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One of progressive metals most unique acts PROTEST THE HERO are returning to Australian and New Zealand shores this April in support of their latest release Pacific Myth. These revolutionary metal giants will be bringing a collection of fan favourites, in addition to some new head banging hits that every hardcore fanatic will not want to miss!

PROTEST THE HERO have carved an identity for themselves that is so revolutionary within heavy music that to call them “unique” would be like calling Louis C.K. “pretty funny” or the classic “Star Trek” television series “influential sci-fi.” The band effortlessly balances high-minded artistry with wit and whimsy, substantive viewpoints with wanton tomfoolery and masterful musicianship with true songcraft.

 Their latest offering Pacific Myth channels the bands usual hard-hitting sound and remains true to their signature style with overtly complex riffs and eccentric vocal arrangements. The band explained, “Pacific Myth was purely an experiment. For this reason, it’s a totally ‘go-with-your-gut’ record and one we are extremely proud of. PROTEST THE HERO continue to push the boundaries of metal and widen their creative scope that has fans in a frenzy.

With special guests: CLOSURE IN MOSCOW (Melbourne, Sydney, Newcastle ONLY)

HEAVY METAL NINJAS (Auckland ONLY)

 

EXCLUSIVE FAN PRE-SALE BEGINS: WEDNESDAY 18th JANUARY– 9AM AEST

Sign up here:   http://goo.gl/SwllGS

TICKETS ON SALE: FRIDAY 20 JANUARY – 9AM LOCAL

 

Protest The Hero Tour Dates

WEDNESDAY APRIL 19 – KINGS ARMS, AUCKLAND (18+)

FRIDAY APRIL 21 – THE CORNER HOTEL, MELBOURNE (18+)

SATURDAY APRIL 22 – THE FACTORY THEATRE, SYDNEY (18+)
* Across 2 stages

SUNDAY APRIL 23 – THE SMALL BALLROOM, NEWCASTLE (18+)

TUESDAY APRIL 25 – THE BRIGHTSIDE, BRISBANE (18+)

WEDNESDAY APRIL 26 – AMPLIFIER BAR, PERTH (18+)

Protest The Hero Tour Info

The Coming War On China

Antidote Films is proud to announce Australian theatrical release and Q&A screening dates of John Pilger’s compelling new film, The Coming War On China.

Participating cinemas are Cinema Nova in Melbourne (opening Feb 9 with Q&A on Feb 10), Dendy Newtown in Sydney (opening Feb 16 with Q&A), Dendy Canberra (opening Feb 23 with Q&A), Orpheum Cinema, Sydney (Q&A on March 1), Riverside Parramatta (Q&A on March 6) and Luna Leederville in Perth (opening March 9).

This new feature-length documentary by award-winning journalist and filmmaker John Pilger is his 60th film for television. Coming straight after the election of President Trump, the film is one of John Pilger’s most timely and urgent investigations. As Trump threatens China with a trade war and worse, this film is both a warning and an inspiring story of people’s resistance.

Filmed over two years in the Marshall Islands, Japan, Korea, China and the United States, The Coming War on China reveals a build-up to war on the doorstep of China. More than 400 US military bases now encircle China in what one strategist calls “a perfect noose”.

Bringing together rare archive and interviews with witnesses, Pilger reveals America’s secret history in the region – the destruction of much of life in the Marshall Islands, once a paradise, by the explosion of the equivalent of one Hiroshima every day for 12 years, and the top secret ‘Project 4.1’ that made nuclear guinea pigs of the population.

Pilger and his crew chartered a plane to the irradiated island of Bikini where the 1954 Hydrogen Bomb poisoned the environment forever. He reports: “As my aircraft banked low over Bikini atoll, the emerald lagoon beneath me suddenly disappeared into a vast black hole, a deathly void. When I stepped out of the plane, my shoes registered “unsafe” on a Geiger counter. Almost everything was irradiated. Palm trees stood in unworldly formations, unbending in the breeze. There were no birds. It was a vision of what the world can expect if two nuclear powers go to war.”

