Tagged: Napalm Records

It’s time for another deep dive into the horrors of mortality and the foul side of the supernatural – it’s time for “Survival Of The Sickest”! The sixth full-length album from BLOODBATH, Sweden’s undisputed masters of old school death metal, will be unleashed on September 9, 2022 via Napalm Records.

This is death metal at its ugly best: vicious, unrelenting and irrevocably sworn to the black.
After smashing the thrashing death metal assault and album opener “Zombie Inferno” out to the masses, BLOODBATH have just released another new burner, entitled “Carved”, featuring none other than Luc Lemay (Gorguts). Without any doubt, the relentlessly heavy track will ensnare the minds of new fans and thrill longtime supporters, aiming to turn intestines outwards in preparation for another irrevocable BLOODBATH!

Jonas Renkse on “Carved“:“If you’re a subject to human experiments performed by the sickest surgeon, you may not have the time to suffer a thousand deaths, but one thing is for certain: YOU’RE CARVED.”

The world is in flames, and “Survival Of The Sickest”, produced by BLOODBATH and co-produced and mixed by Lawrence Mackrory at Rorysound Studios, offers no respite from the horrors of reality. Instead, with the addition of new guitarist Tomas ‘Plytet’ Åkvik (Lik) onboard, BLOODBATH’s latest and greatest album gleefully confronts the slavering ghoul lurking in the shadows, and treats him to ten songs of ripping death metal frenzy. Alongside BLOODBATH’s official alumni, “Survival Of The Sickest” boasts a smattering of irresistible cameos from the great, good and ghoulish of the metal underground, including Barney Greenway (Napalm Death), Luc Lemay (Gorguts) and Marc Grewe (Morgoth).
From the thuggish brain-smash of opener “Zombie Inferno” to the bleak, obsidian ooze of closer “No God Before Me”“Survival Of The Sickest” is the sound of a great band in blistering form. In contrast with The Arrow Of Satan Is Drawn, which borrowed heavily from the blackened end of the death metal world, the new BLOODBATH goes straight for the jugular in true old school fashion. With strong echoes of everything from Morbid Angel and Death to Deicide and Obituary, songs like the rampaging “Putrefying Corpse”, the disgustingly slow and heavy “Dead Parade”, and the deliciously twisted “Tales Of Melting Flesh” breathe fresh fire into an arcane, perpetually rotting formula.

Formed by Jonas Renkse and Anders Nyström (both of KATATONIA), Mikael Åkerfeldt (Opeth) and Dan Swanö (Edge Of Sanity) in 1998, BLOODBATH devoted themselves to resurrecting the increasingly forgotten art of pure death metal. In 2014, they unveiled a new frontman – legendary Paradise Lost vocalist Nick Holmes, now redubbed Old Nick – and yet another macabre musical evolution. With this new line-up, the only way to go was grim. On “Survival Of The Sickest”BLOODBATH evoke their most horrifying sonic scenarios to date, from the death-by-munching nightmare of “Malignant Maggot Therapy”, to the murderous nihilism of “Affliction Of Extinction”.

A glorious comeback from a legendarily wicked musical force, “Survival Of The Sickest” provides yet more proof that BLOODBATH are the kings of the old school.
BLOODBATH add:“If there was a declaration of goods attached to this album, it would say Florida death metal exported from Sweden.”

Symphonic metal powerhouse Ad Infinitum didn’t let the rave reviews of their first album get to their heads. Instead the band decided to buckle down almost straightaway and begin work on their new album – Chapter II: Legacy.

With the album about to be released through Naplam Records this week Subculture’s Dave Griffiths sat down and spoke to Adrian Thessenvitz from the band about a number of things – including the fact that the album tells the story of Vlad The Impaler.

You can take a listen to the full interview right here:

The announcement of the brand new JINJER record, Wallflowers, out August 27 via Napalm Records, has not only caused immediate ripples around the world and delighted international reviewers and fans alike, but the band’s first single, “Vortex”, has already gained 2.5 million cross-platform streams/views in no time. 

Continuing their unstoppable way to the top, the band has just released their head-splitting second single “Mediator” and a brand-new crushing music video. The second track cut from the new album demonstrates once again that their unique sonic vision combined with visual attitude is more than peerless. Frenetic drumming combined with technically adept, fast firing bass and guitar attacks, merging with the unmatched mix of Tatiana Shmayluk’s clear vocals, pungent rap-like passages and ferocious growling. The track’s high-quality audiovisual bombardment draws the viewer into the spell of the progressive spectacle and constructs the visual antithesis of the postmodern utopia thematized within the track.  

JINJER on the tone of the new single:
“With years getting older, we often realize that the world around us is far from what we expected it to be. Through the eyes of a kid everything seemed way more colorful, better and optimistic, didn’t it? When did it all turn wrong? When did it all turn so gray? Is this really the world’s fault? Or it is only about us chasing the wrong goals… the wrong careers, ambitions and achievements, rather than embracing one important truth… Rephrasing John Lennon, if one chases something else other than happiness, then they didn’t understand life at all …”

Watch/Listen to “Mediator” 
https://youtu.be/tMfqGleETyw 

Already regarded as one of the most anticipated metal albums of the year, with WallflowersJINJER once again prove their exceptional knack for mixing groove, prog, alternative and experimental influences to create a sound unlike anything that has ever come before it.

Eugene Abdukhanov on the new album:           
“Growing creatively has always been a major goal for us. The day JINJER stops reaching for new musical horizons will be our last day as a band. We could have churned out what our peers expected us to do, or produce ‘Pisces’ clones without end, but we’ve never done that and we never will. Instead, we wrote an album whose level of emotions range from the fiercest aggression we’ve ever had, to the most intricate melodies and melancholic vibes you could ever get from our music. We decided to rip apart all possible stylistic boundaries without regard to financial success or competing with our previous albums. Wallflowers is a different kind of album musically and visually. It’s about our identity as a band, as individuals and a clear statement that we are different from most artists… and that it is OK to do your own thing.”

Wallflowers not only presents a methodical and premeditated next step in the band’s already imposing career, but moreover, it mirrors the personal adversities they’ve faced due to the worldwide events over the last year. Wallflowers is not only an upgrade to the progressive groove metal sound that all JINJER fans crave, but also a sonic pressure cooker of technical musicianship, emotional fury and an intense soundtrack befitting the harrowing state of the world today. Hailing from the conflict-ridden Ukrainian region of Donetsk but now calling Kiev their home base, JINJER truly do not mince words – or riffs – on Wallflowers. Their exceptional precision of modern metal paired with tough as nails attitude has earned them a fiercely loyal, rabid fanbase and massive critical acclaim, making JINJER one of the most talked about bands today and garnering them many sold out performances across the globe. With nearly all of JINJER’s releases composed between vans, backstage rooms and constant touring, Wallflowers continues where its predecessor Macro left off, only this time with less distraction and more time to focus on songwriting.

Tracklisting:
1. Call Me a Symbol
2. Colossus
3. Vortex
4. Disclosure!
5. Copycat
6. Pearls and Swine
7. Sleep of the Righteous
8. Wallflower
9. Dead Hands Feel No Pain
10. As I Boil Ice
11. Mediator

Pre-Orders for Wallflowers are available now
https://napalmrecords.com/jinjer