With Kentucky rockers Black Stone Cherry about to release their new album Family Tree on April 20th Dave Griffiths caught up with lead singer Chris Robertson to talk about how the album sees the band go back to basics and whether or not they may be planning an Australian tour some time soon.
You can listen to our Black Stone Cherry interview right here.
Summary:A group of friends who meet regularly for game nights find themselves entangled in a real-life mystery.
Australian Cinema Release Date: 22nd February 2018
Australian DVD Release Date: TBA
Country: United States
Director: John Francis Daley, Jonathan Goldstein
Screenwriter: Mark Perez
Cast: Jason Batman (Max), Kylie Bunbury (Michelle), Kyle Chandler (Brooks), Camille Chen (Dr. Chin), Michael Cyril Creighton (Bill), John Francis Daley (Carter), R.F. Daley (Tats), Abigail Ford (Mrs. Anderton), Jonathan Goldstein (Dan), Michael C. Hall (The Bulgarian), Natasha Hall (Madison), Sharon Horgan (Sarah), Malcolm X. Hughes (Not Denzel), Danny Huston (Donald Anderton), Candy Ibarra (Rachel Burns), Jessica Lee (Debbie), Daniel Lucente (Dan Steele), Curtis Lyons (Logan), Billy Magnussen (Ryan), Rachel McAdams (Annie), Joshua Mikel (Colin), Lamorne Morris (Kevin), Tony Ohara (Kramer), Olivia (Bastian), Chelsea Peretti (Glenda), Jesse Plemons (Gary), Brooke Jaye Taylor (Linda), Michael Twombley (Michael Bates), Zerrick Williams (Val)
Runtime: 100 mins
OUR GAME NIGHT REVIEWS & RATINGS:
Dave Griffiths Review:
To listen to some film journalists talk the state of the comedy genre is in tatters. Apparently unfunny comedy after unfunny comedy floods our cinemas screens. The notion is ridiculous though. It seems that films like Horrible Bosses and We’re The Millers have been completely forgotten about… hell even the local comedy Swinging Safari was a lot funnier that most journos gave it credit for. Now comes Game Night a film that certainly shows that comedy is back – not only does the film’s twists and turns keep the audience guessing but it’s sassy comedy and modern edge make a film worthy of more than one viewing.
The plot of Game Night is unique in itself. Max (Jason Bateman – Arrested Development, Juno) and Annie (Rachel McAdams – The Notebook, Mean Girls) are a regular couple with a big difference – they are driven by a competitive spirit that makes their frequent games’ nights a must attend for their friends.
However their games nights are changed forever when the couple realise that their inability to conceive a child is caused by Max’s competitive streak with his rich and popular brother Brooks (Kyle Chandler – Argo, Manchester By The Sea). With Brooks coming to town and deciding to host the latest games night… a night that he says nobody will forget… Max and Annie are already on edge. To make things worse they are trying to hide the night from their creepy, ex-friend and Police Officer Gary (Jesse Plemons – Battleship, Black Mass) so he doesn’t turn up, but that all pails into insignificance when Brooks’ real life makes the night potentially deadly.
Universally panned for their work on Vacation directors John Francis Daley and Jonathan Goldstein bounce back here largely thanks to a witty script written by Mark Perez (Accepted, Herbie: Fully Loaded). While the premise of the film seems basic Perez’s screenplay makes this film stand-out. Game Night has everything that a good comedy should have – witty one-liners plus memorable characters like the dry and dull Gary and the extremely dumb himbo Ryan (Billy Magnussen – Into The Woods, The Big Short).
But Game Night also has more than that. The suspense of the plot is only enhances with a serious of twists and turns that soon has the audience realising that they can’t predict what is going to happen in the next minute let alone for the rest of the film. The fact that Perez is smart enough to have Max almost narrate what some would call film flaws with lines like ‘great two guys show up that haven’t been revealed in the plot earlier’ makes the decision to include such risky choices in the film pay off with laughter. The screenplay also gives a nod to other films, again with a smirk to the audience as Rachel McAdams declares ‘like Liam Neeson in Taken 3.’
