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Penguins Of Madagascar

Summary: 

Year: 2014

Australian Cinema Release Date: TBA

Australian DVD Release Date: 1st January, 2015

Country: USA

Director: Eric Darnell, Simon J. Smith

Screenwriter: John Aboud, Michael Colton, Eric Darnell (characters), Tom McGrath (characters), Brandon Sawyer, Alan J. Schoolcraft (story), Brent Simons (story)

Cast: Sean Charmatz (Cricket (voice)), Benedict Cumberbatch (Classifed (voice)), Werner Herzog (Documentary Filmmaker (voice)), Danny Jacobs (King Julien (voice)), Ken Jeong (Short Fuse (voice)), Christopher Knights (Private (voice)), Annet Mahndru (Eva (voice)), John Malkovich (Dave (voice)), Tom McGrath (Skipper (voice)), Chris Miller (Kowalski (voice)), Andy Richter (Mort (voice)), Peter Stormare (Coroporal (voice)), Conrad Vernon (Rico (voice))

Runtime: 92 mins

Classification: G

 

OUR PENGUINS OF MADAGASCAR REVIEWS & RATINGS:

 

David Griffiths:

Spin-offs from successful franchises often fall by the wayside. Anyone remember how spectacularly Joey failed after the demise of Friends, or seen your local store littered with DVDs in the bargain bin of characters such as Stitch or Pumba who have failed to reach the popularity that the franchise they were lifted from managed over time. Even Disney learnt that Planes couldn’t capitalise on the success of Cars before it.  Now the brains behind Madagascar try to do the same with Penguins From Madagascar and while the film is likely to put bums on seats it is highly unlikely that fans of the franchise will be as impressed as they have been previously.

Perhaps the biggest problem for this film is that it follows hot on the heels of Madagascar 3: Europe’s Most Wanted, a film that many fans say is the clear best in the series. Penguins Of Madagascar had a lot to live up to but sadly fails on most levels… a fault that sadly falls at the feet of the screenwriters.

First the screenwriting team have decided to bring out the tired old cliché of introducing a James Bond style character into the cartoon world. Here it is Classified the suave talking Brit (who happens to be a wolf) who is always able to save the day, except here he seems to fail on a number of levels. It’s as if the screenwriters have just chosen to ignore how many cartoons and animations have done this over the years, including Cars 2 which was released not all that long ago. Recycled plot lines are never a good idea in a movie.

Even Dave the ‘baddie’ seems to be a re-hash of the bad guys we have seen previously in much better films like Despicable Me or Planet 51. It almost seems like the writers decided that there was no need to actually come up with anything creative at all when developing the script, that the name Madagascar being in the title would be enough to ensure that this film would put bucks in the bank regardless.  In fact the only thing you could even say the screenwriters get remotely right is that they push the edict that everybody is important no matter how they look, which is a more than worthy life lesson for the kiddies watching.

Then there is the fact that many of the so called jokes written into the Penguins Of Madagascar script just end up becoming unfunny and going nowhere. The idea of throwing an actor’s name into the ring to get a laugh, eg ‘Let’s save Kevin’s Bacon’ gets tired really, really quickly and is never fully explained to why it is there… are the penguins closet cinephiles? We don’t know because we are never told anything that in depth about the characters.

Sure some of the chases and moments of supposed peril that the penguins find themselves in may be enough to impress the littlies that go along to see this film (and most likely pester their parents to buy them the toys from whatever fast food restaurant has them on offer) but this is hardly going to be a film that even kids are going to want to watch over and over and it is bland and predictable. And well if you are a parent who is being forced to go along and watch this with your tikes be prepared for a film that is likely to put you to sleep very, very quickly as it is nowhere near as exciting as the previous films in the Madagascar universe.

