Tagged: Idris Elba

Summary: 
Supervillains Harley Quinn, Bloodsport, Peacemaker and a collection of nutty cons at Belle Reve prison join the super-secret, super-shady Task Force X as they are dropped off at the remote, enemy-infused island of Corto Maltese.

Year: 2021

Cinema Release Dates: 5th August 2021 (Australia), 2nd September 2021 (Thailand), 30th July 2021 (UK), 6th August 2021 (US)

VOD Release Dates: TBA

Country: USA

Director: James Gunn

Screenwriter: James Gunn

Cast: Steve Agee (John Economos/On-Set King Shark), Dee Bradley Baker (Sebastian), Ray Benitel (Coronel), Stephen Blackehart (Briscoe), Flula Borg (Javelin), Juan Diego Botto (Presidente General Silvio Luna), Alice Braga (Sol Saria), Peter Capaldi (Thinker), John Cena (Peacemaker), Joaquin Cosio (Mayor General Mateo Suarez), Jai Courtney (Captain Boomerang), Giovannie Cruz (Isabella), David Dastmalchian (Polka-Dot Man), Pete Davidson (Blackguard), Gerardo Davila (General Vera), Viola Davis (Amanda Waller), Idris Elba (Bloodsport), Nathan Fillion (T.D.K.), Jared Leland Gore (Double Down), Sean Gunn (Weasel/Calendar Man), Ray Hernandez (Teniente), Quasheem D. Herring (Co-Pilot Lt. Glass), Jennifer Holland (Emilia Harcourt), Mikaela Hoover (Camila), Alexander Christopher Jones (Sgt. Chavis), Tinashe Kajese (Flo Crawley), Joel Kinnaman (Colonel Rick Flag), Maya Le Clerk (Young Cleo), Fernando Martinez (Sliced Dome Soldado), Daniela Melchior (Ratcatcher 2), Mayling Ng (Mongal), John Ostrander (Doctor Fitzgibbon), Storm Reid (Tyler), Margot Robbie (Harley Quinn), Michael Rooker (Savant), Julio Cesar Ruiz (Milton), Natalia Safran (Kaleidoscope), Sylvester Stallone (King Shark), Freddie Stroma (Adrian Chase/Vigilante), Taiki Waititi (Ratcatcher), Victoria Paige Watkins (Tiff)

Running Time: 132 mins

Classification: MA15+ (Australia), 15 (UK), R (USA)

OUR THE SUICIDE SQUAD REVIEWS

David Griffiths’ The Suicide Squad Review:

The original Suicide Squad movie may have ben much maligned, although the Director’s Cut version certainly didn’t deserve to be, but it did show the world that DC did know how to mix their darkness with some good times and surprising humour. But like Green Lantern before it it did split DC movie fans over whether it was a good or bad film, so much so that I doubt many people would have ever expected that there would be a follow film.

But here we are in 2021 and The Suicide Squad is back with Hollywood’s ‘he can make anything look cool’ director James Gunn (Guardians Of The Galaxy) at the helm and boy does he make a difference. It is almost like Gunn sat down and watched the original film and said to himself “right I’ll change everything this one did wrong and make this old school.” He did that and yes it works.

Remember the long character introductions from the first film Yeah well Gunn doesn’t do that here. Director Amanda Waller (Viola Davis – The Help) hastily puts together her squad which includes inmates like special force veterans Bloodsport (Idris Elba – Thor: Ragnarok) and Peacemaker (John Cena F9), the mysterious Polka-Dot Man (David Dastmalchian – Prisoners), the sweet but dangerous Ratcatcher 2 (Daniela Melchior – Massa Fresca), the very familiar Harley Quinn (Margot Robbie – Bombshell), and then puts them in the safe hands of Colonel Rick Flag (Joel Kinnaman – RoboCop) and sends them to a jungle trouble spot to bring down an evil regime and scientific experiment led by Thinker (Peter Capaldi – Doctor Who).

