Tagged: Kevin Wiggins


Summary: When FBI Agent Kate Macer (Emily Blunt), her partner Reggie (Daniel Kaluuya) and her boss, Jennings (Victor Garber) accidentally uncover a Mexican drug cartel’s house of death Kate suddenly finds herself thrust into a brand new, very dangerous world.

With Jennings’ blessing Kate finds herself recruited to join a black-op mission led by special Agent Matt graver (Josh Brolin) and a Columbian operative known only as Alejandro (Benicio Del Toro). The mission soon sees Kate very much in the middle of the borderland drug war in a word where there seems to be no rules whether you are on the side of good or evil.

Year: 2015

Australian Cinema Release Date: 24th September 2015

Australian DVD Release Date: TBA

Country: USA

Director: Denis Villeneuve

Screenwriter: Taylor Sheridan

Cast: Edgar Arreola (Guillermo), Jon Bernthal (Ted), Emily Blunt (Kate Macer), Josh Brolin (Matt Graver), Julio Cedillo (Fausto Alarcon), Benicio Del Toro (Alejandro), Laurence Scott Deveraux (Alex Driver), Jeffrey Donovan (Steve Forsing), Victor Garber (Dave Jennings), David Garver (Bob Fisks), Maximiliano Hernandez (Silvio), Daniel Kaluuya (Reggie Wayne), Lora Martinez-Cunningham (Jacinta), Jesus Nevarez-Castillo (Eliseo), Hank Rogerson (Phil Coopers), Bernardo P. Saracino (Manuel Diaz), Boots Southerland (U.S. Marshall Keith), Adam Taylor (U.S. Marshall Kevin), Matthew Tompkins (Jessie Garza), Raoul Trujillo (Rafael), Kevin Wiggins (Burnett)

Runtime: 121 mins

Classification: M




David Griffiths:

No I’m not chucking in my card to the Comic Book And Cult Film Lovers Association but one of the films I was most looking forward to this year was Sicario. Yes I am not too embarrassed to admit that the fact that a certain director is at the helm of a movie is sometimes enough to make me wanna see a film and that was certainly the case here. See to me Denis Villeneuve’s last film was a cinematic masterpiece. I can watch Prisoners over and over again and find something new that I like about each time, add that to the fact that Villeneuve was directing a borderland crime film starring Josh Brolin and yes Sicario had me at hello. My biggest fear for Sicario was that Hollywood would have claimed Villeneuve and that he would decide to rope in his grittiness and harshness, luckily that certainly isn’t the case here.

Many have labeled Sicario a blockbuster for this year, yet that title just doesn’t seem to fit comfortably with this film. This film is harsh, bloody harsh and it’s not hard to see that the popcorn set are going to struggle with the film’s brutal opening in with Kate finds a house that contains more dead bodies than your local morgue. And in typical Villeneuve fashion he doesn’t make it easy watch for its audience, no as he goes in for the close-up on a decaying man’s face you are well and truly aware of the fact that while he is making a Hollywood film he certainly hasn’t been claimed by Hollywood.

Visually Sicario is a blessing. Villeneuve along with DOP Roger Deakins have made this movie look like some kind of modern day western with it’s yellow tinge and cinematic aerial desert shots, and somehow that works wonders with Brolin and Del Toro cruising around like modern day Sherrifs seeking vengeance. Sadly though Sicario’s screenplay isn’t always as good as the visuals the audience are being treated to. Unlike Prisoners this film has some weak points that leave the audience shaking their head, nothing major but little moments like Kate picking up the Police Officer in the bar… isn’t it just too much coincidence that her partner would just happen to be good friends with the guy?

Still there are powerful moments in Sicario, moments that are so powerful that they will stick in your mind for ages. From the fact that this is a very much anti-Mexican tourism video as Villeneuve takes you past bodies hanging from Mexican border-town overpasses to suspenseful scenes such as the border battle which will have any cinema lover watching with baited breath. Then there is the magnificent finale with Del Toro and a dining table… I’m not going to say anything else but that as I don’t want to spoil the film… but hell it is one of the most suspenseful scenes you are going to see in cinema for a long, long time. Adding to the suspense all throughout this film is the pounding soundtrack that simply becomes a character upon itself.

Now you may have heard some people criticize Emily Blunt’s acting performance in Sicario. Don’t believe it. She puts in a great effort and those complaining about her performance are simply looking for something that doesn’t need to be there. Kate is not Lara Croft in a Police uniform. She’s a very innocent but good at her job cop normally used to dealing with hostage situations who suddenly finds herself thrown into a world she just doesn’t understand. Anyone that goes into this film expecting Blunt to be the gun-ho character she was in Edge Of Tomorrow is going to be disappointed, it’s just not what Kate is.

Then there is Brolin and Del Toro who knock their performances out of the park. Brolin is gruff and rough as you expect him to be and is well backed up by Del Toro who has an air of mystery about him from the moment he first appears on the screen here. Some of the Del Toro’s performances have been a little questionable recently (no I still have not recovered from that scene with him, Diaz and a windshield in The Counselor) but here he bounces back with a brutal performance and for once he doesn’t over act his way through it. He’s just on song.

If you’re a fan of Denis Villeneuve’s past films you are certainly not going to be disappointed by Sicario. It is brutal, rough and in-your-face, just the way a crime thriller should be. Brolin and Del Toro bring their A-Games and this is one film that is a must see for 2015.





Adam Ross:

You can hear Adam’s full Sicario review on The Good The Bad The Ugly Film Show Ep #147









Greg King:

You can read Greg’s full Sicario review on www.filmreviews.net.au








Nick Gardener:


You can hear Nick’s full Sicario review on The Good The Bad The Ugly Film Show Ep #147













Average Subculture Rating (out of 5):  Stars(4)


IMDB Rating: Sicario (2015) on IMDb


Other Subculture Entertainment Sicario reviews: You can listen to our full Sicario  review on The Good The Bad The Ugly Film Show Ep #147. You can also read our Sicario review on The Book The Film The T-Shirt.


Good Kill

Summary: As Major Thomas Egan (Ethan Hawke) dreams of the days he actually got to fly a fighter jet instead of being bunkered down in Las Vegas at the controls of drones flying bombing raids in Afghanistan he turns to alcohol while on a crash course of ruining his marriage to his wife, Molly (January Jones).

His and his team’s, which features newbie ‘pilot’ Airman Vera Suarez (Zoe Kravitz), hell continues when he is ordered by his superior, Lt. Colonel Jack Johns (Bruce Greenwood) to follow a new set of orders from the C.I.A., orders that will see a rise in the number of innocent civilians killed.

Year: 2014

Australian Cinema Release Date: 6th August 2015

Australian DVD Release Date: TBA

Country: United States

Director: Andrew Niccol

Screenwriter: Andrew Niccol

Cast: Jake Abel (M.I.C. Joseph Zimmer), Sachie Capitani (Jesse Egan), Rich Chavez (A1C Thomas Rutledge), Peter Coyote (Langley), Stafford Douglas (Billy), Bruce Greenwood (Lt. Colonel Jack Johns), Jessica Stotz Harrell (Airman Jean Jacobson), Ethan Hawke (Major Thomas Egan), Colin Jones (Frank), January Jones (Molly Egan), Corey Kapahulehua (Senior Airman Miller), Dylan Kenin (Capt. Ed Christie), Zoe Kravitz (Airman Vera Suarez), Zion Rain Leyba (Travis Egan), Ryan Montano (Airman Roy Carlos), Kristen Rakes (Iris), Edric Ray (Airman Steven Willer), Ross Shaw (Lt. Drier), Michael Sheets (Danny), Alma Sisneros (Emily Jones), Kevin Wiggins (Trooper Morgan)

Runtime: 102 mins

Classification: M




David Griffiths:

Good Kill is the kind of the film that the United States Armed Forces do not want you see. Sure there are some conspiracy theorists out there who are claiming that this is the reason that Good Kill has been ‘hidden away.’ Make of that what you want but the history of Good Kill to date is kind of surprising. It launched to rave reviews at the Venice Film Festival and then seemed to just disappear after a dismal opening weekend in the United States where it just scraped over the $1000 mark (yes I mean $1000 I haven’t left any zeroes off it).

Now whether or not you believe that The Smoking Man made this film disappear or whether or not it was a case of people staying away because of either the fact that Ethan Hawke’s movies are normally hit or miss these days (you could be excused for placing a Hawke ban on yourself if you had just seen Getaway) or that this from director Andrew Niccol that’s last film was the dog named The Host. Whatever the reason people did stay away from Good Kill and in doing so missed one of the film’s of the year.

Good Kill is one of those films that not only stays with you a long time after the credits have rolled but also opens up your eyes to something that you didn’t even realise was happening. The war is Afghanistan is almost forgotten these days but through this film Niccol is able to shake the public into seeing a hidden side of this war, a side that is not only seeing the lives of innocents lost in a country far away but a side that is also seeing the lives of former combat heroes ruined on the home front.

As the director and screenwriter of Good Kill Niccol expertly draws his audience in by making his audience believe early on that this is going to be a film in the vein of Top Gun, a film that glorifies the Armed Services. Early on we introduced to Thomas Egan and we see him as the Air Force pilot that is considered a hero by those around him, drives a hotted up American muscle car and goes home each tonight to the drop dead model-like wife. But through a series of events Niccol pulls that all away and soon the hero of this film is being forced to watch a graphic rape 7,000 miles away that he can do nothing about and is wasting away in a job that has having a seriously negative affect on his life. To Niccol’s credit he does ‘nice up’ this film for his audience, instead he makes his audience watch the some horrors that Thomas and co are watching and he strongly makes the point he is trying to make without making it feel like he is preaching to his audience.

You can say a lot about Ethan Hawke as an actor. Sure he doesn’t always know how to pick the best script but when he is given a quality script to work with he does deliver. Here is one of those times. Good Kill sees Hawke play the falling hero exceptional well with the scenes he shares with Bruce Greenwood being some of the best scenes you are likely to see on the big screen this year. To the film’s credit it gives some bite to the roles of its female cast and as a result you see some strong acting from January Jones and from Zoe Kravitz who for once is stepping away from the big action blockbusters.

Good Kill is not always an easy film to watch. The graphic rape and bombing raid footage might be a little hard to stomach for some but this is a film that you feel that you must see to realise just how frightening this new X-Box style of war using drones really is. Credit must be paid to Niccol for not holding back, he instead makes his film as stark as the Las Vegas desert landscape he captures so well. If you like a film that makes a strong political point than Good Kill is one film you need to watch this year.






Average Subculture Rating (out of 5):  Stars(4.5)


IMDB Rating: Good Kill (2014) on IMDb


Other Subculture Entertainment Good Kill reviews: You can listen to our Good Kill review on an upcoming episode of The Good The Bad The Ugly Film Show. You can also read our Good Kill review on The Book The Film The T-Shirt


The Last Stand

Summary: After leaving his LAPD narcotics post following a bungled operation that left him wracked with remorse and regret, Sheriff Ray Owens (Schwarzenegger) moved out of Los Angeles and settled into a life fighting what little crime takes place in sleepy border town Sommerton Junction. But that peaceful existence is shattered when Gabriel Cortez (Eduardo Noriega), the most notorious, wanted drug kingpin in the western hemisphere, makes a deadly yet spectacular escape from an FBI prisoner convoy. With the help of a fierce band of lawless mercenaries led by the icy Burrell (Peter Stormare), Cortez begins racing towards the US-Mexico border at 250 mph in a specially-outfitted Corvette ZR1 with a hostage in tow.

Year: 2013

Australian Cinema Release Date: 21st February, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Jee-woom Kim

Screenwriter: Andrew Knauer, Jeffrey Nachmanoff, George Nolfi

Cast: Jaimie Alexander (Sarah Torrance), Rio Alexander (Faceburn), John Patrick Amedori (Agent Mitchell), Chris Browning (Pony Tail), James Burnett (Poyo), Richard Dillard (Irv), Eddie J. Fernandez (Agent McKay), Tait Fletcher (Eagen), Zach Gilford (Jerry Bailey), Lois Geary (Mrs. Salazar), Matthew Greer (Sam), Luis Guzman (Mike Figuerola), Daniel Henney (Phil Hayes), Kent Kirkpatrick (Agent Korman), Johnny Knoxville (Lewis Dinkum), Sonny Landham (Henry), Christiana Leucas (Christie), David Midthunder (Cohan), Eduardo Noriega (Gabriel Cortez), Kristen Rakes (Agent Devers), Genesis Rodriguez (Agent Ellen Richards), Rodrigo Santoro (Frank Martinez), Arnold Schwarznegger (Ray Owens), Mark Sivertsen (Bucho), Harry Dean Stanton (Mr. Parsons), Peter Stormare (Burrell), Jermaine Washington (McCesson), Forest Whitaker (Agent John Bannister), Kevin Wiggins (Chief Elkins)

Runtime: 107 mins


Dave Griffiths’s ‘The Last Stand’ Review: 

Please check Dave Griffiths’s review of ‘The Last Stand’ that is available on the Helium Entertainment Channel.

Other Subculture Media Reviews of ‘The Last Stand′: Check Episode #21 of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘The Last Stand’.

Rating: 3.5/5

IMDB Rating:The Last Stand (2013) on IMDb