Tagged: Samuel L. Jackson

Summary:  The world’s top bodyguard gets a new client, a hitman who must testify at the International Criminal Court. They must put their differences aside and work together to make it to the trial on time.

Year: 2017

Cinema Release Dates: 31st August 2017 (Australia), 17th August 2017 (UK), 18th August 2017 (USA)

VOD Release Dates: Out in all regions.

Country: USA, Hong Kong, Bulgaria, Netherlands, Canada, UK, France

Director: Patrick Hughes

Screenwriter: Tom O”Connor

Cast: Barry Atsma (Moreno), Dijain Campbell (Young Kincaid), Joaquim de Almeida (Jean Foucher), Michael Gor (Livitin), Richard E. Grant (Seifert), Rod Hallett (Professor Asimov), Salma Hayek (Sonia Kincaid), Sam Hazeldine (Garrett), Samuel L. Jackson (Darius Kincaid), Tine Joustra (Renata Casoria), Yuri Kolokolnikov (Ivan), Nadia Konakchieva (Mrs. Asimov), Marko Mandic (Goran), Mounir Margoum (Zidane), Kirsty Mitchell (Harr), Gary Oldman (Vladislav Dukhovich), Ori Pfeffer (Vacklin), Zlatka Raikova (Widow), Ryan Reynolds (Michael Bryce), Tsuwayuki Saotome (Kurosawa), Valentin Stojanov (Petr Asimov Jnr.), Vladimir Vladimirov (Fabio), Elodie Yung (Amelia Roussel)

Running Time: 118 mins

Classification: MA15+ (Australia), 15 (Thailand), 15 (UK), R (USA)

OUR THE HITMAN’S BODYGUARD REVIEWS

David Griffiths’ The Hitman’s Bodyguard Review:

Back in 2010 an Australian film was released that deserved a lot more credit than it ever received. The film was called Red hill – an amazing action meet western film that showed all cult cinema fans that Aussie director Patrick Hughes was a director to watch. The next step in his was to direct the star-loaded The Expendables 3, which sadly took a hit at the box office because of the film being heavily pirated before its release. Now Hughes is back with The Hitman’s Bodyguard – an amazingly good action film that also has moments of comedy that truly work.

The film centres around Michael Bryce (Ryan Reynolds – Deadpool, Green Lantern) who once had a AAA rating as a bodyguard. He relished on that fact until the day it all went wrong. One of his charges, a criminal, was shot and killed – something that Bryce has always blamed on his then girlfriend, who he has never stopped loving, Interpol Agent Ameilia Roussel (Elodie Yung – The Girl With The Dragon Tattoo, Gods Of Egypt).

After years of depression and looking after seedier clients Bryce suddenly finds Amelia calling him and asking for help with a huge case. Notorious hit-man Darius Kincaid (Samuel L. Jackson – Pulp Fiction, The Hateful Eight) has turned crown witness in a trial for war criminal Vladislav Dukhovich (Gary Oldman – The Dark Knight, Batman Begins) in return for the freedom of his wife Sonia Kincaid (Salma Hayek – Desperado, Puss In Boots). The problem is though Interpol realise that they are way out of their depth trying to keep Kincaid alive before the trial and Bryce is the only man who do it, but Bryce and Kincaid have a history of their own as Kincaid has tried to kill Bryce many times before.

We’ve seen a lot of action films try to mix comedy in over the years, and a lot of failed miserably. Luckily Hughes and his screenwriter, Tom O’Connor (Fire With Fire) seem to have learned a lesson from films like Bad Boysand Lethal Weapon from through the years, as they get the mix of action and comedy one-hundred per cent spot on. In a way they know that you carefully have to keep things separate, so one moment you get a brilliant car and boat chase through Venice and then the next minute you get a comical scene involving Sonia in her prison cell… and it works. Without giving anything away plot wise there is also a brilliant comedic surprise as one character is suddenly flung through a car window as well… perfect comedic timing.

The big thing that comes through with this film though is that Hughes is one of the most exciting action directors in the world at the moment. The previously mentioned car and boat chase, to the strains of Australia’s own Spiderbait, is right up there with anything that you would see in The Fast & Furious franchise. Then these is the great hand-to-hand combat scenes, like the ones in the kitchen or in the hardware shot, that are equal to the fights that we have seen in the John Wick franchise. These scenes are going to impress even the most hardcore action fans out there.

Of course the key to making a film like The Hitman’s Bodyguard work is the chemistry between the two central characters. Here Jackson and Reynolds are amazing together. Reynolds has cut his mustard in some good action films over the years, Deadpool and Safe House being among his best, and throughout his career he has shown that he can handle the odd comedic moment as well. He’s perfect to play Bryce and his performance here is enough to let us forgive him for making R.I.P.D. Likewise Jackson is perfect for Kincaid, he’s believable as the ‘cool’ hitman and he doesn’t let age slow him down through any of the stunts either.

Casting Gary Oldman to play a Russian war criminal was a brave casting choice. It could have been a choice that blew up in the casting agent’s face badly and had people saying ‘remember when Gary Oldman tried to play a Russian,’ but he is a good enough actor to pull it off without the character ever feeling clichéd. Salma Hayek also delivers her comedic lines to a tee playing the foul-mouthed Sonia while Elodie Yung is sensational as the romantic interest for Bryce.

The Hitman’s Bodyguard is perhaps the most well-rounded action film that we have seen so far in 2017. Interesting and believable characters mean the audience cares for them from the get-go and then when that is mixed with some sensational action sequences from Hughes you end up with an action film that is going to be talked about for years to come.

Dave’s rating Out Of 5

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Summary:  A criminal mastermind unleashes a twisted form of justice in Spiral, the terrifying new chapter from the book of Saw.

Year: 2021

Cinema Release Dates: TBA

VOD Release Dates: 13th May 2021 (Australia), 13th May 2021 (Thailand), 17th May 2021 (UK), 14th May 2021 (USA)

Country: Canada, USA

Director: Darren Lynn Bouseman

Screenwriter: Josh Stolberg, Pete Goldfinger

Cast: Chad Camilleri (Benny), Leonidas Castrounis (Young William), Maximus Castrounic (Young William), K.C. Collins (Detective Drury), Nazneen Contractor (Coroner Chada), Trevor Gretky (Officer Pat), Edie Inksetter (Detective Kraus), Samuel L. Jackson (Marcus Banks), Ali Johnson (Officer Jeannie Lewis), Morgan David Jones (Officer Barrett), Sean Jones (Officer Livingston), Leila Leigh (Officer Mark), Frank Licari (Emmerson), Patrick McManus (Peter Dunleavy), Max Minghella (Detective William Schenk), Thomas Mitchell (Detective O’Brien), Marisol Nichols (Captain Angie Garza), Zoie Palmer (Kara Boswick), Dan Petronijevic (Detective Marv ‘Boz’ Boswick), Dylan Roberts (Sergeant Morgey), Chris Rock (Detective Zeke Banks), Nadine Roden (Officer Grant), Genelle Williams (Lisa Banks), Carvin Winans (Officer Paul), Richard Zeppieri (Detective Fitch)

Running Time: 93 mins

Classification: R18+ (Australia), 18 (UK), R (USA)

OUR SPIRAL REVIEWS

David Griffiths’ Spiral Review:

The Saw franchise of films just won’t die. Like some animated corpse in a horror film of its own just when you think all life has been breathed out of the franchise itself it comes back to life with an instalment. Original creators James Wan and Leigh Whannell left the franchise a long time ago – Whannell even quipped during a Q&A session for his last film that he didn’t even know that one of the films was even coming out until he saw a billboard for it in LA – that hasn’t stopped the juggernaut though because there seems to be plenty eager filmmakers out there willing to give Saw the kiss of life.

The latest person to want to give that all important CPR is none other than legendary comedian Chris Rock. It seems when Rock isn’t voicing Marty in Madagascar he loves to sit down and watch Saw films so when he came up with an idea on how to bring another twist to the Saw franchise he approached Lionsgate and the result is Spiral.

Here Rock plays Detective Zeke Banks, a bullied Detective in a post-Jigsaw world. Zeke is the son of former Police Chief, the tough and determined Marcus Banks (Samuel L. Jackson – Pulp Fiction), but even that can’t stop him from being condemned by his Precent after he dobs in a dirty cop.

Tired of Zeke going out on his own with cases that he doesn’t even tell her about his boss, Capt. Angie Garza (Marisol Nichols – Riverdale), decides to partner Zeke up with a rookie Detective, William Schenk (Max Minghella – The Handmaid’s Tale). But her plan to send them out on mundane cases backfires when they are first on the scene to a murder that is the start of a Jigsaw copycat killer’s killing spree aimed at Police Officers.

It is obvious from the style of Spiral that Rock and director Darren Lynn Bousman (Tales Of Halloween) wanted to set this film apart from all other Saw movies. Bousman has previous experience in the franchise having directed Saw II, Saw III and Saw IV but this film is nothing like that – especially style wise. This time around the film has a lot more focus on the Police procedure around the case and Bousman uses quick editing and a washed out heatwave vibe that makes it feel closer to a film like Se7en than it does anything else from the world of Saw.

Bousman also makes the film feel like it is shot in the 70s as well even though the references to things like FitBits firmly place in modern day times. There is obvious fascination there with Bousman and 70s cop dramas and that comes through in the movie from everything including props like old-fashioned fans right through to the car that Zeke drives.

The feel of Spiral works well and in a way gives credibility to a franchise that at times has let down its fans. For the most part the films works – the familiar tropes are there – the ‘kill’ scenes as usual are creative and while many have wondered how Rock would go playing a dramatic role for the most part his performance works. What doesn’t work for Spiral though is the ending. The major twist in the film is easy to work out for the audience as the screenplay just isn’t creative in the way that it reveals it to its audience and the result is a weak ending to a film that works in every other way.

Of course Spiral is a must see for all fans of the Saw franchise, but this film is also a good entry point for those that have never watched any of the films before. The inclusion of Rock and Minghella to the series adds new life to it, while the amazing tone and mood of Spiral sets it apart from all the other films of the franchise. If you are a massive horror fan though just be prepared for an ending that will slightly disappoint while leaving you wanting to see where the next film in the franchise goes.

Dave’s rating Out Of 5

Lee Griffiths’ Spiral Review:

Lee’s rating Out Of 5

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IMDB Rating:

Spiral (2021) on IMDb

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A sadistic mastermind unleashes a twisted form of justice in SPIRAL, the terrifying new chapter from the book of SAW. Working in the shadow of an esteemed police veteran (Samuel L. Jackson), brash Detective Ezekiel “Zeke” Banks (Chris Rock) and his rookie partner (Max Minghella) take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past.  Unwittingly entrapped in a deepening mystery, Zeke finds himself at the center of the killer’s morbid game.

SPIRAL stars Chris Rock, Max Minghella, Marisol Nichols, and Samuel L. Jackson, and is produced by the original SAW team of Mark Burg and Oren Koules. The film is directed by Darren Lynn Bousman and written by Josh Stolberg & Pete Goldfinger.

Summary: The surviving members of the resistance face the First Order once again, and the legendary conflict between the Jedi and the Sith reaches its peak bringing the Skywalker saga to its end.

Year: 2020

Australian Cinema Release Date: 19th December 2019

Thailand Cinema Release Date: 19th December 2019

Australian DVD Release Date: TBA

Country: United States

Director: J.J.Abrams

Screenwriter: J.J. Abrams, Chris Terrio

Cast: Gerald W Abrams (Captain Cypress), J.J. Abrams (D-O (voice)), Naomi Ackie (Jannah), Josef Altin (Pilot Vanik), John Boyega (Finn), Lynn Robertson Bruce (D-O/Sith Alchamist), Dave Chapman (BB-8), Hayden Christensen (Anakin Skywalker (voice)), Richard Coombs (Maz Kanata), Aidan Cook (Boolio), Liam Cook (Ochi of Bestoon), Olivia d’Abo (Luminara Unduli (voice)), Anthony Daniels (c-3PO), Harrison Davis (Pommet Warrick), Warwick Davis (Wicket W. Warrick), Matt Denton (Maz Kanata), Mandeep Dhillon (Lieutenant Garam), Adam Driver (Kylo Ren), Ashley Eckstein (Ahsoka Tano (voice)), Amir El-Masry (Commander Track), Carrie Fisher (Leia Organa (archival footage)), Cailey Fleming (Young Rey), Harrison Ford (Han Solo), Geff Francis (Admiral Griss), Domhnall Gleeson (General Hux), Richard E. Grant (General Pryde), Greg Grunberg (Snap Wexley), Alec Guiness (Obi Wan Kenobi (voice)), Robin Guiver (D-O), Amanda Hale (Officer Kandia), Jennifer Hale (Aayla Secura (voice)), Mark Hamill (Luke Skywalker), Claire Roi Harvey (Maz Kanata), Shirley Henderson (Babu Frik (voice)), Carolyn Hennesy (Demine Lithe), Brian Herring (BB-8), Oscar Isaac (Poe Dameron), Josefine Irrera Jackson (Young Rey), Samuel L. Jackson (Mace Windu (voice)), James Earl Jones (Darth Vader (voice)), Paul Kasey (Cai Threnalli), Nick Kellington (Klaud), Diana Kent (General Engell), Amanda Lawrence (Commander D’Arcy), Denis Lawson (Wedge Antilles), Billie Lourd (Lieutenant Connix), Ian McDiarmid (Emperor Palpatine), Ewan McGregor (Obi Wan Kenobi (voice)),  Dominic Monaghan (Beaumont),  Tanya Moodie (General Parnadee), Liam Neeson (Qui-Gon Jinn (voice)), Lupita Nyong’o (Maz Kanata), Frank Oz (Yoda (voice)), Simon Paisley Day (General Quinn), Angelique Perrin (Adi Gallia (voice)), Freddie Prinze Jnr. (Kana Jarrus (voice)), Mike Quinn (Nien Nunb), Daisy Ridley (Rey), Vinette Robinson (Pilot Tyce), Alison Rose (Lieutenant Draper), Kipsang Rotich (Nien Nunb (voice)), Keri Russell (Zorii Bliss), Philica Saunders (Tabala Zo), Andy Serkis (Snoke (voice)), Kiran Shah (Nambi Ghima), Joonas Suotamo (Chewbacca), Hassan Taj (R2-D2), Chris Terrio (Colonel Aftab Ackbar (voice)), Lee Towersey (R2-D2), Kelly Marie Tran (Rose Tico), Billy Dee Williams (Lando Calrissian), John Williams (Oma Tres), Patrick Williams (Boolio (voice)), Debra Wilson (Nambi Ghima (voice)), Tom Wilton (Colonel Aftab Ackbar), Matthew Wood (Cai Threnally (voice))

Running Time: 142 mins

Classification: M (Australia) TBC (Thailand)

 

 

OUR STAR WARS: RISE OF SKYWALKER REVIEWS & RATINGS:

 

Dave Griffiths Review:

It has taken forty-two years to get there, but finally the Skywalker saga is drawing to a close. No other cinematic franchise has ever reached the massive heights that Star Wars has and to say that this is a beloved series is under-selling it in a very big way. It is for that reason that J.J. Abrams has had one of the most difficult jobs that any filmmaker could ever dream of, it is up to him to close this much loved chapter in the Star Wars story in a way that will please a legion of fans world-wide.

Leading into Star Wars: The Rise of Skywalker that story had been thrown into turmoil both on and off the screen. On screen we saw the death of Luke Skywalker (Mark Hamill) and the apparent return of Emperor Palpatine (Ian McDiarmid). Off screen all Star Wars fans were rocked with the tragic death of actress Carrie Fisher which they knew would impact the storyline of the final film.

Abrams doesn’t leave fans waiting with The Rise Of Skywalker very quickly getting down to business. Kylo Ren (Adam Driver) is on the hunt for Palpatine, while Finn (John Boyega), Poe (Oscar Isaac) and Chewbacca (Joonas Suotamo) search for an artefact that will allow Rey (Daisy Ridley) to face Palpatine, while they try to stop the massive First Order forces who are ready to once again take over the universe.

The plot maybe simple but certainly does not fail to entertain. Early on the film feels episodic simply moving from one story to another in a specific order but once it breaks those shackles the film mirrors the energy and entertainment that we all come to love from the original Star Wars films. But while the film does entertain it also does have its flaws. With the plot having so much going on there are times when it feels like it doesn’t spend enough time raising the levels of suspense, something that is very surprising considering that some of the lives in danger here are some of the most loved characters in cinematic history.

Still for the most of the part of the film Abrams keeps things simple but effective. Once it established that all characters could meet their end this time around that goes some way to keeping the audience on their toes while the final epic battle is something that true Star Wars fans have dreamt of for a long time. Unlike a lot of franchises this chapter does close with a finale that will leave fans happy and is should be noted that Disney does leave the door slightly ajar if they ever wish to continue the saga.

What makes this instalment so enjoyable though is the acting, and that is not something we have been able to say about every Star Wars instalment. Adam Driver shows in this film why he is one of the best actors in Hollywood at the moment. It is obvious that he doesn’t move into a lower acting gear because he is in an epic blockbuster here, instead he puts as much drama and emotion into his Marriage Story and Paterson… the former role which is talked about possibly earning him an Oscar nomination.

Driver is well matched on screen by Daisy Ridley whose acting prowess has continued to grow throughout this trilogy. Johy Boyega  and Oscar Isaac also deliver their goods but at the end of the day this film is literally Driver versus Ridley and that shows right up to the last amazing and memorable crescendo.

Star Wars: The Rise Of Skywalker is a film that is going to be embraced by the hardened Star Wars fans out there, something we can breathe a sigh of relief over since the disappointment of the Game Of Thrones finale. The Rise Of Skywalker is light but thoroughly entertains.

 

 

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IMDB Rating:  Star Wars: Episode IX - The Rise of Skywalker (2019) on IMDb

 

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Our Stars Wars: The Rise Of Skywalker review that appeared in ‘The Phuket News’ can be read at this link – https://www.thephuketnews.com/rise-of-the-skywalker-will-give-you-palpatations-74177.php

Trailer:

 

Marvel have just released a brand new clip from their new epic blockbuster – Captain Marvel. Directed by Anna Boden (Sugar, It’s Kind Of A Funny Story) and Ryan Fleck (Half Nelson, Gowanus Brooklyn) and starring Brie Larson (Room, Kong: Skull Island), Gemma Chan (Mary Queen Of Scots, Humans) and Samuel L. Jackson (Pulp Fiction, The Hateful Eight) the film hits cinemas on the 8th March.

 

Marvel have given us a very special look at Captain Marvel. The film which stars Brie Larson (Room, Kong: Skull Island), Jude Law (Fantastic Beasts: The Crimes Of Grindelwald, Black Sea), Samuel L. Jackson (Pulp Fiction, The Hateful Eight) and Ben Mendelsohn (The Dark Knight Rises, Rogue One: A Stars Story) will hit cinemas on the 8th March.

M. Night Shyamalan brings together the narratives of two of his standout originals—2000’s Unbreakable, from Touchstone Pictures, and 2016’s Split, from Universal—in one explosive, all-new comic-book thriller: Glass.

From Unbreakable, Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass.  Joining from Split are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast.

Following the conclusion of SplitGlass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.

Joining the all-star cast are Unbreakable’s Spencer Treat Clark and Charlayne Woodard, who reprise their roles as Dunn’s son and Price’s mother, as well as Golden Globe Award winner Sarah Paulson (American Horror Story series).

This riveting culmination of his worldwide blockbusters is produced by Shyamalan and Blumhouse Production’s Jason Blum, who also produced the writer/director’s previous two films for Universal.  They produce again with Ashwin Rajan and Marc Bienstock, and Steven Schneider, who executive produces.

GLASS – IN CINEMAS JANUARY 17

Summary: After the Vietnam war, a team of scientists explores an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.

Year: 2017

Australian Cinema Release Date: 10th March 2017

Australian DVD Release Date: 19th July 2017

Country: United States, China

Director: Jordan Vogt-Roberts

Screenwriter: Max Borenstein, Derek Connolly, Dan Gilroy, John Gatins (story), Merian C. Cooper (characters), Edgar Wallace (characters)

Cast: Will Brittain (Young Marlow/Marlow’s Son), James Michael Connor (General Ward (voice), Eugene Cordero (Reles), James Edward Flynn (Sgt. Dren), John Goodman (Bill Randa), Corey Hawkins (Houston Brooks), Tom Hiddleston (James Conrad), Mark Evan Jackson (Landsat Steve), Samuel L. Jackson (Preston Packard), Richard Jenkins (Senator Willis), Tian Jing (San), Rachel Joseph (Iwi), Toby Kebbell (Jack Chapman/Kong), Brie Larson (Mason Weaver), Thomas Mann (Slivko), Thomas Middleditch (Jerry (voice)), Jason Mitchell (Mills), Miyavi (Gunpei Ikari), Terry Notary (Kong), John Oritz (Victor Nieves), Allen Rachel (Secretary O’Brien), John C. Reilly (Hank Marlow), Shea Whigham (Cole)

Runtime: 118 mins

Classification: PG

 

OUR KONG: SKULL ISLAND REVIEWS & RATINGS:

 

Kyle McGrath’s Kong: Skull Island Review:

The second film in Legendary Pictures “MonsterVerse” Kong: Skull Island is the story of a team of soldiers, scientists and explorers who at the end of the Vietnam war set off to an uncharted island in the Pacific. Almost immediately they encounter the wrath of the mighty King Kong who destroying their military helicopters leave them stranded on Skull Island. The survivors must traverse this unknown land to reach their originally planned evacuation point completely unaware that there are things on this island much worse than a 100 foot tall monkey.
I thoroughly enjoyed 2014’s Godzilla. While I thought the movie had some issues I feel it captured the perfect tone and representation of the titular King of the Monsters. I had heard about Kong: Skull Island from one source that it didn’t take itself too seriously and then from another that it took itself too seriously. After seeing the film I think it’s a mixture of both and it isn’t alway pretty.
From the beginning the filmmakers attempts to make “Apocalypse Now but with monsters” comes off as comedic. The opening scene which itself is set at the height of WW2 as both a US and Japanese soldier crash land on the island and duke it out before being interrupted by Kong feels more like a parody than anything. I was seriously expecting it to turn out to be “golden age of Hollywood” crew making some schlocky movie as a reference to the storylines of other “King Kong” films before being attacked. But no, this is the tone of the movie, rather than awe or drama I’m expecting a punchline and usually getting one from one of the movie’s many comedy relief moments. At a moment of high tension as Kong is about to eat some unfortunate soldier it jump cuts to a man biting into a sandwich. This is comedy stuff and drives a steamroller through any tension the film has built up and turns it into a joke.
The other serious moments, or attempts at serious moments come from the characters mostly, all of whom are non entities. There are simply way too many characters in this movie and not enough plot to go around to flesh them all out in 2 hours. One of the shortcomings of Peter Jackson’s King Kong (2005) was the amount of time early on spent on supporting characters who either weren’t going to make it or weren’t going to be relevant at all by the halfway point.
Their stories felt genuine at least however. Here every other character has some monologue about their past. They talk about writing letters to their mama back home, or their newborn son they’ve never seen or they reminisce about some village they obliterated in ‘nam. All of it feels so melodramatic and ridiculous, again like it came from a parody film such as Black Dynamite and it comes from characters who probably shouldn’t be in the movie at all as their only purpose is to be fodder for some beastie or in some cases not even that. I know it’s complaining about “forced diversity” or “trying to appeal to the Chinese audience” in movies is low hanging fruit but it helps if in a movie your writers give a black guy and a Chinese girl something more substantial to do than just exist, follow the main characters around and talk to each other every now and then to remind us they’re there.
All of this damages the movie. I don’t care about the plot or Samuel L Jackson’s Colonel Kurtz-surrogate insane military commander because so much screen time is dedicated to redundancies. I would say it feels like a movie that has had 30 minutes of story cut out of it if it wasn’t for the low quality of what IS in the movie telling me otherwise.
Now while the actual monster on monster action fares much better and let’s be honest that’s what people came to see even that I found to be harmed by the need at comedy relief. We’re told about “Skull Crawlers”, the REAL threat on the island and what our hero Kong is up against, in a scene which needs to be interrupted for some jokes from long marooned soldier John C. Reilly told in exactly such a fashion that you’d expect from him. The result is on par with a Bond villain slipping on a banana peel in the middle of his master plan speech to James.
That said fans of the genre may get more out of this movie than out of Godzilla 2014. Purely from the fact that while in that film the filmmakers wished to hide the monsters from us as much as possible, here they can’t seem to wait to show it to us.
The film is what it is, a monster themed popcorn movie with cheesy comedy, wafer thin characters and story and 100 foot ape. I do believe that much more could have been done with it however if the filmmakers just knew more what tone they wished to take and story they wanted to tell. The film is tries to mix serious moments with comedy but comes off more like Hot Shots 2 than Mash.

 

 

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IMDB Rating:  Kong: Skull Island (2017) on IMDb

 

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