Tagged: Patrick Fugit

Summary:

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

Year: 2018

Australian Cinema Release Date: 11th October 2018

Australian DVD Release Date: TBA

Country: United States

Director: Damien Chazelle

Screenwriter: Josh Singer, James R. Hansen (based on the book by)

Cast: Christopher Abbott (Dave Scott), Mark Armstrong (Paul Haney), Chandler Barron (Scott Carpenter), Skyler Bible (Richard Gordon), Connor Colton Blodgett (Mark Armstrong), Leon Bridges (Gil Scott-Heron), Callie Brown (Young Bonnie White), Kyle Chandler (Deke Slayton), Jason Clarke (Ed White), Steve Coulter (Guenter Wendt), Ethan Embry (Pete Conrad), J.D. Evermore (Chris Kraft), Ryan Clay Forbes (Bill Anders), Claire Foy (Janet Armstrong), Patrick Fugit (Eliott See), Matthew Glave (Chuck Yaeger), Ryan Gosling (Neil Armstong), Edmund Grant (Older Ed White Jnr.), Choppy Guillotte (John Young), Lukas Haas (Mike Collins), Oliver Hamilton (Pat White), James R. Hansen (Dr. Kurt Debus), Robert Hatch (Joe Schmitt), Braydyn Nash Helms (Young Eddie White Jnr.), Ciaran Hinds (Bob Gilruth), Helen S. Jackson (Louise Sheron), Brian d’Arcy James (Joe Walker), Shaun Eric Jones (Wally Schirra), Jonathon Kankolenski (Young Edward Higgins II), John F. Kennedy (himself – archive), Michael Lee Kimel (Bill Moon), William Gregory Lee (Gordon Cooper), Dutin Lewis (Ralph Morse), George Linkenback (Col. Frank Borman), Ben Owen (John Hodge), Greg Puckett (Charles Berry), Willie Repoley (Jim Fucci), Kermit Rolison (George Mueller), Pablo Schreiber (Jim Lovell), Margo Schroeder (June Hoffman Armstrong), Brady Smith (Butch Butchart), Claire Smith (Older Bonnie White), Corey Michael Smith (Roger Chaffee), Lucy Brooke Stafford (Karen Armstrong), Andrew Stahl (Ken Mattingly), Jim Stearns (David Hammock), Corey Stoll (Buzz Aldrin), Kris Swanberg (Marilyn See), William G. Tomek (Donald Babbitt), Kurt Vonnegut Jr. (himself – archive), Kent Wagner (Fred Haise), Gavin Warren (Young Rick Armstrong), John David Whalen (John Glenn), Shea Whigham (Gus Grissom), Luke Winters (Older Rick Armstrong), Perry Zulu Jnr. (Robert Lawrence)

Runtime: 141 mins

Classification: M

 

OUR FIRST MAN REVIEWS & RATINGS:

 

Dave Griffiths Review:

 

When you think of space exploration we now days think of the romanticised Hollywood version of space travel. Unless you can think back to realistic movies like Apollo 13 it is easy to forget that it only takes a second for space exploration to become a nightmare for all involved. Sure we have sci-fi movies like Aliens that enhance the extra-terrestrial horror that many believe might be out there, somewhere, but very few films capture the horrors of the unknown and the impact it had on its first explorers like First Man does.

Director Damian Chazelle (Whiplash, La La Land) doesn’t have to develop scary looking aliens in order to create horror for intrepid test pilot and engineer Neil Armstrong (Ryan Gosling – Drive, Blue Valentine) and his wife Janet (Claire Foy – Season Of The Witch, Vampire Academy). Like he did with Whiplash Chazelle just shows human life in its purest form… which for this family provided more horror than most couples could withstand. From the loss of their daughter which led to Armstrong joining the NASA Space Program in the first place, dangerous test missions that place Neil’s life in danger nearly every day through to the anguish that Janet endures on the days she knows that her husband is doing such tests. Chazelle just stirs the pot and lets the human emotions in the film bubble and boil until they explode.

Neil and Janet’s solace come from their best friends Ed White (Jason Clarke – Zero Dark Thirty, Terminator Genisys), his wife Pat (Olivia Hamilton – Don’t Worry He Won’t Get Far On Foot, The Last Tycoon) and Neil’s immediate boss the caring yet determined Deke Slayton (Kyle Chandler – Friday Night Lights, Argo). Even so Pat and Janet’s ‘talking’ is normally disguised as children’s play dates, Neil seems happy to talk to Ed about the mission but pushes him away when the talk turns personal and while Deke does what he can to help his test pilots at the same time he is the man who has to make tough calls like switching off intercoms so wives can’t hear their husbands in peril and writing death announcements for missions he has to appear to be ‘confident’ for.

