Tagged: Sharon Horgan

Summary: 
Two school friends decide to start a pretend straight relationship in an effort to fit in.

Year: 2020

Cinema Release Dates: 15th July 2021 (Australia)

VOD Release Dates: 4th June 2020 (UK), 10th November 2020 (USA)

Country: Ireland, USA, UK, Belgium

Director: David Freyne

Screenwriter: David Freyne

Cast: Andrew Bennett (Captain Rory), Anastasia Blake (Janet), Peter Campion (Sweeney), Lauryn Canny (Sarah), Adam Carolan (Geoff), Shaun Dunne (Cian), Sharon Horgan (Hannah), Simone Kirby (Jill), Arian Nik (Adam), Evan O’Connor (Jack), Ian O’Reilly (Kev), Fionn O’Shea (Eddie), Lola Petticrew (Amber), Barry Ward (Ian), Emma Willis (Tracey), Jonny Woo (himself)

Running Time: 92 mins

Classification: MA15+ (Australia), 15 (UK), Not Rated (USA)

OUR DATING AMBER REVIEWS

David Griffiths’ Dating Amber Review:

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture Dating Amber Reviews:

Nil.

Trailer:

 

Summary: With their partners away serving in Afghanistan, a group of women on the home front form a choir and quickly find themselves at the center of a media sensation and global movement.

Year: 2019

Australian Cinema Release Date: 12th March 2020

Thailand Cinema Release Date: TBA

Australian VOD Release Date: TBA

Country: United Kingdom

Director: Peter Cattaneo

Screenwriter: Rosanne Flynn, Rachel Tunnard

Cast: Emmanuel Akinbami (Private Ellis), India Ria Amarteifio (Frankie), Laura Checkley (Maz), Sophie Dix (Beatrice), Laura Elphinstone (Helen), Roxy Faridany (Dawn), James Flemying (Crooks), Gaby French (Jess), Robbie Gee (Red), Charlie Hiscock (Scott), Sharon Horgan (Lisa), Amy James-Kelly (Sarah), Melanie Kilburn (Kathleen), Beverly Longhurst (Hilary), Emma Lowndes (Annie), Colin Mace (Brigadier Groves), Lila McNamara (Eve), Charlie Price (Tommy), Lara Rossi (Ruby), Jack James Ryan (Private Shaw), Penny Ryder (Rebecca), Yula Teffa (Claire), Kristen Scott Thomas (Kate), Stephen Thompson (Stuart), Robert Whitelock (Malc), Finlay Willis (Young Jamie), Sebby Wilson (Billy), Greg Wise (Richard)

Running Time: 112 mins

Classification: M (Australia)

 

 

OUR MILITARY WIVES REVIEWS & RATINGS:

 

Dave Griffiths’ Military Wives Review:

Sometimes a film can be completely underestimated due to its advertising campaign. One look at the campaign around English film Military Wives and you would swear that you were in for a light and fluffy film in the vein of The Full Monty. However, after sitting down to watch the film the audience will soon see that this is a film that packs a little bit more punch than what you would expect.

From director Peter Cattaneo, who yes did direct The Full Monty, Military Wives loosely tells the tale of a group of women who started a choir on a military base – a phenomenon which has now been repeated right around the world.

The idea was the brain-child of Army wife Lisa (Sharon Horgan – Game Night) who decides that a choir would be a good distraction for a group of Army wives while their husbands are off fighting in Afghanistan. Her idea doesn’t run smoothly though – first she finds opposition from the base’s matriarch – Kate (Kristin Scott Thomas – The English Patient) who feels that she should be the one that is running the choir.

Kate then tries to hijack the choir with her older style music while the choir itself almost implodes when it is realised that most of the women can’t sing while Lisa also finds the choir dominates her time meaning that she is neglecting her rebellious daughter, Frankie (India Amarteifio – Doctor Who), who is also suffering due to the fact that her father is currently fighting overseas.

The way in which Cattaneo manages to mix humour with some deep, emotional storylines in Military Wives is sheer filmmaking brilliance. There is the odd laugh here and there that all seem to hit their mark but Cattaneo alongside his screenwriting team also take this movie into some rarely explored in cinema areas. Outwardly these women all try to be strong but inwardly that is far from the truth. As a film Miitary Wives looks at the stress and anxiety that Army wives feel as their partners are away at war and it is these moments during the film that makes this film more than watchable.

The screenplay allows for every character to have their own personality and the result is a beautiful film that takes the audience through a range of emotions as the characters on screen all go through various situations throughout the film. From a young newly-wed wife sending her partner off to war through to a teenage girl who deals with her father being deployed by partying and getting drunk every night. Then without spoiling to much comes the angst and worry as word filters through that the group containing the partners/fathers has been attacked.

Of course there is a good light-hearted side to the film as well – and a lot of that comes through the music. From a new Robbie Williams song through to modern day hits from Dido and a swag of well known 80s classics Military Wives has a soundtrack that not only lifts the mood but will also have the audience singing along in much the same way that Pitch Perfect did.

All of that aside though the power of this film comes from its two leads. Kristen Scott Thomas is brilliant as the hard-lined Kate. Thomas portrayal of Kate deserves to be award winning as her character is more complex than originally meets the eye. When there are some great scenes where Thomas and Horgan clash heads there are other times in the film where Thomas portrays Kate as a caring character that is suffering just as much as the others. Her back-story in itself is enough to break the average person.

Thomas is well matched opposite Horgan who herself also puts in an amazing performance. Likewise her scenes with Thomas are emotionally charged and some of the highlights of the film. She also shares some memorable scenes with young India Armarteifio and I can only hope that we see her in more films over the years.

Military Wives is a surprisingly emotional film that goes a lot further than the fluffy feeling you would expect from a film in this genre. Its look at what life is like for military families is rare in the cinematic world and it contains several scenes that will really stay with you long after you have watched the film.

 

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:

Military Wives (2019) on IMDb

 

Other Subculture Entertainment Military Wives Reviews:

Nil

 

Trailer:

 

Summary:A group of friends who meet regularly for game nights find themselves entangled in a real-life mystery.

Year: 2018

Australian Cinema Release Date: 22nd February 2018

Australian DVD Release Date: TBA

Country: United States

Director: John Francis Daley, Jonathan Goldstein

Screenwriter: Mark Perez

Cast: Jason Batman (Max), Kylie Bunbury (Michelle), Kyle Chandler (Brooks), Camille Chen (Dr. Chin), Michael Cyril Creighton (Bill), John Francis Daley (Carter), R.F. Daley (Tats), Abigail Ford (Mrs. Anderton), Jonathan Goldstein (Dan), Michael C. Hall (The Bulgarian), Natasha Hall (Madison), Sharon Horgan (Sarah), Malcolm X. Hughes (Not Denzel), Danny Huston (Donald Anderton), Candy Ibarra (Rachel Burns), Jessica Lee (Debbie), Daniel Lucente (Dan Steele), Curtis Lyons (Logan), Billy Magnussen (Ryan), Rachel McAdams (Annie), Joshua Mikel (Colin), Lamorne Morris (Kevin), Tony Ohara (Kramer), Olivia (Bastian), Chelsea Peretti (Glenda), Jesse Plemons (Gary), Brooke Jaye Taylor (Linda), Michael Twombley (Michael Bates), Zerrick Williams (Val)

Runtime: 100 mins

Classification: R

 

OUR GAME NIGHT REVIEWS & RATINGS:

 

Dave Griffiths Review:

 

To listen to some film journalists talk the state of the comedy genre is in tatters. Apparently unfunny comedy after unfunny comedy floods our cinemas screens. The notion is ridiculous though. It seems that films like Horrible Bosses and We’re The Millers have been completely forgotten about… hell even the local comedy Swinging Safari was a lot funnier that most journos gave it credit for. Now comes Game Night a film that certainly shows that comedy is back – not only does the film’s twists and turns keep the audience guessing but it’s sassy comedy and modern edge make a film worthy of more than one viewing.

The plot of Game Night is unique in itself. Max (Jason Bateman – Arrested Development, Juno) and Annie (Rachel McAdams – The Notebook, Mean Girls) are a regular couple with a big difference – they are driven by a competitive spirit that makes their frequent games’ nights a must attend for their friends.

However their games nights are changed forever when the couple realise that their inability to conceive a child is caused by Max’s competitive streak with his rich and popular brother Brooks (Kyle Chandler – Argo, Manchester By The Sea). With Brooks coming to town and deciding to host the latest games night… a night that he says nobody will forget… Max and Annie are already on edge. To make things worse they are trying to hide the night from their creepy, ex-friend and Police Officer Gary (Jesse Plemons – Battleship, Black Mass) so he doesn’t turn up, but that all pails into insignificance when Brooks’ real life makes the night potentially deadly.

Universally panned for their work on Vacation directors John Francis Daley and Jonathan Goldstein bounce back here largely thanks to a witty script written by Mark Perez (Accepted, Herbie: Fully Loaded). While the premise of the film seems basic Perez’s screenplay makes this film stand-out. Game Night has everything that a good comedy should have – witty one-liners plus memorable characters like the dry and dull Gary and the extremely dumb himbo Ryan (Billy Magnussen – Into The Woods, The Big Short).

But Game Night also has more than that. The suspense of the plot is only enhances with a serious of twists and turns that soon has the audience realising that they can’t predict what is going to happen in the next minute let alone for the rest of the film. The fact that Perez is smart enough to have Max almost narrate what some would call film flaws with lines like ‘great two guys show up that haven’t been revealed in the plot earlier’ makes the decision to include such risky choices in the film pay off with laughter. The screenplay also gives a nod to other films, again with a smirk to the audience as Rachel McAdams declares ‘like Liam Neeson in Taken 3.’

In fact it is the chances that Game Night makes that ends up letting the film work. The decision to tone the adult humour down when compared to a film like Horrible Bosses means that this becomes the perfect date movie for both men and women while the interesting choice of cast all works. Batman and McAdams gel well as an on-screen couple while Jesse Plemons steals just about every scene he is in with some brilliant deadpan character acting. The other big surprise here is Kyle Chandler. Known more for his gritty dramatic roles in productions like Friday Night Lights Chandler here shows the world his comedic skills as he makes sure Brooks is one of those characters that the audience will love one moment and hate the next.

Game Night is one comedy that is well worth a look. Its great screenplay allows for a little more storyline and suspense then what we expect from most comedy films while Jason Bateman once again shows why he is the current king of comedy. As you sit down to watch Game Night be prepared for a wild ride with more than enough laughs to keep the comedy fans happy as well.

 

 

 

Greg King’s Review:

This enjoyable mix of action and comedy from the team behind films like Horrible Bosses is like David Fincher’s The Game crossed with Date Night.

A group of friends regularly meet every Saturday night for some old-fashioned fun, playing old school board games and charades. The games are held at the home of Max (Jason Bateman) and his wife Annie (Rachel McAdams), both very competitive gamers who met a trivia night. The players include bickering high school sweethearts Kevin (Lomorne Morris) and Michelle (Kylie Bunbury) and dim-witted ladies’ man Ryan (Billy Magnussen, from tv series Get Shorty, etc), who brings along a different shallow empty-headed date each night.

But this time, Max’s supposedly much more successful and wealthy older brother Brooks (Kyle Chandler, Emmy winner from Saturday Night Lights, etc) arrives for a surprise visit and decides to up the ante when he hosts his own game night. He has chosen an interactive “mystery” theme around the concept of a kidnapping. But things quickly go pear shaped when real life crooks invade the house, beat up Brooks, duct tape and drag him from the house. Max and the gang initially think it was all part of the game.

But when they realise that it was real, Max and his friends embark on a cross town chase to try and rescue Brooks. Their competitive spirit though means that they try to race each other to find Brooks and their efforts are driven by their natural one-upmanship. They soon discover that neither the game nor Brooks are what they seem. The chase also sees them having to find a Faberge egg, which is something of a McGuffin.

For the most part Game Night is an energetic and light-hearted action comedy with thriller elements as it mixes some car chases, fight scenes and the odd angry shot. But the plot is also very convoluted and there are a couple of last minute twists that defy credibility. The script comes from Mark Perez (the more family friendly Disney film Herbie Fully Loaded, etc). The film has been directed by John Francis Daley and Jonathan Goldstein, who are best known for writing comedies like Horrible Bosses, etc. They made their feature film directorial debut with 2015’s disappointing Vacation reboot, and here they bring their own comic sensibilities to Perez’s screenplay and make the most of the thin premise.

The film is slickly paced, and cinematographer Barry Peterson suffuses the material with a noir like palette. There are some nice visual gags as well, including establishing shots of various neighbourhoods that initially resemble a board game community.

Bateman often has a nice everyman quality that shapes his performances. Here he seems far more comfortable than in some of the crass comedies like Office Christmas Party that he has appeared in. He and McAdams develop a wonderful chemistry that lifts the film, and they play off each other well. It seems that she has allowed Bateman to lift his game. McAdams also shows a nice flair for comedy.  The cast also features Jeffrey Wright (Casino Royale, etc), and Danny Huston and Dexter star Michael C Hall in small roles as shady underworld figures.

Everyone in the cast is given their own moment to shine. But the stand out of the ensemble is Jesse Plemons (American Made, etc) who plays Gary, Max and Annie’s somewhat creepy and obsessive neighbour. Gary used to be a regular part of their game night crowd until he and his wife Debbie divorced, and he became too moody and depressed for their liking.

Game Night is uneven, but with a brisk running time of 100 minutes it never quite outstays its welcome. And it is a lot more fun than many other recent Hollywood comedies.

 

 

Nick Gardener’s Review:

The amiable if at times flat Game Night is a little like David Fincher’s The Game done in the style of contemporary comedies like Horrible Bosses. It also falls into that cinematic sub-genre the Jason Bateman movie in which Bateman plays the put-upon, every-man, nice guy schlub forced into a dangerous situation that inevitably provides some necessary jolt to his staid suburban life.

Here Bateman plays Max who, despite a comfortable life and marriage to the gorgeous Annie (Rachel McAdams), is perpetually stressed, a condition that seems to be impeding his ability to conceive a child. The source of his anxiety seems to be his arrogant Wall Street trader brother Brooks (Kyle Chandler) who has always taken sadistic delight in trouncing Max at games and competitions throughout their lives. When the obnoxious Brooks invites Max and Annie and their friends to a murder mystery party the night unexpectedly turns into a battle against kidnappers and sleaze-ball gangsters.

The film attempts to weld a typical Bateman middle class suburban rom-com to a crime thriller but the results are at best middling. Bateman’s easy charm and comic timing work about as well as they do in other films where he’s played essentially the same character and McAdams’ cheery, live-wire performance is typically fun and endearing.  Add an amusingly creepy performance from Jesse Plemons as a weird, angry cop neighbour who’s determined to inveigle himself into Max and Annie’s life and at least in its early stages, this is an enjoyably perky comedy.

As the film attempts to entangle Max and Annie in a twist-laden action/crime/ caper/ story, though, it begins to lose its appeal. The film lacks the necessary thrills, intensity and drama for this part of the movie to work. Add to this a few dud gags, predictable story threads, sub-plots about characters misfiring relationships that don’t really go anywhere and some completely unbelievable scenarios including a ludicrous sequence at a gangster’s mansion and Game Night becomes a little laboured.

Thankfully, Game Night eschews much some of the grubbiness and nastiness of contemporary raunch comedies but it doesn’t replace this with enough genuine wit, energy or clever story-telling.

 

 

Average Subculture Rating (out of 5): 

 

 

IMDB Rating:  Game Night (2018) on IMDb

 

Other Subculture Entertainment Game Night Reviews: N/A

Trailer: