Tagged: Eric Bana

Roadshow Films THE DRY has confirmed itself as a modern Australian classic, taking in an astounding $20 million at the box office since its New Year’s Day release. Surpassing classics such as Priscilla, Queen of The Desert, Muriel’s Wedding and The Dish to become one of the top highest grossing Australian films of all time.

“The astounding success of THE DRY confirms what Roadshow has always known, that there will always be an appetite for quality Australian productions which can without a doubt rival their Hollywood counterparts at the box office.” said Joel Pearlman, CEO Roadshow Films “We will continue working with local industry and our partners in exhibition to deliver these crowd favourites to the big screen.”

Screen Australia CEO Graeme Mason said, “We are thrilled The Dry has today reached $20 million at the local box office, cementing its place in the history books of Australian cinema. Audiences around the country flocked to the cinema to enjoy this quintessential Australian story starring Eric Banaon the big screen and this outstanding box office result places The Dry in the company of Australian classics like Mad Max: Fury Road and Red Dog. Congratulations to Made Up Stories, Roadshow Films, director Robert Connolly, the entire crew and cast, on this momentous milestone.”

Starring Eric Bana and directed by Robert Connolly, THE DRY is based on Jane Harper’s international and award-winning best-selling novel. Bana plays Aaron Falk, a Federal Agent who returns to his drought-stricken hometown to attend a tragic funeral. But his return opens a decades-old wound — the unsolved death of a teenage girl.

Filmed in Melbourne and throughout the Wimmera region of rural Victoria, THE DRY also stars Genevieve O’Reilly, Keir O’Donnell and Miranda Tapsell alongside newcomers Joe Klocek, Bebe Bettencourt, Sam Corlett and Claude Scott-Mitchell.

Directed by AACTA Award winner Robert Connolly (Balibo, Paper Planes), the film is produced by Made Up Stories’ Bruna Papandrea (Big Little Lies), Jodi Matterson (Little Monsters) and Steve Hutensky (Little Monsters), alongside Bana and Connolly.

THE DRY has taken audiences by storm across Australia, taking in an astounding $3.5 million since it was released on New Year’s Day. The figure gives THE DRY a place amongst the highest grossing Australian film opening weekends, joining classics including HAPPY FEET and MAD MAX.

“The box office results on the dry are truly extraordinary and absolutely confirm that Australian films can deliver blockbuster results alongside their Hollywood counterparts.” Said Joel Pearlman, CEO Roadshow Films “This result is an incredible example of just how willing Australian audiences are to support their own cinema and stories and how important it is for the local filmmaking community to continue to be provided with opportunities to create great works of cinema for Australians to delight in.”

Starring Eric Bana and directed by Robert Connolly, THE DRY is based on Jane Harper’s international and award-winning best-selling novel. Bana plays Aaron Falk, a Federal Agent who returns to his drought-stricken hometown to attend a tragic funeral. But his return opens a decades-old wound — the unsolved death of a teenage girl.

Filmed in Melbourne and throughout the Wimmera region of rural Victoria, THE DRY also stars Genevieve O’Reilly, Keir O’Donnell and Miranda Tapsell alongside newcomers Joe Klocek, Bebe Bettencourt, Sam Corlett and Claude Scott-Mitchell.

Directed by AACTA Award winner Robert Connolly (Balibo, Paper Planes), the film is produced by Made Up Stories’ Bruna Papandrea (Big Little Lies), Jodi Matterson (Little Monsters) and Steve Hutensky, alongside Bana and Connolly.

Summary: A Federal Police Officer travels back to his hometown to solve a murder involving his best friend. His arrival in town wakes up old ghosts though as he himself left the town years earlier a murder suspect.

Year: 2021

Cinema Release Dates: 1st January 2021 (Australia)

VOD Release Dates: TBA

Country: USA, Australia

Director: Robert Connolly

Screenwriter: Robert Connolly, Harry Cripps, Jane Harper (novel)

Cast: Eric Bana (Aaron Falk), Eddie Baroo (McMurdo), BeBe Bettencourt (Ellie Deacon), Sam Corlett (Young Luke), Nick Farnell (Sgt. O’Connell), James Frecheville (Sullivan), Bessie Holland (Sally), Joe Klocek (Young Aaron Falk), Renee Lim (Sandra Whitlam), Francene McAsey (Amanda), Matt Nable (Grant Dow), Keir O’Donnell (Greg Raco), Genevieve O’Reilly (Gretchen), John Polson (Scott Whitlam), Claude Scott-Mitchell (Young Gretchen), Bruce Spence (Gerry Hadler), Miranda Tapell (Rita Raco), Jeremy Lindsay Taylor (Erik Falk), Martin Dingle Wall (Luke Hadler), William Zappa (Mal Deacon)

Running Time: 117 mins

Classification: MA15+ (Australia)

OUR THE DRY REVIEWS

David Griffiths’ The Dry Review:

One of the things that makes Australian cinema stand out from other films is the grit that quite often comes with it. When I say that I am not just talking about genre flicks I am talking about drama films like Romper Stomper that just seem to go that extra step further than most other films.

When you mix that grit with the visuals that you get from classic Australian films like Picnic At Hanging Rock and Wake In Fright you suddenly get something very special. That is when you end up with films like Robert Connolly’s new film The Dry.

Of course Connolly is no stranger to the kind of gritty filmmaking that I was just talking about. It is something that he has brought to the screen previously with films like Balibo which explored one of the most important events to ever occur in Australian media history.

With his new film, The Dry, Connolly captures that grit as the story centres around successful Federal Police Officer Aaron Falk (Eric Bana – Troy) who returns to the country town where he grew up to investigate the apparent murder-suicide of one of his close friends.

A lot has changed in the town since Aaron has left, the town is now on its knees due to a year long drought but many of the residents have not forgotten that young Aaron (Joe Klocek – Patricia Moore) left the town a suspect in the murder of a young woman, Ellie Deacon (BeBe Bettencourt – My First Panic).

As Aaron works with local Police Officer Greg Raco (Keir O’Donnell – American Sniper) to solve the case surrounding his friend he also finds himself having to defend himself from the murder year’s before while growing close to his former friend Gretchen (Genevieve O’Reilly – Rogue One: A Star Wars Story).

Such is Connolly’s power as a filmmaker with The Dry you can literally taste the dust in your mouth as he captures amazing shots of Australia’s Wimmera alongside his cinematographer Stefan Duscio (Jungle). Often it is the scenes of Eric Bana slowly walking through dry creek beds while deep in thought that say a million more things than a whole page of dialogue could of. There is a strange beauty to this film, the same beauty that Peter Weir found with Picnic At Hanging Rock where the visuals are beautiful to look at while at the same time they capture the harshness of the Australian bush.

The film’s screenplay, put together by Connolly and co-writer Harry Cripps (2:22) also enhances the film by seemingly using every word spoken to hit the audience with impact. There are scenes here where very little is said and that just provides even more impact to dialogue when it is spoken. Of course they other power to this screenplay is the plot itself. Nothing is ever given away before it should, nothing is spoilt and as a result you have one of the best crafted crime thrillers to hit the screen since Mystery Road.

Bringing all that to the fore is the marvellous performance by Eric Bana. Throughout this film it really feels like Bana was born to play Aaron Falk. He somehow morphs completely into the role and you soon forget that you are watching Bana. His performance is balanced as he plays a character that at times is vulnerable and is at other times forced to show an aggression that helps him find the truth.

Alongside Bana O’Donnell shines as the nervous and out-of-his-depth Greg Raco. The scenes between the pair are amazing and credit must be paid to O’Donnell for not ever becoming over-awed acting alongside Australian acting royalty. A big shout out also so Eddie Baroo (Australia) who steals every scene he is in as the lovable barman McMurdo who often seems to play the voice of reason in the town… he is like a character plucked straight out of a Shakespearian tragedy. He can see the dismay and hurt around him but is powerless to stop it.

The Dry is easily one of the films of the year. Gritty, dramatic and suspenseful it is everything that a good crime thriller should be. When you combine a brilliant acting performance by Bana alongside the stunning filmmaking of Robert Connolly you end up with a beautiful Australian film that packs some real punch.

Dave’s rating Out Of 5

Average Subculture Rating:

IMDB Rating:

The Dry (2020) on IMDb

Other Subculture The Dry Reviews:

Nil

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Dave Griffiths keeps counting down is top 30 films of the year. Today we look at the Top 10.

10. THE GENTLEMEN

After the year that we have had it is hard to believe that the brilliant Guy Ritchie film was a 2020 film – but it was it landed on January 1st. Ritchie at his pure best!!!

9. A WHITE, WHITE DAY

Brutal and unrelenting this drama simply reminded me why I love Scandinavian cinema so much.

8. WAVES

Waves is simply one of those films that will stay with you a long time after you have watched the film. Brilliant acting and a film with a twist that you will never see coming.

7. UNDERGROUND INC: THE RISE AND FALL OF ALTERNATIVE ROCK

A brilliant documentary that not only celebrated the rise of alternative rock but also revealed the dark side of the music industry that forced a lot of bands to give up.

6. THE DRY

Harshly beautiful The Dry is the perfect crime thriller. Eric Bana is sensational and we are all reminded just how good Robert Connolly is as a filmmaker.

5. THE INVISIBLE MAN

Horror re-boots are not supposed to be this good, right? Somehow though Leigh Whannell managed to take an old concept and turn it into something so, so terrifying.

4. MONOS

Beautiful yet brutal at the same time. This foreign language film about child soldiers is destined to become a cult classic.

3. THE COMEBACK TRAIL

It is rare for a comedy to ever get this high on my Best Of lists but The Comeback Trail was something special. Funny, an all-star cast that brought their A-Game and a look back at Hollywood’s past – what wasn’t there to like?

2. THE PEANUT BUTTER FALCON

Few films stuck with me in 2020 like The Peanut Butter Falcon. A touching story that also showed why Shia LaBeouf is never an actor that we should forget about.

1. ABOUT AN AGE

The perfect coming-of-age film. This Aussie film came out of nowhere and reminded us all just how great a film can be with perfect casting and screenplay that is full of natural dialogue. An Aussie classic!

4.indd
Transmission Films invites Australian audiences on a personal journey through Australian cinema with David Stratton, our most revered film critic, when DAVID STRATTON: A CINEMATIC LIFE releases in cinemas this year.
DAVID STRATTON: A CINEMATIC LIFE is an intimate journey with David Stratton, from his first boyhood cinema experience in England, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy.
While David turned his passion for cinema into a profession, a growing band of courageous Australians turned their enthusiasm for storytelling into an extraordinary body of work. Alongside David, this absorbing documentary includes commentary from some of the most recognisable names in Australian cinema including Gillian Armstrong, Eric Bana, Bryan Brown, Russell Crowe, Judy Davis, Nicole Kidman, George Miller, Sam Neill, Geoffrey Rush, Fred Schepisi, Warwick Thornton, Jacki Weaver and Hugo Weaving.
“David Stratton is a true champion of Australian cinema. The opportunity to share his unique personal story on the big screen is a privilege,” said Transmission Films Joint Managing Director Andrew Mackie.
DAVID STRATTON: A CINEMATIC LIFE is written and directed by Sally Aitken (Getting Frank Gehry, Streets of Your Town) and produced by Jo-anne McGowan and executive produced by Jennifer Peedom (Sherpa).
DAVID STRATTON: A CINEMATIC LIFE will open in cinemas nationally on March 9th. David Stratton will be in attendance at select Q&A screenings across the country from late February, with more details coming soon.

Comic Con

Well Comic Con is over for another year and once again we have seen some amazing trailers released to fans at the con. Let’s take a look at the films that trailers premiered.

 

WONDER WOMAN

Wonder WomanSummary: An Amazon princess leaves her island home to explore the world, and becomes the greatest of its heroes.

Director: Patty Jenkins

Stars: Gal Gadot, Chris Pine, Robin Wright, David Thewlis

Release Date: 1st June, 2017 (Australia)

 

KONG: SKULL ISLAND

Kong Skull IslandSummary: An action/adventure story centered on King Kong’s origins.

Director: Jordan Vogt-Roberts

Cast: Tom Hiddleston, Brie Larson, Samuel L. Johnson

Release Date: 9th March, 2017 (Australia)

 

THE LEGO BATMAN MOVIE

The Lego Batman MovieSummary: A spin-off of The Lego Movie centering on Batman.

Director: Chris McKay

Stars: Will Arnett, Ralph Fiennes, Rosario Dawson, Michael Cera, Zach Galifianakis, Mariah Carey

Release Date: February 2017 (Australia)

 

DOCTOR STRANGE

Doctor StrangeSummary: After his career is destroyed, a brilliant but arrogant and conceited surgeon gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.

Director: Scott Derrickson

Cast:Benedict Cumberbatch, Rachel McAdams, Benedict Wong, Tilda Swinton

Release Date: 27th October, 2016 (Australia)

 

KING ARTHUR: LEGEND OF THE SWORD

King Arthur Legend Of The SwordSummary: Feature film version of the classic King Arthur story.

