This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick take a look at new release films ‘The Emporer’s New Clothing,’ ‘Marshland’ ‘Jurassic World’ ‘The Mafia Only Kills In Summer,’ ‘Slow West’ and ‘54: The Director’s Cut′. This episode also contains interviews with Russell Brand, Michael Winterbottom, Steven Speilberg, coln Trevorrow, Chris Pratt, Bryce Dallas Howard, Enzo Tedeschi (Deadhouse Films) plus Rain Fuller and Osamah Sami stop by to talk about their new web series Two Refugees And A Blonde.
Plus make sure you listen to the show this week for your chance to win a copy of Laggies starring Chloe Grace Moretz, Sam Rockwell and Keira Knightley on DVD thanks to eOne Entertainment.
Jurassic World sees John Hammond’s dream from Jurassic Park finally come true. Owned by the world’s eighth richest man, Masraini (Irrfan Khan) Jurassic World is a fully functional theme park (that looks alarmingly like Sea World from the air) where people of all ages can come and see all kinds of dinosaurs up close and in more importantly… alive.
The park is kept operational by the hard work of marketing manager Claire (Bryce Dallas Howard) and Navy man turned dinosaur whisperer Owen (Chris Pratt) who have been able to find a medium that allows the park to be financially stable and also a lot safer for those visiting the Park.
However as is the case with all movies in the Jurassic franchise something has to go wrong. And here in Jurassic World we learn that the park has genetically invented their own new specie of dinosaur by mixing and matching DNA from various other kinds of dinosaur. While Dr. Henry Wu (BD Wong) sees this creation as a massive step-forward for science and Claire sees it as a great way to attract more sponsorship and people to the Park, only Owen seems to realise the dangerous situation that this has put them in – there is now a genetically modified dinosaur around that nobody has any idea what is capable of. That of course is something that impresses the gruff Hoskins (Vincent D’Onofrio) who plans on turning dinosaurs into weapons for the military, but sadly soon places the lives of all at the park, including Claire’s nephews Gray (Ty Simpkins) and Zach (Nick Robinson), in real danger.
Australian Cinema Release Date: 11th June, 2015
Australian DVD Release Date: TBA
Director: Colin Trevorrow
Screenwriter: Rick Jaffa, Amanda Silver, Derek Connolly, Colin Trevorrow, Michael Crichton (characters)
Cast: Andy Buckley (Scott), Tom Bui (Austin), Matthew Burke (Jim Drucker), Heather Ashley Chase (Emily), Vincent D’Onofrio (Hoskins), James DuMont (Hal Osterly), Jimmy Fallon (himself), Judy Greer (Karen), Bryce Dallas Howard (Claire), Bomber Hurley-Smith (O’Hara), Jake Johnson (Lowery), Brent Kappel (Dr. Ryan Crest), Irrfan Khan (Masrani), Christian LaBella (Joey), Lauren Lapkas (Vivian), Rebecca Maltby (Charlotte), Katie McGrath (Zara), Moses Munoz (Charlie), Chris Pratt (Owen), Emilio Reynoso (Doctor Sanchez), Brandon Richardson (Christopher), Nick Robinson (Zach), Ty Simpkins (Gray), Omar Sy (Barry), Anna Talakkattour (Erica Brand), Brian Tee (Hamada), Colin Trevorrow (Mr. DNA), Yvonne Welch (Gabriella), BD Wong (Dr. Henry Wu)
Runtime: 124 mins
OUR JURASSIC WORLD REVIEWS & RATINGS:
22 years ago this week we were all walking into cinemas expecting to be wowed by the fact that visionary director Steven Spielberg had brought dinosaurs to life on the screen in a way that nobody would have predicted. Here we are two decades later and once again the expectation of getting to see dinosaurs on the big screen has our cinematic pulses beating in a mammoth way.
The big question you ask yourself when heading into Jurassic World is what can we expect this time around? To be honest this is the fourth installment in a franchise, that let’s be honest peaked with the first film, so we shouldn’t be expecting much, right? Wrong!!! Maybe it is the fact that I’m one of the those people that can spend hours staring at dinosaur bones in a museum and feel like a little kid again but Jurassic World has breathed some life back into this franchise in such a way that I’m now eager to see where they will go next time around.
There are positives and negatives with Jurassic World but first let’s kick off the big plus – the director. Handing Colin Trevorrow the keys to one of the biggest franchises in the world was a massive risk for Steven Spielberg to make. We knew Trevorrow was a great director, that was very, very clear with his feature debut Safety Not Guaranteed, but at the end of the day that was a small indie sci-fi so it was a real unknown how Trevorrow would react working on a film that cost $100s of millions more to make.
The answer to be brutally honest is that Trevorrow is exactly what this franchise needed. Okay so maybe he doesn’t make this film ‘family friendly’ like the ‘political trendys’ would want him to do, but what he does deliver is some truly memorable scenes. The pterodactyl attack on the park visitors is one of the best feathered creature aerial attacks that we have seen since Hitchcock’s iconic The Birds, while Trevorrow will please serious movie fans with some pretty gruesome dinosaur attacks on humans and dinosaurs alike. And while I don’t want to spoil the great finale let’s just say that is a battle scene that will please dinosaur fans and monster movie geeks to the core… suck it up Godzilla you just got owned. Trevorrow takes some massive risks and to his credit they really pay off.
Sadly though there is also a downside to Jurassic World and it lies right at the feet at the screenwriters. Sure this screenplay got the tick of approval from Steven Spielberg but like so many of his recent films Jurassic World falls into the trap of having clichéd characters. Movie lovers see the too-busy-for-children-or-a-partner business woman like Claire in every second film these days, while on the other hand it seems like Owen may have been based on one of Spielberg’s other great creations, Indiana Jones. From his wardrobe down Owen is a screaming Indy clone… not that that is a bad thing because he is still one of the most likable characters in the film.
The other big weakness is the fact that even though Trevorrow sets up pretty early on that he is not afraid to allow his dinosaurs to be a little full-on with their attacks there is a real feel that aside from the clichéd bad guys nobody that the audience really likes amongst the characters are going to meet their deaths today and that sadly takes away from some of the suspense that Trevorrow worked so hard to build up.
Having pointed out those two things though the pluesses of Jurassic World do outweigh the negatives. There are small things all throughout this film that are going to impress fans of this franchise to no end. First of all the filmmakers have chosen to celebrate and pay tribute to the film that kicked this all off rather than ignore it. There is nothing more annoying about a reboot then when you are told as an audience you are supposed to ignore that films have been set in this world before. In Jurassic World you are quickly shown that this isn’th the case here. From a well placed Hammond statue at the park to a employee showing Claire his Jurassic Park T-Shirt he found online and the old park itself playing an important part later on it is easy to see that Jurassic World embraces its predecessor rather than ignoring it.
This might be really film geeky but the other thing that I really enjoyed about Jurassic World was the fact that the film didn’t mind making fun of itself. Lines such as ‘I can’t wait to tell Mum about this’ being responded to with ‘Don’t you DARE tell your Mum about this’ actually make characters like Claire likable, while a character turning to their co-worker for a kiss during a stressed situation only to be told ‘umm…I have a boyfriend’ show that the filmmakers were more than aware that they were making a popcorn action movie and this wink to the audience shows that they were perfectly happy to do that.
While the clichéd characters do make it hard for the actors to really stand out Jurassic World does once again show us what Guardians Of The Galaxy already screamed from the rooftops – Chris Pratt is the your perfect leading man. He can be funny, the ladies seem to like him, he’s blokey enough for guys to love as well and he is a more than capable action hero. At the moment if you want to put bums on seats than Pratt is your go to guy. The people responsible for casting also need to be congratulated for putting ‘serious’ actors into even some of the smaller roles because it is a lot more refreshing to watch talented actors like Omar Sy, Irrfan Khan and Vincent D’Onofrio in roles that many may feel is beneath them than it is to watch blow-ins deliver bad performances. Also Ty Simpkins and Nick Robinson also reveal themselves as young stars to watch in the future.
The key to enjoying Jurassic Park is to go into the cinema just expecting your normal popcorn action movie. There is nothing in Jurassic Park that is going to make it one of the best action movies of all time but it is still enjoyable and does more than enough to keep its audience interested one hundred per cent of the time. The nods to Jurassic Park will keep fans of the franchise happy while Trevorrow’s eagerness to bring in some more dinosaur brutality does more than enough to please the monster movie fans out there. Not high art but still the best Jurassic movie since the original.
DINOSAUR ISLAND will be distributed exclusively by Hoyts and will screen nationally from 14 February 2015
DINOSAUR ISLAND was conceived three years ago by Emmy award winning creature effects expert MATT DRUMMOND and is a family film aimed primarily at children aged from 6 to 12 years.
The feature film came about when Australian director, Drummond was living in Vanuatu, where his company, Hive Studios worked on a string of dinosaur documentaries featuring dinosaurs for American cable networks National Geographic, History and Discovery channels. In Vanuatu, Drummond met legendary Hollywood producer, Paul Mason who encouraged him to make his first movie.
As Drummond explains “My previous experience running a visual effects studio had taught me that every project I do has to be commercially viable, if not, it just wasn’t worth doing because the name of the game is sustainability. I did most of the visual effects myself; I have 20 years’ experience in creature effects” (he won an Emmy Award last year for Art Direction and Graphic Design for his work on Big History for the History Channel).
The score for DINOSAUR ISLAND was composed by Australian musician, Chris Wright and the title track was recorded by Kate DeArougo (Australian Idol winner).
DINOSAUR ISLAND features two Australian acting newcomers Kate Rasmussen (Kate Thompson) and Darius Williams (Lucas Winton).
DINOSAUR ISLAND is garnering international attention from both the scientific and entertainment community with Drummond’s controversial choice to portray some of the dinosaurs as feathered, notably the Tyrannosaurus.
According to Science, “The most recent discovery of fossilized feathers on a newly identified dinosaur far removed from the bird lineage means that feathers likely were more widespread than previously thought in the dinosaur world.” These latest findings add further weight to the feathered versus non-feathered debate and could change the way scientists’ and film audiences view dinosaurs.
Fans of the film love what has been dubbed as the “fluffy t-rex.” with many referring to Director, Colin Trevorrow’s decision not to include feathered dinosaurs in the upcoming feature Jurassic World. Noted geophysicist and science journalist, Mika Mckinnon writes that she is, “delighted that the first Dinosaur Island trailer features a fantastically fluffy T-Rex.”
In response to the renewed debate, Director Matt Drummond states, “Our Tyrannosaur is more about character…Having worked with Jack Horner, Luis Chiappe and a range of paleontologists on all sorts of documentaries and exhibits, one thing is irrefutable… none agrees with the other. It’s an ever evolving science and new discoveries trump old theories almost weekly. Hopefully what we have created sparks the imagination and provides some great entertainment.”
Arclight Films acquired the international sales rights to the film at the Cannes Film Festival and it has since been one of their best-selling films. It has been acquired internationally in over 50 countries for both theatrical/DVD/VOD and network commitments. Notably, Millennium Films have recently acquired the film rights for North American release in 2015.
Pinnacle Entertainment has acquired the rights for DVD/Network and VOD platforms in Australia for release on April 1.