Tagged: Will Smith

Summary:  A look at how tennis superstars Venus and Serena Williams became who they are after the coaching from their father Richard Williams.

Year: 2022

Cinema Release Dates:  13th January 2022 (Australia), 19th November 2021 (UK), 19th November 2021 (USA)

VOD Release Dates: 19th November 2021 (USA)

Country: USA

Director: Reinaldo Marcus Green

Screenwriter: Zach Baylin

Cast: Susie Abromeit (Robin Finn), Mikayla Lashae Bartholomew (Tunde Prince), Andy Bean (Laird Stabler), Katrina Begin (Anne (WTA CEO)), Jon Bernthal (Rick Macci), Vivienne Bersin (Stacey), Judith Chapman (Nancy Reagan), Kaitlyn Christian (Shaun Stafford), Layla Crawford (Lydrea Prince), Josiah Cross (TD), Chase Del Rey (Pete Sampras), Kevin Dunn (Vic Braden), Aunjanue Ellis (Oracene ‘Brandy’ Williams), Eman Esfandi (Barry), Tony Goldwyn (Paul Cohen), Brad Greenguist (Bud Collins), Chet Grissom (Matthew Titone), Andy Hoff (Stacey’s Dad – Trevor), Daniele Lawson (Isha Price), Dylan McDermott (George Macarthur), Erika Ringor (Ms. Strickland), Saniyya Sidney (Venus Williams), Demi Singleton (Serena Williams), Will Smith (Richard Williams), Rich Sommer (Patrick Dougherty), Craig Tate (Bells), Jessica Wacnik (Jennifer Capriati), Gjee Wade II (Og), Christopher Wallinger (John McEnroe), Marcela Zacarias (Arantxa Sanchez Vicario)

Running Time: 144 mins

Classification: M (Australia), 12A (UK), PG-13 (USA)

OUR KING RICHARD REVIEWS

David Griffiths’ King Richard Review:

One of the reasons that sports biopics often fail is because it is often obvious that the filmmakers behind the film were so in love with their subject that the view that they present in the film is that the sports’ star is a hero that had no weaknesses or faults. Or if they do they are what drove them to success.

Brand new biopic King Richard doesn’t do that though. Here director, Reinaldo Marcus Green (Monsters & Men), tells the story of one of US sports most recognisable cult heroes – yet he is someone that never took the court himself. The second thing that Green does is that he puts the story out on the table and then allows the audience to make up their own mind about whether the person in question is a hero or villain.

The person at hand is Richard Williams (Will Smith Bad Boys) the father of tennis greats Venus (Saniyya Sidney – Fences) and Serena Williams (Demi Singleton – Goldie). The film chronicles on Richard had a plan for his daughters before they were even born but how he and his wife, Oracene Williams (Aunjanue Ellis – Ray), worked hard to teach their daughters all the ins and outs of tennis despite the obstacles the neighbourhood placed in their way.

Determined on his mission though Richard keeps working as hard as he can to see the goals achieved even if it at times means clashing with the girl’s early coaches, including Rick Macci (Jon Bernthal – The Walking Dead).

While it may not seem so to the average cinema goer Green overcomes a lot of obstacles to make this film work. Despite the fact that we all know where the Williams sisters end up with their careers Green and his screenwriter, Zach Baylin (Come As You Are), still make the film suspenseful as Richard first of all tries to help the girls escape their environment and catch the attention of the some of the world’s best coaches. That is no mean feat, but it is something that Green manages to do well throughout the film.

The second major obstacle that the film overcomes is that society has mixed opinions on Richard Williams. While some see him as a sporting hero who helped his daughters overcome massive odds other see him an overbearing parent who was working towards his own goals and dreams and used his daughters to get there. To Green’s credit this film shows both sides of that argument, in a really natural way, and lets the audience make up their own minds on whether they think Richard was in the right or the wrong.

Green also makes this film very accessible for those that may not know a thing about tennis. In a way this is not a sporting story but a story of a family determined to work hard to make a better life for themselves. A lot of the more touching moments throughout this film happen away from the court – whether it be scenes between Richard and Oracene or moments between father and daughter, all of these scenes work throughout the film without it ever becoming something cheesy that Hallmark would like.

The film itself also brings out the best in its actors. Saniyya Sidney and Demi Singleton are young stars on the rise while the seasoned actors here come to the fore. Will Smith plays the often unsure yet determined Richard Williams so well that he deserves to come into Awards contention. You literally forget that you are watching Will Smith in this film and there are times throughout this film where you swear by Smith’s facial expression that he is even trying to ‘think’ like Williams.

