Tagged: Pharrell Williams

Summary: 
Buster Moon and his friends must persuade reclusive rock star Clay Calloway to join them for the opening of a new show.

Year: 2021

Cinema Release Dates:  26th December 2021 (Australia), 13th January 2022 (Thailand), 28th December 2021 (UK), 22nd December 2021 (USA)

VOD Release Dates: TBA

Country: USA, France, Japan

Director: Garth Jennings

Screenwriter: Garth Jennings

Cast: Eric Andre (Darius (voice)), Bono (Clay Calloway (voice)), Adam Buxton (Klaus Kickenklober (voice)), Bobby Cannavale (Mr. Crystal (voice)), Julia Davis (Linda Le Bon (voice)), Taron Egerton (Johnny (voice)), Halsey (Porsha Crystal (voice)), Garth Jennings (Miss Crawly (voice)), Scarlett Johansson (Ash (voice)), Tori Kelly (Meena (voice)), Nick Kroll (Gunter (voice)), Matthew McConaughey (Buster Moon (voice)), Nick Offerman (Norman (voice)), Chelsea Peretti (Suki (voice)), Jennifer Saunders (Nana (voice)), Peter Serafinowicz (Big Daddy (voice)), Pharrell Williams (Alfonso (voice)), Reese Witherspoon (Rosita (voice)), Letitia Wright (Nooshy (voice))

Running Time: 110 mins

Classification: PG (Australia), U (UK), PG (USA)

OUR SING 2 REVIEWS

David Griffiths’ Sing 2 Review:

One of the most charming kids’ films to have surfaced over the past few years was Sing. With so much mindless family entertainment around these days it was nice to find a film that not only entertained but also taught valuable lessons and had a story that even adults could become engrossed in. Then of course there was the film’s originality and a soundtrack so great that even until this day kids at schools right across Australia ask for it to be played for them.

Of course he danger of the first film being so good was the fact that perhaps that the sequel couldn’t live up to expectations, but cast any worries about that aside because Sing 2 is equal to its predecessor in every single way.

This time around we find Buster Moon (voiced by Matthew McConaughy – Dallas Buyers Club) happy that his theatre is running successful shows that are gaining critical praise while showing off the talents of his cast and pleasing audiences. However, Buster soon realises that he wants more after a talent scout Suki (Chelsea Peretti – Parks & Recreation) tells him that his show and cast are not talented enough to take the next step and perform in the big city.

Soon Buster sneaks his crew into an audition for world famous producer Jimmy Crystal (Bobby Cannavale – Ant-Man) who at first is not impressed by the audition but changes his mind when  Gunter (Nick Kroll – Sausage Party) pitches the idea of a sci-fi spectacular which would feature reclusive star Clay Calloway (U2’s Bono). Crystal jumps at the idea but tells Buster he needs the show up and running in three weeks or he is going to throw him off the roof-top of a high rise.

Buster jumps straight into putting the show together but soon comes across issues. Johnny (Taron Egerton – The Kingsman) can’t dance, Rosita (Reese Witherspoon – Cruel Intentions) has a fear of heights, Meena (Tori Kelly – Sing) has no chemistry with her on-stage romantic leading man, Porsha Crystal (Halsey – If I Can’t Have Love I Want Power) joins the cast but can’t act and Ash (Scarlett Johansson – The Avengers) has the hardest job of all – trying to convince Clay to come out of hiding and return to the stage.

There is just so much to love about Sing 2. First of all director/screenwriter Garth Jennings (The Hitchhikers Guide To The Galaxy) makes sure that no character here is left without anything to do. It is almost feels like every character has their own short film that sees them overcoming the obstacle placed in front of them and somehow all of those storylines come together brilliantly to deliver something bigger. Nothing feels left out but also at the same time the film never feels crowded with too many plot-lines.

With Sing 2 Jennings also finds the right mix of genres as well. Like the original film in the franchise there are times when the film is deeply emotional and dramatic and then there are other times when Jennings gets a laugh from a great comedic line or a piece of slapstick. Jennings is a true creative genius as he seems to know when is the right time for each mood throughout the film and he never misses a beat.

