Internationally recognized superstars Tony Todd (Candyman, “The Flash”), Clifton Powell (“Black Lightning”) and Miguel A.Nunez Jr (Street Fighter) star in an inspiring, action-packed fusion of Kickboxer and Rocky, Worth now available on Amazon Prime Video.
Directed by and starring Eduardo Castrillo, Worth is a love letter to Muay Thai Kickboxing and tells of Ricky (Castrillo, Hunting Season), a top contender in Muay Thai meets and falls in love with Danielle (Samantha Aper), a paralegal in the city. Together they embark a relationship dealing with his championship match and her big court case. Danielle gets into an accident putting her into a coma and now Ricky has to do whatever it takes in order to pay for medical care.
Comedian Willie Barcena, and MMA fighters Mauricio Alonso and Jose Palacios also feature in Worth, now available on Amazon Prime.
Following its season as part of the Alliance Francaise French Film Festival, Arcadia and FilmInk Presents will bring Dominique Rocher’s The Night Eats the World to cinemas on May 9, 2019.
Sam (Anders Danielsen Lie – Personal Shopper) wakes one morning to find himself living in a nightmare: an army of zombies has invaded the streets of Paris and he is the lone survivor. While contemplating his bleak future and how he will survive the solitude, he learns that he may not be alone after all. Also starring Golshifteh Farahani (Paterson), and the iconic French actor Denis Lavant (Holy Motors) as “one of the greatest zombie creations since the brainless consumers of George Romero’s Dawn of the Dead, Lavant’s role helps complicate the movie’s soul.” *
Shot concurrently in French and English, the French language version was embraced during its French Film Festival run in April, and now the English version, following its success in the US, will be on limited release in quality Australian cinemas between May 9 and 12, 2019.
Rue Morgue Records will be releasing an exclusive boutique seven inch single of one of Australia’s finest bands… Palace Of The King.
The track ‘Get Right With Your Maker’ backed with ‘One Of These Days’ will be available for sale via the Rue Morgue Records website AND the Golden Robot Records site as well.
We’re beyond stoked to be bringing you this release in association with Golden Robot Records and having said that, Rue Morgue Records is elated to be working with Tim and the boys as well!
We promise this is going to be a fantastic release for all concerned.
Rue Morgue Records Label head Raptis says, “I have photographed Palace Of The King many times in my other vocation as a Rock Photographer and I always enjoy the performance the band brings forth. To be able to work on them in what will be a very special project is incredible personally, and for a fledgling label such as Rue Morgue Records! Let’s take things up a notch hey?”
Palace Of The King – Get Right With Your Maker available soon at Rue Morgue Records and Golden Robot Records.
Watch this space!
Formed in late 2012, Palace Of The King – nameless at that point – quickly recorded a 3 track demo and developed the vision of a blues-in fused rock and roll band. Far from a grave-robbing retro trip, Palace Of The King has just as much in common with Rival Sons, Graveyard & JackWhite as they do Led Zeppelin, Black Sabbath & Deep Purple. Remember when bands released an album a year and toured ’til the wheels fell off the tour van?
Having spent their formative years storming stages in every corner of Australia – alongside bands as varied as Airbourne and The Tea Party – and priming themselves for an international assault, Palace Of The King took their finely-honed live show through Europe in October 2015. Armed with 2 EPs, a full-length vinyl LP and a second full length studio album; this is a band that has earned their stripes and wear them with pride. “Palace Of The King is literally like a huge ground shaking Palace of RIFFS, SOUL and Rock’n’Roll.” comments Joel O’Keeffe, lead singer and guitarist of Airbourne.
“With more hooks and lines than a hard working Bering Sea fishing fleet they are guaranteed to tangle you up, reel you in and blow you away with their unique six-stringing, soul singing, sexy stomping Rock’n’Roll! They are the real fuckin’ deal! Crank up POTK!”
In 2015, it was time for the White Bird to take flight. From three minute funk-infused rockers through to seven minute Sabbath-esque crushers, Palace Of The King seized the opportunity to explore every intricate corner of their influences and craft a debut album that caught a band at a point where ‘scratching the surface’ wasn’t nearly enough.
In 2016 the band unveiled Valles Marineris on 15th July 2016 (Europe/ UK), Valles Marineris deepened Palace Of The King’s footprint on the international rock music scene by expanding on the “raw, energetic, imaginative and boundary-pushing”
(Dedicated Rocker Society) qualities of their debut through an all- new 10 track collection of blues and psych-infused hard rock. Lead by the bruising gospel-tinged riffathon of ‘Let The Blood Run Free’, Valles Marineris is both eclectic and unrelenting right through to the final eerie piano fadeout of album closer ‘Into The Black’.