Stars(2)

 

Average Subculture Rating (out of 5):  Stars(2)

 

IMDB Rating: Penguins of Madagascar (2014) on IMDb

 

Other Subculture Entertainment Penguins Of Madagascar reviews: Nil

Trailer:

Throwback

Summary: Jack (Shawn Brack) and Kent (Anthony Ring) are just two regular Aussie guys. They work together and dream of becoming rich, a plan that they feel is very close to being achieved when they find out a little more about the supposed riches of Thunderclap Newman (Andy Bramble) an outlaw who made the Australian bush his home during the pioneer days.

As Jack and Kent search for the loot though they soon find out that their friendship may not have ever been what they thought it was and with tensions at a high they suddenly find themselves faced with another enemy… the notorious Yowie that many feel is just an urban myth. Jack, Kent, local Park Ranger Rhiannon (Melanie Serafin) and local copper Detective McNab (Vernon Wells) now find themselves in a dangerous game of survival with this bloodthirsty beast.

Year: 2013

Australian Cinema Release Date: TBA

Australian DVD Release Date: February, 2015

Country: Australia

Director: Travis Bain

Screenwriter: Tavis Bain

Cast: Shawn Brack (Jack), Andy Bramble (Thunderclap Newman), Warren Clements (The Yowie), Anthony Ring (Kent), Melanie Serafin (Rhiannon), Vernon Wells (Detective McNab)

Runtime: 93 mins

Classification: TBC

 

OUR THROWBACK REVIEWS & RATINGS:

 

David Griffiths:

The best thing to come out of Monster Fest 2014 was just how many good genre filmmakers Australia still has. One person that needs to be added to that list is director/screenwriter Travis Bain who has delivered the exceptional Throwback, a creature feature made on such a small budget it wouldn’t even cover the catering budget for one day on most feature film shoots.

Now sometimes a low budget on a genre flick can be a bad thing. No money results in some pretty average special effects and a normally a creature that looks like it may have been borrowed from a Primary School theatre department. But that certainly isn’t the case with Throwback, a fantastic genre flick that deserves to be mentioned in the same breath as classics such as Razorback.

As a director Bain needs to be thrown a lot of praise. Throwback is a film that looks a million dollars and the fact that he chose an almost guerrilla style of filmmaking has meant that the Aussie bush has never looked more menacing. Bain also knows how to create tension throughout the film and for the most part of Throwback the audience sits there in complete silence and awe knowing that at any moment any character may meet their fate, either at the hands of another greedy human and thanks to the Yowie himself. The fact that ‘some’ of the characters are set-up as likable also means that the audience has a vested interest in wanting to see them pull through… now that isn’t something that happens in all horror flicks these days.

But of course the big test for a ‘creature feature’ is always how does the creature look and do the special effects look plausible. To Bain’s credit he gets a big tick in all the boxes. The Yowie (played by Warren Clements) looks so realistic that you may wonder whether or not going for a casual walk through the Aussie bush is such a great idea. The believability of the Yowie goes a long way in making this film work because it adds to the tension of scenes throughout the film instead of having the audience sniggering whenever the beast appears. The minimal special effects used also look pretty good and again adds to the film’s atmosphere.

Credit must also be paid to the cast of Throwback many of which were involved in this film for years. Shawn Brack, Anthony Ring and Melanie Serafin all put in great performances and as a cinema fan you can only hope that their performances here will lead to successful acting careers because they truly deserve it. Anthony Ring morphs into the ‘bad guy’ brilliantly well while Brack and Serafin’s natural performances make them instantly likable… believe it or not an important element when you are supposed to give a damn over whether they live or die.

Of course cult film fans are also in for a treat when it comes to the casting in Throwback because in a well scripted cameo the legendary Vernon Wells (who many would know from Mad Max 2 and opposite Arnold Schwarznegger in Commando) pops up in a strong performance as Detective McNab… a man desperate to solve the spate of murders that have been occurring in the area.

Ironically Throwback is a throwback to the legendary Aussie cult films that used to have a young Quentin Tarantino so excited. Edgy, suspenseful and nasty Throwback is a gem of a film that also reminds filmmakers and audiences out there that it is more than okay to throw in a good story line and well developed characters when you are making a creature feature. Throwback is the kind of film where you are literally on the edge of your seat throughout and it announces Travis Bain as one of Australia’s most promising directors… he is someone to add to your ‘watch where his career goes’ list. Throwback is a gem of a film that is a must see for horror fans everywhere.

 

Stars(3)

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Throwback (2013) on IMDb

 

Other Subculture Entertainment Throwback reviews: For our full Throwback review make sure you check out The Good The Bad The Ugly Film Show Ep #109.

Trailer:

The Astor Theatre

The future of one of Melbourne’s cinematic icons, the heritage-listed, art deco Astor Theatre in Windsor, again looks promising.  Palace Cinemas announce today that they are in the process of conducting due diligence with current tenant, and long-term business operator, George Florence, and landlord, Ralph Taranto.

Palace’s custodianship would see The Astor to continue operating as a single-screen, 1,150 seat auditoria, with it’s well regarded programming of both new release and classic films in tact and showing on 35 and 70 millimetre prints as well as 2K and 4K digital projectors.

Palace Cinema’s CEO, Benjamin Zeccola, whose family derived the Palace Cinemas corporate identity from the Palace Theatre in Bourke Street (where his father showed films in the mid to late 1970’s) has said of The Astor, “I am in love with the ambience and unique sense of cinema at The Astor, it reminds me of the Metro Malvern Cinema where I grew up and the loss of which still saddens me. So it is with a great deal of affection and nostalgia that we approach an arrangement between Palace Cinemas and The Astor.”

Benjamin has also said of the plans, “Palace Cinemas are keenly aware of the importance in preserving The Astor experience and, to that end, we see the business operating very much as it does today: one cinema, the continuation of the brilliant programming and maintaining the building in the art deco style in direct consultation with Heritage Victoria.”

FOTAA’s (Friends of The Astor Association) president, Vanda Hamilton, a group whose interest in the theatre is simply the preservation of The Astor as an operational single-screen cinema, open to the public, says of the news, “It is a great solution for all involved.”

The Astor cinema’s current calendar runs from December 20th through to April 5th, 2015, with more announcements regarding the program of events and developments to follow in early 2015.

Norma Jean Australian Tour

The almighty, hardcore legends, NORMA JEAN are returning to Australian shores in April.

Since their formation the Atlanta-born NORMA JEAN have continually pushed the boundaries of hardcore music. As one of the pioneers of ‘Metalcore’, NORMA JEAN have released six seminal albums and were nominated for a Grammy in 2006!

 Renowned across the globe for their chaotic and pummeling live shows, NORMA JEAN incite rabid fanfare leaving those in attendance in awe and admiration of their performances. NORMA JEAN is the rare band that plays with the intensity of a hungry new act but with the precision and power of a well-toured professional group.

 Since their last jaunt to Australia, NORMA JEAN released the critically acclaimed album, Wrongdoers. Alternative Press Magazine declared “…since we already referred to NORMA JEAN’S previous album, Meridional, as their ‘first true masterpiece,’ we have to call Wrongdoers their next masterpiece.”. On their last Australian tour, NORMA JEAN debuted several tracks from Wrongdoers but this will be the first time Aussie audiences will hear these songs transformed and mastered after a solid year of global touring!

Don’t miss the crushing brutality that is NORMA JEAN

TICKETS ON SALE TUESDAY 16th DECEMBER 9am AEST
**VIP PACKAGES AVAILABLE**

THURSDAY APRIL 2ND  – CROWBAR, BRISBANE 18+

Tickets available at www.oztix.com.au

 

FRIDAY APRIL 3rd –EASTERFEST, TOOWOOMBA AA

Tickets available at www.easterfest.com.au

SUNDAY APRIL 5TH  – NEWTOWN SOCIAL CLUB, SYDNEY 18+

Tickets available at www.newtownsocialclub.com| www.oztix.com.au

FRIDAY APRIL 10TH  – THE EVELYN HOTEL, MELBOURNE 18+

Tickets available at www.oztix.com.au

SATURDAY APRIL 11TH  – FOWLERS LIVE , ADELAIDE  LIC/AA

Tickets available at www.moshtix.com.au| www.oztix.com.au

SUNDAY APRIL 12TH  – AMPLIFIER BAR, PERTH 18+

Tickets available at www.oztix.com.au

The Connection

Before even shooting a single frame of the film, the release strategy for independent documentary, The Connection was always going to be hinged around finding new ways of reaching global audiences.

And for Executive Producer Julian Harvey (The Tunnel, Event Zero and The Crossing) and Director Shannon Harvey the unique and well planned strategy has paid off with the film globally grossing over $100,000 in just the first month after its release on October 15 this year.

After selling out cinemas in Sydney, Melbourne, New York, Boston, San Francisco, Tucson, Los Angeles and London The Connection has been released on DVD, download and streaming via the official website, www.theconnection.tv

The film is also enjoying an innovative Host Your Own Screening program which will see hundreds of community grassroots screenings happening around the world.

Drawing on their experiences in both traditional and alternative distribution, Executive Producer, Julian Harvey and former journalist and Director, Shannon Harvey, planned the release before even shooting a frame of the film.

“The first thing I always look at with any project is the audience and in particular how the film will reach them.  With all the advances in technology there are so many ways to distribute a film that you need to build a plan that is unique and in our case that meant we decided not to go looking for a distribution deal.  It was an educated gamble and it’s very satisfying to see the strategy playing out exactly as we planned it,” said Julian Harvey.

The Connection is about how the latest scientific research from world leading institutions likes Harvard and Stanford is proving a direct connection between our mind and our health outcomes.  The idea came after Shannon Harvey used mind body medicine to recover from the autoimmune disease, Lupus.

“The World Health Organisation released a report in 2008 showing that more than one in two people will end up with a chronic illness like mine.  That means we knew this topic had a huge audience and more importantly a lot of organisations that we were able to work with from early on to dramatically accelerate awareness,” said Shannon Harvey.

After being diagnosed with an autoimmune disease at the age of 24, Australian journalist and filmmaker Shannon Harvey was told if her disease progressed she could end up with organ failure or wheelchair bound.  Doctors couldn’t offer an explanation as to why her immune system was attacking her own body.  There was one thing she did know.  When she was stressed, she got worse.  Shannon sought answers in pioneering science and discovered a powerful connection between the state of her mind and her potential for recovery.  She soon realized that in order to change her health she needed to change her mind.

 

The film features a line-up of internationally recognized experts including cutting edge scientists Dr. Herbert Benson (‘The father of modern mind body medicine’) and Dr. Dean Ornish (‘One of the 50 most influential members of his generation’). It includes integrative medical experts like Dr. Andrew Weil (‘America’s most trusted MD’) and renowned meditation teacher Dr. Jon Kabat-Zinn (Credited for bringing mindfulness to the west).

The film also includes remarkable true stories of people adding mind body medicine to their healing toolkit to recover from severe back pain, heart disease, infertility, cancer and multiple sclerosis. Australians featured include Professor George Jelinek, a Professor of Emergency Medicine, who has recovered from multiple sclerosis and Ian Gawler OAM who recovered from an aggressive form of bone cancer against the odds.

The Connection is available to purchase on DVD and digital download from www.theconnection.tv  for $9.95 (rental stream), $14.95 (download) and DVD ($24.95)

French Film Festival

The nation’s most sparkling film event, the Alliance Française French Film Festival, will return for its 26th annual season around Australia from early March until mid-April 2015.

 Proudly presented by the Alliance Française in association with the Embassy of France in Australia and the generous support of Principal Sponsor Peugeot, a vanguard of Europe’s automobile industry, the Festival will screen throughout eight cities at a host of glamorous Palace cinema locations.

For its 26th season, Artistic Director Emmanuelle Denavit-Feller has selected a tantalising line-up of 49 features and documentaries showcasing the latest work of directors such as Anne Fontaine, Benoît Jacquot, François Ozon, Bertrand Bonello, Volker Schlöndorff, Mathieu Amalric, André Téchiné, Dany Boon, Christophe Gans and Mia Hansen-Løve.

Playing across nine distinctly named sections will be numerous highlights, including Beauty and the Beast, The Blue Room, Breathe, Chance Encounter, The Connection, Eden, The New Girlfriend, Girlhood, Saint Laurent, Samba and 3 Hearts.  Also screening will be Jean Renoir’s 1937 masterpiece, Grand Illusion starring Pierre Fresnay, Jean Gabin and Erich von Stroheim that will feature in a section entitled Lest We Forget, commemorating World War I.

And igniting the screen with the talent that has placed them at the forefront of their profession, will be stars ranging from Bérénice Béjo, Catherine Deneuve, Charlotte Gainsbourg, Daniel Auteuil, Jean Dujardin, Emmanuelle Béart, Emmanuelle Devos, Fabrice Luchini and Isabelle Carré to Jean Reno, Jean-Pierre Darroussin, Lambert Wilson, Léa Seydoux, Mathilde Seigner, Patrick Bruel, Romain Duris, Sandrine Kiberlain and Sophie Marceau.

With so much entertainment in store, next March just can’t arrive quickly enough!!!

 

National dates and venues for the 2015 Alliance Française French Film Festival are:

 

SYDNEY:           3-22 March Palace Norton Street, Palace Verona, Chauvel Cinema & Hayden Orpheum Picture Palace

MELBOURNE:    4-22 March Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth & Kino Cinemas

ADELAIDE:        5-24 March Palace Nova Eastend

CANBERRA:      6–25 March Palace Electric Cinema

BRISBANE:        13 March-1 April Palace Barracks & Palace Centro

PERTH:              19 March-7 April Cinema Paradiso, Luna on SX & Windsor Cinema

BYRON BAY:     9-14 April Palace Byron Bay

HOBART:          16-21 April State Cinema

 

Keep checking the Festival website for updates:  www.affrenchfilmfestival.org

Asia Pacific Screen Awards

Russian film Leviathan (produced by Alexander Rodnyansky, Sergey Melkumov, co-produced by Marianna Sardarova) has won the Asia Pacific Screen Award (APSA) for Best Feature Film, the region’s highest accolade in film, presented at the prestigious ceremony in Brisbane’s City Hall on Thursday evening.

The APSA for Achievement in Directing, for the third time in the history of the event, went to Turkish director Nuri Bilge Ceylan for his already Palme d’Or winning film Winter Sleep (Turkey, France, Germany). The award was accepted on the night by his long time producing partner Zeynep Özbatur Atakan.

The awards recognise and promote cinematic excellence and cultural diversity of the world’s fastest-growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world’s film output.

“This evening’s winners have displayed cinematic excellence through their films and they should be congratulated on their achievements,” said Brisbane Lord Mayor Graham Quirk said.

“The Asia Pacific Screen Awards are a unique testament to the vibrancy, diversity and divergence of the Asia Pacific region.  This year’s winners are from a total of nine different countries and areas of the vast Asia Pacific region.”

“The awards enrich Brisbane’s cultural relationship with our regional neighbours and strengthen our position in the Asia Pacific market.”

The 5 feature craft awards were determined by the six member International Jury, consisting of Oscar nominated and APSA winning cinematographer Lu Yue, Palestinian actress/writer/director Hiam Abbass, award winning actor/producer/director Rajit Kapur, EFA representative Maciej Stuhr, award winning Singaporean filmmaker Anthony Chen, and Jury President internationally renowned Iranian filmmaker Asghar Farhadi.

Best Performance by an Actor went to New Zealand’s Cliff Curtis for his role in film The Dark Horse, with iconic Australian actor David Gulpilil receiving a Special Mention for his role in Charlie’s Country.

Best Performance by an Actress was awarded to Lü Zhong for Red Amnesia (People’s Republic of China), with a Special Mention going to Iranian actress Merila Zareie for her performance in Track 143.

These two categories were presented by award-winning actress, APSA winner and APSA International Jury member Hiam Abbass, with all four actors and actresses in attendance.

Oscar nominated Chinese cinematographer and APSA International Jury member Lu Yue presented the APSA for Achievement in Cinematography to winner Dong Jinsong for Black Coal, Thin Ice (People’s Republic of China, Hong Kong (PRC)).

From the Islamic Republic of Iran, Best Screenplay was awarded to Iranian Nima Javidi for his film Melbourne, starring APSA Academy members Payman Maadi and Negar Javaherian.

The UNESCO award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded to Shawkat Amin Korki for directing Memories on Stone (Iraqi Kurdistan, Germany). Memories on Stone was also a recipient of the MPA APSA Academy Film Fund script development grant in 2011.

The International Jury awarded two Jury Grand Prizes for 2014, to:

- The producers of Chinese film Blind Massage (People’s Republic of China, France), Nai An, Li Ling, Kristina Larsen and Wang Yong

- The legendary Iranian filmmaker Rakhshan Banietemad for directing Tales (Islamic Republic of Iran).

Winners in three feature categories were determined by the APSA Youth, Animation, Documentary International Jury. The 2014 jury consisted of Berlin Golden Bear winning producer Vivian Qu, Australian journalist Quentin Dempster AM, animation specialist Otto Alder and jury chair, India’s Nira Benegal.

Turkish writer/director Kaan Müjdeci was present to accept the award for Best Youth Feature Film for his debut feature Sivas (Turkey, Germany), produced by Yasin Müjdeci, co-produced by Nesra Gürbüz and Çiğdem Mater.

Best Documentary Feature Film was awarded to 1001 Apples, produced, written and directed by Taha Karimi. Sadly, Taha Karimi passed away shortly after completing the film. The award was accepted by his brother Hawre Karimi. The jury said of the film, ‘An atrocity of the enormity of that experienced by the Kurdish people has caused deep psychological after-effects. 1001 Apples takes the audience into that darkest place and produces a deeply moving explication through the voices of the survivors of genocide. The judges were moved to tears as 1001 apples (and cloves) come to symbolise reconciliation for families and their loved ones.’

Best Animated Feature Film was won by The Tale of Princess Kaguya, produced by Yoshiaki Nishimura and directed by Isao Takahata. Following multiple nominations, this marks the first APSA win for a film from Japan’s renowned Studio Ghibli.

The FIAPF Award for Outstanding Achievement in Film in the Asia Pacific region, won by Australian Producer Emile Sherman, was presented by FIAPF representative Zeynep Özbatur Atakan, producer of the 2014 Cannes Palme d’Or winner Winter Sleep.

Iranian writer/producer/director Reza Dormishian is the 2014 recipient of the APSA Academy NETPAC Development Prize for his second feature film I’m Not Angry! An award for emerging talent, the APSA Academy NETPAC Development Prize of USD$10,000, proudly supported by the Griffith Film School, Griffith University, is awarded to a first or second-time feature filmmaker in the narrative feature competition.

In 2014, 36 films from 21 Asia-Pacific countries and areas received APSA nominations. Over 250 films were considered in competition from 42 countries.

APSA, proudly presented by Treasury Casino and Hotel, is supported by Brisbane City Council and managed by economic development board Brisbane Marketing in a unique collaboration with Paris-based UNESCO and FIAPF.

In 2011, the European Film Academy formed an academy alliance with APSA, acknowledging the pan regional works of both organisations. An EFA Academy member sits on the APSA International Jury each year in acknowledgement of this coalition.

APSA WINNERS 2014 – FULL LIST

BEST FEATURE FILM

Leviafan (Leviathan)  Russian Federation
Produced by Alexander Rodnyansky and Sergey Melkumov Co-Produced by Marianna Sardarova

BEST YOUTH FEATURE FILM

Sivas Turkey, Germany
Produced by Yasin Müjdeci
Co-Produced by Nesra Gürbüz and Çiğdem Mater

BEST DOCUMENTARY FEATURE FILM

Hezar-o yek Siv (1001 Apples) Iraq
Produced by Taha Karimi

BEST ANIMATED FEATURE FILM

Kaguya-hime no Monogatari (The Tale of The Princess Kaguya) Japan
Produced by Yoshiaki Nishimura

ACHIEVEMENT IN DIRECTING

Nuri Bilge Ceylan for Kiş Uykusu (Winter Sleep) Turkey, France, Germany

BEST SCREENPLAY

Nima Javidi for Melbourne Islamic Republic of Iran

ACHIEVEMENT IN CINEMATOGRAPHY

Dong Jinsong for Bai Ri Yan Huo (Black Coal, Thin Ice) People’s Republic of China, Hong Kong (PRC)

BEST PERFORMANCE BY AN ACTOR

Cliff Curtis in The Dark Horse New Zealand

SPECIAL MENTION BEST PERFORMANCE BY AN ACTOR

David Gulpilil in Charlie’s Country Australia

BEST PERFORMANCE BY AN ACTRESS

Lü Zhong in Chuangru Zhe (Red Amnesia) People’s Republic of China

SPECIAL MENTION BEST PERFORMANCE BY AN ACTRESS

Merila Zareie in Shiar-E 143 (Track 143) Islamic Republic of Iran

UNESCO AWARD

Shawkat Amin Korki

for directing Bîranînên li ser kevirî (Memories on Stone) Iraqi Kurdistan, Germany

JURY GRAND PRIZE

Tui Na (Blind Massage)

Produced by Nai An, Li Ling, Kristina Larsen, Wang Yong People’s Republic of China, France

JURY GRAND PRIZE

Rakhshan Banietemad for directing Ghesseha (Tales) Islamic Republic of Iran

FIAPF Award for Outstanding Achievement in Film in the Asia Pacific region

Emile Sherman (Australia)

 

APSA Academy NETPAC Development Prize

Reza Dormishian (Islamic Republic of Iran)

Golden Globe Awards

The 2015 Golden Globes nominations are now in… here they are.

BEST MOTION PICTURE – DRAMA

Boyhood

Selma

The Imitation Game

Foxcatcher

The Theory Of Everything

BEST MOTION PICTURE – MUSICAL OR COMEDY

Birdman

The Grand Budapest Hotel

St. Vincent

Into The Woods

Pride

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

Steve Carell (Foxcatcher)

Benedict Cumberbatch (The Imitation Game)

Jake Gyllenhaal (Nightcrawler)

Eddie Redmayne (The Theory Of Everything)

David Oyelowo (Selma)

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

Jennifer Aniston (Cake)

Julianne Moore (Still Alice)

Rosamund Pike (Gone Girl)

Reese Witherspoon (Wild)

Felicity Jones (The Theory Of Everything)

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY

Michael Keaton (Birdman)

Ralph Fiennes (The Grand Budapest Hotel)

Christoph Waltz (Big Eyes)

Bill Murray (St. Vincent)

Joaquin Phoenix (Inherent Vice)

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY

Amy Adams (Big Eyes)

Emily Blunt (Into The Woods)

Julianne Moore (Maps To The Stars)

Helen Mirren (The Hundred Foot Journey)

Quvenzhane Wallis (Annie)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

Mark Ruffalo (Foxcatcher)

Ethan Hawke (Boyhood)

J.K. Simmons (Whiplash)

Robert Duvall (The Judge)

Edward Norton (Birdman)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE

Patricia Arquette (Boyhood)

Keira Knightley (The Imitation Game)

Emma Stone (Birdman)

Meryl Streep (Into The Woods)

Jessica Chastain (A Most Violent Year)

BEST DIRECTOR – MOTION PICTURE

Alejandro Gonzalez Inarritu (Birdman)

Richard Linklater (Boyhood)

Ava DuVernay (Selma)

David Fincher (Gone Girl)

Wes Anderson (The Grand Budapest Hotel)

BEST SCREENPLAY – MOTION PICTURE

Boyhood

Birdman

Gone Girl

The Imitation Game

The Grand Budapest Hotel

BEST ORIGINAL SONG – MOTION PICTURE

Big Eyes by Lana Del Ray (Big Eyes)

Glory by John Legend & Common (Selma)

Mercy Is by Patty Smith & Lenny Kaye (Noah)

Opportunity by Sia (Annie)

Yellow Flicker Beat by Lorde (The Hunger Games: Mockingjay Part 1)

BEST ORIGINAL SCORE – MOTION PICTURE

Alexandre Desplat (The Imitation Game)

Johann Johannsson (The Theory Of Everything)

Trent Reznor (Gone Girl)

Antonio Sanchez (Birdman)

Hans Zimmer (Intersteallar)

BEST ANIMATED FILM

The Book Of Life

The Boxtrolls

Big Hero 6

How To Train Your Dragon 2

The Lego Movie

BEST FOREIGN LANGUAGE FILM

Ida

Leviathan

Force Majeure

Gett: The Trial Of Viviane Amsalem

Tangerines

BEST TELEVISION SERIES – DRAMA

Downton Abbey

The Good Wife

House Of Cards

Game Of Thrones

The Affair

BEST TELEVISION SERIES – MUSICAL OR COMEDY

Girls

Orange In The New Black

Transparent

Silicon Valley

Jane The Virgin

BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

Olive Kitteridge

True Detective

Fargo

The Missing

The Normal Heart

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

Kevin Spacey (House Of Cards)

Liev Schreiber (Ray Donovan)

James Spader (The Blacklist)

Dominic West (The Affair)

Clive Owen (The Knick)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA

Robin Wright (House Of Cards)

Julianna Marguiles (The Good Wife)

Viola Davis (How To Get Away With Murder)

Claire Danes (Homeland)

Ruth Wilson (The Affair)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY

Lena Dunham (Girls)

Edie Falco (Nurse Jackie)

Julia Louis-Dreyfus (Veep)

Taylor Schilling (Orange Is The New Black)

Gina Rodriguez (Jane The Virgin)

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY

Don Cheadle (House Of Lies)

Ricky Gervais (Derek)

Jeffrey Tambor (Transparent)

William H. Macy (Shameless)

Louis C.K. (Louie)

BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Martin Freeman (Fargo)

Billy Bob Thornton (Fargo)

Matthew McConaughey (True Detective)

Woody Harrelson (True Detective)

Mark Ruffalo (The Normal Heart)

BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Jessica Lange (American Horror Story)

Maggie Gyllenhaal (The Honourable Woman)

Frances McDormand (Olvie Kitteridge)

Frances O’Connor (The Missing)

Allison Tolman (Fargo)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Jon Voight (Ray Donovan)

Alan Cumming (The Good Wife)

Bill Murray (Olive Kitteridge)

Colin Hanks (Fargo)

Matt Bomer (The Normal Heart)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Allison Janney (Mom)

Uzo Aduba (Orange Is The New Black)

Kathy Bates (American Horror Story)

Michelle Monaghan (True Detective)

Joanne Froggatt (Downton Abbey)