Then there are the general ‘life lessons’ held within the film’s plot. Once again this franchise manages to bring a range of different lessons to the forefront without feeling like the film is trying to push an agenda onto its audience. Important lessons about never giving up on your dreams and overcoming your fears are explored in nicely presented ways while the film also features an important lesson about how sometimes those on top of the fame game are not always the nicest people to have to deal with. Once again the fact that all of that comes together in a film that is an entertaining as Sing 2 just goes to show what a talented filmmaker Gareth Jennings really is.

Sing 2 really is a fun ride for the entire family. Kids will be left in awe at the bright colours, action and kid-friendly storyline while adults will warm to the deeper messages that are hidden away under the surface. Then of course there is the amazing soundtrack, featuring new music by U2, which will have the whole family singing along. I don’t know how he does it but once again Gareth Jennings has delivered a well-rounded and entertaining family film that is guaranteed to become a favourite.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture Sing 2 Reviews:

Nil

Trailer:

Entourage

Summary: 

Entourage picks up where the television series left off but with a couple of changes. Ari Gold (Jeremy Piven – Old School) takes on the new role of a studio boss and he instantly places his head on the chopping block when he gives his star client Vince (Adrian Grenier – The Devil Wears Prada) the rights to direct a mega blockbuster film called Hyde. This is a move that Hollywood quickly slams pointing out that Vince and his producer/manager Eric (Kevin Connolly – The Notebook) are ill equipped to be in charge of such a big film. The result is that soon Ari is being hauled over the coals by his boss John Ellis (Alan Dale – Captain America: The Winter Soldier) and the executive producer’s over zealous son Travis McCreadle (Haley Joel Osment – The Sixth Sense) who decides straight away that he wants Vince’s brother, Johnny Drama’s (Kevin Dillon – Platoon) scenes cut from the movie.

Things aren’t much better on the personal front for our stars either. Vince’s marriage ends after nine days, Eric’s realationship with Sloan (Emmanuelle Chriqui – Wrong Turn) is strained despite the fact she is about to give birth, Johnny’s one night stand ends up in a sex tape while Turtle (Jerry Ferrara – Lone Survivor) who is now a millionaire suddenly finds himself with the hots for MMA star Ronda Rousey (herself – Furious 7).

 

Year: 2015

Australian Cinema Release Date: 4th June, 2015

Australian DVD Release Date: TBA

Country: USA

Director: Doug Ellin

Screenwriter: Doug Ellin, Rob Weiss

Cast: Nina Agdal (Bridgite), Jessica Alba (herself), Raquel Alessi (Jennifer), David Arquette (himself), Tom Brady (himself), Warren Buffettt (himself), Gary Busey (himself), Brian Carenard (Saigon), Emmanuelle Chriqui (Sloan), Andrew Dice Clay (himself), Rhys Coiro (Billy Walsh), Common (himself), Kevin Connolly (Eric), Mark Cuban (himself), Alan Dale (John Ellis), Baron Davis (himself), Billy Dec (himself), Kevin Dillon (Johnny Drama), Christine Donlon (Paula), Nora Dunn (Dr. Deanne Emily Marcus), Lucas Ellen (Jonah), Alice Eve (Sophia), David Faustino (himself), Jon Favreau (himself), Jerry Ferrara (Turtle), Sabina Gadecki (Melanie), Kelsey Grammer (himself), Jim Gray (himself), Adrian Grenier (Vince), Rob Gronkowski (himself), Armie Hammer (himself), Tameka Harris (herself), Thierry Henry (himself), Terrence Jenkins (himself), Martin Landau (Bob Ryan), Matt Lauer (himself), Rex Lee (Lloyd), Chad Lowe (himself), Tim Maculan (Dr. Feldman), Sonny Marinelli (Randy),  Clay Matthews (himself), Debi Mazar (Shauna), Maria Menounos (herself), Scott Mescudi (Allen), Alyssa Miller (herself), Piers Morgan (himself), Shad Moss (Charlie Williams), Liam Neeson (himself), Ed O’Neill (himself), Haley Joel Osment (Travis McCredle), Henry Penzi (himself), Shervin Pishevar (himself), Jeremy Piven (Ari Gold), Breanne Racano (Katie), Emily Ratajkowski (herself), Perrey Reeves (Mrs. Ari), Rocky (Arnold), Ronda Rousey (herself), Bob Saget (himself), David Spade (himself), Nick Smyth (Alex), T.I. (himself), George Takei (himself), Billy Bob Thornton (Larsen McCredle), Mike Tyson (himself), Dominico Vacca (himself), Scott Vener (himself), Mark Wahlberg (himself), Pharrell Williams (himself), Russell Wilson (himself), Constance Zimmer (Dana Gordon)

Runtime: 104 mins

Classification: MA15+

 

OUR ENTOURAGE REVIEWS & RATINGS:

 

David Griffiths:

This is the first time ever in my career that I have ever written a biased review. See I’m not stupid enough to know that if 80% of the people on this planet walked into a cinema to watch Entourage they would not like… possibly a great deal of them would even despise it. But see I am unashamed huge fan of the television series that sparked this movie and despite a lot of press saying the opposite there is no way that anybody who had never seen (or hated) the television series would ever like this film, or even possibly understand one single thing that is going on throughout the film. So yes this is a review written by a very biased Entourage fan who was as excited about this film arriving as I was about any other blockbuster this year.

The thing that works best and is going to appeal to fans of the television series is the fact that screenwriter/director Doug Ellin (Kissing A Fool) didn’t decide to do what most television spin off movies do and make the film too different from the television series. There’s no sending the cast into space or back in time or any of that crap, no instead he literally makes the film feel like an extended television episode. To a certain extent he even has the ‘opening credits’ that true fans of the show would know and love and changing Ari and Vince’s careers isn’t exactly out of the realm of things that could have happened in the real world. Yes to be blunt Ellin makes the Entourage movie work because he keeps it realistic.

The irony of what I said before is that for all the reasons that non-Entourage fans would get lost in this film are most of the reasons that true fans will love it. Ellin doesn’t go over the top filling in character’s back stories just to appease the ‘newcomers’ to the franchise. So as a result if you take the character of Eric as an example to a newcomer he looks like a bad guy. The kind of guy who is racing off having sex with whoever he meets while his ex is pregnant… now any true fan of the series knows that Eric isn’t a bad guy and is just making some bad decisions in his life. Likewise with Turtle, how is a newcomer supposed to know he was a fat sponger for a long time, so how would they understand some of the humor aimed at him? And for that matter how would they also understand some of the jokes about Johnny or why Ari is so frustrated that Lloyd (Rex Lee – Young & Hungry) wants him to be part of his wedding? Actually how would they even know who Lloyd is? And how will they get the same laughs out of seeing Mark Wahlberg (Ted) appear in the movie if they don’t know the series was loosely based on his life? No Entourage is firmly a film only for those that fell in love with the series.

For the fans though Entourage is a real gem. Ellin’s comedic moments work a treat, especially when he isn’t trying (Ari punching a picture of a kitten while denying having an anger problem is classic) and the throwaway lines at the expense of characters or real life celebrities all hit the spot well. Ellin also loads this film with celebrity cameos that all really work, to his credit none of them seem forced not even the short ones featuring the likes of Liam Neeson or Kelsey Grammer for example, they all feel natural and will be lapped up by the audience.

What else works with Entourage is the drama and intrigue that the script and storyline manages to bring to the table. As the film goes on and Vince is more and more reluctant to show his film to anyone you actually do find yourself wondering whether he has really made a masterpiece or whether it will be a piece of rubbish. Then when things such as the sex tape and Travis’ interference into Hyde increases the sinking feeling that this film is going to see Ari and Vince have a very public fall from the Hollywood elite seems more and more likely. It is stuff like that that shows this is a classy film that really knows how to draw its audience in.

As we all learned from the television series Kevin Connolly and Jeremy Piven are the acting gold when it comes to Entourage. Adrian Grenier might be the public face and star of this film but Piven owns him right throughout the film. Ari is back bigger and meaner than ever and Piven lets himself run with that stealing scenes from his co-stars as he finds just the right mix of comedy and drama to really shine. Likewise Connolly who plays the ‘wet puppy’ this time around but does absolutely nothing wrong in a role that can lift his Hollywood star.

Whether you love or hate Entourage will come down solely to whether or not you were a fan of the television series. Go into this film without having ever seen an episode and you are going to be completely lost, but if you enter the cinema having watched the series throughout then this is going to feel like you are catching up with old friends. Entourage is far from the perfect film but it is a good continuation of a television series that obviously has more stories to tell. If however this is the last that we see of Entourage then I think fans will be truly happy with the one it ends. This is one for the Entourage fanboys only.

 

 

Stars(3)

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Entourage (2015) on IMDb

 

Other Subculture Entertainment Jurassic World reviews: You can also read our Jurassic World review on The Book The Film The T-Shirt.

Trailer:

image007

TONIGHT ALIVE have today released their electrifying new single “The Edge,” written exclusively for the Australian release of the new movie The Amazing Spider-Man 2: The Rise Of Electro, opening in Australia on April 17th. The highly anticipated official music video for “The Edge” has just premiered on VEVO – check it out below.

Since teasing the track online since the single announcement on March 21st, Tonight Alive fans have been anxiously awaiting the release of the single and accompanying video in its entirety, with the band’s social media accounts exploding and the teaser itself receiving in excess of 160K streams. The hype has been garnering the band attention not just domestically but around the world, helped along by their sold out tour across the UK with All Time Low, and throughout the US with Taking Back Sunday and The Used.

With “The Edge” being written by Tonight Alive exclusively for the movie, the song will be featured on The Amazing Spider-Man 2: The Rise Of Electro Original Motion Picture Soundtrack in Australia, New Zealand, the U.K. and Ireland.

“The Edge” sits amongst top level global talent on the soundtrack, alongside “It’s On Again” by Alicia Keys featuring Kendrick Lamar, written exclusively for the film by Pharrell Williams, Alicia Keys, Hans Zimmer and Kendrick Lamar, and produced by Pharrell Williams.

The Amazing Spider-Man 2: The Rise Of Electro Original Motion Picture Soundtrack is released in Australia on Friday, April 18th on Columbia Records and Madison Gate Records, through Sony Music Entertainment Australia.

With the track now available to purchase globally, Tonight Alive explain their excitement as they prepare to be launched further into the international spotlight. ““The Edge” is a song we’re really proud of and as a band we are very flattered to be a part of such a huge legacy that is The Amazing Spider-Man 2: The Rise Of Electro. It is our hope that not only Tonight Alive fans, but all fans of the comic and movies will enjoy the track too!”

About The Amazing Spider-Man 2: Rise Of Electro

We’ve always known that Spider-Man’s most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2: The Rise Of Electro, Peter Parker finds that his greatest battle is about to begin.

It’s great to be Spider-Man (Andrew Garfield). For Peter Parker, there’s no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen (Emma Stone). But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro (Jamie Foxx), Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn (Dane DeHaan) returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.

Starring Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Paul Giamatti and Sally Field. Directed by Marc Webb. Produced by Avi Arad and Matt Tolmach. Screenplay by Alex Kurtzman & Roberto Orci & Jeff Pinkner. Screen Story by Alex Kurtzman & Roberto Orci & Jeff Pinkner and James Vanderbilt. Based on the Marvel Comic Book by Stan Lee and Steve Ditko.

The Amazing Spider-Man 2: The Rise Of Electro is in Australian cinemas from April 17th #SpiderMan
www.theamazingspiderman2.com.au.

The Amazing Spider-Man 2: The Rise Of Electro Original Motion Picture Soundtrack is available to purchase in
Australia from April 18th.

 

Beyonce

The fifth solo studio album from Beyoncé is now available worldwide, exclusively on the iTunes Store (www.iTunes.com/beyonce).  The self-titled set is the artist’s first visual album.   BEYONCÉ is infused with 14 new songs and 17 visually stunning, provocative videos shot around the world from Houston to New York City to Paris, and Sydney to Rio de Janeiro, all before the album’s release.

“I see music,” says Beyoncé about her decision to create a visual album. “It’s more than just what I hear.  When I’m connected to something, I immediately see a visual or a series of images that are tied to a feeling or an emotion, a memory from my childhood, thoughts about life, my dreams or my fantasies.  And they’re all connected to the music.”

That the album is available on the day the world is learning about its release is an unprecedented strategic move by the artist to deliver music and visual content directly to her fans when she wants to and how she wants to, with no filter.  This unique approach allows music fans to be the first to listen, view, engage and form their own opinions void of any middleman.  In the age of social media and an insatiable appetite for direct communication, this is the answer to the question asked over and over again, when is Beyoncé’s next album coming?

“ I didn’t want to release my music the way I’ve done it,” she states.  “I am bored with that.  I feel like I am able to speak directly to my fans.   There’s so much that gets between the music, the artist and the fans.  I felt like I didn’t want anybody to give the message when my record is coming out. I just want this to come out when it’s ready and from me to my fans.”

Stripped of gimmicks, teasers and marketing campaigns, this project is truly about art before hype.

Starting now, BEYONCÉ is available globally and exclusively on the iTunes Store (www.itunes.com/beyonce).

For an artist who has been the target of leaks, this is a fully designed preventative plan. The album will be offered as a cohesive body of work with every song and every video available all at once for one single purchase.

While not a concept album, the record is designed to be consumed as a comprehensive audio/visual piece from top to bottom.  The antithesis of making singles, the visual album is a non-linear journey through the thoughts and visions of Beyoncé.

Manufacturing of physical albums begins today and the double disc CD/DVD will be available at retail in time for the holidays.

Facebook exclusively premieres Part One of  “Self-Titled,” a mini doc feature that gives a glimpse into the entire project.  It details her mind-set and artistic vision throughout the making of BEYONCÉ.  By embracing an ever-evolving digital landscape, she creates an innovative, fully immersive, multiplatform experience for the first visual album of her career, completely changing the way her fans will consume music.

Not one to stand on past achievements, this is an artist who thrives on evolving, challenging herself and raising the bar. This creative process gave Beyoncé power over her music and provided an opportunity to control how the music is heard.  She is not playing by the rules and breaking what is expected, preferring to put music out as an entire body of work.

Beyoncé, wearing multiple hats as writer, producer and director, put together a genius team of artists, songwriters, producers and video directors for her visual album that include JAY Z, Timbaland, Justin Timberlake, Pharrell Williams, Drake, The Dream, Sia, Ryan Tedder, Miguel, Frank Ocean, Hit Boy, Ammo, Boots, Detail, Jake Nava, Hype Williams, Terry Richardson, Melina Matsoukas, Jonas Åkerlund, Ricky Saiz, Pierre Debusschere, @lilinternet, Noah “40” Shebib, Francesco Carrozzini, Caroline Polachek,  Ed Burke, Bill Kirstein and Todd Tourso.

She recorded all over the world for a year and a half but the initial recording started after the writers and producers gathered under one roof in The Hamptons, New York’s beach enclave, in the summer of 2012 to live together, work together and to immerse themselves into her world and into her head.   The fans that have grown up with the performer, mature and seasoned enough to relate to the content and the shared experiences, inspire the music, with themes that explore love, loss, fear, anger, honesty, happiness, sexuality and confidence.

For the videos, some of which she co-directed, she preferred to work with a more care-free formula.  Shot primarily during her successful “Mrs. Carter Show World Tour,” the videos were veiled in secrecy, even though they were filmed in open places, including a beach in Brazil, the streets of NYC, on the famed Cyclone Rollercoaster in Coney Island, New York, downtown Los Angeles, a chateau in Paris, a roller skating rink in Houston, Texas where she skated as a child, and a beautiful church in South America.  She mixed up the creative, going for big and small and set out on shoots eager to capture the spontaneity and honesty in every moment.  The videos are visually stimulating, charged with visionary cinematography and clever storytelling. They capture every side of who she is, complete with vulnerability and imperfections.

BEYONCÉ is an explosive sonic and visual communiqué to music fans from an artist who has earned the right to do things on her terms.  “I just want to give my album to the people I love and respect and hope that they feel the same thing I felt when I made the music,” said Beyoncé.

You can hear the interview with Beyonce talking about her new album here.