In support of the Valles Marineris album POTK toured constantly throughout 2016/17 covering Europe as headliners and as guest with Airbourne, hitting America for the second time and multiple laps of Auatralia as headline act and also as guests with The Angels, Baby Animals and the Screaming jets.
In classic road dog style the band recorded at every opportunity when they were off the road and they have captured the raw energy of the stage on the new album
Get Right With Your Maker. From the moment the epic album opener I Am The Storm envelopes you it’s hard not to think that this is the sound of a band that has come of age, and once the fist pumping anthem
It’s Been A Long Time Coming hits you in the face you know it.
The ‘freight train’ metaphor may be overused. But you’d be hard-pressed to find one that is better-suited to a band that has played constantly, released a mountain of music and expanded their markets at such a prolific rate.
Palace of the King are set to release brand new music across 2019 through Golden Robot Records.
Based on the popular novel by Stephen King a brand new Pet Sematary film is about to hit Australian cinemas on April 4th. Starring Jason Clarke (Dawn Of The Planet Of The Apes, Zero Dark Thirty), John Lithgow (Cliffhanger, Interstellar) and Amy Seimetz (The Girlfriend Experience, Upstream Colour) the world premiere of Pet Sematary will close this years South By South West Festival.
Victorian Hardcore crew MIRRORS are returning to the fray of the Australian hardcore and heavy scene with their heaviest and toughest offering to date. They will be releasing their new EP ‘Cold Sanctuary’ on Friday May 10th, with pre-orders live right now at all good online platforms and streaming outlets. The four-piece have also given the world the first taste of the record today, releasing the title track and a video.
2019 will see the band’s ceaseless efforts coalesce with the release of their 2nd EP “Cold Sanctuary”. With their first EP establishing a commentary on the world around them, “Cold Sanctuary” ventures inwards. With maturity comes introspection, and this new effort delves into the psyche, trying to navigate and make sense of the chaotic chatter of our inner most thoughts, begging for reprieve. To compliment this unrelenting theme is a backdrop of earth shattering production, rivalling any band on the world stage, bringing their deepest, strongest and most dynamic compositions to date alive. ‘Cold Sanctuary’ is a reflection on decades of experience and work among the collective that is MIRRORS. Bear witness!
‘Cold Sanctuary’ was Produced by Ionei Heckenberg (Ocean Sleeper), was Mixed and Mastered by Lance Prenc (Gravemind, Alpha Wolf, Pridelands) and the Vocals were recorded by Scottie Simpson (Alpha Wolf).
Vocalist Patty Goodman, says that Cold Sanctuary, the title track of the EP, “…explores the terrifying state between wakefulness and sleep. arguably self inflicted, a female entity torments and strangles the one constantly stuck in this state.”
Formed in late 2016 by Gippsland natives Patty Goodman (vocals) and Tyson Taifer (guitar), metalcore outfit Mirrors quickly turned the eyes and ears of Australian listeners towards Regional Victoria with the release of their debut EP “Fool’s Paradise” in 2017. The 6 track release revealed the sound and delivery of a unit that had been functioning for many years, but after a mere 12 months of their existence they were invited to play alongside Parkway Drive, Architects and many more at the hallowed Unify festival.
Backed by fellow long time friend Jake Mackin (bass) and recently enlisted Melbourne based drummer Rob Brens, the four piece followed up their EP with the release of the single Circus, which showed a staggering step up in sound, maturity and production. From here, Mirrors set about bringing this evolution to clubs around Australia, supporting the likes of Thornhill, The Devil Wears Prada, Ocean Grove and Alpha Wolf just to name a few.
MIRRORS’ ‘Cold Sanctuary’ EP will be released on Friday May 10th. Pre-orders are going live this Friday, March 15 at all good online platforms and streaming outlets, and first single ‘Cold Sanctuary’ will be available for sale and streaming same day.
Award-winning* dystopian thriller Division 19, starring Mandy’s Linus Roache and Alison Doody (from Indiana Jones and the last Crusade), heads to theaters and digital this April from Uncork’d Entertainment.
In the future, prisons have been turned into online portals where paying subscribers get to vote on what felons eat, watch, wear and who they fight. Panopticon TV is so successful it is about to be rolled out to a whole new town. When the world’s most downloaded felon escapes, the authorities set a trap to reel him in. The bait is his little brother who has so far managed to avoid detection.
Also starring Jamie Draven (Billy Elliot), Lotte Verbeek (“Outlander”), Clarke Peters (“Jessica Jones”), L. Scott Caldwell (“Lost”) and Will Rothhaar (“Grimm”), District 19 is written and directed by S A Halewood.
Division 19 in theaters and available on demand from April 5.
Division 19 will screen in the following cinemas.
– LA: Laemmle Music Hall
– Chicago: AMC South Barrington 24
– Atlanta: AMC Southlake Pavilion 24
– Dallas: AMC Grapevine Mills 30
– Houston: AMC Gulf Pointe 30
– Cleveland: Tower City Cinemas
– San Francisco: AMC Deer Valley Stadium 16
– Philadelphia: PFS Roxy Theater
– Phoenix: AMC Arizona Center 24
– Detroit: AMC Fairlane 21
Melbourne-based indie-rock trio Halcyon Drive are celebrating a major milestone today, with the release of their long-awaited debut album ‘Elephant Bones’.
Recorded and co-produced by Eskimo Joe legend Joel Quartermain (Meg Mac, Dustin Tebbutt, British India), the twelve-track record arrives on a wave of hype triggered by the success of five previously released singles – ‘Silver Ray’, ‘Agnosia’, ‘The Birds’, ‘Only Youth’ and fresh cut ‘Reach’ – all of which have won acclaim across the likes of triple j, Spotify, MTV, community radio and worldwide tastemaker blogs.
Weaving together pure pop hooks and intricate rhythms, Halcyon Drive’s maiden LP brims with a rare, off-kilter energy. From the heartfelt lows of ‘Satellite‘ to the in-your-face attitude of ‘Agnosia’, it’s a richly diverse offering characterised by considered lyricism, no safe choices, and most definitely no clichés.
Lead singer Michael Oechsle describes the album as a truly collaborative effort, “a kind of creative ping-pong” between himself and drummer/co-writer Max Pamieta. It’s a record that continually pushes and pulls on the bands roots, exploring new sonic territory on each track.
‘Elephant Bones’ also represents the culmination of three years’ worth of relentless writing and touring from the triple j Unearthed finds, whose career has encompassed sold-out headline shows, performances at The Hills are Alive Festival, Festival of The Sun and a support slot on Stereophonics’ sold-out Australian tour.
And to celebrate today’s big release, Halcyon Drive will naturally be hitting the road once again. They’ve just announced a slew of national headline dates, which will see them hit stages in Brisbane, Sydney and Melbourne.
Opened on March 1st, 2050, which stars an ensemble cast that includes Dean Cain (Supergirl, Lois & Clark) has been playing on just the one single screen (AMC Atlantic Times Square 14) in Los Angeles. By Sunday, the film’s ticket sales were rivalling studio releases and Oscar nominated films including Tyler Perry’s Madea, Greta, and How to Train Your Dragon, and on Sunday, outside of the latter film, 2050 had outperformed them all. AMC wasted no time and immediately held the film over until at least the 14th of March. The film will open in Baltimore at AMC’s Owings Mills 17 on March 15th.
Says executive producer Henry Hewes, “By Sunday we beat all of the big guys. At one point, the theater told us we were neck and neck with How to Train Your Dragon on Sunday night. That’s just crazy.”
2050, is about a family man struggling to hold it all together who discovers a warehouse that may hold the solution…sexbots. Premiering at sci fi film festivals around the world including Berlin, Austin and Boston, the film has taken home over 11 awards.
2050, distributed theatrically by ANERKE, is will expand into other major markets over the spring via theater chains that include AMC and others.
MONSTER FEST returns to CINEMA NOVA in 2019 with new dates and plans for continued expansion nationally in partnership with Australia’s largest cinema chain EVENT CINEMAS.
MONSTER FEST is Australia’s premier genre film festival and has run annually in Melbourne every November since 2011. This year they have decided to bring the dates of the festival forward, MONSTER FEST 2019 will run from Thursday October 10th to Sunday October 13th for its 8th edition; a full five weeks ahead of previous years’ festivals to accommodate an exciting new development.
Since 2017, in partnership with EVENT CINEMAS, MONSTER FEST has rolled out their satellite festival, MONSTER FEST TRAVELLING SIDESHOW across Australia. Following its success, MONSTER FEST are now collaborating on plans to take the Melbourne experience to the rest of Australia in select cities in November 2019. Stay tuned for further announcements in the coming weeks.
