Tagged: Halloween Kills

Summary: 
The saga of Michael Myers and Laurie Strode continues in the next thrilling chapter of the Halloween series.

Year: 2021

Cinema Release Dates:  28th October 2021 (Australia), 11th November 2021 (Thailand), 15th October 2021 (UK), 15th October 2021 (USA)

VOD Release Dates: TBA

Country: USA, UK

Director: David Gordon Green

Screenwriter: David Gordon Green, Danny McBride, Scott Teems

Cast: Airon Armstrong (The Shape – 1978), Dylan Arnold (Cameron Elam), Ross Bacon (Tivoli), Charlie Benton (Officer Richards), Haluk Bilginer (Dr. Ranbir Sartain), Nick Castle (The Shape), Lenny Clarke (Phil), Salem Collins (Christy), James Jude Courtney (The Shape), Jim Cummings (Pete McCabe), Jamie Lee Curtis (Laurie Strode), Charles Cyphers (Leigh Brackett), Omar J. Dorsey (Sherriff Baker), Brian F. Durkin (Deputy Graham), Judy Greer (Karen), Anthony Michael Hall (Tommy Doyle), Robert Lee Harvey (Tom F.F. Bentley), Tanya Jacobson (Tanya Jacobson), Tom Jones Jr. (Dr. Samuel Loomis), Jacob Keohane (Deputy Tobias), Nacy Kyes (Annie Brackett), Ryan Lewis (Deputy Sullivan), Robert Longstreet (Lonnie Elam), Scott MacArthur (Big John), Colin Mahan (Dr. Samuel Loomis (voice)), Thomas Mann (Young Hawkins), Andi Matichak (Allyson), Brian Mays (Brian The Bartender), Michael McDonald (Little John), Carmela McNeal (Vanessa), Tony Moran (Michael Myers), Jibrail Nantambu (Julian), Bob Odenkirk (Bob), Christian Michael Pates (Young Michael Myers), Will Patton (Officer Hawkins), Kyle Richards (Lindsay), Drew Schneid (Oscar), Michael Smallwood (Marcus), P.J. Soles (Lynda), Nancy Stephens (Marion), Diva Taylor (Sondra), J. Gaven Wilde (Dennis), Giselle Witt (Mindy)

Running Time: 105 mins

Classification: MA15+ (Australia), 18 (UK), R (USA)

OUR HALLOWEEN KILLS REVIEWS

David Griffiths’ Halloween Kills Review:

Why would anyone want to make a movie that fits into the universe of a timeless classic? I’ve thought about that a lot over the years, and even after hearing the excitement in producer Jason Blum’s voice when I interviewed him about the last Halloween film didn’t make it any clearer for me. Sure I get that excitement stemmed from the fact that Blum had always dreamt of making a Halloween but part of him must of wondered whether or not it would be worth the comments from the haters out there who were only too ready to troll once the film was released.

To Blum and director David Gordon Green’s (Stronger) credit the first film is this trilogy was probably the best Halloween film since Halloween H20 and it introduced the fan-base to a more modern and brutal take that was certainly not the re-make that so many haters out there were expecting.

Now comes the difficult second child in the trilogy and it is a bit of a double-edged sword. While Green ups and the violence and gore this time around to make it one of the most graphic and gruesome Halloween films it does suffer from what I call ‘second-film syndrome’ in that the ending of the film is so focussed on setting up things for the third film that it seems to forget that audiences deserve something decent to finish things this time around.

Halloween Kills starts where its predecessor ends. Laurie Strode (Jamie Lee Curtis – True Lies), her daughter Karen (Judy Greer – Ant-Man) and her grand-daughter Allyson (Andi Matichak – Orange Is The New Black) are being treated in hospital after luring Michael Myers into his fiery trap, however the trap failed and after Myers battles with the first responders he heads into town once again looking for his nemesis.

In town though everything has gone crazy. While Officer Hawkins (Will Patton – Armageddon) tries to not only hunt down Myers and restore calm to the town a group of vigilantes led by Tommy Doyle (Anthony Michael Hall – The Dark Knight) have decided that enough is enough and that the only way to end Myer’s murderous rampage is with some old-fashioned mob justice. The result is a catastrophic turn of events where nobody is safe.

There were so many things about Halloween Kills that I loved. Michael vs The First Responders is a classic Halloween moment that is going to be long remembered by fans of the series – it also may well be David Gordon Green’s legacy stamp on the franchise. I also loved the fact that instead of just introducing random characters that nobody has ever seen, or care about, into the battle with Michael that Green has gone back and chosen characters that have appeared in the franchise in the past to re-appear. That not only shows Green’s love of the material that his expanding on but also adds something a little special for true fans of the franchise.

That decision actually results in one of most memorable moments of the entire franchise as actor Anthony Michael Hall steals the show as Tommy Doyle. Hall’s performance mirrors what the town is going through – the anger, the determination and the hope that they can finally be rid of Michael once and for all. His performance here is something that Hall should be incredibly proud of.

I also loved the fact that the events of the film seem to mirror what has happened in recent American history. The vigilante group looking for justice and the mass panic at the hospital seemed to be ripped straight out of newspapers with what happened with the storming of the Capitol Building and some of the recent riots in the US. It is moments like that that make you realise that Green has been very capable with bringing this franchise into the modern day and you can’t help but wonder if he wasn’t making a sneaky comment about modern day American society with some of the scenes depicted throughout the film.

What I didn’t like though, aside from the limp ending, was that it felt like the film wasted the talents of Jamie Lee Curtis. While it would have been unbelievable to have her fit and spry after the events of the last film it did feel like she was wasted being bed-ridden for a majority of the film. At least if the believability of the film did need her in hospital then perhaps the film could have used the fact that she is a sitting, wounded duck waiting for the hunter better as a suspense mechanism.

Overall though Halloween Kills does work as a film though. There are some truly memorable scenes in the film that will be forever etched into horror folklore while the creative kills and extra gore make sure the film is above many of the sub-standard horror films out there on the market. Now all I can say is bring on the finale.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture Halloween Kills Reviews:

Nil

Trailer:

It doesn’t take chatting to producer Jason Blum for very long to realise just how excited that he is that his company Blumhouse Productions is the company behind Halloween Kills.

In this interview with Subculture’s Dave Griffiths Blum chats about what made him want to make a Halloween trilogy and how proud he is of Halloween Kills.

You can take a listen to the full interview right here:

Michael Myers returns to cinemas on October 28th with Halloween Kills and thanks to our good friends at Universal Pictures you could win a double pass to see him on the big screen.

To be in the running to win an in-season pass simply go to the Subculture Facebook page and private message us the name of one of the stars of Halloween Kills.

For further information on the film please check out http://halloweenmovie.com.au/

Evil Dies Tonight, Halloween Kills. Only in cinemas October 28.

Minutes after Laurie Strode (Curtis) her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life threatening injuries, believing she finally killed her lifelong tormentor.

But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster.

The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.

Evil dies tonight.

In 2018, David Gordon Green’s Halloween, starring icon Jamie Lee Curtis,killed at the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman.

And the Halloween night when Michael Myers returned isn’t over yet. 

Minutes after Laurie Strode (Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor.

But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster.

The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.

Evil dies tonight.

Universal Pictures, Miramax, Blumhouse Productions and Trancas International Films present Halloween Kills, co-starring Will Patton as Officer Frank Hawkins, Thomas Mann (Kong: Skull Island) and Anthony Michael Hall (The Dark Knight).

From the returning filmmaking team responsible for the 2018 global phenomenon, Halloween Kills is written by Scott Teems (SundanceTV’s Rectify) and Danny McBride and David Gordon Green based on characters created by John Carpenter and Debra Hill. The film is directed by David Gordon Green and produced by Malek Akkad, Jason Blum and Bill Block. The executive producers are John Carpenter, Jamie Lee Curtis, Danny McBride, David Gordon Green and Ryan Freimann.