First Man could have easily suffered from Titanic-syndrome, a film where the audience knows the ultimate outcome and therefore just sits on the edge of their seat waiting for the expected finale but here Chazelle, who is aided brilliantly by his screenwriter Josh Singer (The West Wing, The Post), takes the audience on a different kind of journey. He captures moments they never told us about during our High School science classes. The raw, claustrophobic feel a test pilot feels as he hurled into orbit in what seems like a sardine can that they aren’t even sure will make the journey, the moments that wives find out that their husbands haven’t returned from a flight and the protests that occurred in America when the loss of life made people realise that these test pilots were really guinea pigs in what seemed like a cruel experiment. Then of course there is the tension an astronaut’s job puts on his family life and here we see painful moments such as the one where Janet has to plead with Neil to tell his children that he may not come back from his moon mission.

Just like he did with Whiplash Chazelle also brings out the best in his cast and helps them bring their character’s pain and anguish to the fore. Claire Foy delivers her best role to date and if she doesn’t at least receive an Oscar nomination for this performance then something is seriously wrong. As an actress she delivers on every level as Janet is put through an emotional ringer and these are the kinds of performances that the Academy should be applauding – ones that test an actress and her acting abilities. Equally good is Ryan Gosling as Neil Armstrong. When cast as an All-American hero, a real life Captain America if you will, you wouldn’t expect an actor to have to become emotional dark and foreboding, but that is exactly what is expected of Gosling here. Forget his pretty boy looks because here Gosling calls on the acting skills that saw him create memorable characters in films like Drive or The Place Beyond The Pines… he is absolutely brilliant.

First Man is the first film of 2018 that I have seen where my thought throughout was ‘this needs to be an Oscar film.’ From start to finish it felt like the film was taking me on a claustrophobic ride with its characters. The sequences in which the pilots are conducting test flights are moments of sheer cinematic masterpiece, where visuals and sound effects come together in a way that creates a horror that you never expected. This combined by outstanding dramatic acting performances from its leads and again I find myself putting the five stars down on a Damian Chazelle film. First Man is sheer brilliance, a lesson in dramatic filmmaking.

 

 

 

 

Average Subculture Rating (out of 5): 

 

 

IMDB Rating: First Man (2018) on IMDb

 

Other Subculture Entertainment First Man Reviews: N/A

Trailer:

Gone Girl Poster

Summary: When Nick Dunne (Ben Affleck) discovers that his wife Amy (Rosamund Pike) is missing and there is sign of a struggle, he is immediately concerned. But as the case develops, the nation becomes transfixed with the search and a series of clues begin to make Nick look like something other than a mere bystander, the police, the media, the viewing public and his family begin to doubt his innocence.

Year: 2014

Australian Cinema Release Date: 4th October, 2014

Australian DVD Release Date: TBA

Country: USA

Director: David Fincher

Screenwriter: Gillian Flynn

Cast: Lynn Adrianna (Kelly Capitono), Ben Affleck (Nick Dunne), Lisa Banes (Marybeth Elliott), David Clennon (Rand Elliott), Carrie Coon (Margo Dunne), Kim Dickens (Detective Rhonda Boney), Nicholas Fagerberg (Charlie), Patrick Fugit (Officer Jim Gilpin), Neil Patrick Harris (Desi Collings), Alexander Michael Helisek (Mover Charles), Boyd Holbrook (Jeff), Pete Housman (Walter), Leonard Kelly-Young (Bill Dunne), Lola Kirke (Greta), Saffron Mazzia (Celina), Scoot McNairy (Tommy O’Hara), Jamie McShane (Donnelly), Terry Myers (Steve Eckart), Kathleen Rose Perkins (Shawna Kelly), Tyler Perry (Tanner Bolt), Rosamund Pike (Amy Dunne), Missi Pyle (Ellen Abbott), Emily Ratajowski (Andie Hardy), Donna Rusch (Lauren Nevens), Cyd Strittmatter (Maureen Dunne), Sela Ward (Sharon Scheiber), Casey Wilson (Noelle Hawthorne), Ricky Wood (Jason)

Runtime: 149 mins

Classification: MA15+

 

OUR GONE GIRL REVIEWS & RATINGS:

 

Adam Ross: You can check out Adam’s Gone Girl review on The Good The Bad The Ugly Film Show Ep #99 .

Stars(4)

 

Greg King: You can check out Greg’s Gone Girl review on www.filmreviews.net.au

Stars(4)

 

Nick Gardiner: You can check out Nick’s Gone Girl review on The Good The Bad The Ugly Film Show Ep #99

Stars(4)

 

David Griffiths:

If people were asked to name a director that has been pretty much constant for releasing great films over his career many would have David Fincher on their list. With films like Se7en, Fight Club and The Social Network on his resume you could argue that he is one of the most important directors of the past twenty years. Hell, he is even one of the very few directors who have been able to make a U.S. remake of a foreign film not only something watchable but something that was a hit with both critics and the public alike.

Now comes his latest film Gone Girl, which to many film lovers has become one of the most eagerly anticipated films of 2014. So how does it fair up? Well to be honest this is probably the must un-David Fincher films that Fincher has made to date in his career, but despite saying that this is a film that certainly works and shows that there are people out there in the cinematic world who are willing to try something different and be creative in doing so.

Based on Gillian Flynn’s hit novel of the same name the story of Gone Girl is told in three parts. First we find out-of-work writer Nick Dunne (Ben Affleck) return home one day to find his wife Amy Dunne (Rosamund Pike) missing. Nick is a suspect from Day One and even the help of celebrity lawyer Tanner Bolt (Tyler Perry) can’t stop the media from making him one of America’s most hated men.

The second part of the film follows Amy’s story and then the third and final act pretty much delivers the wash-up and sees Detective Rhonda Boney (Kim Dickens) trying to tie up the loose ends of the case and help those that have been caught up in it all get on with their lives.

Now the first thing you’ll notice is that I’ve been pretty vague in my description of the plot of the film. That is because if someone ruins what happens in this film for you then they are the kind of the person that you should not associate with, this is a film that you need to go into cold with. Even those that have read the novel will not get the special thrill that those who know nothing about the story will get when they view this film.

The three acts of the film being so well defined throughout the film does take some getting used to but it actually does work and you certainly aren’t going to complain when the constant twists and turns that seem to play with your mind throughout this film. Just a word of warning though don’t try to over think the criminal case part of this film because while Fincher and Flynn (who is also the screenwriter here) have been pretty smart it would only take someone who has watched a couple of episodes of C.S.I. to see that there are many flaws involved in this film’s so called ingenious criminal plot.

One of the things that really lifts this film though is the style and tone that Fincher and Flynn have brought to the table. The script heads into some pretty dark areas but unlike a film like The Lovely Bones there is also some dark humor in there designed to get a chuckle from the audience. That element brings a touch of Fargo to the film while the town setting and Fincher’s way of portraying the community and society instantly conjures up thoughts of David Lynch’s career, particularly Twin Peaks. The good thing is that these styles meld together pretty well and despite the film’s length this is a film that will keep you engrossed for the entire time without any clock-watching.

Once again though the big talking point about this film is the fact that David Fincher has once again got the most out of his cast. Many like to highlight the fact that Ben Affleck has made some horrendous films over his career (and let’s be honest films like Gigli are pretty hard to forget) but over recent years he has also become one the finest characters actors going around. Here Fincher works with that and as a result you see Affleck play Nick Dunne in such a way that as an audience you find your feelings for the guy change almost from minute-to-minute. One moment you feel sorry for him and the next you are hoping he gets the death penalty.

Fincher also directs Rosamund Pike to a performance that should see her get an Oscar nomination. She plays a character with a lot of ‘issues’ (again I don’t want to give anything away) in such a way that she conjures up thoughts of some of the performances by the leading ladies in past 90s thrillers like Basic Instinct. Even the sub-cast get a good look in here with Kim Dickens playing Fincher’s Lynch-like Detective brilliantly well, Tyler Perry finally delivering a performance that will warm him to people outside of his normal fan base while Neil Patrick Harris joins the growing list of comedic actors who are dangerously good when playing criminally minded nut-jobs.

While not as good as some of Fincher’s previous films like Se7en and The Social Network Gone Girl is still a credible film that does deserve to be listed as one of 2014’s finest. The twists and turns of the plot will captivate the audience while its slamming of today’s trial-by-media mentality also gives the audience something to ponder once the credits have rolled. The film’s unique mix of drama, suspense and dark humor should guarantee that it also stands up against the test of time.
Stars(4)

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: Gone Girl (2014) on IMDb

 

Other Subculture Entertainment Reviews of ‘Gone Girl′: For our full Gone Girl review please check The Good The Bad The Ugly Film Show Ep #99 . You can also read Dave’s Gone Girl review on The Book The Film The T-Shirt.

Trailer: