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The Dark Tower

Summary: The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.

Year: 2017

Australian Cinema Release Date: 17th August 2017

Australian DVD Release Date: TBA

Country: USA

Director: Nikolaj Arcel

Screenwriter: Nikolaj Arcel, Akiva Goldsman, Anders Thomas Jensen Stephen King (novel), Jeff Pinkner

Cast: Michael Barbieri (Timmy), Idris Elba (Roland), Kenneth Fok (Johnny), Jackie Earle Haley (Sayre), Nicholas Hamilton (Lucas Hanson, Dennis Haysbert (Steven), Eva Kaminsky (Jill), Caludia Kim (Arra), Fran Kranz (Pimli), Abbey Lee (Tirana), Matthew McConaughey (Walter), Robbie McLean (Toby), Nicholas Pauling (Lon), Leeanda Reddy (Dr. Weizak), Tom Taylor (Jake), Matthew Thomson (Jonah), Lemogang Tshipa (Phedon), Robert Whitehead (Cantab), Kathryn Winnick (Laurie), Jose Zuniga (Dr. Hotchkiss)

Runtime: 95 mins

Classification: M

OUR THE DARK TOWER REVIEWS & RATINGS:

 

Dave Griffiths:

 

Whew… I feel like I have dodged a bullet. Reading reviews before I went into to see The Dark Tower meant I was preparing myself for an abysmal nightmare of a film – one that some critics had labeled the ‘worst film based on a Stephen King novel ever’. So imagine my surprise when I sat down and ended up finding myself watching a fun, intriguing, albeit brief, supernatural action film.

The Dark Tower sees a story that took King seven novels to tell told in a film that clocks in at just over an hour and a half. It begins with New York being rocked by earthquakes that have experts confused. Meanwhile, young Jake (Tom Taylor – Doctor Foster, Legends) is having terrible nightmares in which he sees a Dark Tower and dark characters including a Gunslinger and a man in dark jacket. Jake’s mother, Laurie (Kathryn Winnick – Vikings, Love & Other Drugs) is convinced that the dreams are the result of the trauma of Jake’s father dying while on duty as a firefighter and seeks medical advice for him.

However, soon the jigsaw pieces start falling into place for Jake. The earthquakes are being caused by the man in the black jacket… aka Walter (Matthew McConaughey – Interstellar, Dallas Buyers Club) using children’s minds in horrific experiments to try and bring down The Dark Tower – a tower that prevents the darkness of other worlds taking over our own dimension. The only man who can stop Walter is the last known gunslinger, Roland (Idris Elba – Prometheus, Zootopia) who is haunted by the fact that Walter has killed everybody that has ever meant anything to him.

Walter then realises that with Jake’s psychic ability he has the one mind that can bring down the Dark Tower so he orders all his minions to go after Jake who has found Roland… cue the music for the battle to end all battles.

When you put everything into perspective director Nikolaj Arcel (A Royal Affair, Truth About Men) and his screenwriters have actually done a pretty good job at making The Dark Tower work. Putting seven novels worth of work into one relatively short feature film has taken a mountain or work. You could have been forgiven if this had been stretched out into a trilogy or at least a film that went well over the two-hour mark. But somehow Arcel and team have managed to tell the story without making it feel incomplete or leaving the audience not understanding the world that we find ourselves in. Somehow the fact that some of the beings that surround Walter aren’t fully explained means we get to see the story from the point of view of Jake a little more… and it least Arcel doesn’t fall into the trap of filling the film with scenes and scenes of exposition.

Visually The Dark Tower looks great. Darkened scenes of man versus monster are stark reminders of films like Harry Potter while the harshness of a lot of the scenery in most scenes brings back memories of films like Priest or The Book Of Eli. Even the CGI effects work pretty well, more than enough to draw the audience into the world at hand, and while some films suffer when they try to mix the supernatural with a modern day city there is no such issue here with the scenes of modern day New York flowing well with the rest of the film, and thankfully they steered away from a battle that involved the entire city falling from the sky or the like. Really the last battle in this film just needed to be between Jake, Roland and Walter and that was what delivered, now why couldn’t we have had something like that in Wonder Woman?

The films two leads also seem to be enhanced the short nature of the film. Matthew McConaughey seems to have a lot of fun playing Walter and whether it be a scene where he is torturing poor Kathryn Winnick or messing with the mind of Roland he seems to embrace the evilness of his character while remaining smooth and charming… much like Jack Nicholson did years earlier in The Witches of Eastwick. Idris Elba is also fantastic as the cowboy inspired gunslinger. He is perfectly cast in a role that demands his action/stunt ability but also at times needs him to step up in a dramatic, gut-wrenching scene. Likewise, he is well supported by young Tom Taylor whose emotional portrayal of Jake shows that he is an actor to watch in the future.

Don’t be fooled The Dark Tower is not the mess that everybody is saying that it is. With its dark storyline that doesn’t hold back to spare the audience’s emotions and great special effects, this is just one of those supernatural thrillers that you can sit back and enjoy while you munch on popcorn. The only weakness that really annoyed me was that I could have easily spent another half an hour in this universe, but still, this is an enjoyable film with a nice graphic novel feel to it.

 

Stars(3)

 

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating:  The Dark Tower (2017) on IMDb

 

Other Subculture Entertainment The Dark Tower Reviews: You can listen to Dave Griffiths’ The Dark Tower review that aired on That’s Entertainment in Melbourne, Sydney and Brisbane on The Talking Lifestyle network on 17/08/2017 right here.

Trailer:

 

FeatureLovestuck

Summary: Falling in love is easy, getting out of it is hard. Our hero, Josh finds himself ‘LoveStuck’ between his best friend, his ex-girlfriend and the new girl he is about to move in with. As a lowly clerk working with the public service in Canberra, Josh is used to procrastination, but his fear of con*ict and knack for stretching the truth gets him into trouble with the women that he loves.

Year: 2017

Australian Cinema Release Date: 24th August 2017

Australian DVD Release Date: TBA

Country: Australia

Director: Murray Fahey

Screenwriter: N/A

Cast: Rik Brown (Josh), Fenella Edwards (Horatio), Murray Fahey (Polonius), Cathy Hagarty (Cath), Malcolm Irvin (Rosencraztz), Ali Little (Barnardo), Jenny Lovell (Gertude), Heady Manders (Voltemand), Gabby Millgate (Bag Lady Ophelia), Glen Morrison (Laertes), Robert Morrison (Guilderstein), Rama Nicolas (Kate), Emma Reid (Hecuba), Patti Stiles (Trish), Geoff Wallace (Claudius)

Runtime: 73 mins

Classification: TBC

OUR LOVESTUCK REVIEWS & RATINGS:

 

Dave Griffiths:

 

The Australian film industry has been throwing up some extremely experimental films over the past few years – from one-shot action films through to filmed theatre productions. Well now comes Lovestuck – a completely improvised film from director Murray Fahey (Cubbyhouse, Dags). Not only does the film toss up a story that keeps you guessing but also gives you a look behind the scenes of what goes into making an improvised film at the same time.

The film centres around Josh (Rik Brown Utopia, Dinner For Three) a man who is struggling with his feelings with three woman – his ex Kate (Rama Nicolas – Little Solider, The Mutant Way), his current girlfriend Cath (Cathy Hagarty - newcomer) and his best friend Trish (Patti Stiles Neighbours, Stingers). On one disastrous day he meets with Kate to hand back some of her things – which then sets him on a journey to find a pen that she once gave him – while meanwhile Cath and Tess meet for the first time. The result is him having to make a decision about the three woman if he has any chance of moving on at all.

The danger of doing an experimental film like Lovestuck is that sometimes the experiment itself can get in the way of the story or can distract the audience from getting immersed in the film. Strangely, given that the film also shows the audience what is happening behind the scenes at times, neither happens here. The actors at hand – especially Rik Brown – are so good at the improvisation that you forget that you are watching a film that never technically had a script. The scenes flow together well and while there are some scenes that perhaps didn’t need to be there, most of the scenes featuring the main four characters tie in together well and do raise the suspense of who Josh will chose at the end… something that director Murray Fahey let Rik Brown decide as part of the improvisation.

The improvisation of the film does allow for the tone of the film to switch at times which gives Lovestuck a really unique feel. From comedic moments when Josh runs into Cath outside a massage parlour and tries to explain that he didn’t get one of ‘those’ massages right through to more dramatic scenes like Cath and Trish meeting for the first time this is a film that at one moment feels like an episode of Seinfeld one moment and the latest romance drama the next. Even the Hamlet Hip-Hop scene which had the potential of feeling out of place in the film works well because as an audience member you find yourself sitting there thinking ‘do they have the pen or not?’

The key to this film working though was the cast and to Fahey and his casting assistant’s credit they get this 100% right. Rik Brown carries the film throughout and with the tone changes that is no easy feat. From moments of complete awkwardness right through to almost slapstick comedy he delivers each time while Nicolas, Hagarty and Stiles also amazing throughout the film. Not once does there seem to be a moment where they hesitate when they think of what to say next and to be able to deliver improv lines so naturally means they deserve high credit… it is no easy feat.

Lovestuck just shows what you can create when you get together a creative team of people. While an improvised movie sounds like it shouldn’t work this one does to the point where you really do care which decision Josh makes. Worth checking out if you like your cinema a little left of centre.
Stars(3)

 

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating:  N/A

 

Other Subculture Entertainment Lovestuck Reviews: Nil

Trailer:

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Shaman’s Harvest have just dropped their brand new album called Red Hands Black Deeds and Dave Griffiths caught up with the band’s lead singer Nate Hunt to chat about the ‘vintage’ nature of the brand new album and to also have a look at the in-depth lyrics found on this album.

You can listen to or download the Shaman’s Harvest interview right here.

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This week sees Aussie rocker Sarah McLeod not only release her brand new album Rocky’s Diner but also embark on her national tour. Dave Griffiths caught up with Sarah to chat about the inspirations behind the new album and also the new challenges she has set herself with the tour.

You can listen to or download our Sarah McLeod interview right here.

 

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You can listen to or download our River Oaks interview right here.

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With Starset about to embark on their Australian tour Dave Griffiths caught up with the band to talk about the tour in depth and also about their great new graphic novel… and of course what comics they love.

You can listen to or download our Starset interview right here.

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You can listen to or download our Robert Downey Jnr interview right here.