Tagged: Chelcie Ross

STUDIOCANAL today announce the 4K restoration of Paul Verhoeven’s (ROBOCOP, TOTAL RECALL, STARSHIP TROOPERS) BASIC INSTINCT. Commissioned by STUDIOCANAL, the film was restored through 2019 and 2020 from the original 35MM negative and supervised by the director himself, with invaluable input to the bonus material from Sharon Stone and Michael Douglas.  As boundary-pushing today as it was in 1992, BASIC INSTINCT redefined the erotic thriller subgenre and remains a must-see for audiences globally.

The film will soon be launched theatrically in France with STUDIOCANAL’s partners Carlotta, coinciding with the French home entertainment release (June 16th 2021), and will also be in cinemas from June 17th 2021 in Australia and New Zealand, followed by a theatrical release from Rialto Pictures in the US later this year. STUDIOCANAL will also launch the film on Ultra HD™, Blu-Ray, DVD and Steelbook editions in the UK (June 14th 2021), Germany (June 17th 2021), Australia (July 7th 2021) and New Zealand (July 14th 2021)

In addition to a new trailer, two brand-new artworks have also been created to promote the release which were designed by celebrated, French graphic artist Flore Maquin.  Maquin is noted for her iconic Cannes Film Festival poster designs of 2018 and 2019 amongst a host of other film work.

To coincide with the new restoration, a brand new 52 minute documentary, BASIC INSTINCT: SEX, DEATH & STONE has been created by STUDIOCANAL, TCM and Rockyrama and is being sold globally to broadcasters, having received its network premiere in France in December 2020.  This documentary includes exclusive interviews and personal anecdotes captured in 2019 and 2020 with Paul Verhoeven, Sharon Stone, Michael Douglas, editor Frank J. Urioste, writer Joe Eszterhas and cinematographer Jan de Bont, and will feature on the Home Entertaiment releases for the film as a special bonus feature.

The aim was to create an image just as crisp as audiences had enjoyed in 1992. The first step was to scan the 35MM image negative of the film in 4K DPX LOG 16 bits on Scanity – but the restoration team at Hiventy Laboratory in Joinville-le-Pont noticed a problem with the negative.  STUDIOCANAL project manager, Sophie Boyer, explains – “we quickly realized that the negatives corresponded to the short version of the film. In addition, some shots from the most erotic scenes were censored in the United States. We went looking for these cuts: their negatives had disappeared, but we found them in the internegative. Thanks to this, we were able to restore the full-length version of the film, the only version that Paul Verhoeven wanted to have restored.”

All damages on the negatives were identified: stains, scratches, dusty shots and instabilities. DIAMANT film software was used to remove these defects.  The laboratory undertook over 100 hours of manual removal of the dark stains.  Light filtering was applied to remove the superficial defects, with particular care taken to retain the grain and the texture of the original image. The film was colour graded for theatrical, home entertainment and 4K HDR release using previous digital releases and 35MM prints as a reference. The colour-grading required a painstaking homogenization between the different versions (the director’s cut vs. censored versions). The sound was similarly restored – the dynamic of the mixes was improved, and the sync checked throughout, with corrections made using Protools plug-ins for a 5.1 + 2.0 version, from sources 3324.

Michael Douglas stars as San Francisco detective Nick Curran, a troubled cop with a history of trigger-happy shootings. The death of a former rock star sends him into the orbit of the victim’s lover, novelist Catherine Tramell (Sharon Stone), who immediately becomes prime suspect in the murder. But Nick’s lust for danger draws him further and further into Catherine’s orbit as he becomes dangerously obsessed with her. Can he prove her innocence and free her of suspicion? Or is she involved in the murder after all?

The film also stars Jeanne Tripplehorn as police psychologist Dr Beth Garner, George Dzundas as Nick’s partner Gus, Denis Arndt as Lieutenant Phillip Walker and Leilani Sarelle as Roxy Hardy. The cast is rounded out by great character actors like Bruce A. Young, Stephen Tobolowsky, Wayne Knight and Chelcie Ross.

Theatrical release dates:

AUSTRALIA – STUDIOCANAL: 17th June 2021

NEW ZEALAND – STUDIOCANAL: 17th June 2021

Home Entertainment release dates:

AUSTRALIA – STUDIOCANAL: 7th July 2021

NEW ZEALAND – STUDIOCANAL: 14th July 2021

Summary: Gus Lobel (Clint Eastwood) has been one of the best scouts in baseball for decades, but, despite his efforts to hide it, age is starting to catch up with him. Nevertheless, Gus—who can tell a pitch just by the crack of the bat—refuses to be benched for what could be the final innings of his career.

He may not have a choice. The front office of the Atlanta Braves is starting to question his judgment, especially with the country’s hottest batting phenom on deck for the draft. The one person who might be able to help is also the one person Gus would never ask: his daughter, Mickey (Amy Adams), an associate at a high-powered Atlanta law firm whose drive and ambition has put her on the fast track to becoming partner. Mickey has never been close to her father, who was ill-equipped to be a single parent after the death of his wife. Even now, in the rare moments they share, he is too easily distracted by what Mickey assumes is his first love: the game.

Against her better judgment, and over Gus’s objections, Mickey joins him on his latest scouting trip to North Carolina, jeopardizing her own career to save his. Forced to spend time together for the first time in years, each makes new discoveries—revealing long-held truths about their past and present that could change their future.

Timberlake is Johnny Flanagan, a rival scout who has his sights on a career in the announcer’s booth…and has eyes for Mickey.

Year: 2012

Australian Cinema Release Date: 6th December, 2012

Australian DVD Release Date: N/A

Country: United States

Director: Robert Lorenz

Screenwriter: Randy Brown

Cast: Amy Adams (Mickey), Norma Alvarez (Grace Sanchez), Rus Blackwell ((Rick), Matt Bush (Danny), Karen Ceesay (Carol), Tom Dreeson (Rock), Brian F. Durkin (Matt Nelson), Clint Eastwood (Gus), Scott Eastwood (Billy Clark), Louis Fox (Lloyd), James Patrick Freetly (Todd), Jay Galloway (Ringo Sanchez), Jack Gilpin (Schwartz), John Goodman (Pete Klein), Bob Gunton (Watson), Clifton Guterman (Neil), Kevin Harrison (Young Gus), Peter Hermann (Greg), Ed Lauter (Max), Matthew Lillard (Phillip Sanderson), Joe Massingill (Bo Gentry), Seth Meriwether (Wilson), Ricky Muse (Jimmy), Robert Patrick (Vince), Chelcie Ross (Smitty), Bud Selig (himself), Tyler Silva (Carlos Sanchez), Raymond Anthony Thomas (Lucious), Justin Timberlake (Johnny), Julia Walters (Young Mickey), George Wyner (Rosenbloom)

Runtime: 111 mins

Classification: CTC

Dave Griffiths’s ‘Trouble With The Curve’ Review:

‘Trouble With The Curve’ desperately wants to be as good as ‘Moneyball’, yet at the same time wants to take a swipe at its main belief… that modern day baseball scouts can now be replaced by a computer. Sadly though the writer of ‘Trouble With The Curve’ hasn’t developed a script just as good, despite that though the film remains a good watch.

Gus Lobel (Clint Eastwood – Gran Torino, Million Dollar Baby) is one of the finest baseball scouts that America has ever had. His track record speaks for himself and he feels that he is safe in his job with the Atlanta Braves despite the fact that he is keeping a big secret – the fact that he is slowly losing his eyesight.

But when the likes of Phillip Sanderson (Matthew Lillard – Deep Dark Canyon, TV’S Criminal Minds) begin to put pressure on Gus’ immediate boss, Pete Klein (John Goodman – Flight, Argo) it seems that Gus’ days in his job may be numbered. Phillip keeps on saying that computers can now determine whether a player should be drafted or not and when Gus’ ideas on a rumoured number one picks seems to be different to everyone else’s it looks like Phillip may be right.

Despite the fact that Gus’ daughter, Mickey (Amy Adams – The Master, On The Road) feels that her father has neglected her over the years she travels to be with him when she learns about his failing eyesight. While the two scope the new recruit they are surprised to find help in the form of Johnny Flanagan (Justin Timberlake – In Time, Friends With Benefits), a player that Gus once scouted but was injured thanks to a mistake by team management.

The major weakness with ‘Trouble With The Curve’ is that screenwriter, Randy Brown has just made too many of the major storylines in the film too obvious to pick where they are going and then in similar fashion made the so called ‘evil’ characters such as Phillip so one dimensional that they just become the token bad guy… almost unbelievable.

But then on the other hand Brown gets a lot of things right. The secret that has caused tension between Gus and Mickey for so many years is brilliant (and certainly can’t be picked early on) while the fact that Brown has also written the scenes between Mickey and Johnny in such a way that the film has a romantic drama storyline rather than making it a stock standard romantic comedy also shows great skill.

Anyone expecting a huge acting effort from veteran Clint Eastwood shouldn’t get their hopes up, he simply plays the grumpy old man role that he has been doing so well over the past few years. Instead the winners here are Amy Adams and Justin Timberlake. Timberlake again shows why he deserves respect as an actor while Adams puts the past sin (known as ‘The Muppets’) behind her with a serviceable performance.

‘Trouble With The Curve’ is nowhere near as good as ‘Moneyball’ but is still a good watch and will be enjoyed my males and females alike even if they know nothing about baseball.

Other ‘Trouble With The Curve’ Reviews By Dave Griffiths: http://www.helium.com/items/2397762-trouble-with-the-curve-review

Rating: 3.5/5 Stars

IMDB Rating: Trouble with the Curve (2012) on IMDb