Tagged: The Used

 

The Used recently surprised all of their fans by suddenly dropping a single titled ‘Blow Me.’ That was the first release since the band had signed with Big Noise Records and shortly after the single was released the band admitted that they had been working on a brand new album after their festival tour. With the album slated for released in early 2020 and the band also embarking on an North American tour Subculture took the chance to sit down with Bert McCracken to see what fans can expect from this new album.

“It has actually been a dream come true working in the studio again with John Feldman,” he says referring to the fact that their old producer has returned to the fold as we talk about the work that has already been done on the new album. “It felt like a mission, an art project… it was a lot of hard work. It was a mentally and emotionally draining experience but to get back into the studio with Feldman as he worked at catching melody it really felt like the basics of songwriting and that is what it is all about. It was really nice, Jon Feldman is a true inspiration. I have said it numerous times but nobody works as hard as him, he is always ready to go no matter what. He can write four songs a day and they will all be really great. Just being in the same room as him is quite magical. If I lived in L.A. I would live really close to him so I could sleep outside his studio door…. that’s the magic of John Feldman.”

That leads me to ask McCracken what exactly it was that first sparked the thoughts about working with John Feldman again aside from signing to his label. “I’m not actually sure what it was,” admits McCracken. “We have maintained a fairly good relationship throughout the years. It is quiet overwhelming to me because I feel like in the past that I have been a difficult artist to work with and it might have seemed like I had burnt that bridge, but he is like a brother to me and it is just feels like home. It is something you are so comfortable and familiar with and this is our sixth or seventh album with him… yeah it was incredible, man We had some of the best times I think you can have writing and recording music.”

“We took a bit of an avalanche or volcano approach to it,” says McCracken when I ask whether he started working on the album in Sydney or if he re-located to LA for the entire writing and recording process. “When we were writing songs it was like we would just spew forth creative energy. We started working on the album maybe last October and then we demoed out about twenty or thirty songs, then we got into the studio with Feldman and just started from scratch with his process. Working in the studio with Feldman is pretty much the same thing day-to-day. You go in, you either start on a piano or an acoustic guitar and then you start to think about what kind of song you want to write. If it is a heavy song then you just rip out a heavy riff and then try to get an overall feel for content… lyrical content. Sometimes the lyrical content will write the song for you, but it felt really fun and free to be like ‘well what kind of song do you want to write?’ or ‘well what is some of your favourite songs, let’s write one that kind of feels like a wooden fence in the back-yard.” Anything is possible so it is really, really fun, nobody’s ideas are invalid, the whole band is throwing all their ideas at the wall and you see what sticks.”

The process was also so much fun that the band ended up with a lot more songs than they actually needed for the album. “We actually ended up with a bit more than that,” he says when I ask if it is true that the band ended up with twenty-seven songs at the end of the recording process. “There were about eight or nine that we were in the process of recording and then we were like ‘nah this one’s not good enough let’s move on.’ So we have about twenty-six or seven that we like, so we will probably put fifteen on this one and then call the rest Operation B-Sides.”

“In a lot of ways one child is always better than the other one,” says McCracken laughing when I ask isn’t picking which songs you like for an album like comparing your children. “I think it is like what it is like with children as well, you know straight away. You will be like ‘man this one is kind of gnarly’ or ‘this one is really fucked up.’ No, I think with a strong song it is really easy to tell in the basic skeleton version of the song. If it has a catchy melody or it flows well and everything just feels really natural, when it is like that you just know straight away and that is great.”

“I can’t wait for you to hear it,” he says to finish up the interview. “I’ve never really been someone that listens to his own records on repeat but I can’t stop listening to this one, it is so much fun and so interesting.”

 

The new album will be out in early 2020.

 

DAVID GRIFFITHS

 

Dave Griffiths

Dave Griffiths has worked as a journalist for over twenty years now -covering topics including film, television, music, travel and sport (with a main focus on AFL Football).

That time has seen him host the popular X-Wired television program for seven seasons as well as write for various magazines such as Buzz Magazine, Heavy Mag, Stage Whispers, The Banner and Eternity. Dave is currently the Head Film Writer for Heavy Mag and also writes reviews for Thailand’s The Phuket News newspaper.

He has even branched out into writing online for Subculture Entertainment, Media Search and The Book The Film The T-Shirt. He also worked as the online editor for Entertainment 360 for three years.

Dave’s radio work has seen him work on various radio stations including Talking Lifestyle, 2GB Talk Radio, ,3RPP, Triple R and Light FM. He is currently the co-host of Melbourne’s 94.1FM’s breakfast show ‘The Motley Crew’ and he can sometimes be heard on J-Air’s ‘First On Film’. David is also the co-host of two popular podcasts – ‘The Good, The Bad, The Ugly Film Show,’ and ‘The Popcorn Conspiracy’

As far as Film Reviewing goes David is an elected committee member of AFCA (Australian Film Critics Association and a member of IPRESCI (International Federation of Film Critics)/FIPRESCI (Fédération Internationale de la Presse Cinématographique).

He has also served as a jury member for a number of international film festivals and is considered an expert on cult cinema, horror movies and Australian films.

Dave is also a keen screenwriter and is currently working on a new comic book series.

 

Currently David Griffiths has 47 Film Reviews on Subculture Entertainment

 

 

Currently David Griffiths has 51 Film Interviews on Subculture Entertainment

 

Currently David Griffiths has 12 Music Reviews on Subculture Entertainment

 

Currently David Griffiths has 55 Music Interviews on Subculture Entertainment

 

 

Currently David Griffiths has 12 Theatre/Comedy Interviews on Subculture Entertainment

 

 

Currently David Griffiths features on 5 episodes of The Popcorn Conspiracy

 

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TONIGHT ALIVE have today released their electrifying new single “The Edge,” written exclusively for the Australian release of the new movie The Amazing Spider-Man 2: The Rise Of Electro, opening in Australia on April 17th. The highly anticipated official music video for “The Edge” has just premiered on VEVO – check it out below.

Since teasing the track online since the single announcement on March 21st, Tonight Alive fans have been anxiously awaiting the release of the single and accompanying video in its entirety, with the band’s social media accounts exploding and the teaser itself receiving in excess of 160K streams. The hype has been garnering the band attention not just domestically but around the world, helped along by their sold out tour across the UK with All Time Low, and throughout the US with Taking Back Sunday and The Used.

With “The Edge” being written by Tonight Alive exclusively for the movie, the song will be featured on The Amazing Spider-Man 2: The Rise Of Electro Original Motion Picture Soundtrack in Australia, New Zealand, the U.K. and Ireland.

“The Edge” sits amongst top level global talent on the soundtrack, alongside “It’s On Again” by Alicia Keys featuring Kendrick Lamar, written exclusively for the film by Pharrell Williams, Alicia Keys, Hans Zimmer and Kendrick Lamar, and produced by Pharrell Williams.

The Amazing Spider-Man 2: The Rise Of Electro Original Motion Picture Soundtrack is released in Australia on Friday, April 18th on Columbia Records and Madison Gate Records, through Sony Music Entertainment Australia.

With the track now available to purchase globally, Tonight Alive explain their excitement as they prepare to be launched further into the international spotlight. ““The Edge” is a song we’re really proud of and as a band we are very flattered to be a part of such a huge legacy that is The Amazing Spider-Man 2: The Rise Of Electro. It is our hope that not only Tonight Alive fans, but all fans of the comic and movies will enjoy the track too!”

About The Amazing Spider-Man 2: Rise Of Electro

We’ve always known that Spider-Man’s most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2: The Rise Of Electro, Peter Parker finds that his greatest battle is about to begin.

It’s great to be Spider-Man (Andrew Garfield). For Peter Parker, there’s no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen (Emma Stone). But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro (Jamie Foxx), Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn (Dane DeHaan) returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.

Starring Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Paul Giamatti and Sally Field. Directed by Marc Webb. Produced by Avi Arad and Matt Tolmach. Screenplay by Alex Kurtzman & Roberto Orci & Jeff Pinkner. Screen Story by Alex Kurtzman & Roberto Orci & Jeff Pinkner and James Vanderbilt. Based on the Marvel Comic Book by Stan Lee and Steve Ditko.

The Amazing Spider-Man 2: The Rise Of Electro is in Australian cinemas from April 17th #SpiderMan
www.theamazingspiderman2.com.au.

The Amazing Spider-Man 2: The Rise Of Electro Original Motion Picture Soundtrack is available to purchase in
Australia from April 18th.

 

Heavy Issue 8Subculture’s own Dave Griffiths also writes for the best damn heavy music mag in Australia, check out the latest edition:

HEAVY ISSUE 8 IS OUT NOW!
Get a job in music – we show you what to study and where; Make 2013 a crushing Christmas with our gift ideas; Learn thrash with our guitar/bass/drum experts; Read exclusive interviews with Parkway Drive, Karnivool, Rotting Christ, BTBAM, Kvelertak, The Faceless, Kreator, The Offspring, The Used, For All Those Sleeping, Dream Theater, Tarja, Soulfly, Dead Letter Circus, King of the North, Circles, Truth Corroded, Rome, Tumbleweed and more.

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HEAVY – Australia’s purest heavy music magazine.