“Having seen the continued growth of Monster Fest Melbourne in the last few years, we at Event wanted to bring that experience to some of our major sites around the country and we are very excited to see how we can work together to make that a reality”
Claire Gandy – General Manager Content
Event Cinemas Australia
“Since we started the festival our plan has always been to take it nationally and make it the largest and best known genre festival in this part of the world, this continued partnership with Event Cinemas in 2019 makes this a reality”
Grant Hardie – Festival Director
MONSTER FEST is a mix of Premieres, international festival favourites, new discoveries with renowned international guests and a special emphasis on supporting emerging Australian genre talent. For information on last year’s festival visit here.
MONSTER FEST 2019 SUBMISSIONS ARE NOW OPEN
Submissions are now open for features, short films and expanded cinema projects.
“In 2018 submissions increased by over 100%, and we had the strongest shorts program since the festival began. The interest internationally for MONSTER FEST is beyond our wildest dreams and our advice to filmmakers is; if you’ve got a film or are planning to make one in the near future, don’t be afraid to put it in the MONSTER FEST mix!”
Grant Hardie – Monster Fest Festival Director
There aren’t many bigger names in metal than SLAYER and Australia is extremely lucky they get to experience one last time and to farewell this legendary band as they hit Download Festival and sideshows in Brisbane and Adelaide with fellow Big Four brothers ANTHRAX and the Polish Hammer ofBEHEMOTH.
What can be said about SLAYER that already hasn’t been said? So far into their career and the final album ‘Repentless’ scored their highest ever Australian chart entry at #3 on the ARIA Chart. An incredible achievement this far into their career! Don’t miss this last chance to witness part of what has been an incredible history!
In 1981 when SLAYER first formed in Huntington Park, CA, bassist/vocalist Tom Araya was 20 years old and worked as a respiratory therapist, guitarist Jeff Hanneman, a rehearsal studio employee at the time, was 17, drummer Dave Lombardo was 16 and delivered pizza, and 17-year old Kerry King was a full-time guitarist. At that time, there were no blueprints, no set paths, no boundaries or steps to follow; SLAYER’s new hybrid of metal and punk, heavier, faster and darker than the rest, assaulted the world and set a new standard, defining not only a genre, but an attitude.
Tom Araya, Kerry King, Gary Holt and Paul Bostaph sat down and talked about all things SLAYER:
Fast forward 38-years and SLAYER remains the preeminent punk-thrash-metal band that other heavy acts are measured against and aspire to, and up-and-coming metal heads continue to revere and emulate. Slayer is a metal juggernaut, with songs that are dark, aggressive and without mercy, mirroring the turmoil and aberrations of our society.
Their membership in “The Big Four” – Metallica, Slayer, Megadeth and Anthrax – the four bands that defined the thrash/metal genre – secures the band’s place in music history. The five-time nominated, two-time Grammy-winners have also accumulated an abundance of certified Gold Albums along with “Best…” awards from media outlets all over the world, including Kerrang!, SPIN, Metal Hammer, Revolver, and Esquire. SLAYER even has its own exhibit in the Smithsonian Institute. Throughout SLAYER‘s history, the band has never faltered in unleashing its extreme and focused sonic assault, and repudiating temptations, SLAYER has chosen to remain crushing and brutal, steadfastly refusing to cater to the mainstream. Jeff Hanneman passed in 2013, and Exodus guitarist Gary Holt has been filling in for him since. Paul Bostaph, Slayer’s drummer from 1992 – 1996, then 1997 – 2001, rejoined Araya and King in 2013 and remains behind the kit.
In September 2015, Slayer released Repentless, the band’s 12th studio album, the first without Hanneman, first with Holt on guitar, first with producerTerry Date, and first on Nuclear Blast Records, to widespread rave reviews and the highest chart debut of the band’s career. The band also teamed up with director BJ McDonnell for three high-concept and brutal music videos for the album’s title track, then for “You Against You,” and the most recent, “Pride in Prejudice,” racking up a combined 28+-million views. Dark Horse Comics published a three-issue comic book series in 2016, based on McDonnell’s original story concept for the videos and written by “Metalocalypse” director Jon Schnepp.
After a remarkable three-and-a-half decades, SLAYER announced its decision to do one last world tour and then move on. All Hail SLAYER.