Also bringing his A-Game to the table here is Jon Bernthal who over the past few years has shown Hollywood just what a versatile actor he really is. It seems no matter what role Bernthal finds himself playing he falls into character with ease and here we see him rise to the occasion with many of more tense scenes playing out between himself and Will Smith. The result is cinematic gold.

King Richard is one of the most intriguing sports films that I have watched over the past few years. As director Green makes a well known story suspenseful and dramatic and Will Smith delivers one of the best performances of his career.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture King Richard Reviews:

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Trailer:

 Stan today released the full trailer for Bel-Air, the dramatic reimagining of the iconic 90s sitcom, The Fresh Prince of Bel-AirBel-Air will premiere on Friday 14 February, same day as the U.S. and only on Stan.

Set in modern-day America, the brand new one-hour drama series Bel-Air imagines the beloved sitcom The Fresh Prince of Bel-Air through a new, dramatic take on Will’s complicated journey from the streets of West Philadelphia to the gated mansions of Bel-Air. As these two worlds collide, Will reckons with the power of second chances while navigating the conflicts, emotions, and biases of a world far different from the only one he’s ever known. 

Executive produced by Will Smith and Quincy Jones, and inspired by Morgan Cooper’s viral trailer that reimagined the iconic, culture-defining ‘90s sitcom, Bel-Air takes a fresh and raw approach to this world of swagger, style, and aspiration, while exploring Will’s complex journey through a current lens. The new series features an ensemble cast that introduces Jabari Banks as Will and a creative team that includes Cooper, who serves as director, co-writer, and executive producer, and co-showrunners and executive producers T.J. Brady and Rasheed Newson.

The series also stars Adrian Holmes as “Phillip Banks” (At That Age, V Wars), Cassandra Freeman as “Vivian Banks” (The Enemy Within, Atlanta), Olly Sholotan as “Carlton Banks” (Run Hide Fight, Evolution of Nate Gibson), Coco Jones as “Hilary Banks” (Let it Shine, Vampires vs. The Bronx), Akira Akbar as “Ashley Banks” (We Can Be Heroes, Captain Marvel) , Jimmy Akingbola as “Geoffrey” (Most Dangerous Game, In The Long Run), Jordan L. Jones as “Jazz” (Rel, Snowfall) and Simone Joy Jones as “Lisa” (The Chair, What If).

Bel-Air is executive produced by Will Smith, Terence Carter, James Lassiter, Miguel Melendez, Malcolm Spellman, Quincy Jones, Benny Medina, and Andy & Susan Borowitz. The series is produced by Universal Television, a division of Universal Studio Group, and Westbrook Studios, a division of Jada Pinkett Smith and Will Smith’s media company Westbrook Inc. 

Bel-Air premieres 14 February, same day as the U.S. and only on Stan. 

Disney+ revealed the first official trailer for the six-part original series “Welcome to Earth,” streaming this December. The visually stunning Disney+ series, from National Geographic, follows two-time Academy Award® nominee Will Smith on an extraordinary, once-in-a-lifetime adventure around the world to explore Earth’s greatest wonders and reveal its most hidden secrets. Will Smith debuted the breathtaking trailer on his social media accounts.

Executive produced by visionary Academy Award-nominated filmmaker Darren Aronofsky (“Black Swan,” “Requiem for a Dream”), Protozoa Pictures, Jane Root’s Nutopia and Westbrook Studios, Will is guided by elite explorers on an awe-inspiring journey, getting up close and personal with some of the most thrilling spectacles on the planet — from volcanoes that roar in silence to deserts that move beyond our perception to animal swarms with minds of their own. 

The top-of-class adventurers leading Will through these incredible experiences include marine biologist and National Geographic Explorer Diva Amon, polar expeditionist Dwayne Fields, engineer and National Geographic Explorer Albert Lin, National Geographic Photographer Cristina Mittermeier, and mountaineer Erik Weihenmayer. Combining breathtaking cinematography with Will’s boundless curiosity and enthusiasm, the epic series is an exciting, multi-sensory ride through Earth’s most mind-bending portals.

“Welcome to Earth” is produced by Nutopia, Protozoa Pictures and Westbrook Studios for National Geographic. For Nutopia, Jane Root and Peter Lovering are executive producers, and Graham Booth co-executive produces and directs the series. For Protozoa, Darren Aronofsky and Ari Handel executive produce. Westbrook executive producers are Will Smith, Terence Carter, James Lassiter and Miguel Melendez. Matt Renner and Chris L. Kugelman serve as executive producers for National Geographic. The series’ music is composed by Daniel Pemberton (“Trial of The Chicago 7,” “Steve Jobs”).

