Emmy Nominated and Golden Globe® Award-winning actress Tracee Ellis Ross has released the official music video to “Love Myself”. This is the first single to the upcoming film The High Note in which Tracee Ellis Ross stars in as recording artist “Grace Davis.”
Last week, Tracee Ellis Ross debuted “Love Myself” on Instagram Live to fans and friends including, Michelle Obama, Janelle Monáe, Lena Waithe, Sarah Paulson, Kerry Washington and her incredible mother Diana Ross.
Written by Australian Sarah Aarons [Alessia Cara, John Legend, Khalid] and Greg Kurstin [Paul McCartney, P!nk, Céline Dion], “Love Myself” is a pivotal song in the movie performed by Tracee Ellis Ross as “Grace Davis.” This notably marks the first time the actress has released a song, which highlights her dynamic voice as “Grace Davis” and sets the stage for both the record and the upcoming film.
Produced by GRAMMY® Award-winner Rodney “Darkchild” Jerkins [Michael Jackson, Beyoncé],the 15-song Original Motion Picture Soundtrack features new recordings by cast members Ross and Kelvin Harrison, Jr. Beyond “Love Myself,” Ross delivers stunning performances of “Bad Girl,”“Stop For A Minute,” “New To Me,” and a duet with Harrison, Jr. on “Like I Do.” Additionally, classics from Donny Hathaway, Maxine Brown, and Aretha Franklin as well as the single “Mind Over Matter” by Anthony Ramos round out the tracklisting.
The High Note, coming to Australian cinema soon, is set in the dazzling world of the LA music scene comes the story of Grace Davis (Tracee Ellis Ross), a superstar whose talent, and ego, have reached unbelievable heights, and Maggie (Dakota Johnson), her overworked personal assistant. While stuck running errands, Maggie still aspires to her childhood dream of becoming a music producer. When Grace’s manager (Ice Cube) presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever.
Love it or hate but the Fifty Shades franchise is one of the biggest movie series in the world at the moment. As is the way with these blockbuster franchises they also make actors household. Think Harry Potter with Daniel Radcliffe and Emma Watson and think of Twilightwith Kristen Stewart and Robert Pattinson and you’re on par with what Jamie Dornanand Dakota Johnson are going through at the moment.
Dornan is making a name for himself as the handsome, very sexual but also very damaged Christian Grey while Dakota Johnson plays Anastasia Steele the eager, young submissive that he has fallen in love with. Together they have become two of the most recognisable actors on the planet and now have a legion of fans behind the franchise.
While talking about the latest film in the franchise to hit cinemas – Fifty Shades Darker – Dornan says that appearing in the franchise and coping with its popularity has helped him form a special bond with co-star Dakota Johnson. “What’s a great thing about Dakota is that only she knows what I’m going through, and only I know what she is going through. We both really need each other through this process because there are days when it is not that easy, and there is a lot being asked of us. I think a lot is being asked of her, particularly with the physical stuff as she is normally wearing less of what I would be although that is kind of changing in these two movies but you need to have that person that understands and has been there with it since day one as well.”
One of the controversial storylines to surface in Fifty Shades Darker is the story of the fact Christian was sexually abused by his mother’s best friend Elena (Kim Basinger) so how does Dornan answer the question that a lot of fans are asking – ‘why doesn’t Christian just steer clear of Elena?’ “I think in some ways he still needs her,” says Dornan after some thought. “She still understands him; I think she is one of the only people that he can talk to. Christian really doesn’t have any friends, like he doesn’t have a group of guys that he grew up with like most normal people do. For me, I have the same group of mates I’ve had since I was a kid and I could call them up about anything, but he doesn’t have that support network. Elena he would use as that, someone to talk things through to you know, someone that can help him understand situations and someone that he feels understands him.”
That leads to asking about the damage that she has done to Christian which has left him with traits including his controlling personality. “There is a part of him that can be completely unhinged,” he says looking down. “To control that he is actually very controlling in everything that he does.”
Of course, the other side to this love affair is Dakota Johnson’s Anastasia – so would she say Christian and Anastasia are firmly in love now? “There are components of sensuality and sexuality,” she agrees using her hands to illustrate the two sides. “But it is primarily a love story between people that are so intricate and so intelligent and so multi-faceted that even the different aspects of their personality and the different aspects of their life, whether they be family or work or sexual preferences are all kind of in orbit around the fact that they are just madly, deeply, fiercely, severely in love with each other.”
That statement might confuse those who are of the belief that the relationship ended in the final scenes of the last film so what brings Christian and Anastasia back together this time around? “They decide that they will try and work things out if he becomes more honest and open with her,” Johnson explains. “That was really all she wanted in the first place. How the last film ended was quite heavy on Anastasia, and I think that the fact that it was so intense and such an awful thing happened, and she still wants to go back, so that is a real testament to just how strong their love is.”
