the others drag. The good news for audiences though is the good ones clearly outweigh the bad ones.

The stroke of Anderson’s genius is on show throughout the film. His quirky humor is always on show throughout the film and I’ll be quick to admit that I found myself laughing throughout the film. The brilliant thing is that humor comes in all forms – from witty one-liners through to visual humor. The best part though is that every joke lands and gets a laugh.

The other highlight for me was the fact that Anderson brings so many different kinds of filmmaking to the game with this film. From animation, through to fast-paced European comedy and then to classic black and white cinema, there isn’t anything Anderson isn’t willing to try and somehow he ends up being a master to them all.

Likewise always with an Anderson film the cast is a case of a who’s who of Hollywood. Actors like Willem Dafoe (The Card Counter) and Edward Norton (Motherless Brooklyn) turn up in a blink and you will miss them roles but it is the stars of this film that steal the show. Owen Wilson steals the show in his all too brief storyline while Benicio Del Toro shines playing an artistic killer trying to paint while locked away in prison.

As in normally the case with Anderson films it is Bill Murray that brings everything together. When it comes to Anderson’s work Murray is the ringmaster and the film his circus. He leads the way and it is obvious no other actor quite enjoys the quirkiness of Anderson’s work the way that Murray does. Having said that though this is an ensemble film where every actor is at the top of their game and the result is yet another classic Anderson film.

If you are not already a fan of Anderson’s work then this isn’t the film that is going to win you over. This film feels like it has been made for the Anderson tragic, it has his tropes all over it and once again the result is something magical. The film is slightly let down by the weaker ‘parts’ but for the most part this is an enjoyable ride.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture The French Dispatch Reviews:

Nil

Trailer:

Golden Globe Awards

The 2015 Golden Globes nominations are now in… here they are.

BEST MOTION PICTURE – DRAMA

Boyhood

Selma

The Imitation Game

Foxcatcher

The Theory Of Everything

BEST MOTION PICTURE – MUSICAL OR COMEDY

Birdman

The Grand Budapest Hotel

St. Vincent

Into The Woods

Pride

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

Steve Carell (Foxcatcher)

Benedict Cumberbatch (The Imitation Game)

Jake Gyllenhaal (Nightcrawler)

Eddie Redmayne (The Theory Of Everything)

David Oyelowo (Selma)

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

Jennifer Aniston (Cake)

Julianne Moore (Still Alice)

Rosamund Pike (Gone Girl)

Reese Witherspoon (Wild)

Felicity Jones (The Theory Of Everything)

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY

Michael Keaton (Birdman)

Ralph Fiennes (The Grand Budapest Hotel)

Christoph Waltz (Big Eyes)

Bill Murray (St. Vincent)

Joaquin Phoenix (Inherent Vice)

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY

Amy Adams (Big Eyes)

Emily Blunt (Into The Woods)

Julianne Moore (Maps To The Stars)

Helen Mirren (The Hundred Foot Journey)

Quvenzhane Wallis (Annie)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

Mark Ruffalo (Foxcatcher)

Ethan Hawke (Boyhood)

J.K. Simmons (Whiplash)

Robert Duvall (The Judge)

Edward Norton (Birdman)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE

Patricia Arquette (Boyhood)

Keira Knightley (The Imitation Game)

Emma Stone (Birdman)

Meryl Streep (Into The Woods)

Jessica Chastain (A Most Violent Year)

BEST DIRECTOR – MOTION PICTURE

Alejandro Gonzalez Inarritu (Birdman)

Richard Linklater (Boyhood)

Ava DuVernay (Selma)

David Fincher (Gone Girl)

Wes Anderson (The Grand Budapest Hotel)

BEST SCREENPLAY – MOTION PICTURE

Boyhood

Birdman

Gone Girl

The Imitation Game

The Grand Budapest Hotel

BEST ORIGINAL SONG – MOTION PICTURE

Big Eyes by Lana Del Ray (Big Eyes)

Glory by John Legend & Common (Selma)

Mercy Is by Patty Smith & Lenny Kaye (Noah)

Opportunity by Sia (Annie)

Yellow Flicker Beat by Lorde (The Hunger Games: Mockingjay Part 1)

BEST ORIGINAL SCORE – MOTION PICTURE

Alexandre Desplat (The Imitation Game)

Johann Johannsson (The Theory Of Everything)

Trent Reznor (Gone Girl)

Antonio Sanchez (Birdman)

Hans Zimmer (Intersteallar)

BEST ANIMATED FILM

The Book Of Life

The Boxtrolls

Big Hero 6

How To Train Your Dragon 2

The Lego Movie

BEST FOREIGN LANGUAGE FILM

Ida

Leviathan

Force Majeure

Gett: The Trial Of Viviane Amsalem

Tangerines

BEST TELEVISION SERIES – DRAMA

Downton Abbey

The Good Wife

House Of Cards

Game Of Thrones

The Affair

BEST TELEVISION SERIES – MUSICAL OR COMEDY

Girls

Orange In The New Black

Transparent

Silicon Valley

Jane The Virgin

BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

Olive Kitteridge

True Detective

Fargo

The Missing

The Normal Heart

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

Kevin Spacey (House Of Cards)

Liev Schreiber (Ray Donovan)

James Spader (The Blacklist)

Dominic West (The Affair)

Clive Owen (The Knick)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA

Robin Wright (House Of Cards)

Julianna Marguiles (The Good Wife)

Viola Davis (How To Get Away With Murder)

Claire Danes (Homeland)

Ruth Wilson (The Affair)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY

Lena Dunham (Girls)

Edie Falco (Nurse Jackie)

Julia Louis-Dreyfus (Veep)

Taylor Schilling (Orange Is The New Black)

Gina Rodriguez (Jane The Virgin)

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY

Don Cheadle (House Of Lies)

Ricky Gervais (Derek)

Jeffrey Tambor (Transparent)

William H. Macy (Shameless)

Louis C.K. (Louie)

BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Martin Freeman (Fargo)

Billy Bob Thornton (Fargo)

Matthew McConaughey (True Detective)

Woody Harrelson (True Detective)

Mark Ruffalo (The Normal Heart)

BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Jessica Lange (American Horror Story)

Maggie Gyllenhaal (The Honourable Woman)

Frances McDormand (Olvie Kitteridge)

Frances O’Connor (The Missing)

Allison Tolman (Fargo)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Jon Voight (Ray Donovan)

Alan Cumming (The Good Wife)

Bill Murray (Olive Kitteridge)

Colin Hanks (Fargo)

Matt Bomer (The Normal Heart)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Allison Janney (Mom)

Uzo Aduba (Orange Is The New Black)

Kathy Bates (American Horror Story)

Michelle Monaghan (True Detective)

Joanne Froggatt (Downton Abbey)

Hannah Marshall

Australian actress Hannah Marshall (Packed to the Rafters) has won the Best Actress Award at the Inaugural Niagara Integrated Film Festival for her role in the time travel comedy feature film The Infinite Man. The film also screens tomorrow at the Edinburgh International Film Festival and will have its Australian Premiere at the 2014 Melbourne International Film Festival before releasing in Australian cinemas in September.

NIFF, founded by Bill Marshall (Founder and Chair Emeritus of the Toronto International Film Festival – TIFF), pairs premiere festival films with the premiere hospitality of the Niagara Wine Region. The festival screening, a special event with a paired three-course dinner and featuring local wines, was the Canadian Premiere of the film and Hannah was in attendance to accept the award. In a coup for Australia, the Best Actor award was won by Geoffrey Rush for his role in The Best Offer.

This is the fourth major North American screen of the film, following the recent New York premiere screening at Brooklyn’s rooftop cinema, a screening at the Newport Beach Film Festival and the World Premiere at South by Southwest earlier this year, which generated much critical acclaim, and saw the film make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef.

Hannah Marshall is best known for her role as Loretta Schembri in Packed to the Rafters, for which she received a Logie nomination for Most Popular New Female Talent (2011).

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

The Infinite Man is the feature film debut for writer/director Hugh Sullivan and is produced by Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron, executive produced by Jonathan Page and Cameron Rogers. DOP is Marden Dean (Fell).

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in September 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

The Good The Bad The Ugly Film Show

This week on The Good The Bad The Ugly Film Show Adam, Dave, Nick and Greg take a look at new release films ‘The Grand Budapest Hotel’, ‘Divergent’, ‘Any Day Now’ and ‘Muppets: Most Wanted’. The boys also take a special look at The Amazing Spider-Man 2: The Rise Of Electro, which they had seen just an hour before.This episode also features interviews with Wes Anderson and Ricky Gervais.

Also make sure you listen for your chance to win a copy of Ender’s Game on DVD thanks to Icon Distribution.

To listen to the show you can download it for free from our Podcast Channel – Listen/Download here

The Infinite Man

The World Premiere of time travel comedy The Infinite Man has generated an overwhelmingly positive response at the SXSW Film Festival and is the only Australian film to make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef. Moviefone today ranked it as the second best film at the fest behind Richard Linklater’s Boyhood. Both Screen Daily and The Hollywood Reporter supported the idea of international distribution, while Indiewire and The Playlist likened it to the time travel greats, with The Playlist rating it as an overall festival highlight.

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

Producers Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron have just returned from the festival, which they attended with writer director Hugh Sullivan, lead actress Hannah Marshall, EP Cam Rogers, DOP Marden Dean, and composer/sound designer Jed Palmer. They said of the experience of the past week: “We knew the SXSW film festival was the ideal place to launch The Infinite Man because of its reputation for unearthing breakout indie films, but after three sold out screenings we’ve been really overwhelmed by how enthusiastically the US audiences and critics have embraced the film and we’re looking forward to bringing it home to Australian audiences later in the year.”

Screen Daily’s glowing review called it ‘fresh, intriguing and always watchable’ and endorsed international distribution, ‘The time travel film may well be a well-worn movie genre, but Australian film The Infinite Man takes it off in all new directions as an oddball inventor uses his device to try and craft the perfect moment for he and his girlfriend. An elegantly filmed three-hander, it is a smart, funny and oddly romantic indie film that deserves to find international distribution as well as further festival exposure.

The Hollywood Reporter was equally as enthusiastic ‘”Smart Aussie comedy…The metaphoric possibilities of time-travel fantasies are unusually well exploited in The Infinite Man… the Aussie import would be easy to market in arthouses despite the absence of familiar faces on- or off-screen.”

Moviefone rated it as ‘the most quietly devastating and imaginatively inventive movie at the festival… all around jaw-dropping’. Leading indie film website Twitch dubbed it ‘‘Indie time travel mayhem at its best…the kind of movie you are going to want to watch time and time again. And time again… And time again...’.

Indiewire called it ‘An exemplary time travel comedy’ and ‘an impressively minimalist storytelling acheivement’, placing it in the company of classics of the genre: ‘Time travel mix-ups have provided ample fodder for a range of comedic material, from Back to the Future to Safety Not Guaranteed. The Australian romcom The Infinite Man is part of a rare breed that uses the constant pileup of future and past events to enhance its humor and intelligence at once.’

The Playlist said it, ‘might have been the best thing we saw all week. … an uncanny comedy that mixes the metaphysics of Groundhog Day with the emotionality of Eternal Sunshine of the Spotless Mind and a splash of the tech-y nerdiness of Primer. Comparing this film to those classics is kind of like carrying around a loaded gun, but it’s apt just the same’. Further praise went to director Hugh Sullivan for his debut feature “Every so often you see a movie at one of these festivals that seems to announce (loudly) a true filmmaking talent, one that should be watched closely in the years to come; “The Infinite Man” is one of those movies…a wildly creative, thrilling, unforgettable, heartbreaking work of a singular, visionary filmmaker. “The Infinite Man” is infinitely brilliant.”