Based on the true story that will inspire the world, Warner Bros. Pictures’ “King Richard follows the journey of Richard Williams, an undeterred father instrumental in raising two of the most extraordinarily gifted athletes of all time, who will end up changing the sport of tennis forever.  Two-time Oscar nominee Will Smith (“Ali,” “The Pursuit of Happyness,” “Bad Boys for Life”) stars as Richard, under the direction of Reinaldo Marcus Green (“Monsters and Men”). Driven by a clear vision of their future and using unconventional methods, Richard has a plan that will take Venus and Serena Williams from the streets of Compton, California to the global stage as legendary icons.  The profoundly moving film shows the power of family, perseverance and unwavering belief as a means to achieve the impossible and impact the world.

Aunjanue Ellis (“If Beale Street Could Talk,” TV’s “Quantico”) plays the girls’ mom, Oracene “Brandi” Williams, Saniyaa Sidney (“Hidden Figures,” “Fences”) stars as Venus Williams, Demi Singleton (TV’s “Godfather of Harlem”) stars as Serena Williams, with Tony Goldwyn (the “Divergent” series, TV’s “Scandal”) as coach Paul Cohen and Jon Bernthal (upcoming “The Many Saints of Newark,” “Ford v Ferrari”) as coach Rick Macci.  The ensemble also includes Andy Bean (“IT Chapter Two”), Kevin Dunn (the “Transformers” films, HBO’s “Veep”) and Craig Tate (“Greyhound”). Green directed “King Richard” from a screenplay written by Zach Baylin.  The producers were Tim White and Trevor White under their Star Thrower Entertainment banner, and Will Smith under his Westbrook banner.  Isha Price, Serena Williams, Venus Williams, James Lassiter, Jada Pinkett Smith, Adam Merims, Lynn Harris, Allan Mandelbaum, Jon Mone and Peter Dodd served as the executive producers.

The behind-the-scenes creative team includes Oscar-winning director of photography Robert Elswit (“There Will Be Blood”), production designers Wynn Thomas (“Da 5 Bloods,” “Hidden Figures”) and William Arnold (“The Hate U Give”), Oscar-nominated editor Pamela Martin (“The Fighter”), and two-time Oscar-nominated costume designer Sharen Davis (“Dreamgirls,” “Ray”).  The music is by Oscar-nominated composer Kris Bowers (“Space Jam: A New Legacy,” “A Concerto is a Conversation”). A Warner Bros. Pictures Presentation, A Star Thrower Entertainment Production, A Westbrook Production, A Keepin’ It Reel Production, “King Richard” is slated for international theatrical release from in November.

 

Summary: An over-the-hill hitman faces off against a younger clone of himself.

Year: 2019

Australian Cinema Release Date: 10th October 2019

Thailand Cinema Release Date: 16th November 2019

Australian Home Entertainment Release Date: 22nd January 2020

Country: United States, China

Director: Ang Lee

Screenwriter: David Benioff, Billy Ray, Darren Lemke

Cast: E.J. Bonilla (Marino), Justin James Boykin (Connor), Ralph Brown (Del Patterson), Marc Demeter (Agent Demeter), Christopher T. Elliott (John), Linda Emond (Janet Lassiter), Douglas Hodge (Jack Willis), Clive Owen (Clay Verris), Will Smith (Henry Brogan/Junior), Igor Szasz (Valery Dormov), Ilia Volok (Yuri Kovacs), Mary Elizabeth Winstead (Danny Zakarewski), Benedict Wong (Baron)

Running Time: 117 mins

Classification: M (Australia) 15 (Thailand)

 

 

OUR GEMINI MAN REVIEWS & RATINGS:

 

Dave Griffiths Review:

Know your limits! It is the kind of thing that would expect to say to a first time director who wants to bury themselves in an overly-ambitious cinematic project that is destined to fail. It is hardly the kind of thing that you would think a studio or producer would have to tell an experienced, Oscar winning director like Ang Lee.

As far as filmmaking goes Lee has always been someone that has never been afraid to push the envelope. Crouching Tiger, Hidden Dragon saw him bring Asian cinema to the American mainstream, while Brokeback Mountain tackled taboo topics in such a way it once again showed why cinema plays an important part in opening up discussions in society. Then there was Life Of Pi   – a film which used CGI in a way that no other director had ever dared to imagine.

Therefore it probably shouldn’t have been a surprise when it was announced that Lee’s new film Gemini Man would once again attempt to use cutting edge technology to bring its audience something new and fresh. The technology that Lee decided to use saw the film shot digitally at an extra-high frame rate of 120 frames per second and then modified to 3D. Lee thought the finished product would make audiences feel like they were standing right there amongst the action, instead what has been delivered is a film that is such a terrible cinematic experience it is on par with M. Night Shyamalan’s fall with grace when he helmed the ill-fated The Last Airbender.

When it comes to plot Gemini Man is made up of a story that action heroes like Bruce Willis and Arnold Schwarzenegger would have fallen over themselves to be involved with back in the 1990s. Will Smith plays Henry Brogan one of the Government’s top hitmen. After a hit becomes too close for comfort for Brogan he decides to retire but when he learns a painful secret about his career he suddenly finds another agent, Danny Zakarweski (Mary Elizabeth Winstead), is sent to kill him. Then after explaining to her that she is mistaken an even deadlier enemy arrives to finish off the job –a clone of Brogan’s younger self.

With a plot a lot like that you could easily imagine a film that could well deliver an intense exploration of a topic like cloning while delivering all the suspense of a big action blockbuster, sadly though Gemini Man just doesn’t deliver at all. First of all it looks bad. You may remember that this type of extra-high frame rate film technique failed miserable when it was trialled on The Lord Of The Rings franchise and here it does exactly the same thing for exactly the same reason. The problem is it leaves the image way too clear, that results in a sun-drenched look that you would normally see on a television soap like The Bold And The Beautiful. And while some may say that yes that does make the audience feel part of the action that crystal clear vision also means that the filmmaker can no longer ‘hide’ all the magic of cinema. Suddenly fake blood is identifiable as fake blood and as we see here a stunt-man filling in for Will Smith is forced to cover his face in an absolutely ludicrous way so the audience can’t tell that he isn’t Smith. Yes, for the motorcycle sequence you will be gasping in wonder but for the rest of the film you will be groaning with disappointment.

If the visual aspects of Gemini Man doesn’t have you groaning I can guarantee that some of the cheesy lines and woeful dialogue certainly will. There is a scene in this film between Danny, Brogan and the clone where the dialogue is so bad that you would swear that it had been lifted from some terrible family soap opera. Then there is the cheesy dialogue throughout the film that feels like the screenwriter was desperate to try and deliver a catch-phrase but fails miserable. Hearing Brogan declare that he is from Philadelphia as he gives his life story does for once get the audience to laugh, but for all the wrong reasons as they recall the lyrics that Smith sang during the title credits of The Fresh Prince Of Bel Air.

It is easy to see that what Ang Lee wanted to deliver with Gemini Man was an action film that went down in history for changing the face of cinema, what he has created though is a film so bad that it is likely to become a cult classic for the same reason The Room has become a must-see film – a film that shows young filmmakers how to make a film and has them laughing at the film from start to finish. Perhaps one day a filmmaker will take a look at something as serious as cloning in a way that can open up discussion for the audience but Gemini Man certainly isn’t that film. Like Ang Lee Will Smith rarely delivers a flop but somehow them working together has resulted in one of the worst films of the year.

 

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:  Gemini Man (2019) on IMDb

 

Other Subculture Entertainment Gemini Man Reviews:

Our Gemini Man review that appeared in ‘The Phuket News’ can be read at this link – https://www.thephuketnews.com/double-trouble-will-smith-meets-will-smith-in-sci-fi-flop-gemini-man-73603.php

Trailer:

 

It is that time of the year when we reflect on what was good and what was bad in 2019. We start with the worst films of 2019.

  1. Black Christmas

The first dud from the Blumhouse house of horror. Black Christmas tried to be political with the gender game but ended up being so offense even the female audience found it deplorable.

  1. Little

This alleged comedy starring Regina Hall took the old ‘older person becomes younger self to learn a lesson’ Hollywood trope and completely killed it…unfunny in every sense.

  1. After

Based on a hit novel doesn’t necessarily mean success and that was certainly the case for the teenage romance After. Good girl meets bad guy with a reputation but with zero chemistry on screen and a story so transparent anybody could see through it, this was a real stinker.

  1. Gemini Man

Will Smith and director Ang Lee teamed up with what should have been one of the action films of the decade. But the new crystal clear technology only damaged an already flawed film.

  1. Dora And The Lost City Of Gold

You can argue this was a film for kids and shouldn’t be rated so harshly. But even kids struggled with a film that made its lead character seem childish instead of the hero that she should have been.

  1. What Men Want

A switch on the classic Mel Gibson film What Women Want. Re-make, re-boot… whatever this one was unfunny and missed its mark.

  1. Us

Once again Jordan Peele tried to be a little bit different with his horror film and once again it is left floundering with anything but a smart horror.

  1. Poms

Another ill-fated comedy, this time starring Diane Keaton who tries to introduce a cheerleading team to her local retirement home. While the film tries to expose some of the downsides of retirement villages it completely misses its mark and become a nothing film.

  1. It: Chapter Two

Early on it promised to be a hard-edged horror film but then it just fell away to be an ordinary horror film that seemed to mirror the first film.

  1. Godzilla: King Of Monsters

After the original film and Kong proved to be interesting this one just seemed to fall apart and become boring battle sequence after battle sequence with an out of the ordinary storyline that was nearly laughable.

Summary: When the world’s best spy is turned into a pigeon, he must rely on his nerdy tech officer to save the world.

Year: 2020

Australian Cinema Release Date: 1st January 2020

Thailand Cinema Release Date: 9th January 2020

Australian DVD Release Date: TBA

Country: United States

Director: Nick Bruno, Troy Quane

Screenwriter: Brad Copeland, Lloyd Taylor

Cast: Rachel Brosnahan (Wendy (voice), Jarrett Bruno (Young Walter/Pigeon Voice (voice)), Min-Hyuck Jang (Joon (voice)), DJ Khaled (Ears (voice)), Karen Gillan (Eyes (voice)), Tom Holland (Walter (voice)), Carla Jimenez (Geraldine (voice)), Rashida Jones (Macy (voice)), Peter S. Kim (Joon (voice)), Reba McEntire (Joyless (voice)), Ben Mendelsohn (Killian (voice)), Masi Oka (Kimura (voice)), Will Smith (Lance (voice)), Youn So (Soo-Min (voice)), Randy Trager (Terrance/Pigeon Voice (voice)),

Running Time: 102 mins

Classification: PG (Australia) G (Thailand)

 

 

OUR SPIES IN DISGUISE REVIEWS & RATINGS:

 

Dave Griffiths Review:

A film where a super-hero turns into a pigeon shouldn’t work, no even the notion of such a film would probably have you laughing and wondering whether or not the film deserves to be placed in the same pile as the ridiculous Sharknado. But let the laughter subside because somehow Spies In Disguise not only works but is pure entertainment from start to finish.

The fact that the film works is probably good news for Will Smith (Men In Black) who certainly needs a winner after the absolute shocker that was Gemini Man. In this animation Smith voices Lance Sterling, the greatest spy the world has ever seen. However Sterling’s career is placed in jeopardy when he comes up against arch-villain Killian (Ben Mendolsohn – Ready Player One) who frames Sterling and makes it look like he is using a killer drone to do his own dirty work.

Sterling vows to clear his name when he is confronted by an eager young agent named Marcy Kappel (Rashida Jones – The Social Network) who is hellbent on arresting him. However when Sterling is escaping he is forced to take the nerdy and socially inept inventor Walter (Tom Holland – Spider-Man: Far From Home) with him after he accidentally drinks a liquid that turns him into a pigeon. Now with the lives of many in danger it is up to the Sterling pigeon and the out-of-his-depth Walter to try and save the day.

Like we mentioned previously the whole film’s premise sounds so far out of this world that it simply wouldn’t work, but somehow the screenplay by Brad Copeland (Wild Hogs) and Lloyd Taylor (The Wild) pulls everything together and has it work perfectly. To put it simply the film works because Copeland and Taylor never try to make this film anything that it’s not. They know the premise of the film is ridiculous and they simply go with that ‘flow.’ When Sterling is in human form they make the film a serviceable James Bond parody and when he is pigeon form they are gifted enough comedy writers to be able to introduce an influx of bird jokes and slap-stick comedy that is actually funny.

Perhaps the most important thing though is that Copeland and Taylor alongside the film’s two directors Nick Bruno (first time director) and Troy Quane (The Smurfs: A Christmas Carol) have given this film heart. Never at any time when you watch this film do you feel that this was a film made just to generate some cash at the box office. Yes despite the whole ridiculous nature of the film’s premise from start to finish this feels like a film that was made by a group of people who genuinely believed in the story at hand. The result is a film that will be lapped up by its audience as it goes from a moment of true comedy through to a far-fetched action sequence that totally works and will then rest for a moment as it explores the notion that Walter is actually emotionally hurt by some of the more traumatic events that have occurred during his life. It is moments like that that makes Spies In Disguise resonate so well with its audience.

The team behind this film also completely nailed the voice casting of the film. Will Smith is the absolute perfect choice to play a cooler-than-cool spy while Tom Holland shows real style as he branches out and gives Walter real characterisation through his vocal work alone. At no point in the film did his unique Spider-Man voice become apparent which was something I was worried about when first sitting down to watch the film.

While expecting very little from Spies In Disguise this was one animation that really surprised me. Like Teen Titans Go To The Movies and Planet 51 before it Spies In Disguise manages to overcome the obstacle of having a ridiculous premise and somehow becomes a film that reminds you just how magical cinema can be sometimes. While some of the violence of the film may not make it friendly for younger children this is certainly a film that will be enjoyed by kids who are older enough to sit down and enjoy something like Teenage Mutant Ninja Turtles. Maybe you still think Spies In Disguise sounds like a ridiculous waste of time but trust me you write off this film at your own peril.

 

 

Average Subculture Rating:

 

 

IMDB Rating:  Spies in Disguise (2019) on IMDb

 

Other Subculture Entertainment Spies In Disguise Reviews:

You can read our Spies In Disguise review that appeared in ‘The Phuket News’ using this link – https://www.thephuketnews.com/spies-in-disguise-with-no-egrets-74415.php

Trailer:

 

Check out the brand new teaser trailer for Disney’s “Aladdin,” the thrilling and vibrant live-action adaptation of Disney’s animated classic. Be sure to take a look and don’t forget to see “Aladdin” when it hits cinemas on May 23, 2019.

      

“Aladdin” is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine and the Genie who may be the key to their future. Directed by Guy Ritchie, who brings his singular flair for fast-paced, visceral action to the fictitious port city of Agrabah, the film is written by John August and Guy Ritchie based on Disney’s “Aladdin.”

 

“Aladdin” stars Will Smith as the larger-than-life Genie; Mena Massoud as the charming scoundrel Aladdin; Naomi Scott as Jasmine, the beautiful, self-determined princess; Marwan Kenzari as Jafar, the powerful sorcerer; Navid Negahban as the Sultan concerned with his daughter’s future; Nasim Pedrad as Dalia, Princess Jasmine’s free-spirited best friend and confidante; Billy Magnussen as the handsome and arrogant suitor Prince Anders; and Numan Acar as Hakim, Jafar’s right-hand man and captain of the palace guards. The film is produced by Dan Lin and Jonathan Eirich with Marc Platt and Kevin De La Noy serving as executive producers. Alan Menken provides the score, which includes new recordings of the original songs written by Menken and lyricists Howard Ashman and Tim Rice and two new songs written by Menken and songwriters Benj Pasek and Justin Paul.The film, which was shot on practical stages in London and on location amidst the stunning desert vistas of Jordan, has a talented creative team helping to bring Agrabah to life, including: director of photography Alan Stewart, production designer Gemma Jackson and costume designer Michael Wilkinson.

 

GEMINI MAN, starring Will Smith & directed by Academy Award®-winning filmmaker Ang Lee, has officially started production!
Check out the first look from set shared by Will Smith on his Instagram page.

Gemini Man is an innovative action-thriller starring Will Smith as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move. The film is directed by Academy Award®-winning filmmaker Ang Lee and produced by renowned producers Jerry Bruckheimer and David Ellison. Also starring are Mary Elizabeth Winstead, Clive Owen and Benedict Wong.

Facebook: /ParamountPicturesAU
Twitter: @ParamountAU
Instagram: @ParamountAU
#GEMINIMAN

GEMINI MAN in cinemas OCTOBER 3, 2019

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This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick take a look at new release films ‘Absolutely Fabulous: The Movie,’ ‘Truman,’ ‘Suicide Squad,’  and ‘The Clan’. This episode also contains interviews with Will Smith, Margot Robbie, Joel Kinnaman, Jared Leto, Damian Power (The Killing Ground), Neill Triffett (Emo The Musical), David Farrier (‘Tickled’), Kim A. Snyder (‘Newtown’), Abe Forsythe (‘Down Under’) and Andrew Wiseman (‘On Richard’s Side’).

You can listen to The Good The Bad The Ugly Film Show or download it for free from our Podcast Channel – Listen/Download here.