In fact it is the chances that Game Night makes that ends up letting the film work. The decision to tone the adult humour down when compared to a film like Horrible Bosses means that this becomes the perfect date movie for both men and women while the interesting choice of cast all works. Batman and McAdams gel well as an on-screen couple while Jesse Plemons steals just about every scene he is in with some brilliant deadpan character acting. The other big surprise here is Kyle Chandler. Known more for his gritty dramatic roles in productions like Friday Night Lights Chandler here shows the world his comedic skills as he makes sure Brooks is one of those characters that the audience will love one moment and hate the next.
Game Night is one comedy that is well worth a look. Its great screenplay allows for a little more storyline and suspense then what we expect from most comedy films while Jason Bateman once again shows why he is the current king of comedy. As you sit down to watch Game Night be prepared for a wild ride with more than enough laughs to keep the comedy fans happy as well.
Greg King’s Review:
This enjoyable mix of action and comedy from the team behind films like Horrible Bosses is like David Fincher’s The Game crossed with Date Night.
A group of friends regularly meet every Saturday night for some old-fashioned fun, playing old school board games and charades. The games are held at the home of Max (Jason Bateman) and his wife Annie (Rachel McAdams), both very competitive gamers who met a trivia night. The players include bickering high school sweethearts Kevin (Lomorne Morris) and Michelle (Kylie Bunbury) and dim-witted ladies’ man Ryan (Billy Magnussen, from tv series Get Shorty, etc), who brings along a different shallow empty-headed date each night.
But this time, Max’s supposedly much more successful and wealthy older brother Brooks (Kyle Chandler, Emmy winner from Saturday Night Lights, etc) arrives for a surprise visit and decides to up the ante when he hosts his own game night. He has chosen an interactive “mystery” theme around the concept of a kidnapping. But things quickly go pear shaped when real life crooks invade the house, beat up Brooks, duct tape and drag him from the house. Max and the gang initially think it was all part of the game.
But when they realise that it was real, Max and his friends embark on a cross town chase to try and rescue Brooks. Their competitive spirit though means that they try to race each other to find Brooks and their efforts are driven by their natural one-upmanship. They soon discover that neither the game nor Brooks are what they seem. The chase also sees them having to find a Faberge egg, which is something of a McGuffin.
For the most part Game Night is an energetic and light-hearted action comedy with thriller elements as it mixes some car chases, fight scenes and the odd angry shot. But the plot is also very convoluted and there are a couple of last minute twists that defy credibility. The script comes from Mark Perez (the more family friendly Disney film Herbie Fully Loaded, etc). The film has been directed by John Francis Daley and Jonathan Goldstein, who are best known for writing comedies like Horrible Bosses, etc. They made their feature film directorial debut with 2015’s disappointing Vacation reboot, and here they bring their own comic sensibilities to Perez’s screenplay and make the most of the thin premise.
The film is slickly paced, and cinematographer Barry Peterson suffuses the material with a noir like palette. There are some nice visual gags as well, including establishing shots of various neighbourhoods that initially resemble a board game community.
Bateman often has a nice everyman quality that shapes his performances. Here he seems far more comfortable than in some of the crass comedies like Office Christmas Party that he has appeared in. He and McAdams develop a wonderful chemistry that lifts the film, and they play off each other well. It seems that she has allowed Bateman to lift his game. McAdams also shows a nice flair for comedy. The cast also features Jeffrey Wright (Casino Royale, etc), and Danny Huston and Dexter star Michael C Hall in small roles as shady underworld figures.
Everyone in the cast is given their own moment to shine. But the stand out of the ensemble is Jesse Plemons (American Made, etc) who plays Gary, Max and Annie’s somewhat creepy and obsessive neighbour. Gary used to be a regular part of their game night crowd until he and his wife Debbie divorced, and he became too moody and depressed for their liking.
Game Night is uneven, but with a brisk running time of 100 minutes it never quite outstays its welcome. And it is a lot more fun than many other recent Hollywood comedies.
Nick Gardener’s Review:
The amiable if at times flat Game Night is a little like David Fincher’s The Game done in the style of contemporary comedies like Horrible Bosses. It also falls into that cinematic sub-genre the Jason Bateman movie in which Bateman plays the put-upon, every-man, nice guy schlub forced into a dangerous situation that inevitably provides some necessary jolt to his staid suburban life.
Here Bateman plays Max who, despite a comfortable life and marriage to the gorgeous Annie (Rachel McAdams), is perpetually stressed, a condition that seems to be impeding his ability to conceive a child. The source of his anxiety seems to be his arrogant Wall Street trader brother Brooks (Kyle Chandler) who has always taken sadistic delight in trouncing Max at games and competitions throughout their lives. When the obnoxious Brooks invites Max and Annie and their friends to a murder mystery party the night unexpectedly turns into a battle against kidnappers and sleaze-ball gangsters.
The film attempts to weld a typical Bateman middle class suburban rom-com to a crime thriller but the results are at best middling. Bateman’s easy charm and comic timing work about as well as they do in other films where he’s played essentially the same character and McAdams’ cheery, live-wire performance is typically fun and endearing. Add an amusingly creepy performance from Jesse Plemons as a weird, angry cop neighbour who’s determined to inveigle himself into Max and Annie’s life and at least in its early stages, this is an enjoyably perky comedy.
As the film attempts to entangle Max and Annie in a twist-laden action/crime/ caper/ story, though, it begins to lose its appeal. The film lacks the necessary thrills, intensity and drama for this part of the movie to work. Add to this a few dud gags, predictable story threads, sub-plots about characters misfiring relationships that don’t really go anywhere and some completely unbelievable scenarios including a ludicrous sequence at a gangster’s mansion and Game Night becomes a little laboured.
Thankfully, Game Night eschews much some of the grubbiness and nastiness of contemporary raunch comedies but it doesn’t replace this with enough genuine wit, energy or clever story-telling.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Game Night Reviews: N/A
Summary: THAT’S NOT MY DOG is a joyous comedy that celebrates our love of joke telling. The film centers around the lovable Shane Jacobson (playing himself) who is throwing a party. Invited are the funniest people Shane knows comprising of Australia’s biggest stars along with several Australian music legends playing their biggest hits live, right throughout the party. The invite that goes out is clear. Don’t bring meat. We’ll provide the beer. Just come armed with nothing but the funniest jokes you’ve ever heard. Shane will take care of the rest. It’ll be a night of great friends telling the world’s funniest jokes over a beer and BBQ.
Australian Cinema Release Date: 15th March 2018
Australian DVD Release Date: TBA
Director: Dean Murphy
Cast: Bec Asha (herself), Michala Banas (herself),Adam Brand (himself),Rob Carlton (himself), Ross Daniels (himself), Dave Eastgate (himself), Stewart Faichney (himself), Paul Fenech (himself),Tim Ferguson (himself), Marty Fields (himself), John Foreman (himself), Stephan Hall (himself), Paul Hogan (himself),Ronald Jacobson (himself), Shane Jacobson (himself), Jimeoin (himself), Joe Camilleri & The Black Sorrows (themselves), Ed Kavalee (himself), Dan Kelly (himself), Khaled Khalafella (himself), Bev Killick (herself), Hung Le (himself), Anthony ‘Lehmo’ Lehmann (himself), Nathaniel Antonio Lloyd (himself), Lulu McClathy (herself), The Meltdown (themselves), Genevieve Morris (herself), Russell Morris (himself), Spud Murphy (himself), Fiona O’Loughlin (herself), Emily Taheny (herself), Steve Vizard (himself), Christie Whelan (herself)
OUR THAT’S NOT MY DOG REVIEWS & RATINGS:
Dave Griffiths Review:
When it comes to comedy specials things are normally pretty straight forward – it’s either one comedian doing stand-up for the entire special or a producer randomly selects the current ‘it’ comedian to host a special where they simply just stand in front of a camera and ‘introduce’ a myriad of comedians to perform their own stand-up routine. That’s where That’s Not My Dog comes into its own.
Aussie comedy great Shane Jacobson (The Bourne Legacy, The Dressmaker) came up with an absolute gem of an idea when he rang his great mate producer/director Dean Murphy (Charlie &Boots, Strange Bedfellows) and said that he wanted to bring back the art of telling a good old-fashioned joke. Of course the creative mind of Jacobson wouldn’t settle for just the plain old comedy special, and in his brilliance he comes up with the wonderful idea of inviting 30 of his funniest mates to come to a BBQ – eat great food, have some brilliant live music played for them while they also stand around telling some of the funniest jokes that you are ever likely to hear.
The result is a brilliant film that turns out to be a celebration of Australian comedy like we have never seen before. The audience sits laughing themselves into hysterics as comedy greats like Paul Hogan (Crocodile Dundee, Strange Bedfellows) and Steve Vizard (Full Frontal, The Wrong Girl) join forces with comedians of today, like Jimeon (The Craic, The Extra) and Lehmo (Any Questions For Ben, Utopia) and tell three of the funniest jokes that they know. Then of course there are also the hidden talents of those such as Michaela Banas (Nowhere Boys, Always Greener) who steals the show with not only her jokes but also with her ability to tell them.
The concept of the jokes being told at a BBQ just adds to the film with the background noise, and live music being provided by the likes of Dan Kelly, The Black Sorrows and Adam Brand just adding even more atmosphere to the film. What works best though with the film is of course the jokes and luckily for Jacobson his cast came along armed with some of the best jokes that you are ever likely to hear. Aside from Michaela Banas the other star here who really steals the show is the great Marty Fields (Ghost Rider, Blue Heelers) who just delivers comedy gem after comedy gem.
That’s Not My Dog is a brilliant comedic idea that results in pure comedy gold. Shane Jacobson needs to be applauded for taking a stance and re-introducing the lost of art of joke telling to Australians and we should all support him by not only going to see the film but by turning up to work on Monday and saying “hey guys, you should hear this joke I heard on the weekend.”
Greg King’s Review:
The affable Shane Jacobson (whose previous film The BBQ was a massive disappointment and a laboured and unfunny comedy that failed to fire up) threw a massive party at his father’s property in Clarkeville, in regional Victoria. He invited along thirty of Australia’s top comics to share in the joy of joke telling and laughter. He provided all the meat and beer, all the guests had to provide was their funniest jokes. Guests included Paul Hogan, Jimeoin, Marty Fields, Stephen Hall, Fiona O’Loughlin and Tim Ferguson, amongst many others.
The whole night was captured on film by filmmaker Dean Murphy, who directed both Jacobson and Hogan in the road comedy Charlie And Boots. Murphy adopts a free-flowing style here as the camera roams around the party, recording the jokes and the camaraderie. Gags fly thick and fast throughout the relatively brisk 89-minute running time. Each of the guests are given their moment to shine, but some seem to get more screen time than others. Some of the jokes may be familiar, but the veteran comics also put a fresh spin on the gags. And the musical accompaniment to the evening was provided by a bevy of musical acts, including The Black Sorrows, Russell Morris, Adam Brand and Dan Kelly.
That’s Not My Dog is like spending an informal evening in the company of these comics as they enjoy each other’s company and eavesdropping on their funny stories in a somewhat relaxed setting. Everyone seemed to be having a ball. Jacobson’s father Ron comes across as a pretty good story teller himself, but his energy seems to be flagging by the end of the night. The whole thing was filmed over one long night, shot by cinematographer Robert Lanser (who shot Murphy’s Charlie And Boots). Then Murphy and his editor Robert Mond patiently worked through the footage to tighten up the material and remove jokes that were repetitious or potentially too crude or offensive.
One of the big distractions in the film is the blatant product placement, although this is probably how Jacobson and Murphy gained the funding for this low budget film and extravagant evening.
Depending on personal taste though some of the humour will be hit or miss. The title itself comes from the punch line to a classic joke that was used in a Pink Panther movie. For me the highlights were Marty Fields and his stream on clever and witty one-liners and a great joke about a woman joining the CIA.
And while a generally entertaining film, That’s Not My Dog is not great cinema. However, it will be best enjoyed in the cinema where audiences can share the experience and the humour with others, as laughter is often infectious. But it will also do well when released on DVD, where you can re-watch and listen to your favourite jokes over again.
Average Subculture Rating (out of 5):
Other Subculture Entertainment Girl’s Trip Reviews: N/A
Tumbleweed have today announced the release of their seminal debut, self titled album on vinyl for the first time as well as a one off 7″ release of their biggest single ‘Daddy Longlegs’ for Record Store Day 2018. The Wollongong five piece have teamed up with Wollongong based record label Farmer & The Owl to release the music on vinyl for the first time. The label who have released music by the current crop of artists from the area including Hockey Dad, The Pinheads, Bec Sandridge and Totally Unicorn are honoured to be able bring the releases from the regions most successful outfit to vinyl for the first time. The original releases existed only on CD via the legendary Sydney label Waterfront Records.
Released in 1992, Tumbleweed’s self titled release was a breakthrough for the band who had early rose to prominence with the release of two well received EP’s and the now infamous support with Nirvana on their only ever Australian tour. The release that features the singles ‘Sundial’ and ‘Acid Rain’ will be available as a record store day exclusive blue vinyl edition limited to 400 copies.
With appearances at iconic nineties Australian festivals such as Big Day Out and Livid, the band followed up the debut album release with stand alone single ‘Daddy Longlegs’ in 1993. With strong support from Triple J, the track landed in the Hottest 100 of that year at number 50 and is still a staple of the bands live sets to this day. For record store day the single with it’s B side ‘Junior’ will be released on vinyl for the first time ever and limited to 500 copies, this will be a one off pressing.
To celebrate the day the band will be playing live at their local record store in Wollongong, Music Farmers.
Tumbleweed ‘S/T’ LP (Blue Vinyl ltd. 400) out April 21st via Farmer & The Owl/Inertia.
Tumbleweed ‘Daddy Longlegs’ 7″ (Black Vinyl ltd 500) out April 21st via Farmer & The Owl/Inertia.
Tumbleweed in store appearance at Music Farmers (228 Keira Street, Wollongong) at 3pm on April 21st.
Elton John today announces ‘Revamp’, released on April 6th on EMI Music Australia. Bringing together a carefully curated selection of the world’s biggest and best artists, ‘Revamp’ sees Elton John and co-writer Bernie Taupin’s best loved songs reinterpreted by some of contemporary music’s most vital talents. The album spans a breathtaking array of styles, shining a light on Elton’s unparalleled influence across popular music of all genres, ranging from Hip-hop / Soul (Q-Tip, Mary J Blige) to Rock (The Killers, Queens of the Stone Age) to Pop (Miley Cyrus, Lady Gaga, P!nk & Logic).
Elton John says: “‘It’s always a huge compliment when an artist loves your song enough to take the time and effort to rework it. As songwriters, Bernie and myself are thrilled when singers we admire and respect as much as those on Revamp choose to add their own unique twist in the process. It means that our music is still relevant and ultimately that our songs continue to reach new audiences. We’re humbled and thank them all for their generosity.”
Bennie And The Jets / Elton John, P!nk and Logic
We All Fall In Love Sometimes / Coldplay
I Guess That’s Why They Call It The Blues / Alessia Cara
Candle In The Wind (2018 Version) / Ed Sheeran
Tiny Dancer / Florence +The Machine
Someone Saved My Life Tonight / Mumford & Sons
Sorry Seems To Be The Hardest Word / Mary J. Blige
Don’t Go Breaking My Heart / Q-Tip featuring Demi Lovato
Mona Lisas and Mad Hatters / The Killers
Daniel / Sam Smith
Don’t Let The Sun Go Down On Me / Miley Cyrus
Your Song / Lady Gaga
Goodbye Yellow Brick Road / Queens of the Stone Age
The calibre of names contributing to ‘Revamp’ is another reminder of Elton’s enduring popularity at a typically busy and prolific time for the superstar. Last month Elton announced his ‘Farewell Yellow Brick Road’ tour. Comprising of over 300 dates across five continents over three years, the tour kicks off in the US in September and marks the finale of 50 years on the road. The first 60 dates sold out immediately after going on general sale, confirming that the farewell tour will be some of, if not the, hottest gig tickets of the next three years.
Elton’s influence on the worlds of fashion and film also continues to burn as brightly as ever. Last year Gucci unveiled their Spring Summer 2018 collection designed by Alessandro Michele and inspired by Elton’s inimitable style, referencing original items taken from the style icon’s archives. Elton also appeared as himself in a critically lauded, hilariously tongue-in-cheek role in Kingsman: The Golden Circle, and his songs soundtrack the forthcoming ‘Sherlock Gnomes’. Last year also saw Elton and Bernie launch ‘The Cut’, a project allowing undiscovered creative talent from all over the world the chance to create the official music videos for some of their most iconic songs: ‘Rocket Man’, ‘Tiny Dancer’ and ‘Bennie And The Jets’, each winning video attracting millions upon millions of Youtube views.
‘Revamp’ stands as yet another timely reminder of Elton John and Bernie Taupin’s influence on the next generation of global stars at a time when their music continues to fill stadiums, sell albums and influence fashion. Elton stands alone as a true great, whose music still garners such admiration from a truly broad range of global stars. The release of ‘Revamp’ will also be accompanied by a Nashville influenced album ‘Restoration’, also released on April 6th on UMA, featuring Elton’s songs reinterpreted by the biggest in Country music, including Rosanne Cash, Emmylou Harris, Miley Cyrus and Willie Nelson.
‘Revamp’ released April 6th on EMI Music Australia, pre-order HERE
‘No One Defeats Us’ is the first taste of music from one of Australia’s most anticipated new bands, DREAMS – a collaboration between Daniel Johns (aka Dr Dreams) and Luke Steele (aka Miracle).
The new single, written and produced by DREAMS, was recorded at Luke Steele’s studio in Los Angeles and Henson Studios, Hollywood.
It’s a war cry. It’s like the exorcism of a bad series of events, or a bad dream. It’s the first song the famous musical duo wrote together after a long, long period of talking, thinking and wondering – “just hanging out,” says Luke. “We would catch up and talk about records and visions and dreams and we never got any work done. Then we thought we better make some music.”
Daniel explains, “No-One Defeats Us says lyrically what our goal is, it’s a journey into our vision of the future. It’s a very simple song, it has no chorus, it feels like a mantra. When Luke and I are making music, everything disappears and we become like teenage explorers, we go into our world, we are so brave when we are together, we try things that we might not try for other people.
This song is not really what people would expect from Luke and I, we’re not making super-complex music with lots of unusual chords this time. We are trying to paint this really intricate pulse. We find what resonates and try to make that pulse stronger.”
“Me and Dan excel and struggle on similar levels” says Luke. “We have so much passion and we are so ambitious. That song came from a time when we were beginning the band and we needed something deep. I wanted to build a gang – like a gang of the future. We want the band to be for the common man, the underdog, the homeless, the person who shows love to his neighbour.”
DREAMS is the realisation of a long-time friendship and musical kinship between these two iconic Australian artists. Daniel Johns is best known as the front man of Silverchair whilst the enigmatic Luke Steele fronts Empire of The Sun and The Sleepy Jackson. The artists first met in 2004 when Luke’s band The Sleepy Jackson supported Silverchair on their sold-out Diorama tour, and Daniel recalls the connection between them was so instant that after the first show of that tour they played piano together backstage, and have basically never stopped.
With over ten million albums sold worldwide and an undefeatable twenty-nine ARIA Awards won between their respective acts, the pedigree of Daniel and Luke’s new collaboration is unquestionable.
Since Silverchair’s debut release ‘Tomorrow’ in 1994, Daniel has taken home a record twenty-one statues, the most of any Australian artist in ARIA history. Daniel has also won APRA Songwriter of the Year three times, and impressively, Silverchair is the only Australian act to have all of their studio albums, five in total, debut at #1 on the ARIA chart.
Sweeping the ARIAs clean in 2008 was Luke Steele’s Empire of the Sun, taking home gongs for Best Album, Best Single, Best Group and Best Pop Release. With a total of eight ARIA Awards and two APRA songwriting awards to date, Empire of the Sun has gone from strength to strength internationally, including a spectacular sold out performance at Hollywood Bowl in 2015, in front of an audience of 17,000 US fans.
Three years later and only a few hundred kilometres away from that iconic amphitheatre in the Hollywood Hills, DREAMS will make their debut performance at COACHELLA Valley Music & Arts Festival this April. The only band ever to be booked for the festival before releasing any music, the duo is the highest-billed Australian band, promising to put on a truly unmissable performance.
Aussie actor Shane Jacobson has put together a very speical comedy feature film called That’s Not My Dog which shows in cinemas this weekend only. Dave Griffiths chats to Shane about how the idea came together for the film and also about how the art of telling a good joke seems to be dying.
You can listen to our Shane Jacobson interview right here.