Gunn doesn’t muck around here he keeps the story to The Suicide Squad basic and simple but it works. Instead he engages his audience with some amazing action sequences, actual characterisation (a rarity in comic book movies… right?) and some pretty witty dialogue between the characters throughout the film. As a director Gunn also demands the attention of the audience like a teacher whacking a table with a ruler by very quickly showing that not every character is going to make it through to the end credits alive, in a twisted way he also makes these inmates likable so their deaths hit you like one of Peacemaker’s specially designed exploding bullets.

As director Gunn doesn’t only learn from past sins to make The Suicide Squad work, he also leans heavily on movies that have got it right over the years. At times during this film you can sense the throw-backs to films like Rambo or Inglorious Basterds while the whole feel of the squad at hand (and the film’s poster) feels like it is inspired by famous war films like The Dam Busters or The Bridge On The River Kwai. Whatever the inspirations it certainly does work because even when the heroes here are battling a giant starfish that wouldn’t seem out of place in Ghostbusters somehow it all works.

Then there is the quirkiness to the film. Gunn reveals himself as a visionary here by throwing in little odd bits here and there, from interesting forms of titling throughout the film to going inside the head of Harley Quinn during one of her fight sequences and showing that amidst all the violence Quinn is visualising flowers and petals instead of blood.

That leads us into the violence and action sequences throughout the film. Yes The Suicide Squad is insanely violent, if you can’t stand seeing blood and brain splatter then this isn’t the film for you, but even with that Gunn almost does it in a comical way. Like what was said earlier this film captures the darkness of a DC film but does it in a fun way. A great example being early on this film Bloodsport and Peacemaker conducting a massacre of troops while ‘competing’ to see who has the better kill. Yes The Suicide Squad is a throwback to the violent action films of the 80s but it is a hell of a fun ride as well.

That also shows in the acting side of things. Idris Elba and John Cena just take their characters and run with them, they are obviously having a fun time but when the screenplay calls for heart they deliver that is well… in spades. Likewise David Dastmalchian and Daniela Melchior bring a sensibleness to everything with measured performances that allow their characters to be shocked by the going ons of the supposed heroes around them. At the same time Melchior announces herself as a future star.

Viola Davis also seems to relish bringing out the darker side of Amanda Waller, almost to the point where she is one of the villains of this film, while Margot Robbie once again delivers the goods as Harley Quinn. She is witty, shows true emotion at times amongst the insanity and shows that through this franchise she has become an expert at fight sequences now.

There is little doubt that The Suicide Squad is a crazy ride. Yet somehow among a storyline that involves a giant starfish, a confused Weasel (James Gunn), a man-eating shark who walks on land (Sylvester Stallone – The Expendables) and a cute waving rat called Sebastian the audience finds a group of characters that they care about enough to want to see them get through all of us. At the same time the filmmaker at hand knows how to deliver twists and turns that will shock and stun the audience while totally engrossing them in a completely crazy world and scenario. Take your hat off Mr. Gunn because you have delivered a cult classic here.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture Till Death Reviews:

Nil.

Trailer:

From writer/director James Gunn comes Warner Bros. Pictures’ superhero action adventure “The Suicide Squad” featuring a collection of the most degenerate delinquents in the DC line up.

Welcome to hell—a.k.a. Belle Reve, the prison with the highest mortality rate in the US of A.  Where the worst Super-Villains are kept and where they will do anything to get out—even join the super-secret, super-shady Task Force X.  Today’s do-or-die assignment?  Assemble a collection of cons, including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin and everyone’s favorite psycho, Harley Quinn.  Then arm them heavily and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Trekking through a jungle teeming with militant adversaries and guerrilla forces at every turn, the Squad is on a search-and-destroy mission with only Colonel Rick Flag on the ground to make them behave…and Amanda Waller’s government techies in their ears, tracking their every movement.  And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself).  If anyone’s laying down bets, the smart money is against them—all of them.

The film stars Margot Robbie (“Birds of Prey,” “Bombshell”), Idris Elba (“Avengers: Infinity War”), John Cena (upcoming HBO Max series “Peacemaker,” “Bumblebee”), Joel Kinnaman (“Suicide Squad”), Jai Courtney (the “Divergent” franchise), Peter Capaldi (“World War Z,” BBC’s “Doctor Who” ), David Dastmalchian (upcoming “Dune,” “Ant-Man and the Wasp”), Daniela Melchior (“Parque Mayer”), Michael Rooker (the “Guardians of the Galaxy” films), Alice Braga (“Elysium”), Pete Davidson (“The King of Staten Island,” TV’s “Saturday Night Live”), Joaquín Cosio (“Spider-Man: Into the Spider-Verse,” TV’s “Narcos: Mexico”), Juan Diego Botto (“The Europeans”), Storm Reid (“The Invisible Man,” “A Wrinkle in Time”, “Euphoria”), Nathan Fillion (“Guardians of the Galaxy,” TV’s “The Rookie”), Steve Agee (“Brightburn,” “Guardians of the Galaxy Vol. 2”), Sean Gunn (the “Guardians of the Galaxy” films, the “Avengers” films), Mayling Ng (“Wonder Woman”), Flula Borg (“Ralph Breaks the Internet”), Jennifer Holland (“Brightburn,” upcoming HBO Max series “Peacemaker”) and Tinashe Kajese (TV’s “Valor,” “The Inspectors”), with Sylvester Stallone (the “Rocky,” “Rambo” and “Expendables” franchises), and Viola Davis (“Ma Rainey’s Black Bottom,” “Suicide Squad”).

Gunn (the “Guardian of the Galaxy” films) directs from his own screenplay, based on characters from DC.  The film is produced by Charles Roven and Peter Safran, with Zack Snyder, Deborah Snyder, Walter Hamada, Chantal Nong Vo, Nikolas Korda and Richard Suckle executive producing.

Gunn’s creative team includes director of photography Henry Braham (“Guardians of the Galaxy Vol. 2”), production designer Beth Mickle (“Captain Marvel”), editors Fred Raskin (“Guardians of the Galaxy Vol. 2,” “Once Upon a Time… In Hollywood”) and Christian Wagner (the “Fast & Furious” films) and Oscar-nominated costume designer Judianna Makovsky (“Guardians of the Galaxy Vol 2,” “Avengers: Endgame,” “Harry Potter and the Sorcerer’s Stone”).  The music is by John Murphy (“Kick-Ass”).

Warner Bros. Pictures Presents An Atlas Entertainment/Peter Safran Production, A James Gunn Film, “The Suicide Squad.”  The film will be distributed worldwide by Warner Bros. Pictures.  Only In Cinemas August 5.

 

They say that the lights never go out in Hollywood. Well if they aren’t fully out at the moment then they are certainly very, very dim. As the Covid-19 virus goes on its deadly wave right across the planet Hollywood and the world’s film industry has become one of its biggest victims.

Right now as i write this this most of the world’s cinemas are in darkness – the projectors have stopped and the doors are closed. In Thailand cinemas are closed until April 1st while in America the cinemas are closed indefinitely. In Australia the cinema chains desperately tried to keep the doors open, but finally the week came where only one new film opened in cinemas and as people had started to fear going out in public the film was playing to empty cinemas. When you consider that film was The Current War starring the likes of Benedict Cumberbatch, Michael Shannon and Tom Holland the fact it wasn’t drawing an audience just went to show how afraid people really were. Luckily the nation’s Prime Minister Scott Morrison made the decision for the cinema bosses when he included cinemas in the list of non-essential services that had to close as the nation went into a Stage One lockdown.

For the rest of the world the first inkling that Covid-19 was going to hit the cinema industry hard was when Sony Pictures made the announcement that they were postponing the release date of the latest Bond film No Time To Die. Sony, it seemed made the right call especially after we all saw the hit that the much-hyped Bloodshot starring Vin Diesel took upon its released. Its studio decided to brave the Covid affected cinema numbers and released the film amidst the chaos – the result was taking just nine million dollars at the box office in its first week of release in the USA. Desperate not to see the same fate happen to Diesel’s other blockbuster – Fast & Furious 9 – its studio decided to push its release back to 2021.

Some companies decided to get creative. Realising that they were going to have a captive housebound audience for potentially the next few months Universal Pictures have decided to chance its arm and in some territories has released potential blockbusters The Invisible Man and Trolls World Tour onto streaming services. It now seems likely that Disney will do the same with the eagerly anticipated Pixar animation Onward.

While the release dates of some of the year’s biggest films seem to be moving around like chess pieces on a board it leaves us with one big question – if Thailand’s cinemas do re-open on April 1st what do audiences have to look forward to? While films such as Daniel Radcliffe’s all action affair Guns Akimbo and new horror film Fantasy Island are slated for release not long after the doors open for several months audiences will have to watch locally made films and smaller international films while Hollywood prepares to re-launch itself with their all-conquering blockbusters. That is not necessarily a bad thing though as it means for awhile locally made films will have very little competition at the box-office for awhile.

Of course box office aside Covid-19 has also had catastrophic affect on the people of Hollywood and film industries right around the world. At the moment every major studio in America has shutdown production meaning that hundreds of thousands of people are currently out of work – many not knowing when those studio doors will open again.

The human side of Covid-19 in Hollywood became even more apparent when two of its biggest stars tested positive to the deadly virus. In Australia working on a new movie about the life of Elvis Presley Oscar winning actor Tom Hanks and his wife Rita Wilson contracted the virus resulting in Australia’s Nine Network television network having to place some of their on-air talent in isolation after they had come in contact with the pair. It was later proven that Nine’s head Entertainment Reporter Richard Wilkins had actually contracted Covid-19 after interviewing Wilson.

The next Hollywood celebrity to test positive to Covid-19 was Thor: Ragnarok and Star Trek Beyond star Idris Elba and only a few hours ago it was confirmed that former Hollywood producer and convicted rapist Harvey Weinstein has tested positive to the virus in prison.

Globally nobody has been able to safely predict when the Covid-19 crisis might be over but the one thing we do know is it is going to take a long time for Hollywood to recover from cinema’s darkest days.

 

Summary: A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

Year: 2019

Australian Cinema Release Date: 26th December 2019

Thailand Cinema Release Date: 3rd January 2019

Australian DVD Release Date: TBA

Country: United States, United Kingdom

Director: Tom Hooper

Screenwriter: Les Hall, Tom Hooper, T.S. Eliot (poetry), Andrew Lloyd Webber (musical)

Cast: Jaih Betote (Coricopat), Larry Bourgeois (Socrates), Jonadette Carpio (Syllabub), Danny Collins (Mungojerrie), James Corden (Bustopher Jones), Laurie Davidson (Mr. Mistoffelees), Judi Dench (Old Deuteronomy), Jason Derulo (Rum Rum Tugger), Idris Elba (Macavity), Robbie Fairchild (Mukustrap), Francesca Hayward (Victoria), Jennifer Hudson (Grizabella), Melissa Madden-Gray (Griddlebone), Ian McKellan (Gus The Theatre Cat), Steven McRam (Shimbleshanks the Railway Cat), Naoimh Morgan (Rumpleteazer), Daniela Norman (Demeter), Bluey Robinson (Alonzo), Freya Rowley (Jellylorum), Ida Saki (Electra), Zizi Strallen (Tantomile), Taylor Swift (Bombalurina), Mette Towley (Cassandra), Eric Underwood (Admetus), Rebel Wilson (Jennyanydots), Ray Winstone (Growltiger)

Running Time: 110 mins

Classification: G (Australia) TBC (Thailand)

 

 

OUR CATS REVIEWS & RATINGS:

 

Dave Griffiths’ Cats Review:

When you look back of 2019 and think of what films made the biggest impact in cinema there were perhaps none quite talked about the way Cats was. When the trailer dropped for director Tom Hooper’s (Les Miserables, The King’s Speech) version of the Andrew Lloyd Webber musical it made the nightly news for all the wrong reasons. For some Hooper’s cats looked strange, not-quite-human not-quite-cat, but others  (like myself) found themselves erring on the side caution wondering or not if this was going to turn out to be some kind of visual spectacular.

To be honest Cats sits somewhere in the middle. While it is not the musical masterpiece that Hooper created with Les Miserables it is also not as terrible as some would have you think. Perhaps the best way to approach Cats is to think you are about to enter a cinema to watch a theatre musical being projected onto the big screen because this feels much more like a concert than it does a cinematic experience.

Originally based on a collection of poems from T.S. Eliot Cats is told through the eyes of Victoria (Francesca Hayward The Sun Is God, Extra) a young cat who finds herself dumped in a London alleyway one night. She soon finds herself making friends with a magical cat called Mr. Mistoffelees (Laurie Davidson – Will, The Good Liar) who soon introduces her to the world of the Jellicle Cats.

On the night she arrives she finds that the Jellicles are eagerly awaiting the arrival of one of their oldest members – their matriarch Old Deuteronomy (Judi Dench – Skyfall, Shakespeare In Love) who on this night every year choices which Jellicle will live the life they have always dreamed of. But not everything runs smoothly as the villainous Macavity (Idris Elba – The Losers, Star Trek Beyond) plans on eliminating all of his competition.

Surprisingly the plot of Cats does work on the big screen. It is extremely light on though and at times the film feels like an extra couple of songs have been added to pad it out to feature film length. Despite what many felt from when that first trailer surfaced you do also find yourself as an audience member connecting with the cats on screen. Each has their own persona and whether you want to admit to it or not you do find yourself barracking for a cat to win Old Deuteronmy’s approval.

The film’s biggest weakness though is the way it is put together. The stories and scenes are almost presented the way they would be if you were reading through the original collection of short stories. A certain cat will perform and point out their strengths and weaknesses and then they are spirited away by Macavity before they can have their time with Old Deuteronomy. The sequences though where Macavity and his right-hand cat Growltiger (Ray Winstone – The Departed, Beowulf) are keeping the other cats captive are more like you would expect from a pantomime though and never become as menacing as they perhaps should have been.

While the sequences of watching the Jellicles perform does at times seem magical there is none of the wow factor here that we got with other musicals like Les Miserables and Moulin Rouge. Les Miserables worked on the big screen because it was believable while Moulin Rouge was way over the top which suited the theatre world that it was set in. Cats has the disadvantage of not being believable and it feels like perhaps it would have worked a little better if Hooper had followed in the footsteps of Baz Luhrmann and made this film go more into the fantasy realm as well.

What does work for Cats though is the casting. Judi Dench and Sir Ian McKellan (Gods And Monster, Lord Of The Rings) steal the show as they expertly lead their younger cast. James Corden (Trolls, Peter Rabbit) brings in just the right amount of comic relief while playing Bustopher Jones but it is Jennifer Hudson (Dream Girls, The Secret Life Of Bees) who shines the brightest with her amazing vocals in the role of Grizabella. The ballet skills of Francesca Hayward also allows her to gracefully float across the screen as she leads the audience through this strange new world.

Cats may not leave its audience in awe the way Les Miserables did but it does have its own special charm. The best way to approach the movie is to go into the cinema knowing you will be about to watch a theatre production rather than a big blockbuster film.

 

 

Average Subculture Rating:

 

 

IMDB Rating: 
Cats (2019) on IMDb

 

Other Subculture Entertainment Cats Reviews:

Our Cats review that appeared in ‘The Phuket News’ can be read at this link – https://www.thephuketnews.com/cats-gives-us-reason-to-paws-74164.php

 

Trailer:

 

Listen up Fast & Furious fans the trailer for Fast & Furious Presents: Hobbs & Shaw has just landed. Directed by David Leitch (Atomic Blonde, Deadpool 2) and starring Dwayne Johnson (Jumanji: Welcome To The Jungle, G.I. Joe: Retaliation), Jason Statham (Crank, The Meg), Eliza Gonzalez (Baby Drive, From Dusk To Dawn: The Series) and Idris Elba (Star Trek: Beyond, Thor: Ragnarok) the film will be in cinemas on 2nd August, 2019

The Dark Tower

Summary: The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.

Year: 2017

Australian Cinema Release Date: 17th August 2017

Australian DVD Release Date: TBA

Country: USA

Director: Nikolaj Arcel

Screenwriter: Nikolaj Arcel, Akiva Goldsman, Anders Thomas Jensen Stephen King (novel), Jeff Pinkner

Cast: Michael Barbieri (Timmy), Idris Elba (Roland), Kenneth Fok (Johnny), Jackie Earle Haley (Sayre), Nicholas Hamilton (Lucas Hanson, Dennis Haysbert (Steven), Eva Kaminsky (Jill), Caludia Kim (Arra), Fran Kranz (Pimli), Abbey Lee (Tirana), Matthew McConaughey (Walter), Robbie McLean (Toby), Nicholas Pauling (Lon), Leeanda Reddy (Dr. Weizak), Tom Taylor (Jake), Matthew Thomson (Jonah), Lemogang Tshipa (Phedon), Robert Whitehead (Cantab), Kathryn Winnick (Laurie), Jose Zuniga (Dr. Hotchkiss)

Runtime: 95 mins

Classification: M

OUR THE DARK TOWER REVIEWS & RATINGS:

 

Dave Griffiths:

 

Whew… I feel like I have dodged a bullet. Reading reviews before I went into to see The Dark Tower meant I was preparing myself for an abysmal nightmare of a film – one that some critics had labeled the ‘worst film based on a Stephen King novel ever’. So imagine my surprise when I sat down and ended up finding myself watching a fun, intriguing, albeit brief, supernatural action film.

The Dark Tower sees a story that took King seven novels to tell told in a film that clocks in at just over an hour and a half. It begins with New York being rocked by earthquakes that have experts confused. Meanwhile, young Jake (Tom Taylor – Doctor Foster, Legends) is having terrible nightmares in which he sees a Dark Tower and dark characters including a Gunslinger and a man in dark jacket. Jake’s mother, Laurie (Kathryn Winnick – Vikings, Love & Other Drugs) is convinced that the dreams are the result of the trauma of Jake’s father dying while on duty as a firefighter and seeks medical advice for him.

However, soon the jigsaw pieces start falling into place for Jake. The earthquakes are being caused by the man in the black jacket… aka Walter (Matthew McConaughey – Interstellar, Dallas Buyers Club) using children’s minds in horrific experiments to try and bring down The Dark Tower – a tower that prevents the darkness of other worlds taking over our own dimension. The only man who can stop Walter is the last known gunslinger, Roland (Idris Elba – Prometheus, Zootopia) who is haunted by the fact that Walter has killed everybody that has ever meant anything to him.

Walter then realises that with Jake’s psychic ability he has the one mind that can bring down the Dark Tower so he orders all his minions to go after Jake who has found Roland… cue the music for the battle to end all battles.

When you put everything into perspective director Nikolaj Arcel (A Royal Affair, Truth About Men) and his screenwriters have actually done a pretty good job at making The Dark Tower work. Putting seven novels worth of work into one relatively short feature film has taken a mountain or work. You could have been forgiven if this had been stretched out into a trilogy or at least a film that went well over the two-hour mark. But somehow Arcel and team have managed to tell the story without making it feel incomplete or leaving the audience not understanding the world that we find ourselves in. Somehow the fact that some of the beings that surround Walter aren’t fully explained means we get to see the story from the point of view of Jake a little more… and it least Arcel doesn’t fall into the trap of filling the film with scenes and scenes of exposition.

Visually The Dark Tower looks great. Darkened scenes of man versus monster are stark reminders of films like Harry Potter while the harshness of a lot of the scenery in most scenes brings back memories of films like Priest or The Book Of Eli. Even the CGI effects work pretty well, more than enough to draw the audience into the world at hand, and while some films suffer when they try to mix the supernatural with a modern day city there is no such issue here with the scenes of modern day New York flowing well with the rest of the film, and thankfully they steered away from a battle that involved the entire city falling from the sky or the like. Really the last battle in this film just needed to be between Jake, Roland and Walter and that was what delivered, now why couldn’t we have had something like that in Wonder Woman?

The films two leads also seem to be enhanced the short nature of the film. Matthew McConaughey seems to have a lot of fun playing Walter and whether it be a scene where he is torturing poor Kathryn Winnick or messing with the mind of Roland he seems to embrace the evilness of his character while remaining smooth and charming… much like Jack Nicholson did years earlier in The Witches of Eastwick. Idris Elba is also fantastic as the cowboy inspired gunslinger. He is perfectly cast in a role that demands his action/stunt ability but also at times needs him to step up in a dramatic, gut-wrenching scene. Likewise, he is well supported by young Tom Taylor whose emotional portrayal of Jake shows that he is an actor to watch in the future.

Don’t be fooled The Dark Tower is not the mess that everybody is saying that it is. With its dark storyline that doesn’t hold back to spare the audience’s emotions and great special effects, this is just one of those supernatural thrillers that you can sit back and enjoy while you munch on popcorn. The only weakness that really annoyed me was that I could have easily spent another half an hour in this universe, but still, this is an enjoyable film with a nice graphic novel feel to it.

 

Stars(3)

 

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating:  The Dark Tower (2017) on IMDb

 

Other Subculture Entertainment The Dark Tower Reviews: You can listen to Dave Griffiths’ The Dark Tower review that aired on That’s Entertainment in Melbourne, Sydney and Brisbane on The Talking Lifestyle network on 17/08/2017 right here.

Trailer:

 

BD_Facebook-Cover

If you’re in Sydney and would like to win a double pass to a special screening of the brand new film Bastille Day on May 4th thanks to our good friends at Studio Canal then listen up.

Bastille Day sees Michael Mason (Richard Madden, ‘GAME OF THRONES’) is an American pickpocket living in Paris who steals a bag that contains more than just a wallet. Sean Briar (Idris Elba, ‘LUTHER’), the field agent on his case, soon realises that Michael is a pawn in a much bigger game. BASTILLE DAY preview screening May 9 at EVENT Macquarie.

For you chance to win simply private message us the code word ‘Idris’ on our Facebook page.

 

 

The Good The Bad The Ugly Film Show Logo

This week on The Good The Bad The Ugly Film Show Dave, Greg and Nick take a look at new release films ‘The Boss,’ ‘Wide Open Sky,’ ‘The Jungle Book,’ ‘Rams,’ ‘Where To Invade Next,’ ‘The Hunstman: Winter’s War,’ and ‘The Divergent Series: Allegiant’. This episode also contains interviews with Melissa McCarthy, Kristen Bell, Scarlett Johansson, Neel Sethi , Idris Elba, Emily Blunt, Charlize Theron, Shailene Woodley, Theo James, Miles Teller, Lisa Nicol, Mark Coles Smith (Airlock), Paul Ireland (Pawno), Genevieve Kelly (Spanish Film Festival) and Richard Lowenstein/Lynn-Maree Milburn (Ecco Homo).

Also make sure you are listening this week for your chance to win a copy of Kingdom Season 2 on DVD + plus an amazing Navy St T-Shirt thanks to our good friends at eOne Entertainment. To win just listen to this week’s episode of The Good The Bad The Ugly Film Show, listen out for the question that Dave asks and then private message us your answers on either our Facebook or Twitter pages.

You can listen to the show or download it for free from our Podcast Channel – Listen/Download here.

The Jungle Book

With the film about to be released we decided it was time to bring you this series of The Jungle Book interviews.

 

Scarlett Johansson

Jon Favreau

Christopher Walken

Sir Ben Kingsley

Bill Murray

Idris Elba

Lupita Nyong’o

Neel Sethi