In key interviews — from Pentagon war planners in what is now Donald Trump’s Washington, where the undeclared strategy is “perpetual war”, to members of China’s new political class who rarely feature in Western reports — Pilger’s film challenges the notion of the world’s newest, biggest trading nation as an enemy.

Edited in chapters, The Coming War is also about the human spirit and the rise of an extraordinary resistance in faraway places. On the Japanese island of Okinawa, home to 32 US bases – where the population lives along a razor-wired fenceline and beneath the screeching of military aircraft – Okinawans are challenging the greatest military power in the world, and succeeding.

One of the resistance leaders is Fumiko Shimabukuro, aged 87. A survivor of the Second World War, she took refuge in beautiful Henoko Bay, which she is now fighting to save. The Japanese government wants to fill in much of the bay to extend runways for US bombers. “For us,” she told me, “the choice is silence or life.”

Across the East China Sea lies the Korean island of Jeju, a semi- tropical sanctuary and World Heritage Site declared “an island of world peace”. On this island of world peace is one of the biggest military bases in Asia, aimed at China — purpose-built for US aircraft carriers, nuclear submarines and missile destroyers.

For almost a decade the people of Jeju have been peacefully resisting the base. Every day, twice a day, farmers, villagers, priests and supporters from all over the world stage an extraordinary Catholic mass that blocks the gates. Every day, police remove the priests and the worshippers, bodily, and their altar. It is a silent, moving spectacle. One of the leaders, Father Mun Jeong-hyeon, says: “I sing four songs every day at the base. I sing in typhoons — no exception.”

From Jeju, Pilger flew to Shanghai. “When I was last in China,” he says, “ the loudest noise I remember was the tinkling of bicycle bells; Mao Zedong had recently died, and the cities seemed dark, forbidding places.  Nothing prepared me for the astonishing changes that had taken place.”

He interviews Lijia Zhang, a Beijing journalist and typical of a new class of outspoken mavericks. Her bestselling book has the ironic title, Socialism Is Great!  She grew up during the chaotic and brutal Cultural Revolution and has lived in the US. A critic of her own country, she also rejects outdated stereotypes. “Many Americans imagine,” she said, “that Chinese people live a miserable, repressed life with no freedom whatsoever. The [idea of] the yellow peril has never left them …They have no idea there are some 500 million people being lifted out of poverty.”

China today presents exquisite ironies, not least the house in Shanghai where Mao and his comrades secretly founded the Communist Party of China in 1921. Today, it stands in the heart of a very capitalist shipping district; you walk out of this Communist shrine with your plastic bust of Mao into the embrace of Starbucks, Apple, Cartier.

Eric Li, a Shanghai venture capitalist and social scientist, tells Pilger: “I make the joke: in America you can change political parties, but you can’t change the policies. In China you cannot change the party, but you can change policies. The political changes that have taken place in China this past 66 years have been wider and broader and greater than probably any other major country in living memory.”

The world is shifting east, and America’s dominance is ending. Once subjugated, scorned and impoverished, China is rising inexorably as the world’s banker and builder. Will all this be allowed to happen peacefully? “We need to make America strong again,” says President-elect Donald Trump. “We need to make America great again … and we need victories.”

RELEASE DATES AND CINEMAS (additional cities to be announced):

SYDNEY:  
Feb 16 – Dendy Newtown (Q&A on Feb 16 then screening daily)
March 1 – Orpheum Cinema (Q&A only)
March 6 – Riverside Parramatta (Q&A only)

MELBOURNE:
Feb 9 – Cinema Nova (screening daily, with Q&A on Feb 10)

CANBERRA:
Feb 23 – Dendy Canberra (Q&A on Feb 23 then screening daily)

PERTH:
March 9 – Luna Leederville (no Q&A, screening daily)

THE COMING WAR ON CHINA
Written, directed and produced by John Pilger
Edited by Joe Frost
Line Producer Sandra Leeming
Executive Producer Christopher Hird
Assistant Director Bruno Sorrentino
Chief Archive Producer Jacqui Edwards
Archive producers Paul Gardner, Jim Anderson
Camera Rupert Binsley, Owen Scurfield, Bruno Sorrentino, Joseph Zafar

At a time when much of contemporary rock music has been reduced to meaningless theatre performed by false pretenders, TIGER ARMY is an antidote, bracing in its authenticity. Hear it, and hear the sound of artistic legitimacy reclaiming rock music!

Frontman and visionary Nick 13 has never written the same album twice.  The same can be said about TIGER ARMY’s fifth full-length, and return after a nine-year studio hiatus, V •••–.  The latest chapter picks up right where ‘Music From Regions Beyond’ left off.

Joining TIGER ARMY is none other than legends of Australia’s psychobilly scene, FIREBALLS. With 4 classic albums under their belt and a new album on the way early next year, they are set to unleash their nitrous fueled brand of chaos to audiences and to quote the band “If you miss this then you don’t have a pulse, Fire up, fuck ya!”

Just to round this incredible triple bill off is none other than PAT CAPOCCI! Since forming nearly 10 years ago, PAT CAPOCCI has emerged as one of Australia’s most respected practitioners of Rockabilly and Roots music.

TIGER ARMY will be making their first trip to Australia in over 8 years and with FIREBALLS and PAT CAPOCCI they will be rockin’ their way along the East Coast in February 2017. Tickets are on sale Tuesday 4 October!

 

TOUR DATES:

Friday 17 February – Prince Bandroom, Melbourne 18+

Saturday 18 February – Metro Theatre, Sydney 18+

Sunday 19 February – Max Watts, Brisbane 18+

Tickets on sale NOW

www.tickets.destroyalllines.com

Tiger Army Tour Info

T2 trainspotting2

First there was an opportunity….then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home.

They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorry, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.

T2 Trainspotting is released in cinemas on Feb 23rd.

Raw

With Julia Ducournau’s horror flick Raw getting rave reviews right around the world the film’s Red Band US Trailer has just been released.

Raw has currently won award at the London and Austin Film Festivals and also picked up the Directors Fortnight/Critics Week prize at the Cannes Film Festival.

You can check out the new trailer right here.

RAW (US Red Band Trailer) from Monster Pictures on Vimeo.

The release of Hadal Maw’s crushing new record is just a couple of weeks away!
Olm will be released via EVP Recordings on February 3, 2017.

The band have just unleashed the second single and its accompanying video for the track Simian Plague.

Listen to it here

soundcloud.com/user-712881322/simian-plague-1

Pre Order Super Deluxe CD/Merch Bundles/Digital Now from
www.evprecordings.com/hadal-maw

Hadal Maw will hit the road this February in the following cities with the following supports

 

TOUR DATES

Friday, February 3: Crowbar, Brisbane w/ Kyzer SozeVyrion & Caetera

Saturday, February 4: Northcote Social Club, Melbourne w/ Earth RotNo Haven & Hazard Circular

Friday, February 10: The Bald Faced Stag, Sydney w/ The SeerAdrift for Days & Hashshashin

Saturday, February 11 Brisbane Hotel, Hobart w/ DéparteSanctify the Serpent & Scoparia

Friday, February 24: Amplifier Bar, Perth w/ Earth RotUnravel & Bounty Hunter
Saturday, February 25: Enigma Bar, Adelaide w/ VorosSun of Gaia & Soul Screamer

 

Since the 2014 release of their debut album Senium, Hadal Maw have cemented themselves among Australia’s death metal elite with their modern reimagining of the genre and sonically devastating live show.

EVP Recordings have been responsible for releases by world class acts such as Behemoth, King Parrot, Psycroptic, and King.