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

Argo

And the winners are:

BEST PICTURE

Winner: Argo

Other Nominees: Beasts Of The Southern Wild, Django Unchained, Les Miserables, Life Of Pi, Lincoln, The Master, Moonrise Kingdom, Silver Linings Playbook, Zero Dark Thirty

BEST ACTRESS

Winner: Jessica Chastain (Zero Dark Thirty)

Other Nominees: Marion Cotillard (Rust & Bone), Jennifer Lawrence (Silver Linings Playbook), Emmaunelle Riva (Amour), Quvenzhane Wallis (Beasts Of The Southern Wild), Naomi Watts (The Impossible)

BEST ACTOR

Winner: Daniel Day-Lewis (Lincoln)

Other Nominees: Bradley Cooper (Silver Linings Playbook), John Hawkes (The Sessions), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), Denzel Washington (Flight)

BEST SUPPORTING ACTOR

Winner: Philip Seymour Hoffman (The Master)

Other Nominees: Alan Arkin (Agro), Javier Bardem (Skyfall), Robert De Niro (Silver Linings Playbook), Tommy Lee Jones (Lincoln), Matthew McConaughey (Magic Mike)

BEST SUPPORTING ACTRESS

Winner: Anne Hathaway (Les Miserables)

Other Nominees: Amy Adams (The Master), Judi Dench (Skyfall), Ann Dowd (Compliance), Sally Field (Lincoln), Helen Hunt (The Sessions)

BEST ACTING ENSEMBLE

Winner: Silver Linings Playbook

Other Nominees: Argo, The Best Exotic Marigold Hotel, Les Miserables, Lincoln, Moonrise Kingdom

BEST DIRECTOR

Winner: Ben Affleck (Argo)

Other Nominees: Kathryn Bigelow (Zero Dark Thirty), Tom Hooper (Les Miserables), Ang Lee (LIfe Of Pi), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln)

BEST ORIGINAL SCREENPLAY

Winner: Quentin Tarantino (Django Unchained)

Other Nominees: John Gatins (Flight), Rian Johnson (Looper), Paul Thomas Anderson (The Master), Wes Anderson/Roman Coppola (Moonrise Kingdom), Mark Boal (Zero Dark Thirty)

BEST ADAPTED SCREENPLAY

Winner: Tony Kushner (Lincoln)

Other Nominees: Chris Terrio (Argo), David Magee (Life Of Pi), Stephen Chbosky (The Perks Of Being A Wallflower), David O. Russell (Silver Linings Playbook)

BEST ANIMATED FEATURE

Winner: Wreck-It Ralph

Other Nominees: Brave, Frankenweenie, Madagascar 3: Europe’s Most Wanted, ParaNorman, Rise Of The Guardians

BEST YOUNG ACTOR/ACTRESS

Winner: Quvenzhane Wallis (Beasts Of The Southern Wild)

Other Nominees: Elle Fanning (Ginger & Rosa), Kara Hayward (Moonrise Kingdom), Tom Holland (The Impossible), Logan Lerman (The Perks Of Being A Wallflower), Suraj Sharma (Life Of Pi)

BEST ACTION MOVIE

Winner: Skyfall

Other Nominees: The Avengers, The Dark Knight Rises, Looper

BEST ACTOR IN A ACTION MOVIE:

Winner: Daniel Craig (Skyfall)

Other Nominees: Christian Bale (The Dark Knight Rises), Robert Downey Jnr. (The Avengers), Joseph Gordon-Levitt (Looper), Jake Gyllenhaal (End Of Watch)

BEST ACTRESS IN A ACTION MOVIE

Winner: Jennifer Lawrence (The Hunger Games)

Other Nominees: Emily Blunt (Looper), Gina Carano (Haywire), Judi Dench (Skyfall), Anne Hathaway (The Dark Knight Rises)

BEST COMEDY MOVE

Winner: Silver Linings Playbook

Other Nominees: Bernie, Ted, This Is 40, 21 Jump Street

BEST ACTOR IN A COMEDY

Winner: Bradley Cooper (Silver Linings Playbook)

Other Nominees: Jack Black (Bernie), Paul Rudd (This Is 40), Channing Tatum (21 Jump Street), Mark Wahlberg (Ted)

BEST ACTRESS IN A COMEDY

Winner: Jennifer Lawrence (Silver Linings Playbook)

Other Nominees: Mila Kunis (Ted), Shirley MacLaine (Bernie), Leslie Mann (This IS 40), Rebel Wilson (Pitch Perfect)

BEST SCI-FI/HORROR FILM

Winner: Looper

Other Nominees: The Cabin In The Woods, Prometheus

BEST FOREIGN LANGUAGE FILM

Winner: Amour

Other Nominees: Intouchables, En kongelig affaere, Rust And Bone

BEST DOCUMENTARY FEAUTRE

Winner: Searching For Sugar Man

Other Nominees: Bully, The Central Park Five, The Imposter, The Queen Of Versailles, West Of Memphis

BEST SONG

Winner: ‘Skyfall’ – Adele/Paul Epworth (Skyfall)

Other Nominees: ‘For You’ – Monty Powell/Keith Urban (Act Of Valor), ‘Learn Me Right’ – Mumford & Sons (Brave), ‘Suddenly’ – Claude-Michel Schonberg/Alain Boubil/Herbert Kretzmer (Les Miserables), ‘Still Alive’ – Paul Williams (Paul Williams Still Alive)

BEST SCORE

Winner: John Williams (Lincoln)

Other Nominees: Alexandre Desplat (Brave), Mychael Danna (Life Of Pi), Jonny Greenwood (The Master), Alexandre Desplat (Moonrise Kingdom)

BEST CINEMATOGRAPHY

Winner: Claudio Miranda (Life Of Pi)

Other Nominees: Danny Cohen (Les Miserables), Janusz Kaminski (Lincoln), Mihai Malaimare Jr. (The Master), Roger Deakins (Skyfall)

BEST ART DIRECTION

Winner: Sarah Greenwood/Katie Spencer (Anna Karenina)

Other Nominees: Dan Hennah/Ra Vincent/Simon Bright (The Hobbit: An Unexpected Journey), Eve Stewart/Anna Lynch-Robinson (Les Miserables), David Gropman/Anna Pinnock (Life Of Pi), Rick Carter/Jim Erickson (Lincoln)

BEST EDITING

Winner: William Goldenberg/Dylan Tichenor (Zero Dark Thirty)

Other Nominees: William Goldenberg (Argo), Melanie Oliver/Chris Dickens (Les Miserables), Tim Squyres (Life Of Pi), Michael Kahn (Lincoln)

BEST COSTUME DESIGN

Winner: Jacqueline Durran (Anna Karenina)

Other Nominees: Kym Barrett/Pierre-Yves Gayraud (Cloud Atlas), Bob Buck/Ann Maskrey/Richard Taylor (The Hobbit: An Unexpected Journey), Paco Delgado (Les Miserables), Joanna Johnston (Lincoln)

BEST MAKEUP

Winner: Cloud Atlas

Other Nominees: The Hobbit: An Unexpected Journey, Les Miserables, Lincoln

BEST VISUAL EFFECTS

Winner: Life Of Pi

Other Nominees: The Avengers, Cloud Atlas, The Dark Knight Rises, Teh Hobbit: An Unexpected Journey

Summary:Moonrise Kingdom is the new movie directed by two-time Academy Award-nominated filmmaker Wes Anderson. Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two 12-year olds who fall in love, make a secret pact, and run away together into the wilderness.

Year: 2012

Australian Cinema Release Date: 30th August, 2012

Australian DVD Release Date: 26th December, 2012

Country: United States

Director: Wes Anderson

Screenwriter: Wes Anderson, Roman Coppola

Cast: Bob Balaban (The Narrator), Marianna Bassham (Becky), Liz Callahan (Mrs. Billingsley), Rob H. Campbell (Deluca), Seamus Davey-Fitzpatrick (Roosevelt), Hugo DeAscentis (Edgar), James Demler (Noah), Tanner Flood (Murray Bishop), L.J. Foley (Izod), Chandler Frantz (Gadge), Jared Gilman (Sam), Kara Hayward (Suy), Lucas Hedges (Redford), Neal Huff (Jed), Harvey Keitel (Commander Pierce), Charlie Kilgore (Lazy Eye), Frances McDormand (Laura Bishop), Bill Murray (Walt Bishop), Tommy Nelson (Nickleby), Edward Norton (Scout Master Ward), Carolyn Pickman (Mrs. Lynn), Dakota Pimentel (Acolyte), Larry Pine (Mr. Billingsley), Jean-Michael Pion ((Ham), Wyatt Raliff (Rudy Bishop), Gabriel Rush (Skotak), Jake Ryan (Lionel Bishop), Jason Schwartzman (Cousin Ben), Andreas Sheikh (Panagle), Tilda Swinton (Social Services), Bruce Willis (Captain Sharp)

Runtime: 93 mins

Classification:PG

Dave Griffiths’s ‘Moonrise Kingdom’ Review:

If you aren’t a fan of director Wes Anderson’s (Fantastic Mr. Fox, The Darjeeling Limited) work then there really isn’t much of a point watching Moonrise Kingdom as it sees Mr. Anderson delve even further into his absurd brand of humor and it works remarkably well.

Set on a New England island in the 1960s Moonrise Kingdom focuses on orphan, Sam (Jared Gilman – newcomer) who organizes a brave escape from his scout troop, led by Scout Master Ward ( Edward Norton – The Bourne Legacy, Stone), so he can spend time with his to-be-girlfriend, Suzy (Kara Hayward – newcomer).

While Sam and Suzy believe they can create their own little piece of paradise they are soon being hunted down by the scouts who are after revenge, as well as local Police Officer Captain Sharp (Bruce Willis – Fire With Fire, The Expendables 2), Social Services (Tilda Swinton – We Need To Talk About Kevin, The Chronicles Of Narnia: The Voyage Of The Dawn Treader) and Suzy’s loopy parents Walt (Bill Murray – Passion Play, Fantastic Mr. Fox) and Laura Bishop (Frances McDormand – Madagascar 3: Europe’s Most Wanted, Transformers: Dark Of The Moon).

Anderson really doesn’t hold back with the comedy. Whether it be a fake looking lame explosion or some incredibly witty dialogue he knows how to get his audience to laugh and it works throughout the film. The fact that is script follows a young Romeo + Juliet style couple involved in their own tragic romance only makes the audience fall in love even more with film.

At time the deadpan nature of the acting does jar a little, but if you’re a fan of Wes Anderson’s work then it is something that you have come to get used to over the years. To his credit Anderson also takes some remarkably risks with Moonrise Kingdom, the fact that his two leads, Jared Gilman and Kara Hayward, are both newcomers and therefore unknown to cinema audiences was a big call that could have massively backfired, but as luck would have it both deliver amazing performances and instead announce themselves as stars of the future.

As usual Anderson does get the best out of his cast. Bruce Willis seems to relish the fact that he gets to play a role that does demand some real dramatic acting while Bill Murray and Frances McDormand lap up the opportunity to play up the comedy with some real out-there characters. But the real stars of the show here are Edward Norton who constantly has the audience in hysterics and Jason Schwartzman (TV’S Bored To Death & Sesame Street) who may only have limited screen time but certainly makes the best of it.

The humor of Moonrise Kingdom may not appeal to all, but if you think it may then this is a film that is guaranteed to make you laugh until you cry.

Other Subculture Media Reviews of Moonrise Kingdom: http://www.helium.com/items/2363846-movie-reviews-moonrise-kingdom-2012.

Rating: 3.5/5 Stars

IMDB Rating:Moonrise Kingdom (2012) on IMDb