We’re thrilled to release the first trailer for SING 2 starring the voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Taron Egerton, Tori Kelly, and newcomers to the franchise Pharrell Williams, Halsey and Bono (U2).
Summary: A British drug lord tries to sell off his highly profitable empire to a dynasty of Oklahoma billionaires.
Australian Cinema Release Date: 1st January 2020
Thailand Cinema Release Date: 30th January 2020
Australian DVD Release Date: TBA
Country: United States
Director: Guy Ritchie
Screenwriter: Guy Ritchie, Ivan Atkinson (story), Marn Davies (story)
Cast: Childi Ajufo (Bunny), Brittany Ashworth (Ruby), George Asprey (Lord Snowball), Russell Balogh (Russell), Max Bennett (Brown), Bruce Chong (Npuc), Michelle Dockery (Rosalind Pearson), Gershwyn Eustache Jnr. (Roger), Christopher Evangelou (Primetime), Colin Farrell (Coach), Henry Golding (Dry Eye), Hugh Grant (Fletcher), Tom Rhys Harries (Power Noel), Charlie Hunnam (Ray),Togo Igawa (Wang Yong), Jack Jones (Nick), Eugenia Kuzmina (Misha), Matthew McConaughey (Mickey Pearson), Lyne Renee (Jackie), Jeremy Strong (Matthew), Eliot Sumner (Laura Pressfield), James Warren (Iron Chin), Samuel West (Lord Pressfield), Jason Wong (Phuc), Tom Wu (George), Jon Xue Zhang (Fat Tony)
Running Time: 113 mins
Classification: MA15+ (Australia) TBC (Thailand)
OUR THE GENTLEMEN REVIEWS & RATINGS:
Dave Griffiths Review:
Nobody quite does gangster film the way Guy Ritchie does. Ritchie basically made the genre his own after re-inventing it with modern day classics like Lock, Stock And Two Smoking Barrells and Snatch. And while cinema goers have enjoyed Ritichie’s take on Sherlock Holmes and The Man From U.N.C.L.E. nothing he has done in recent years has ever captured that true magic of his early films… that was until now. Yes The Gentlemen sees Ritchie return to the gangster genre but also sees him return to form with his creativity and stunning scriptwriting.
The film centres around Mickey Pearson (Matthew McConaughey – Dallas Buyers Club) a gangster who has built a budding marijuana business across England. However when Mickey is shot in a bar a private investigator turned wannaba screenwriter named Fletcher (Hugh Grant – Love Actually) is employed by a newspaper to investigate the case. Not happy with his fee though Fletcher decides to cash-in and try to blackmail Mickey’s right-hand man Ray (Charlie Hunnam – Pacific Rim) with a meandering tale that also involves other crime figures like Dry Eye (Henry Golding – Last Christmas) and Coach (Colin Farrell – The Lobster).
The Gentlemen screams creativity from the get go. Ritchie doesn’t make the film an easy watch for the audience. The story doesn’t play in order instead the audience is fed bits and pieces of information from a myriad of sources and at times it is up to them to work out what his truth or lie. Of course Ritchie also throws in the odd red herring to try and put you off the scent and the result is a heightened sense of suspense as you are never really sure what is true, right down to character’s deaths, until it is spelled out for you in actual black and white.
In true Ritchie style the way the plot is presented is also a stroke of genius. Having Fletcher recount the story for Ray not only gives the filmmaker a way to show the different variations of the truth in a creative way but also allows Grant and Hunnam to have an amazing screen presence that both actors seem to embrace with two hands. Grant is truly sensational and despite a long career to date this is easily his best ever role. While the film is not a comedy Grant uses his comedic timing to further enhance the character of Fletcher and make him someone truly memorable. Nearly all of the scenes that the two actors share together feel like an intense theatre production and there is no sign of weak acting anywhere to be seen.
Of course with the all the theatrics and creativity that Ritchie shows with this film he could probably be excused if it were being used to cover up a weak storyline but that certainly isn’t the case here. The story is an absolute gem, made up of unique characters who seem out to only aid their business dealings while not really caring what they do or who they have to crush to get what they want. And while there seems to be a never-ending amount of characters being included in the story you never seem to lose track of who is who and more importantly who works with who.
Anyone planning on going to see The Gentlemen should be warned though that while we have entered into a time of political correctness Ritchie seems to ignore that with this film. The language is perhaps the most extreme we have seen in cinema for awhile (but it does fit with the storyline) and of course this wouldn’t be a Ritchie gangster film if there wasn’t a couple of very violent on-screen deaths as well.
We mentioned earlier the brilliant performances of Grant and Hunnam but really there are a number of other actors who deserve credit for their work as well. Once again Matthew McConaughey shows why he is one of the best character actors going around at the moment while the big surprise here might be the performance of Henry Golding who breaks the shackles of his normal nice-guy persona by playing the very untrustworthy Dry Eye. Then of course there is Hollywood’s forgotten man Colin Farrell who seems to be having a ball playing the slimy Coach.
As far as gangster films go there are none better than The Gentlemen. This is a true cinema tour de force that delivers a headbutt to the face of its audience. It leaves in shock, it leaves you in awe but beyond all else this is a film that you will want to watch over and over again. Guy Ritchie is a true magician of a filmmaker and with The Gentlemen he delivers some good old-fashioned creative magic.
Average Subculture Rating:
Other Subculture Entertainment The Gentlemen Reviews:
Summary: The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
Australian Cinema Release Date: 17th August 2017
Australian DVD Release Date: TBA
Director: Nikolaj Arcel
Screenwriter: Nikolaj Arcel, Akiva Goldsman, Anders Thomas Jensen Stephen King (novel), Jeff Pinkner
Cast: Michael Barbieri (Timmy), Idris Elba (Roland), Kenneth Fok (Johnny), Jackie Earle Haley (Sayre), Nicholas Hamilton (Lucas Hanson, Dennis Haysbert (Steven), Eva Kaminsky (Jill), Caludia Kim (Arra), Fran Kranz (Pimli), Abbey Lee (Tirana), Matthew McConaughey (Walter), Robbie McLean (Toby), Nicholas Pauling (Lon), Leeanda Reddy (Dr. Weizak), Tom Taylor (Jake), Matthew Thomson (Jonah), Lemogang Tshipa (Phedon), Robert Whitehead (Cantab), Kathryn Winnick (Laurie), Jose Zuniga (Dr. Hotchkiss)
Runtime: 95 mins
OUR THE DARK TOWER REVIEWS & RATINGS:
Whew… I feel like I have dodged a bullet. Reading reviews before I went into to see The Dark Tower meant I was preparing myself for an abysmal nightmare of a film – one that some critics had labeled the ‘worst film based on a Stephen King novel ever’. So imagine my surprise when I sat down and ended up finding myself watching a fun, intriguing, albeit brief, supernatural action film.
The Dark Tower sees a story that took King seven novels to tell told in a film that clocks in at just over an hour and a half. It begins with New York being rocked by earthquakes that have experts confused. Meanwhile, young Jake (Tom Taylor – Doctor Foster, Legends) is having terrible nightmares in which he sees a Dark Tower and dark characters including a Gunslinger and a man in dark jacket. Jake’s mother, Laurie (Kathryn Winnick – Vikings, Love & Other Drugs) is convinced that the dreams are the result of the trauma of Jake’s father dying while on duty as a firefighter and seeks medical advice for him.
However, soon the jigsaw pieces start falling into place for Jake. The earthquakes are being caused by the man in the black jacket… aka Walter (Matthew McConaughey – Interstellar, Dallas Buyers Club) using children’s minds in horrific experiments to try and bring down The Dark Tower – a tower that prevents the darkness of other worlds taking over our own dimension. The only man who can stop Walter is the last known gunslinger, Roland (Idris Elba – Prometheus, Zootopia) who is haunted by the fact that Walter has killed everybody that has ever meant anything to him.
Walter then realises that with Jake’s psychic ability he has the one mind that can bring down the Dark Tower so he orders all his minions to go after Jake who has found Roland… cue the music for the battle to end all battles.
When you put everything into perspective director Nikolaj Arcel (A Royal Affair, Truth About Men)and his screenwriters have actually done a pretty good job at making The Dark Tower work. Putting seven novels worth of work into one relatively short feature film has taken a mountain or work. You could have been forgiven if this had been stretched out into a trilogy or at least a film that went well over the two-hour mark. But somehow Arcel and team have managed to tell the story without making it feel incomplete or leaving the audience not understanding the world that we find ourselves in. Somehow the fact that some of the beings that surround Walter aren’t fully explained means we get to see the story from the point of view of Jake a little more… and it least Arcel doesn’t fall into the trap of filling the film with scenes and scenes of exposition.
Visually The Dark Tower looks great. Darkened scenes of man versus monster are stark reminders of films like Harry Potter while the harshness of a lot of the scenery in most scenes brings back memories of films like Priest or The Book Of Eli. Even the CGI effects work pretty well, more than enough to draw the audience into the world at hand, and while some films suffer when they try to mix the supernatural with a modern day city there is no such issue here with the scenes of modern day New York flowing well with the rest of the film, and thankfully they steered away from a battle that involved the entire city falling from the sky or the like. Really the last battle in this film just needed to be between Jake, Roland and Walter and that was what delivered, now why couldn’t we have had something like that in Wonder Woman?
The films two leads also seem to be enhanced the short nature of the film. Matthew McConaughey seems to have a lot of fun playing Walter and whether it be a scene where he is torturing poor Kathryn Winnick or messing with the mind of Roland he seems to embrace the evilness of his character while remaining smooth and charming… much like Jack Nicholson did years earlier in The Witches of Eastwick. Idris Elba is also fantastic as the cowboy inspired gunslinger. He is perfectly cast in a role that demands his action/stunt ability but also at times needs him to step up in a dramatic, gut-wrenching scene. Likewise, he is well supported by young Tom Taylor whose emotional portrayal of Jake shows that he is an actor to watch in the future.
Don’t be fooled The Dark Tower is not the mess that everybody is saying that it is. With its dark storyline that doesn’t hold back to spare the audience’s emotions and great special effects, this is just one of those supernatural thrillers that you can sit back and enjoy while you munch on popcorn. The only weakness that really annoyed me was that I could have easily spent another half an hour in this universe, but still, this is an enjoyable film with a nice graphic novel feel to it.
Average Subculture Rating (out of 5):
Other Subculture Entertainment The Dark Tower Reviews: You can listen to Dave Griffiths’ The Dark Tower review that aired on That’s Entertainment in Melbourne, Sydney and Brisbane on The Talking Lifestyle network on 17/08/2017 right here.
This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick take a look at new release films ‘Indignation,’ ‘A Hologram For The King,’ ‘Free State of Jones,’ ‘David Brent: Life On The Road,’ ‘The Shallows,’ ‘Kubo And The Two Strings,’ ‘Red Billabong,’ ‘Motorkite Dreaming,’ ‘Ben-Hur,’ ‘Ticked,’ ‘High-Rise’ and ‘War Dogs’. This episode also contains interviews with Matthew McConaughey, Gugu Mbatha, Gary Ross, Blake Lively, Jack Huston, David Farrier, Charlie Hill-Smith, John Cherry, Samuel Douek (Hola Mexican Film Festival) and Rosemary Myers (‘Girl Asleep’).
Also make sure you listen to this week’s show for your chance to win a copy of ‘Fifty Shades Of Black’ on DVD thanks to our good friends at EOne Entertainment. For your chance to win simple listen to the show and then send your answer to this week’s question via private message to either our Facebook or Twitter pages.
You can listen to The Good The Bad The Ugly Film Show or download it for free from our Podcast Channel – Listen/Download here.