Pitchfork

Glenn Douglas Packard’s well-received indie horror ‘’Pitchfork’’ officially hits VOD this Friday the 13th.
An ultra-low budget film, made with only one camera and shot in just 21 days, ‘’Pitchfork’’ has struck a chord with film fans, horror buffs and filmmaking aficionados alike.Despite its low- budget and guerrilla-style construction, ‘’Pitchfork’’ not only looks like a multimillion dollar, big studio movie but has been covered by major Hollywood publications like The Hollywood Reporter, L.A Times, Indie Wire and Deadline.

Like “The Blair Witch Project” and “Paranormal Activity”, “Pitchfork” is further proof that you don’t need big bucks, just a big idea and lots of drive, to make a solid genre film.

To coincide with the VOD release of the film, we are pleased to present a new behind-the-scenes featurette – which reiterates that a lot was done with a little! – and the terrific VOD artwork.

Having recently shared a life-changing secret with his family, Hunter recruits his friends to come with him from New York City to the farm where he grew up as he faces his parents for the first time. As the college students enjoy the fresh air of Michigan farm country, an older, more dangerous secret slowly emerges. While Hunter navigates a new place within his conservative family, a vicious creature from their past descends on the farm, putting the unsuspecting city kids in mortal danger as they start being stalked by a twisted, dark, and disturbing beast, Pitchfork.

‘’Pitchfork’’ is co-written, directed and produced by Emmy award nominee Glenn Douglas Packard, Director of Photography Rey Gutierrez. Producers Darryl F. Gariglio (executive/co-written) Shaun Cairo (associate) & Noreen Marriott.

Get Pitchfork on iTunes https://itunes.apple.com/us/movie/pitchfork/id1181779327

FeatureEmmure

Metalcore heavy-hitters EMMURE have announced that their new album, titled Look At Yourself, will be out in March 2017 The band’s follow up to the 2014 full-length Eternal Enemies is their first with SharpTone Records and will see them touring throughout North America building up to the release. The band currently consists of vocalist Frankie Palmeri, guitarist Josh Travis (Glass Cloud, ex-The Tony Danza Tapdance Extravagazna), bassist Phil Lockett (ex-The Tony Danza Tapdance Extravagazna), and drummer Josh Miller (ex-Glass Cloud).

To give listeners a taste of what they can expect from Look At Yourself, Emmure has released 2 brand new tracks, “Russian Hotel Aftermath” “Torch“. Both tracks from the new record can be streamed via the links below.

Check out the new tracks: Russian Hotel Aftermath (OFFICIAL AUDIO STREAM) + Torch (OFFICIAL AUDIO STREAM)

People talk about possessing a drive to succeed. But how badly domost of them really want it? EMMURE captures the sound and spirit of what it’s like to fight for one’s vision. There’s no feigned sophistication, no phoned-in sloganeering, and no calculated drama with EMMURE. This is barebones, punishing, death metal-flavored metallic hardcore, driven by the catchiest rhythmic bounce of Active Rock radio’s golden age of nu-metal.Frankie Palmeri has no patience left for gossip, rumors, or halftruths. It really doesn’t matter what gets said about the band the frontman has led through good times and bad, because the music of EMMURE presents a swift, decisive answer. Since 2003, the Queens, New York native has watched EMMURE grow from an idea into an international institution. EMMURE carries the torch for heavy music and the hardcore scene’s most celebrated abrasive edge, with a truth-telling bravado and an outsider’s angry disdain for bullshit. Simply put, the band blasts upon all scene fakery with full-on fury. »Look At Yourself« represents a coming of age for EMMURE, a new chapter in an aggressive autobiography that stretches back to the band’s very first album, released when Palmeri was barely out of his teens. It’s infused with a brutal self-examination and observation, balancing hate, bile and perseverance, with the tempered experience of a life spent in pursuit of self-reliance and respect, from within and without. It’s expressed in a crushing cacophony of riffs that never fail to super-serve the forward-motion groove of EMMURE.

Like the firebrand rabble-rousers from the gritty streets of New York’s hardcore and hip-hop scenes who came before them, EMMURE’s confrontational music will captivate and sometimes even elevate listeners without sacrificing authenticity. EMMURE are students of the mind-blowing percussive chaos of SLIPKNOT, the hard-won personalized musical struggle at the heart of KORN, and the angry pop-crossover confidence of LIMP BIZKIT.

The band has become a cornerstone of the heavy music scene, featured as a prominent act on each of the most relevant tours and festivals in North America and Europe, including “Vans Warped Tour”, “Rockstar Mayhem”, and “Ozzfest meets Knotfest”. They’ve travelled the globe with their contemporaries and peers in bands like FIVE FINGER DEATH PUNCH, KILLSWITCH ENGAGE, AUGUST BURNS RED, PARKWAY DRIVE, and WE CAME AS ROMANS. EMMURE initially burst onto the heavy music landscape with a trio of banger albums released in quick succession over as many years:»Goodbye To The Gallows« (2007), »The Respect Issue« (2008), and »Felony« (2009). At a ridiculously impressive break-neck pace, EMMURE built a celebrated catalog, rounded out in quick succession by »Speaker Of The Dead« (2011), »Slave To The Game«(2012), and »Eternal Enemies« (2014). »Look At Yourself« offers a bold look toward the future, even as it takes stock of the past and present.

The band does more than spit out fire and churn out venomous riffs onstage. They conjure a specific energy, moving a crowd, creating a communal energized feeling. EMMURE’s music is the sound of perpetual motion. Like a shark, the songs keep moving. There’s no “softening” of the sound, no compromise, no explorations of experimental garbage. EMMURE has been refined, but without sacrificing their aggressive thunder.

FeatureAFI

With a week to go before the January 20th release of AFI (The Blood Album)AFI has teamed with Stereogum for the premiere of “Get Hurt,” the fourth track to be released in advance of the record, which Stereogum calls “the best thing AFI have done since Sing The Sorrow.”  Click HERE to listen.

“Get Hurt” follows the recentPitchfork premiere of the band’s “Snow Cats” video and the Rolling Stone debut of AFI’s “White Offerings” clip. Fans can get new tracks “Aurelia,” “Snow Cats,”  “White Offerings” and “Get Hurt” as instant downloads when pre-ordering AFI (The Blood Album.)

AFI have been posting teasers of new songs on their Twitter, with the caption “6PM PST TONIGHT.”

The multi-platinum-selling quartet (vocalist Davey Havok, guitarist Jade Puget, bassist Hunter Burgan and drummer Adam Carson) will be performing lead single “Snow Cats” on “Jimmy Kimmel Live!” on January 18th. AFI (The Blood Album) comes out on January 20th, - Recorded at Megawatt Studios in Los Angeles, AFI (The Blood Album) is the follow-up to 2013’s Burials, which in Australia was a Top 10 Aria debut and hit Top 10 on The Billboard 200 in the US.  Since the release of 1995’s debut album Answer That and Stay Fashionable, AFI has written and recorded five top ten hit singles, hit No. 1 on The Billboard 200 (with the stunning Decemberunderground), garnered worldwide critical acclaim and amassed a fiercely loyal global following whose members number in the millions.

AFI (The Blood Album) is the band’s 10th full-length studio album and first for Caroline Australia.

AFI (THE BLOOD ALBUM)
JANUARY 20 VIA CAROLINE AUSTRALIA
PRE ORDER HERE: 
https://caroline.lnk.to/AFI

XXX Return Of Xander Cage2

Three brand new XXX: Return Of Xander Cage featurettes have just been released.  In XXX:Return Of Xander Cage Vin Diesel returns as Xander Cage joined by a global cast including Australia’s own Ruby Rose & Toni Collette plus Donnie Yen, Nina Dobrev, Deepika Padukone, Tony Jaa and Samuel L. Jackson.

Meet the team and get ready to enter the Xander Zone on January 19.