Director: Guy Ritchie

Stars: Charlie Hunnam, Eric Bana, Jude Law, Djimon Hounsou

Release Date: 23rd March 2017 (Australia)

 

FANTASTIC BEASTS AND WHERE TO FIND THEM

Fantastic Beasts And Where To Find ThemSummary: The adventures of writer Newt Scamander in New York’s secret community of witches and wizards seventy years before Harry Potter reads his book in school.

Director: David Yates

Cast: Ezra Miller, Eddie Redmayne, Colin Farrell, Ron Perlman, Jon Voight

Release Date: 17th November 2016 (Australia)

 

THE WOODS (BLAIR WITCH)

Blair WitchSummary: After discovering a video showing what he believes to be his sister’s experiences in the cursed woods of the Blair Witch, Blane and a group of friends head to the forest in search of his lost sibling.

Director: Adam Wingard

Cast: Corbin Reid, Wes Robinson, Valorie Curry

Release Date: September 2016 (Australia)

 

JUSTICE LEAGUE

Justice LeagueSummary: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Director: Zack Snyder

Cast: Gal Gadot, Henry Cavill, Amber Heard, Ben Affleck, Jason Momoa, Amy Adams, Jesse Eisenberg, Ezra Miller, J.K. Simmons, Jeremy Irons, Willem Dafoe

Release Date: 16th November 2017 (Australia)

The Finest Hours

Summary: It should be one of the happiest days of Bernie Webber’s (Chris Pine) life. Becoming engaged to his girlfriend, the beautiful Miriam (Holliday Grainger), Bernie’s aim is to go to work at the Coast Guard station where he is stationed and go through the ritual of asking his boss, Daniel Cluff (Eric Bana), if he can get married.

As fate would have it though one of the worst storms to ever hit the United States strikes on that very day. Offshore two oil tankers split in half and while the Coast Guard rushes to save the crew of one they have no idea that another is in difficultly until the alarm is raised much later. As Ray Sybert (Casey  Affleck) battles to keep his crew alive Bernie finds himself being sent on a mission to rescue them, with a crew of his own –a crew that doesn’t trust him as his last rescue ended in the loss of life.

Year: 2016

Australian Cinema Release Date: 3rd March 2016

Australian DVD Release Date: TBA

Country: USA

Director: Craig Gillespie

Screenwriter: Eric Johnson, Scott Silver, Paul Tamasy, Casey Sherman (book), Michael J. Tougias (book)

Cast: Casey Affleck (Ray Sybert), Savannah Rae Allen (Eliza), Eric Bana (Daniel Cluff),Abraham Benrubi (George ‘Tiny’ Myers),  Rachel Brosnahan (Bea Hansen), Danny Connelly (Dave Ryder), Alexander Cook (John Stello), Ben Foster (Richard Livesey), Jesse Gabbard (Domingo Garcia), Kyle Gallner (Andy Fitzgerald), Holliday Grainger (Miriam Webber), Beau Knapp (Mel Gouthro), Benjamin Koldyke (Donald Bangs), Keiynan Lonsdale (Eldon Hanan), John Magaro (Ervin Maske), Matthew Maher (Carl Nickerson), Graham McTavish (Frank Fauteux), John Ortiz (Wallace Quiery), Chris Pine (Bernie Webber), Michael Raymond-James (D.A. Brown), Angela Hope Smith (Catherine Paine), Josh Stewart (Tchuda Southerland)

Runtime: 117 mins

Classification: PG

 

OUR THE FINEST HOURS REVIEWS & RATINGS:

 

David Griffiths:

Sometimes when a film is released you just have to shake your head at what the distributors think they are doing with the film. Disney’s choice to release The Finest Hours in Australia with no media screenings and only in limited cinemas is a baffling one. Traditionally, disaster films always do well in Australia and not only that The Finest Hours is certainly not the kind of film that should be kept away from the film loving public as it is a film that has a lot going for it.

So often when a director and screenwriter team together to make a disaster film they fall into a familiar trap of trying to make the audience like the characters so much they pile a heap of back story into the film and the result is the disaster itself starting way too late into the film. That certainly isn’t a trap that Craig Gillespie and his team of screenwriters fall in to. Gillespie as a director is someone that certainly can’t be peg holed into a style of filmmaking. From the thought provoking Lars & The Real Girl through to the horror frights of Fright Night Gillespie seems to just make whatever film he damn well feels like and here with The Finest Hours he shows why he is a director that should be added to your list of ‘exciting directors in modern day filmmaking.’ He doesn’t muck around with tons of back story with The Finest Hours, instead the storm itself hits within the first half hour of the film, which means that Affleck and co and in peril before the ice in your Coke has even started to melt.

Surprisingly The Finest Hours also manages to raise the stakes on a number of levels. Not only are the crew of the oil tanker in great peril but Gillespie also makes in known in no uncertain terms that Bernie is being sent on a mission that he has badly unprepared for with a boss that has no clue what he is doing… he is being sent to certain death. Just to raise the stakes even more Gillespie then has the events happen not only through the eyes of Bernie and Ray but also from the perspective of Miriam, an innocent bystander who is forced to watch as the man she loves is being sent on an impossible mission.

It’s for that reason that The Finest Hours is a must see for those people that love good cinema. The suspense never lets up and Gillsepie masterfully directs intense scenes which sees Bernie’s small Coast Guard boat become a submarine as it plunges through the waves in front of it and the even more suspenseful scene during which Ray’s crew have to face the hard decision of whether or not to jump into the wild sea that has just claimed their tanker.

The team of screenwriters also have done enough with the screenplay to make the key characters here likable. You instantly care what happens to the likes of Bernie and Ray, while they even steer well clear of making Mirian a whiny character, something that you feel a lesser team may have accidentally found themselves doing. The screenplay and Gillespie’s directional style also allows the cast to have a little bit of free reign as well. A look between Chris Pine and Ben Foster as their characters race towards the wild sea says more than one ten pages of script ever could. Likewise watching Casey Affleck sit in the corner and calmly think while the rest of his ‘crew’ panic says more about his character than any back story ever could. While both of done some great work in films over the years The Finest Hour is the one film that really shows that Affleck and Pine are so much more than what we have seen from them in the past.

Through no fault of its own The Finest Hours is one of those films that is going to be overlooked by a lot of film goers simply because of the fact that it hasn’t been promoted properly. That’s sad when you realise that in a lot of ways this is a far superior film to something like The Perfect Storm… yes Craig Gillespie has somehow managed to create a classy disaster flick that demands a viewing by serious film lovers.

Stars(4)

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: The Finest Hours (2016) on IMDb

 

Other Subculture Entertainment The Finest Hours reviews: You can listen to our full The Finest Hours  review on a The Good The Bad The Ugly Film Show Ep #168.

Trailer:

The Good The Bad The Ugly Film Show

This week on The Good The Bad The Ugly Film Show Adam, Dave,  Nick and Greg take a look at new release films ‘Devil’s Knots’, ‘Once For Mother,’ ‘Snowpiercer,’ ‘Mrs. Brown’s Boys D’ Movie,’ ‘Hercules,’ ‘Deliver Us From Evil  and ‘Still Life’. This episode also contains interviews with Dwayne Johnson, Eric Bana and Scott Derrickson.

Also listen for your chance to win a double pass to see Thomas & Friends: Tale Of The Brave The Movie thanks to Hoyts Junior.

To listen to the show you can download it for free from our Podcast Channel – Listen/Download here

Deliver Us From Evil

Sony Pictures have just released the Deliver Us From Evil trailer. Directed by Scott Derrickson and starring Eric Bana, Edgar Ramirez, Olivia Munn and Joel McHale Deliver Us From Evil sees New York police officer Ralph Sarchie (Eric Bana), struggling with his own personal issues, begins investigating a series of disturbing and inexplicable crimes. Discovering the crimes are occult related, he seeks help from an unconventional priest (Edgar Ramirez) to aid him in the investigation. Based upon the book, which details Sarchie’s bone-chilling real-life cases.

The film will open in Australia on the 17th July.

You can view the Deliver Us From Evil trailer below.

Lone Survivor

Summary: Marcus Luttrell and his team set out on a mission to capture/kill al Qaeda leader Ahmad Shahd in late June 2005. The team are left to fight for their lives in one of the most valiant efforts of modern warfare.

Year: 2014

Australian Cinema Release Date: 20th February, 2014

Australian DVD Release Date: TBA

Country: USA

Director: Peter Berg

Screenwriter: Peter Berg, Marcus Luttrell (book), Patrick Robinson (book)

Cast: Yousuf Azami (Shah), Eric Bana (Erik Kristensen), Johnny Bautista (Lt. Edwards), Dan Bilzerian (Healy), Kurt Carlson (Captain Lovas), Paul Craig (‘EOD’ Paul),  Jerry Ferrara (Hasselert), Ben Foster (Matt ‘Axe’ Axelson), Daniel Fulcoly (Lt. Andrews), Michael P. Herrman (Wallace), Emile Hirsch (Danny Dietz), Joh Hocker (Hocker), Taylor Kitsch (Michael Murphy), Robert Loerke (Captain Jacoby), Alexander Ludwig (Shane Patton), Zabiullah Mirzai (Zabi), Henry Penzi (Penzi), Sammy Sheik (Taraq), Ali Suliman (Gulab), Rich Ting (James Suh), Mark Wahlberg (Marcus Luttrell)

Runtime: 121 mins

Classification:MA15+

OUR LONE SURVIVOR REVIEWS & RATINGS

Adam Ross: Stars(3)

Please check Adam’s Lone Survivor review of that is available on The Good The Bad The Ugly Film Show Ep #68

Greg King: Stars(3.5)

Please check Greg’s Lone Survivor review of that is available on www.filmreviews.net.au

David Griffiths:

War films are a dime-a-dozen… bad war films are even more common. It’s for that reason that is okay to be a little nervous when approaching Lone Survivor. Even the fact that it has a known actor like Mark Wahlberg in it doesn’t make necessarily a good film either… after all the man formerly known as Marky Mark has delivered some pretty bad turds over the years. Then there is the Peter Berg factor, yes Berg has shown over the years that he can create some masterpieces, just as he did with Friday Night Lights, but then he was also the man responsible for Battleship.

Luckily for movie fans out there Lone Survivor falls into the realm of good war films. So good in fact that it deserves to be mentioned alongside films such as The Hurt Locker and Black Hawk Down. Yes Peter Berg served his time with the studio and worked on Battleship and has now once again been allowed to show the world what a fine filmmaker he really is.

The film itself is based on actual events that happened to Marcus Luttrell (Mark Wahlberg) during a daring raid in Afghanistan to capture notorious Taliban leader Ahmed Shah (Yousuf Azami). Soon Luttrell’s group, which also contains Michael Murphy (Taylor Kitsch) and Matt Axelson (Ben Foster) find themselves deep under enemy fire after having to make a huge moral call. Worse still is the fact that they are cut off by their leader, Erik Kristensen (Eric Bana) as their communications have all gone down.

There is little doubt that this is film is made ten times better under the direction of Peter Berg. Just like he did with Friday Night Lights Berg makes Lone Survivor feel like you are watching a documentary. The dialogue was his script his natural and just because he has a big name like Eric Bana in a role doesn’t mean that Berg decides to give his A-lister any extra on screen.

Likewise Berg doesn’t hold back on the violence in this film. The film is set on the battlefield and it is obvious that Berg not only wants his audience to see that the men involved in this mission were not only heroes but he also wants people to realise just how tough it is for men and women on the front line. Not only does he show this with some very confronting war violence but also by some extremely intense scenes that show the moral decisions that soldiers have to make while going about their jobs.

In fact the highlight of Lone Survivor is the scene where Luttrell and co are faced with a very big ethical dilemma. Do they shoot dead some unarmed young Afghanis or do what the law says and let them go, knowing full well that the latter option is likely to bring even more repercussions for the soldiers. As the soldiers discuss what is best to do Berg heightens the tension to a level that most filmmakers can only dream about achieving.

Lone Survivor really isn’t a film about the actors in it, which is made obvious by the fact that an actor of the calibre of Eric Bana is in a pretty much ‘blink and you’ll miss him’ role while the likes of Ben Foster and Emile Hirsch are also in restricted roles. To his credit Mark Wahlberg delivers even when some of the scenes seem to be above his usual acting talent, while Taylor Kitsch again silences his critics with a worthy performance as well.

This is one film that is certainly a gripping, yet also very tough watch. The violence is unrelenting but Peter Berg does what he sets out to do and that is show the audience just how brave the men involved in this raid were. Lone Survivor is one of the finest war movies you will ever see.

Stars(4)

Average Subculture Rating (out of 5): Stars(3.5)

IMDB Rating:  Lone Survivor (2013) on IMDb

Other Subculture Media Reviews of ‘Lone Survivor′: Please check The Good The Bad The Ugly Film Show Ep #68 for our full Lone Survivor review.

Trailer: