Tagged: Jimmy Fallon

Summary: 
Music superstars Kat Valdez and Bastian are getting married before a global audience of fans. But when Kat learns, seconds before her vows, that Bastian has been unfaithful, she decides to marry Charlie, a stranger in the crowd, instead.

Year: 2022

Cinema Release Dates:  10th February 2022 (Australia), 10th February 2022 (Thailand), 11th February 2022 (UK), 11th February 2022 (USA)

VOD Release Dates: 11th February 2022 (USA)

Country: USA

Director: Kat Coiro

Screenwriter: Harper Dill, John Rogers, Tami Sagher

Cast: Utkarsh Ambudkar (Coach Manny), Sydney Blackburn (Sydney), John Bradley (Colin), Michelle Buteau (Melissa), Marritt Cafarchia (self), Adam Catino (self), Jack Chiaravelle (Jack), Olivia Chun (Chun), Chloe Coleman (Lou), Katrina Cunningham (Tyra), Scarlett Earls (Scarlett), Tristan-Lee Edwards (Tristan), Jimmy Fallon (self), Ryan Foust (Percy), Haj (self), Jameela Jamil (Anikah), Jim Kaplan (Jim), Hoda Kotb (Self), Jennifer Lopez (Kat), Lucie Lopez-Goldfried (Lucie), Diego Lucano (Jose), Maluma (Bastian), Khalil Middleton (Kofi), Tyrone Mitchell (self), Brady Noon (George), Connor Noon (Not George (Spencer)), Nic Novicki (self), Sarah Silverman (Parker), Rachel Singer (self), Charles Jacob Smith Jnr. (self), Teale Sperling (self), Nicole Suarez (self), Justin Sylvester (self), Stephen Wallam (Jonathan Pitts), Taliyah Whitaker (Esther), Owen Wilson (Charlie), Leslie Woo (self), Leah Jimenez Zelaya (Leah)

Running Time: 112 mins

Classification: PG (Australia), G (Thailand), 12A (UK), PG-13 (USA)

OUR MARRY ME REVIEWS

David Griffiths’ Marry Me Review:

There was a time when gifted filmmakers treated the romance genre the same way they treated every other film they approached. They wanted the film to be original and showcase their skills. The result was classic romance films such as Pretty Woman and When Harry Met Sally. Yes, they were still kind of sappy but they had something different about them that made them an enjoyable watch for both women and men alike.

Somewhere along the line though it felt like there was a major change in the romantic genre. The films became generic and predictable and it also felt that filmmakers and studios had forgotten that both sexes enjoy these films. That seems to have all changed with director Kat Coiro’s (A Case Of You) new film, Marry Me, which ends up being a much needed breath of fresh air in the genre.

The film explores what happens when single Dad, maths teacher Charlie Gilbert (Owen Wilson – Marley & Me) is dragged along to a pop concert by his daughter, Lou (Chloe Coleman – My Spy), and over-zealous colleague, Parker (Sarah Silverman – Wreck-It Ralph).

The concert it is supposed to be the wedding of the year as world wide popstar, Kat Valdez (Jennifer Lopez – Hustlers), will celebrate the release of her new single, titled Marry Me, by tying the knot with her beau – singing sensation Bastian (Encanto).

The wedding is destroyed mid-concert though when footage of Bastian cheating on Kat comes to light. During a moment that her minders call a breakdown Kat decides to do something out of the blue and plucks the man she sees holding a ‘MARRY ME’ sign in the audience onto the stage and marries him – that man just happens to be Charlie.

While the world is expecting the marriage to be annulled the very next day Kat’s manager, Collin (John Bradley – Moonfall), sees their maybe PR potential in the ‘marriage’ so urges the couple to stay together for a few months.

Perhaps the most surprising thing about Marry Me is the deep topics that the film explores. From what it is like being a single father in 2021 through to the pressure that a superstar feels to have the perfect personal life it is all explored in detail through the sensational screenplay delivered by a gifted team of writers and based on the graphic novel by Bobby Crosby.

The film doesn’t just brush over these topics instead it focuses on them and makes them a key point as Kat and Charlie try to get to know each other. Even more important is the fact that the film is often told by Charlie’s point of view which gives the screenplay the opportunity to explore the emotional storyline that Charlie feels that he just isn’t good enough for a woman of the calibre of Kat. This is not a theme normally explored in cinema, outside of teenage dramas, and the result is a film that will not only be enjoyed by men but may also be very important for single fathers everywhere.

The film doesn’t forget about its female audience though as it also sees Kat wondering whether at this time in her life she should just settle for a guy even if is a sleazy cheat while also showing the pressures that woman must endure when it comes to work and a personal life and what is ‘expected’ of them by society.

There is something kind of special about this film as it features a storyline that is easily going to captivate the audience watching it while delving into some deep topics and themes that nobody will see coming.

Making the film even more special are the performances of its main actors. Owen Wilson is perfect as Charlie and casting him opposite Jennifer Lopez turns out to be a stroke of pure genius. Lopez rises to the occasion as well and while a cynic may say she is playing herself as a performer she takes her performance to the next level and brings Kat to life in an almost fairytale way. Then there is Chloe Coleman. We have said with her past two films that she is going to become one of Hollywood’s biggest stars and Marry Me just further cements that prediction.

Marry Me is one of the biggest surprises of 2021. On the surface it appears to be a fluffy romance but dig down a little and you discover a film that has some very important things to say about what it is like to be a man or woman in the dating game of 2021. Write this movie off at your peril because this is something special and once again reminds us all that romantic films can be works of art as well.

Dave’s rating Out Of 5

Alex First, Greg King and Peter Krausz’s Marry Me Review:

Alex’s rating Out Of 5:

Greg’s rating Out Of 5:

Peter’s rating Out Of 5:

Average Subculture Rating:

Other Subculture Marry Me Reviews:

You can read our review of Marry Me that appeared in The Phuket News here –

https://www.thephuketnews.com/serious-fun-to-be-found-in-marry-me-83057.php

Trailer:

Jem And The Holograms

Summary: As a small-town girl catapults from underground video sensation to global superstar, she and her three sisters begin a journey of discovering that some talents are too special to keep hidden.

Year: 2015

Australian Cinema Release Date: N/A

Australian DVD Release Date: 24th March, 2016

Country: USA

Director: Jon M. Chu

Screenwriter: Ryan Landels

Cast: Justin Alastair (Esteban), Ken Baker (Donnie The Reporter), Nicholas Braun (Brad), Barnaby Carpenter (Emmett Benton), Jimmy Fallon (himself), Katie Findlay (Stormer), Eiza Gonzalez (Jetta), Ryan Guzman (Rio), Dwayne Johnson (himself), Djoir Jordan (herself), Jason Kennedy (Jason Kennedy), Kesha (Pizazz), Alicia Keys (herself), Hayley Kiyoko (Aja), Hana Mae Lee (Roxy), Juliette Lewis (Erica Raymond), Christy Marx (Lindsey Pierce), Nathan Moore (Zipper), Aubrey Peeples (Jerrica/Jem), Aurora Perrineau (Shana), Chris Pratt (himself), Isabella Kai Rice (Young Jerrica), Molly Ringwald (Aunt Bailey), Stefanie Scott (Kimber), Jackie Tohn (Rebecca)

Runtime: 118 mins

Classification: PG

 

OUR JEM AND THE HOLOGRAMS REVIEWS & RATINGS:

 

Harley Woods:

Jem And The Holograms is a film based on Hasbro’s super popular doll line of the Eighties, which had a cartoon series still loved to this day. The screenplay of this film was written by Ryan Landels and the film was directed by Jon M Chu.

The story revolves around the orphaned Jerrica who grows up with her little sister, Kimber, and 2 adoptive sisters, Shana and Aja, in a house where music is cultivated as a way to bond. She becomes an online sensation overnight when she dons a pink wig and performs a song under the name ‘Jem’.

When I heard that Jem was going to be done as a live action movie I was so excited. I loved the cartoon when I was a child. I t was the essential Eighties cartoon – full of music, colour, crazy style but with real heart at its centre.

Then I saw the trailer for the movie. What was being advertised was absolutely nothing like Jem – it was just using the name. I’m pretty sure this pissed-off a lot of people and the film’s release suffered for it.

However, having just watched the DVD release, I have to say it was not as horrible as I feared. Synergy was there as a character, albeit a little different to the original, as was Jerrica’s backstory, slightly tweaked…

So why was I shown a completely boring ‘I-want-to-be-on-American-Idol’ type trailer to advertise the movie – with almost none of the classic Jem elements and characteristic details?

Despite this, the film does offer good fan-service throughout the film; a lot of characters and elements from the show appear. Some elements are not used enough, such as the classic Jem “truly outrageous” style. This appears briefly at the start and gets our hopes up… only to be watered down when they hit stardom.

The filmmakers have created a story about finding the ‘real you’ and being courageous enough to be yourself and follow your dreams. To sell this, we not only follow Jerrica’s journey to becoming Jem via her online video, but other ‘everyday people’ are shown throughout the film with their video uploads. This is meant to be an inspirational “we are all Jem” idea, showing that everyone can make their dreams come true.

Whilst I applaud the idea and lesson, I have to say that all those videos were annoying and detracted from the narrative. More time spent ‘showing’ Jem’s effect rather than a bunch of low-quality home video scenes of people saying how inspired they are would have been more beneficial.

Overall, the story was good and engaging but suffered from lazy and predictable moments later on. At one point the band falls apart, but all is forgiven without any kind of prompting a few minutes later. Character-wise, the movie starts good and builds each of the main characters, then becomes all about Jem and the others start to become background elements.

Jerrica’s biological little sister, Kimber, is the catalyst for the events and is built up at the start. Jerrica finds clues left by their father and follows them as her personal journey and, apparently, is nothing to do with Kimber. A message from their father at the end is all directed at Jerrica, only acknowledging Kimber at the very end.

Fans of Jem will have been wanting to see the Misfits in the movie. They’re not the main antagonists as you might have hoped, but do appear in a mid-credits bonus scene (with Pizazz played by Kesha) obviously intended to set-up a sequel. Their absence did not bother me, though, as it made sense to set Jem up as a star before introducing rivals.

I hope we actually do get a sequel, but with stronger writing (I’ll do it!) and ‘style’ showing it to be a bit more faithful to the franchise – especially in how it’s advertised. I hope they make the effort to set it straight and actually make Jem ‘truly outrageous’, which she really wasn’t in this film.

A nice touch might have been to update the old theme-tune. The music was good in the movie, but it should have been more striking and utilised more than it actually was for a film about a musician. It was disappointing to see her turned into a Lady-Gaga-clone at one stage – although this could have been a device used to show her becoming unpopular when they tried to change who she fundamentally was; you missed something there, Hasbro Studios!

Performances by the cast were generally strong, given what they had to work with. At times the film did not know if it wanted to be funny or feely and could have been executed better. Our heroine played her part well but we would like to see more opportunity to be the striking character and talent that she is built up to be (more the script’s fault than the actress’).

This film deserves 3.5 out of 5, with plenty of room left to be truly, truly, truly outrageous.

 

Stars(3.5)

 

 

Average Subculture Rating (out of 5):  Stars(3.5)

 

IMDB Rating:  Jem and the Holograms (2015) on IMDb

 

Other Subculture Entertainment Jem And The Holograms Reviews: Nil

Trailer:

Jurassic World

Summary: 

Jurassic World sees John Hammond’s dream from Jurassic Park finally come true. Owned by the world’s eighth richest man, Masraini (Irrfan Khan) Jurassic World is a fully functional theme park (that looks alarmingly like Sea World from the air) where people of all ages can come and see all kinds of dinosaurs up close and in more importantly… alive.

The park is kept operational by the hard work of marketing manager Claire (Bryce Dallas Howard) and Navy man turned dinosaur whisperer Owen (Chris Pratt) who have been able to find a medium that allows the park to be financially stable and also a lot safer for those visiting the Park.

However as is the case with all movies in the Jurassic franchise something has to go wrong. And here in Jurassic World we learn that the park has genetically invented their own new specie of dinosaur by mixing and matching DNA from various other kinds of dinosaur. While Dr. Henry Wu (BD Wong) sees this creation as a massive step-forward for science and Claire sees it as a great way to attract more sponsorship and people to the Park, only Owen seems to realise the dangerous situation that this has put them in – there is now a genetically modified dinosaur around that nobody has any idea what is capable of. That of course is something that impresses the gruff Hoskins (Vincent D’Onofrio) who plans on turning dinosaurs into weapons for the military, but sadly soon places the lives of all at the park, including Claire’s nephews Gray (Ty Simpkins) and Zach (Nick Robinson), in real danger.

Year: 2015

Australian Cinema Release Date: 11th June, 2015

Australian DVD Release Date: TBA

Country: USA

Director: Colin Trevorrow

Screenwriter: Rick Jaffa, Amanda Silver, Derek Connolly, Colin Trevorrow, Michael Crichton (characters)

Cast: Andy Buckley (Scott), Tom Bui (Austin), Matthew Burke (Jim Drucker), Heather Ashley Chase (Emily), Vincent D’Onofrio (Hoskins), James DuMont (Hal Osterly), Jimmy Fallon (himself), Judy Greer (Karen), Bryce Dallas Howard (Claire), Bomber Hurley-Smith (O’Hara), Jake Johnson (Lowery), Brent Kappel (Dr. Ryan Crest), Irrfan Khan (Masrani), Christian LaBella (Joey),  Lauren Lapkas (Vivian), Rebecca Maltby (Charlotte), Katie McGrath (Zara), Moses Munoz (Charlie), Chris Pratt (Owen), Emilio Reynoso (Doctor Sanchez), Brandon Richardson (Christopher), Nick Robinson (Zach), Ty Simpkins (Gray), Omar Sy (Barry), Anna Talakkattour (Erica Brand), Brian Tee (Hamada), Colin Trevorrow (Mr. DNA), Yvonne Welch (Gabriella), BD Wong (Dr. Henry Wu)

Runtime: 124 mins

Classification: M

 

OUR JURASSIC WORLD REVIEWS & RATINGS:

 

David Griffiths:

22 years ago this week we were all walking into cinemas expecting to be wowed by the fact that visionary director Steven Spielberg had brought dinosaurs to life on the screen in a way that nobody would have predicted. Here we are two decades later and once again the expectation of getting to see dinosaurs on the big screen has our cinematic pulses beating in a mammoth way.

The big question you ask yourself when heading into Jurassic World is what can we expect this time around? To be honest this is the fourth installment in a franchise, that let’s be honest peaked with the first film, so we shouldn’t be expecting much, right? Wrong!!! Maybe it is the fact that I’m one of the those people that can spend hours staring at dinosaur bones in a museum and feel like a little kid again but Jurassic World has breathed some life back into this franchise in such a way that I’m now eager to see where they will go next time around.

There are positives and negatives with Jurassic World but first let’s kick off the big plus – the director. Handing Colin Trevorrow the keys to one of the biggest franchises in the world was a massive risk for Steven Spielberg to make. We knew Trevorrow was a great director, that was very, very clear with his feature debut Safety Not Guaranteed, but at the end of the day that was a small indie sci-fi so it was a real unknown how Trevorrow would react working on a film that cost $100s of millions more to make.

The answer to be brutally honest is that Trevorrow is exactly what this franchise needed. Okay so maybe he doesn’t make this film ‘family friendly’ like the ‘political trendys’ would want him to do, but what he does deliver is some truly memorable scenes. The pterodactyl attack on the park visitors is one of the best feathered creature aerial attacks that we have seen since Hitchcock’s iconic The Birds, while Trevorrow will please serious movie fans with some pretty gruesome dinosaur attacks on humans and dinosaurs alike. And while I don’t want to spoil the great finale let’s just say that is a battle scene that will please dinosaur fans and monster movie geeks to the core… suck it up Godzilla you just got owned. Trevorrow takes some massive risks and to his credit they really pay off.

Sadly though there is also a downside to Jurassic World and it lies right at the feet at the screenwriters. Sure this screenplay got the tick of approval from Steven Spielberg but like so many of his recent films Jurassic World falls into the trap of having clichéd characters. Movie lovers see the too-busy-for-children-or-a-partner business woman like Claire in every second film these days, while on the other hand it seems like Owen may have been based on one of Spielberg’s other great creations, Indiana Jones. From his wardrobe down Owen is a screaming Indy clone… not that that is a bad thing because he is still one of the most likable characters in the film.

The other big weakness is the fact that even though Trevorrow sets up pretty early on that he is not afraid to allow his dinosaurs to be a little full-on with their attacks there is a real feel that aside from the clichéd bad guys nobody that the audience really likes amongst the characters are going to meet their deaths today and that sadly takes away from some of the suspense that Trevorrow worked so hard to build up.

Having pointed out those two things though the pluesses of Jurassic World do outweigh the negatives. There are small things all throughout this film that are going to impress fans of this franchise to no end. First of all the filmmakers have chosen to celebrate and pay tribute to the film that kicked this all off rather than ignore it. There is nothing more annoying about a reboot then when you are told as an audience you are supposed to ignore that films have been set in this world before. In Jurassic World you are quickly shown that this isn’th the case here. From a well placed Hammond statue at the park to a employee showing Claire his Jurassic Park T-Shirt he found online and the old park itself playing an important part later on it is easy to see that Jurassic World embraces its predecessor rather than ignoring it.

This might be really film geeky but the other thing that I really enjoyed about Jurassic World was the fact that the film didn’t mind making fun of itself. Lines such as ‘I can’t wait to tell Mum about this’ being responded to with ‘Don’t you DARE tell your Mum about this’ actually make characters like Claire likable, while a character turning to their co-worker for a kiss during a stressed situation only to be told ‘umm…I have a boyfriend’ show that the filmmakers were more than aware that they were making a popcorn action movie and this wink to the audience shows that they were perfectly happy to do that.

While the clichéd characters do make it hard for the actors to really stand out Jurassic World does once again show us what Guardians Of The Galaxy already screamed from the rooftops – Chris Pratt is the your perfect leading man. He can be funny, the ladies seem to like him, he’s blokey enough for guys to love as well and he is a more than capable action hero. At the moment if you want to put bums on seats than Pratt is your go to guy. The people responsible for casting also need to be congratulated for putting ‘serious’ actors into even some of the smaller roles because it is a lot more refreshing to watch talented actors like Omar Sy, Irrfan Khan and Vincent D’Onofrio in roles that many may feel is beneath them than it is to watch blow-ins deliver bad performances. Also Ty Simpkins and Nick Robinson also reveal themselves as young stars to watch in the future.

The key to enjoying Jurassic Park is to go into the cinema just expecting your normal popcorn action movie. There is nothing in Jurassic Park that is going to make it one of the best action movies of all time but it is still enjoyable and does more than enough to keep its audience interested one hundred per cent of the time. The nods to Jurassic Park will keep fans of the franchise happy while Trevorrow’s eagerness to bring in some more dinosaur brutality does more than enough to please the monster movie fans out there. Not high art but still the best Jurassic movie since the original.

 

Stars(3)

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Jurassic World (2015) on IMDb

 

Other Subculture Entertainment Jurassic World reviews: You can also read our Jurassic World review on The Book The Film The T-Shirt.

Trailer: