Tagged: DevilDriver

Respected standard bearers for 21st century metal, DEVILDRIVER have spent almost the last two decades pursuing a course of uncompromising artistry and nonsense-free dedication to the road. Led by the prolific Dez Fafara, the Californian crew have earned their reputation as one of the hardest working bands on the planet, while issuing a steady succession of brutal but distinctive albums along the way.

Their focus has remained laser-sharp, and never more so than on the monumental upcoming double album, Dealing With Demons. The first volume of the double album offering – entitled Dealing With Demons I – is set for release on October 9, 2020 via Napalm Records and will be available in several must-have formats.

Dealing With Demons I (the band’s first release of new, original material since 2016’s Trust No One) represents the onset of a final purging of the demons that have long haunted Dez Fafara and DEVILDRIVER’s music. From its eerie, ominous intro and the self-explanatory, explosive opener “Keep Away From Me” to the seething, poignant “Nest Of Vipers” and the chilling imagery of “Iona”, each track on Dealing With Demons I illustrates a different demon to be dealt with, or released.

In conjunction with the announcement of Dealing With Demons IDEVILDRIVER have unleashed a searing, propelling new track, “Keep Away From Me”, alongside a new lyric video – a thought-provoking time capsule that paints a picture of positivity at its end.

Watch the stimulating visual, directed by Vicente Cordero, now!

Frontman Dez Fafara states about “Keep Away From Me” and its accompanying visual:
“I’ve been social distancing since I was born. I’ve learned to try and embrace my Agoraphobia all my life. This is what the lyrics are about as we are all sheltered in place. They seem very clear. Now is not the time bands should shy away from the obvious by trying to push the narrative through their art as if everything is alright with the world and ‘it’s metal video visual as usual time’, as it is clearly NOT that time.

We as artists should speak up, inspire and change lives, or paint a picture – a time capsule if you will – by the narrative we push in uncertain times. This video is one such art piece as my band and thousands of others are forced into quarantine – cannot rehearse, take photos, or perform – to make a music video for the very people that have supported us for years. It’s trying times for the world and my outlook through this video is simply this: ‘here’s what we are going through as a family on this planet and as we embrace what is yet to come… please Stand Together’.”

Dealing With Demons I showcases the supreme form of the band – Dez, guitarists Mike Spreitzer and Neal Tiemann, drummer Austin D’Amond and bassist Diego Ibarra. This isn’t just some of the most vicious DEVILDRIVER material to date, but some of their most lethally memorable too. Co-produced by Steve Evetts and guitarist Mike Spreitzer, it’s a triumph for teamwork and tenacity.

Dez Fafara says about the band’s writing and recording process:
“I said to the guys, ‘if we just met today, what kind of music would we make? How would we stand the test of time, stand apart from others and stand above the competition? Let’s not focus on the past sound. Instead let’s kick into the future together.’”

With new milestones like Dez Fafara’s eerie verses on “Wishing” and the frontman’s first co-authored lyric (“Nest Of Vipers” was written by Dez and Neal Tiemann), Dealing With Demons I ferociously delivers the goods while kicking open several new doors for DEVILDRIVER to power through in the future. It’s a vital and violent clearing of the emotional decks, but it’s also powerful evidence that Dez and his band mates have given DEVILDRIVER a volatile, visceral kick in the ass. Demons are getting dealt with in the harshest of manners.

Dez Fafara adds:
“It’s time to lay it all out, on two records. I’m never gonna revisit these subjects again. I’ve been writing about this sort of human nature, disloyalty and dishonesty, love and loss, since the beginning of my career. I am going in a more lyrically woke direction in the future. A lot of people say my music gives them strength. But what they don’t realize is that these topics haunt me. Over the course of these last few years we fled from wildfires, my wife battled cancer and now we are going through a pandemic… so it is what it is… let’s dump it all on the table and purge. I want to go through different topics in the future, so here we are now. I’ve laid it all out on a double record for all of you to hear.”

This is just the beginning – fans should be prepared for the onslaught of what is to come with the impending second volume of the double album, which promises to go even harder. This is a two-part acceleration into the future – after witnessing Dealing With Demons I, listeners will be clamoring for the second half!

Dez adds about the upcoming remainder of the Dealing With Demons saga:
“Volume two will get into some very heavy topics as well. You’ll see the band progress even further musically as we finish this ode to the purge of all things Demonic.”

Dealing With Demons I Tracklist:
1. Keep Away From Me
2. Vengeance Is Clear
3. Nest Of Vipers
4. Iona
5. Wishing
6. You Give Me A Reason To Drink (feat. Simon Blade Fafara)
7. Witches
8. Dealing With Demons
9. The Damned Don’t Cry
10. Scars Me Forever

An array of must-have merchandise, bundles and music formats are available via both the Napalm Records and DEVILDRIVER official stores, including CDs, exclusive vinyl in various colors, picture discs, cassette tapes, skateboards, notebooks, clothing and more.

Plus, pre-order any format of Dealing With Demons I via the Napalm store and you’re automatically entered in a giveaway to win one of two exclusive
Dealing With Demons I banners.

 

The Ukrainian Progressive Groove Metal wrecking machine known as JINJER caused a huge stir with the announcement of their Australian tour that due to popular demand 2 new shows have been added to the run! Adelaide at the Lion Arts Factory (Licensed AA) on Tuesday 3rd March and Canberra on Wednesday 4th March at The BasementAdelaide and Canberra join the already announced Melbourne, Sydney and Brisbane. Their new album Macro drops this Friday, 25th October.

In less than 10 years, JINJER have carved their very own place in the Heavy Metal landscape and are poised to go even further in 2019 and beyond.

Hailing from Donetsk, this Ukrainian musical phenomenon formed in 2009 but consider the official start of the band with the addition of the incredible vocalist and femme fatale Tatiana Shmailyuk in 2010. The band laboured intensively and honed their sound in practice rooms and local stages relentlessly, culminating in their now cult, first album release Inhale, Don’t Breathe in 2012. The following year JINJER were nominated and won Best Ukrainian Metal Band. They would be awarded this prize again a few years later.

While most bands from a country not exactly known for its Heavy Metal exports would be content to enjoy the little recognition received in those first few years, it was clear that JINJER craved more and were willing to go the extra mile to make this happen. It was this attitude and clear vision that pushed the band to quickly write and release their second album Cloud Factory (2014), and venture into the international touring market for the first time, booking their own shows and building their reputation face to face, fan to fan and more importantly under their own terms.

It was this intensity that caught the attention of Napalm Records, who quickly signed JINJER leading to the release of their critically acclaimed third album King Of Everything (2016). As well as the release of their game-changing single and video for “Pisces”, which gained the band new fans, over 20 million of views/streams and countless reaction videos on YouTube. King Of Everything showcased the musical prowess and growth of the entire band while opening the floodgates to a bigger international touring circuit, which JINJER gladly took advantage of. By the end of nearly two years of non-stop touring in Europe, JINJER added new territories such as Israel, Philippines, United Arab Emirates, United Kingdom, America, Canada and most of Latin America, while sharing the festival stages and touring with the likes of Arch Enemy, Cradle of Filth and DevilDriver, to mention a few.

Somewhere between touring vans, roadside pit stops, backstage rooms, soundchecks, hotel rooms, visa applications and flights to tour destinations, JINJER buried themselves in the rehearsal room once again to compose 5 brand new tracks for what would become the Micro EP – written not only for the fans but for themselves, as they needed something new to keep their sanity on the road.

Released on the 11th of January 2019 and coinciding with the start of their European Tour together with Soilwork and Amorphis, the Micro EP was received with open arms from fans and critics alike. Songs “Ape” and “Perennial” became instant favourites, climbing to the top of many industry charts and radio station lists worldwide. And once again showcased the musical depth and phenomenal songwriting talent of the band, as well as Tatiana’s amazing vocal range.

 Get ready for March 2020… with their new album Macro on the airwaves, Australia is set to be blown away by JINJER – face-meltingly impressive live… Don’t miss your chance to see some of Metal’s absolute finest.

 

Globally renowned, chart-topping band DEVILDRIVER recently announced the upcoming release of their highly-anticipated full-length album of outlaw country-gone-metal anthems,
Outlaws ‘Til The End: Vol. 1.The monstrous collection of savage metal interpretations will be released  on July 6, 2018

Today, DEVILDRIVER is pleased to reveal the third video in a series of new interview commentary videos supporting the release of Outlaws ‘Til The End: Vol. 1.

The third segment, entitled “The Guests”, features members of DEVILDRIVER discussing what is was like to have so many iconic guests featured on the album, as well as album guests John Carter Cash, Randy Blythe of Lamb of God, Lee Ving of FearHank3Wednesday 13, and Burton C. Bell of Fear Factory reminiscing about how they came to be involved and their different approaches to recording the tracks.

In the video, drummer Austin D’Amond says: “It’s crossing sh*t off of a bucket list… like, really? I got to do a cover song of this legend [Johnny Cash] and his son [John Carter Cash] is on this f*cking track – wow, that’s bad as hell…. every one of these guests, it’s not like it’s some half-assed thing… they’re wailing on this sh*t. They’re psyched to be a part of it and we’re psyched to have them. It’s an honor.”
From the opening seconds of Hank3’s “Country Heroes” onward, Outlaws ‘Til The End: Vol. 1 is simply one of the most invigorating records the band have made yet. More importantly, these evocative, irresistible songs have all been wholly rebuilt from the ground up, powered by the classic DEVILDRIVER sound and embellished with Fafara’s unmistakable feral roar. Outlaws ‘Til The End: Vol. 1 was produced, mixed and recorded with Steve Evetts (Dillinger Escape Plan, Every Time I Die, Sepultura, The Cure), and co-produced by DevilDriver guitarist Mike Spreitzer. The album was mastered by renowned engineer Alan Douches.
Completing this unprecedented project is a host of metal and country luminaries providing unforgettable cameos: horror metal icon Wednesday13 lends his incensed rasp to George Jones’ “If Drinking Don’t Kill Me”, 36 Crazyfists frontman Brock Lindow brings fire and soul to Steve Earle’s, “Copperhead Road”, and Fear Factory’s Burton C. Bell helps to turn Richard Thompson’s anti-war classic, “Dad’s Gonna Kill Me”, into a brooding gothic metal extravaganza. Meanwhile, Lamb of God members Randy Blythe and Mark Morton contribute to an exhilarating decimation of Willie Nelson’s “Whiskey River” before Randy makes a second appearance on DEVILDRIVER’s version of cowboy standard “Ghost Riders In The Sky”; the latter featuring the son and daughter of Johnny Cash himself, John Carter Cash and Ana Cristina Cash. The album also features the iconic voice of Fear, US punk rock legend Lee Ving, on Johnny Cash’s “The Man Comes Around” and David Allan Coe’s “The Ride”.
Pre orders available now!

Globally renowned, chart-topping band DEVILDRIVER recently announced the upcoming release of their highly-anticipated full-length album of outlaw country-gone-metal anthems, Outlaws ‘Til The End: Vol. 1.

The monstrous collection of savage metal interpretations will be released via Napalm Records on July 6, 2018, and pre-orders are available now in multiple formats via www.nervegas.com.au/napalmrecords

 

 The wait is over for new music! DEVILDRIVER just dropped their full, haunting rendition of Hank3‘s “Country Heroes”, featuring Hank3 himself on vocals. The album’s starter track kicks in with an ominous classic outlaw/country western intro, instantly careening into a heavy assault accented by Hank3‘s Ozzy Osbourne-influenced vocal approach. Quickly veering towards full heavy metal with a grooving double bass foundation, the track travels into heavy-hitting signature DEVILDRIVER territory, wrapping up with a hair-raising, whiskey-soaked solo by guitarist Neal Tiemann.

“This record would not have meant as much to me without having Hank3 on board,” says DEVILDRIVER vocalist Dez Fafara. “He is one of the most authentic and real outlaw country artists out there right now. I chose to record “Country Heroes” because the lyrics are extremely well-written, and using the names of all the outlaws within the song really does the song justice. ‘I’m drinking some George Jones and little bit a Coe…’ etc., that is genius writing from Hank3 and should be recognized as such.”

“I’ve heard this song as ‘heavy’ in my head for a very long time, so to re-track it and have Hank3 appear only to sing almost Ozzy-ish is just an over the top treat to the ears! Enjoy,” adds Dez.

DEVILDRIVER recently revealed part one of a new interview commentary series supporting the release of Outlaws ‘Til The End: Vol. 1. Entitled “Intro to Outlaw Country”, part one features members of DEVILDRIVER as well as album guests Randy Blythe of Lamb of God, Lee Ving of FearHank3Wednesday 13, Burton C. Bell of Fear Factory and Brock Lindow of 36 Crazyfists discussing their personal introductions to the outlaw country genre and how it has influenced them as musicians.

Check out the “Intro to Outlaw Country” segment here:
https://youtu.be/hbcl74deLcY

From the opening seconds of Hank3‘s”Country Heroes” onward, Outlaws ‘Til The End: Vol. 1 is simply one of the most invigorating records the band have made yet. More importantly, these evocative, irresistible songs have all been wholly rebuilt from the ground up, powered by the classic DEVILDRIVER sound and embellished with Fafara’s unmistakable feral roar. Outlaws ‘Til The End: Vol. 1 was produced, mixed and recorded with Steve Evetts (Dillinger Escape Plan, Every Time I Die, Sepultura, The Cure), and co-produced by DevilDriver guitarist Mike Spreitzer. The album was mastered by renowned engineer Alan Douches.

Completing this unprecedented project is a host of metal and country luminaries providing unforgettable cameos: horror metal icon Wednesday13 lends his incensed rasp to George Jones’ “If Drinking Don’t Kill Me”, 36 Crazyfists frontman Brock Lindow brings fire and soul to Steve Earle‘s, “Copperhead Road”, and Fear Factory‘s Burton C. Bell helps to turn Richard Thompson‘s anti-war classic, “Dad’s Gonna Kill Me”, into a brooding gothic metal extravaganza. Meanwhile, Lamb of God members Randy Blythe and Mark Morton contribute to an exhilarating decimation of Willie Nelson‘s “Whiskey River” before Randy makes a second appearance on DEVILDRIVER‘s version of cowboy standard “Ghost Riders In The Sky”; the latter featuring the son and daughter of Johnny Cash himself, John Carter Cash and Ana Cristina Cash. The album also features the iconic voice of Fear, US punk rock legend Lee Ving, on Johnny Cash‘s “The Man Comes Around” and David Allan Coe‘s “The Ride”.

Track listing:
1. “Country Heroes”

Written by Hank Williams II
Performed by Hank3 & Dez Fafara

2. “Whiskey River”
Written by Johnny Bush and Paul Stroud; recorded by Willie Nelson

Performed by Randy Blythe, Mark Morton of Lamb of God & Dez Fafara

3. “Outlaw Man”
Written by David Blue; recorded by the Eagles
Performed by Dez Fafara & Neal Tiemann of DEVILDRIVER

4. “Ghost Riders in the Sky”
Written by Stan Jones

Performed by John Carter Cash, Ana Cristina Cash, Randy Blythe & Dez Fafara

5. “I’m the Only Hell (Mama Ever Raised)”
Written by Bobby Bobby Borchers, Wayne Kemp, Mack Vickery; recorded by Johnny Paycheck

Performed by Dez Fafara & DEVILDRIVER

6. “If Drinking Don’t Kill Me (Her Memory Will)”
Written by Harlan Sanders, Rick Beresford; recorded by George Jones

Performed by Wednesday13 & Dez Fafara

7. “The Man Comes Around”
Written by Johnny Cash

Performed by Lee Ving of Fear & Dez Fafara

8. “A Thousand Miles From Nowhere”
Written by Dwight Yoakam

Performed by Dez Fafara & Neal Tiemann of DEVILDRIVER

9. “Copperhead Road”
Written by Steve Earle

Performed by Brock Lindow of 36 Crazyfists & Dez Fafara

10. “Dad’s Gonna Kill Me”
Written by Richard Thompson

Performed by Burton C. Bell of Fear Factory & Dez Fafara

11. “A Country Boy Can Survive”
Written by Hank Williams Jr.

Performed by Dez Fafara & DEVILDRIVER

12. “The Ride”
Written by J.B. Detterline Jr., Gary Gentry; recorded by David Allan Coe

Performed by Lee Ving of Fear & Dez Fafara

 

This week, DEVILDRIVER is pleased to reveal the first of several segments of a new interview commentary series supporting the release of Outlaws ‘Til The End.

The first segment, titled “Intro to Outlaw Country”, features members of DEVILDRIVER as well as album guests Randy Blythe of Lamb of God, Lee Ving of Fear, Hank3, Wednesday 13, Burton C. Bell of Fear Factory and Brock Lindow of 36 Crazyfists discussing their personal introductions to the outlaw country genre and how it has influenced them as musicians.
In the video, Fafara details, “I got into my parent’s record collection when I was younger, and that’s what got me into music. And they have everything from the Doors, to Steppenwolf, to a lot of outlaw country, and even stuff like Kenny Rogers, laying around the house… but I think my true love [for outlaw country] came from when I started touring with Pantera. Them and on the Black Sabbath tour. I constantly was hearing those guys on the bus jamming outlaw country. If it wasn’t Willie Nelson, it was Johnny Cash and bands like that. I just fell in love with the lyrics as well. The lyrical content is so fucking real…
Outlaws ‘Til The End is both a startling curveball and a ferocious statement of individuality from a band who have been a constant and effective force in the heavy metal world for the best part of two decades now. From the opening seconds of Hank3’s “Country Heroes” onward, Outlaws ‘Til The End is simply one of the most invigorating records the band have made yet. More importantly, these evocative, irresistible songs have all been wholly rebuilt from the ground up, powered by the classic DEVILDRIVER sound and embellished with Fafara’s unmistakable feral roar. Outlaws ‘Til The End was produced, mixed and recorded with Steve Evetts (Dillinger Escape Plan, Every Time I Die, Sepultura, The Cure), and co-produced by DEVILDRIVER guitarist Mike Spreitzer. The album was mastered by renowned engineer Alan Douches.
Completing this unprecedented project is a host of metal and country luminaries providing unforgettable cameos: horror metal icon Wednesday13 lends his incensed rasp to George Jones’ “If Drinking Don’t Kill Me”, 36 Crazyfists frontman Brock Lindow brings fire and soul to Steve Earle’s, “Copperhead Road”, and Fear Factory’s Burton C. Bell helps to turn Richard Thompson’s anti-war classic, “Dad’s Gonna Kill Me”, into a brooding gothic metal extravaganza. Meanwhile, Lamb of God members Randy Blythe and Mark Morton contribute to an exhilarating decimation of Willie Nelson’s “Whiskey River” before Randy makes a second appearance on DEVILDRIVER’s version of cowboy standard “Ghost Riders In The Sky”; the latter featuring the son of Johnny Cash himself. The album also features the iconic voice of Fear, US punk rock legend Lee Ving, on Johnny Cash’s “The Man Comes Around” and David Allan Coe’s “The Ride”.
TRACKLISTING
1. “Country Heroes”
Written by Hank Williams III
Performed by Hank3 & Dez Fafara
2. “Whiskey River”
Written by Johnny Bush and Paul Stroud; recorded by Willie Nelson
Performed by Randy Blythe, Mark Morton of Lamb of God & Dez Fafara
3. “Outlaw Man”
Written by David Blue; recorded by the Eagles
Performed by Dez Fafara & Neal Tiemann of DEVILDRIVER
4. “Ghost Riders in the Sky”
Written by Stan Jones
Performed by John Carter Cash, Ana Cristina Cash, Randy Blythe & Dez Fafara
5. “I’m the Only Hell (Mama Ever Raised)”
Written by Bobby Bobby Borchers, Wayne Kemp, Mack Vickery; recorded by Johnny Paycheck
Performed by Dez Fafara & DEVILDRIVER
 
6. “If Drinking Don’t Kill Me (Her Memory Will)”
Written by Harlan Sanders, Rick Beresford; recorded by George Jones
Performed by Wednesday13 & Dez Fafara 
7. “The Man Comes Around”
Written by Johnny Cash
Performed by Lee Ving of Fear & Dez Fafara
8. “A Thousand Miles From Nowhere”
Written by Dwight Yoakam
Performed by Dez Fafara & Neal Tiemann of DEVILDRIVER
9. “Copperhead Road”
Written by Steve Earle
Performed by Brock Lindow of 36 Crazyfists & Dez Fafara
10. “Dad’s Gonna Kill Me”
Written by Richard Thompson
Performed by Burton C. Bell of Fear Factory & Dez Fafara
11. “A Country Boy Can Survive”
Written by Hank Williams Jr.
Performed by Dez Fafara & DEVILDRIVER
12. “The Ride”
Written by J.B. Detterline Jr., Gary Gentry; recorded by David Allan Coe
Performed by Lee Ving of Fear & Dez Fafara

Stay tuned for more new music and videos coming soon in anticipation of Outlaws ‘Til The End.

 

Globally renowned, chart-topping band DEVILDRIVER may be one of the most notable groups in metal, but their personal taste in music reaches far beyond heavy music. 
Thanks to widely lauded albums like 2005’s epoch-shredding The Fury Of Our Maker’s Hand, 2011’s ante-upping, ultra-brutal Beast and 2016’s acclaimed career peak Trust No One, the band – led by iconic vocalist Dez Fafara – are firmly established as one of the most consistent and best loved bands in modern metal. That said, in 2018, all expectations of who and what DEVILDRIVER are will be torched.

As first teased by Fafara last year, the band’s upcoming full-length album of outlaw country-gone-metal anthems, Outlaws ‘Til The End, will finally see its day. The highly-anticipated, monstrous collection of savage metal interpretations will be released via Napalm Records on July 6, 2018, and pre-orders are available now HERE with more format options coming soon!
Merchandise such as t-shirts, long-sleeve shirts, flasks, keychains, and more are available here  

Outlaws ‘Til The End is both a startling curveball and a ferocious statement of individuality from a band who have been a constant and effective force in the heavy metal world for the best part of two decades now. “I think real music has always gotten to me, whether it’s the blues or even real Goth music like Bauhaus and Sisters Of Mercy, as well as outlaw country greats like Johnny Cash, Wayne “The Train” Hancock, and Willie Nelson,” Fafara explains. “That stuff has always attracted me, and this is absolutely the real McCoy. The blues and outlaw country are what made rock n’ roll. They were around before rock n’ roll… and in my head, I’ve always heard these songs heavy.”

From the opening seconds of Hank3’s “Country Heroes” onward, Outlaws ‘Til The End is simply one of the most invigorating records the band have made yet. More importantly, these evocative, irresistible songs have all been wholly rebuilt from the ground up, powered by the classic DEVILDRIVER sound and embellished with Fafara’s unmistakable feral roar. Outlaws ‘Til The End was produced, mixed and recorded with Steve Evetts (Dillinger Escape Plan, Every Time I Die, Sepultura, The Cure), with Devildriver guitarist Mike Sprietzer also lending recording talents. The album was mastered by renowned engineer Alan Douches.

Completing this unprecedented project is a host of metal and country luminaries providing unforgettable cameos: horror metal icon Wednesday13 lends his incensed rasp to George Jones’ “If Drinking Don’t Kill Me”, 36 Crazyfists frontman Brock Lindow brings fire and soul to Steve Earle’s, “Copperhead Road”, and Fear Factory’s Burton C. Bell helps to turn Richard Thompson’s anti-war classic, “Dad’s Gonna Kill Me”, into a brooding gothic metal extravaganza. Meanwhile, Lamb of God members Randy Blythe and Mark Morton contribute to an exhilarating decimation of Willie Nelson’s “Whiskey River” before Randy makes a second appearance on DEVILDRIVER’s version of cowboy standard “Ghost Riders In The Sky”; the latter featuring the son of Johnny Cash himself.

DEVILDRIVER Outlaws ‘Til The End track listing:

1. “Country Heroes”
Written by Hank Williams CHRISMARIC@ICLOUD.COM
Performed by Hank3 & Dez Fafara

2. “Whiskey River”
Written by Johnny Bush and Paul Stroud; recorded by Willie Nelson
Performed by Randy Blythe, Mark Morton of Lamb of God & Dez Fafara

3. “Outlaw Man”
Written by David Blue; recorded by the Eagles
Performed by Dez Fafara & Neal Tiemann of DEVILDRIVER

4. “Ghost Riders in the Sky”
Written by Stan Jones
Performed by John Carter Cash, Ana Cristina Cash, Randy Blythe & Dez Fafara

5. “I’m the Only Hell (Mama Ever Raised)”
Written by Bobby Bobby Borchers, Wayne Kemp, Mack Vickery; recorded by Johnny Paycheck
Performed by Dez Fafara & DEVILDRIVER

6. “If Drinking Don’t Kill Me (Her Memory Will)”
Written by Harlan Sanders, Rick Beresford; recorded by George Jones
Performed by Wednesday13 & Dez Fafara

7. “The Man Comes Around”
Written by Johnny Cash
Performed by Lee Ving of Fear & Dez Fafara

8. “A Thousand Miles From Nowhere”
Written by Dwight Yoakam
Performed by Dez Fafara & Neal Tiemann of DEVILDRIVER

9. “Copperhead Road”
Written by Steve Earle
Performed by Brock Lindow of 36 Crazyfists & Dez Fafara

10. “Dad’s Gonna Kill Me”
Written by Richard Thompson
Performed by Burton C. Bell of Fear Factory & Dez Fafara

11. “A Country Boy Can Survive”
Written by Hank Williams Jr.
Performed by Dez Fafara & DEVILDRIVER

12. “The Ride”
Written by J.B. Detterline Jr., Gary Gentry; recorded by David Allan Coe
Performed by Lee Ving of Fear & Dez Fafara

“I knew right away that I wanted to have guests on this record, and the first guest I wanted was John Carter Cash,” Fafara recalls. “I didn’t want this thing to exist without John, without Hank3 or without Randy [Blythe]. Basically, there were a certain amount of guests that I definitely wanted on it, but as I kept asking people, everyone kept saying yes! Randy and Mark [Morton] are both from the country and they were immediately on board. With John, we wound up talking for two hours when we first met, all about his love of heavy metal and my love of outlaw country and my love of his dad’s music. All he wanted to do was talk about metal and all I wanted to do was talk about outlaw country. It was the craziest thing.”

Not only just content with a collaboration with John Carter Cash, the album also features the iconic voice of Fear, US punk rock legend Lee Ving. “Lee has a country band called Range War and when he first started in music, his mother gave him her mandolin to play, so he played country music before he ever did punk rock,” Fafara notes. “I’ve been fortunate enough in my career to do songs with Ozzy and some of the greats, but doing a song with Lee Ving? What can I say… he’s my ultimate hero in life. I had a Fear shirt on the first time I ran away from home, you know?”

Still charging forward, proudly against the grain and on the form of their lives, DEVILDRIVER have never made a record like Outlaws ‘Til The End before. But then, nor has anyone else. The perfect marriage of badass country grit and neck-wrecking groove metal supremacy, it’s a pistol-packing game-changer delivered by true heavy metal outlaws.

Stay tuned for more new music and videos coming soon in anticipation of Outlaws ‘Til The End. 

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