In the early days of the franchise, a lot of people criticised it for being sexist yet along the way we have seen Anastasia grow as a character that is something that Johnson agrees with. “I feel so lucky to be able to play a young woman who not only experiences so much and has such a journey but also becomes someone of such honour and substance and grace and elegance, and there is nothing thankless about her, and I love that. In the first movie Anastasia is quite nubile and innocent and virginal and soft, and I think through this exploration of her love for this man and through her exploration of herself and what she wants in her life, whether that is becoming a figure of authority in her workplace and also becoming more comfortable with her sexuality I think she discovers this strength within her is so extreme and is so powerful and that makes her be able to match Christian.”
The big change this time around is the inclusion of experienced director James Foley, and Johnson says he was great to work with, something that added with her trust for Jamie Dornan helped throughout the film. “Jamie is this wonderful, hilarious and talented human and we also have this kind of friendship that is… we built it around trusting each other so it wasn’t something that was like ‘oh I realise years later that I can trust you.’ Foley is a really great director, and he has such trust with his cast members that it sort of instills this kind of freedom, and that’s really lovely, and he’s a really nice person, and he is nice to be around, and he doesn’t have this outrageous personality and he isn’t like… you know. The set has a very, very mellow vibe.”
Summary: A remake of La Piscine from 1969 A Bigger Splash sees rock-star Marianne Lane (Tilda Swinton), who has lost her voice after recent surgery, on a vacation on the beautiful Italian island of Pantelleria, with her recovering drug-addict, filmmaker boyfriend Paul De Smedt (Matthias Schoenaerts).
Their enjoyable times of lazing in the sun however is cut short when Marianne’s manager and ex-lover Harry Hawkes (Ralph Fiennes) and his new-found daughter Penelope Lanier (Dakota Johnson) turn up unexpectedly and cause a range of issues to arise.
Australian Cinema Release Date: 24th March 2016
Australian DVD Release Date: TBA
Country: Italy, France
Director: Luca Guadagnino
Screenwriter: David Kajganich, Alain Page (story)
Cast: Elena Bucci (Clara), Aurore Clement (Mireille), Ralph Fiennes (Harry Hawkes), Corrado Guzzanti (Maresciallo Carabinieri), Dakota Johnson (Penelope Lanier), Lily McMenamy (Sylvie), Matthias Schoenaerts (Paul DeSmidt), Tilda Swinton (Marianne Lane)
Runtime: 124 mins
OUR A BIGGER SPLASH REVIEWS & RATINGS:
If you don’t like slow burns and films a little on the alternative then A Bigger Splash is not the film for you. On the other hand if you like me and like a film with a little bit of an edge to it then you might be right in your element with Italian director Luca Guadagnino’s latest offering – a film that certainly keeps its audience guessing right up until the final credits.
Now I would be lying if I sat here and said that A Bigger Splash is the perfect film because it isn’t. While Guadagnino does use the island’s beauty and perils brilliantly well the film does drag at times, especially early on. Of course anyone who can cope with that slowness is then rewarded handsomely with a second half that sees the character’s loyalties tested and even a massive amount of crime injected into the storyline, and it is those moments that will have the audience on the edge of their seat as even though some of the characters are unlikable you do actually find yourself caring what happens to them in the long run.
A Bigger Splash is really a film told in two halves. The first half of the film is brought to life with some good acting performances that will be loved by those who like serious cinema. Tilda Swinton is at her usual best despite being put to the test by playing a character that can barely say a word. To her credit Swinton instead lets Marianne put all her emotions across powerfully for a range of looks and normally aggressive forms of body language.
Swinton is well supported by Ralph Fiennes who seems to enjoy play the eccentric and very bossy Harry Hawkes. No matter how slow the film is at times Fiennes completely steals a lot of the scenes that he is in, especially one in which he strangely dances for nearly five minutes, a scene which it seems he had a lot of fun filming. His later menacing scenes with both Swinton and Schoenaerts are also standouts that really bring the film to life as well.
Cast wise the audience also gets to see a very different side to Dakota Johnson that what we have not seen previously as well. While audiences got to see her as sweet and demure in Fifty Shades Of Grey and shy and reserved in How To Be Single here Johnson is completely transformed into a sultry and seductive blonde and shows that she is more than capable to match it with her much more experienced cast.
The second half of the film is where Guadagnino really brings the film to life though. As tension reaches a boiling point and a good crime story moves to the fore (don’t worry you won’t read any spoilers here) the film moves up several gears and takes a turn to the dark side. The infusion of glimpses of Europe’s refuge crisis all throughout the film also enhance the latter parts of the storyline as well, which shows that despite the films meandering style early on there was some form of structure there all along.
While A Bigger Splash may not be enjoyed by those who enjoy their normal popcorn movie, this is a film that will be loved by those that love their films a little left of centre and a good dose of darkness.
An erotic psychological drama starring Tilda Swinton, Ralph Fiennes and Dakota Johnson, A Bigger Splash is a loose remake of Jacques Deray’s seductive 1969 film called La Picerne, which starred Alain Delon. Director Luca Guadagnino (better known for the gorgeous and visually sumptuous I Am Love) and writer David Kajganich (the dire Nicole Kidman sci-fi thriller The Invasion, etc) give the material a more contemporary flavour as they work in some topical issues with a mention of displaced migrants and refugees who are flooding into European countries by the boat load.
The film is set on the volcanic island of Pantelleria, which lies off Sicily, and centres around four self destructive characters caught up in a complex and complicated relationship. There is rock star Marianne Lane (Swinton), something of a cross between Bowie and Chrissi Hynde, who is recuperating following throat surgery. She is enjoying a nice holiday with her filmmaker boyfriend Paul (Belgian hunk Matthias Schoenaerts), a recovering alcoholic. Both Marianne and Paul are psychologically wounded and carry mental scars.
Then their idyllic holiday is interrupted by the arrival of flamboyant record producer Harry Hawkes (Fiennes) and his estranged daughter Penelope (Dakota Johnson, from the Razzie award winning Fifty Shades Of Grey, etc). Marianne and Harry share a past history. Indeed it was Harry who introduced Marianne to Paul in an effort to get out of the relationship, and he is now full of regrets over that decision. And the sexually precocious Penelope sets her sights on seducing Paul. The atmosphere is charged with suspicion, jealousy, and personal revelations, and there are palpable undercurrents of sexual tension, lust, temptation.
This is a juicy role for Fiennes. This is Fiennes like we haven’t seen him before on screen – lively, brash and flamboyant – and he chews the scenery with his manic performance. He normally has such an intense screen persona, but here he is such an ebullient character who also strips off and dances and swims naked and shows off rare comic timing. It was his performance in The Grand Budapest Hotel that convinced director Guadagnino that Fiennes was suited to the character here.
Swinton has the more challenging role as Marianne, who is largely a silent participant in events. Her character is unable to speak, so Swinton has to convey a wide range of emotions through gestures and facial expressions. Schoenaerts has plenty of charisma and is solid as the brooding Paul.
Johnson’s breakthrough role was as the ingenue introduced to the world of sexual games and b&d in the risible Fifty Shades Of Grey, and here she plays an outrageous, sexually aware Lolita-like adolescent, but her character is a little underdeveloped.
The film features an eclectic soundtrack that includes The Rolling Stones, Harry Nilsson and Captain Beefheart. And Fiennes’ character narrates a wonderful anecdote about working with the Rolling Stones during the 80s, telling an apocryphal story about the recording of the track The Moon Is Up for their Tattoo You album – the story is apparently true, but the Harry Hawkes character and his involvement is not.
A Bigger Splash has been shot on location on Pantelleria by Guadagnino’s regular cinematographer Yorick Le Saux, who gives the material a sunny, washed out, burned look that complements the setting. The swimming pool itself almost becomes a nother character in the carnal edgy drama. The title is also deliberately evocative of David Hockney’s 1967 painting of the same name, and also recalls Francois Ozon’s film Swimming Pool. The itself has something of a European sensibility in its approach to sex and nudity. Guadagnino’s regular editor Walter Fasano uses abrupt cuts to give the film an unsettling and disjointed feel.
But it remains to be seen whether A Bigger Splash will connect with an audience and make a splash at the box office.
Average Subculture Rating (out of 5):
Other Subculture Entertainment A Bigger Splash reviews: Nil
This week on The Good The Bad The Ugly Film Show Dave, Greg and Nick take a look at new release films ‘45 Years,’ ‘Trumbo,’ ‘Concussion,’ ‘How To Be Single,’ ‘Risen’ and ‘Ride Along 2’. This episode also contains interviews with Tom Courtenay, Charlotte Rampling, Helen Mirren, Jay Roach, Will Smith, Dr. Bennett Omalu, Dakota Johnson, Rebel Wilson, Leslie Mann, Alison Brie, Joseph Fiennes, Kevin Hart, Ice Cube, Olivia Munn, Sarah Jayne (Made In Melbourne Film Festival), Tim Parrish (Transitions Film Festival), Michael Gosden (Watch The Sunset), Tristan Barr (Watch The Sunset) and Terri Nunn (Star Wars/Top Gun).
Also listen for your chance to win tickets to a special premiere screening of Triple 9 thanks to our good friends at Roadshow. Listen for the question that Dave G asks and then private message us the answer on either our Facebook or Twitter pages.
Triple 9 will be released on March 3 and stars Aaron Paul, Kate Winslet, Norman Reedus, Casey Affleck, Woody Harrelson, Chiwetel Ejifor, Gal Gadot, Teresa Palmer and Anthony Mackie.