Category: Home Page

NEGFEST is Art As Catharsis’ annual showcase of heavy, experimental music.

This year the festival is travelling to Brisbane for the first time, alongside Sydney and Melbourne.

Appearing at each show are Art As Catharsis artists Omahara (TAS), Convulsing (NSW) and Bolt Gun (WA).

NEGFEST 2018: Melbourne
22 September at The Reverence HotelDivide And Dissolve
Convulsing
Omahara
Merchant
Bolt Gun
Diploid
TRESPASSER
UboaNEGFEST 2018: Sydney
28 September at the Bald Faced Stag

Omahara
Convulsing
NORSE
Bolt Gun
Golgothan Remains

NEGFEST 2018: Brisbane
29 September at Crowbar

Omahara
Hope Drone
Bolt Gun
Convulsing
Sum Of Us
Siberian Hell Sounds
Sam Haven

 

 

 

 

After selling out their first ever trip to Australia in 2016, James are preparing for a triumphant return in 2018, this time sporting a brand-new album ‘Living in Extraordinary Times” as well as all their swag of British classics.

James’ 1993 hit ‘Laid’ became the soundtrack to early 90s alternative radio before finding a second life through its use in teen hit American Pie films. James had already had a decade of hits by the time Laidarrived, having risen from Manchester’s legendary Factory Records scene into one of the biggest UK bands in the world by the dawn of the 90s. With alternative hits in Australia including Laid, Sit Down, Sound, Getting Away With It (All Messed Up), She’s a Star and Just Like Fred Astaire, and selling over 25 million records worldwide, the band were triple j staples for over fifteen years, yet took nearly three decades to hit Australian shores.

With sell out shows, great reviews and mad fans, some travelling across Australia to ensure they didn’t miss a single show, a return visit was inevitable.

“We had such a great time in Australia we couldn’t believe it took us so long to get there,” said Tim Booth. “The vibe in every room was just electric and every night was different to the last. We can’t wait to get back there and do it all again, this time with our ‘Living in Extraordinary Times’ record.”

The album seems to touch upon contemporary fissures in society, with Tim Booth commenting: “We knew something was up when Leicester city won the league then Brexit, then Trump. It is as if we’d slipped into an alternate reality, a Philip K Dick reality. We are living in extraordinary times.”

The tour will visit Melbourne, Sydney, Brisbane and Perth as well as taking James to Adelaide for the very first time.

TICKETS ON SALE 10:00 AM, FRIDAY 22 JUNE 
Via MJRPresents.com

 

JAMES AUSTRALIAN TOUR 2018

Wednesday 14 November – 170 Russell – Melbourne, VIC
Friday 16 November – The Metro – Sydney, NSW
Saturday 17 November – The Tivoli – Brisbane, QLD
Monday 19 November – The Gov – Adelaide, SA*
Tuesday 20 November – Astor Theatre – Perth, WA

*James’ first live performance in Adelaide

 

Underworld and Iggy Pop announce details of a 4 track EP, Teatime Dub Encounters, due for release on July 27th via Caroline Australia.

While overseeing the soundtrack for T2 TrainspottingUnderworld’s Rick Smith arranged a meeting with Iggy Pop in a room at the Savoy Hotel on London’s Strand to discuss working on collaborative music for the film.

Says Rick Smith “Iggy was staying at The Savoy and graciously said ‘yeah you know we we can meet and talk about something’ because we both felt a strong connection to Trainspotting and to Danny. I turned up thinking I’ve got one chance here to convince this gentleman that we should work together. So I turned up with basically half my studio, hired a hotel room, set up and sat waiting.”

Their respective tracks “Lust for Life” and “Born Slippy (Nuxx)” had perfectly bookended the first Trainspotting film two decades previously. On arrival, Iggy found a fully working studio set up and eagerness to get cracking.

Says Iggy Pop “When you are confronted with somebody who has a whole bloody studio there in the hotel room, a Skyped director who has won the Oscar recently and a fucking microphone in front of you and 30 finished pieces of very polished music, you don’t want to be the wimp that goes ‘uh uhhh’, so my mind was racing.”

Teatime Dub Encounters is the result of a few clandestine hotel room recording sessions, that began a few weeks after Underworld and Iggy Pop had each released their last albums (Barbara Barbara, we face a shining future and Post Pop Depression respectively) on the same day (March 18th 2016). It is neither historical or a tribute to past work, it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.

The first track from Teatime Dub Encounters – “Bells & Circles” – was premiered live as part of Underworld’s recent headline performance at the BBC Biggest Weekend Belfast. A second track – “I’ll See Big” – is streaming everywhere now. Something of a flipside to “Bells & Circles”, “I’ll See Big” is a wash of gorgeous ambient sound that features Iggy recounting how friends – however dysfunctional – have saved him from a lifetime of bad decisions. The lyrics for “I’ll See Big” were inspired by a conversation Iggy had with Danny Boyle about the subtext of both Trainspotting films.

 

Underworld & Iggy Pop
Teatime Dub Encounters EP

Out July 27th via Caroline Australia

 

 

Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of EMI Music Australia.

Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides – plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me – Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters).

Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”

True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now–with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.

Confirmation of Egypt Station’s release puts an end to speculation about a new Paul McCartney album that began with the whiting out of his Instagram account as Paul turned up at various landmarks in Liverpool. The capper was a June 9 surprise gig at Liverpool’s tiny Philharmonic Pub, during which “Come On To Me” was debuted alongside a set of classics spanning Paul’s career. Further details to come…

DOWNLOAD / STREAM “I DON’T KNOW” HERE

DOWNLOAD / STREAM “COME ON TO ME” HERE

PRE-ORDER “EGYPT STATION” HERE

 

Today the voting lines open in a call to the nation to find the top 3 Australian feature films – fiction and documentary – of all time.  The audience-curated feature films #YOUMUSTSEE will screen at the Adelaide Film Festival in October in a celebration of Australian cinema. 

The #YOUMUSTSEE campaign calls on audiences to celebrate, honour and acknowledge their favourite Australian screen stories and supports the current #MakeitAustralian campaign which throws the light on building a sustainable national screen industry.

One of the five ‘faces’ of the 2018 Festival campaign, South Australian actress Natasha Wanganeen, has Rabbit Proof Fence, Walkabout and Sweet Country on her list.  David Stratton rates Newsfront, Gallipoli and Blessed top of his list while Margaret Pomeranz says the Aussie films #youmustsee are Samson & Delilah, Beneath Clouds and The Babadook 

Are you like Hugo Weaving, Maddie Parry and Yolanda Ramke with Ten Canoes on your list? Chopper makes the cut for Jason “Jabba” Davis, Adam Zwar, Anna Broinowski and Mark Leonard Winter while Strictly Ballroom sparkles for Melanie VallejoBrendan Maclean, Judith Lucy and Toronto Film Festival’s International Programmer Jane Schoettle.  

Warwick Thornton recommends Autoluminescent: Rowland S. Howardwhile Tilda Cobham-Hervey and Samantha Lang include Somersault in their top 3 and The Dressmaker features for Sharon JohalThe Castle is up there for Lehmo, 7 News Adelaide’s Jane Doyle, youtube sensation Ozzy Man and Spear producer John Harvey

But it is back to 1919 for Mad Max director Dr George Miller with The Sentimental Bloke. Have your say and tell us your top 3 Australian films #youmustsee! 

Artistic Director of Adelaide Film Festival Amanda Duthie said “This campaign should excite debate and discussion of the Australian screen stories that had an impact as a child, a teenager, or older, whether it was the comedies, the drama, the action or the revelation of a true story told in documentary or fiction form.  Was it a film where you recognised yourself? Or you learnt from a culture not of your own? 

#YOUMUSTSEE invites you to come on this adventure of discovery. We encourage you to think on the Australian films made over the last 112 years and through your vote, gift them to new audiences. Vote because you loved it, it moved you, or you cannot forget the impression it left on you.  

The Australian screen industry is a passionate factory of dreams created for audiences. In an industry landscape where we are fighting to create more Australian production, it is more important than ever that we encourage our audiences to acknowledge Australian screen stories and keep the industry thriving.”

ADL Film Fest is already known as a champion of Australian screen works (feature films and documentaries, shorts, VR, moving image and more) and was the first Australian film festival to invest in film production through the groundbreaking ADL Film Fest FUND resulting in over 100 projects to date.  Become a champion too and vote for Australian screen stories #YOUMUSTSEE at this year’s Adelaide Film Festival.

 

Voting closes Monday, 30 July, 2018. Need some inspiration

 

To vote: go to adelaidefilmfestival.org

Sheppard’s second album ‘Watching the Sky’ has stormed home this week, landing at #1 on the ARIA Albums chart as the band trekked across the country to meet fans. With their single ‘Hometown’ riding high at radio and on Seven’s ‘House Rules’ promos, the band have gone one better than their #2 debut ‘Bombs Away’, proving not only that the Australian public still love pop rock, but also that you don’t need a major label to hit the top.

Sheppard have silenced the nay-sayers, cementing their place in Australian music history with both an ARIA #1 single and now album under their belts. The Brisbane act have created an Australian music legacy which now includes FOUR gold and platinum accredited hits, including the recent radio smashes ‘Keep Me Crazy’ and ‘Coming Home’ and are well on their way to number five with the new single ‘Hometown’.

“This album has been over three years in the making and for it to reach the top is both satisfying and humbling,” said George Sheppard. “From years of recording, travelling the world, doing live shows and finally promoting the record across four states in the last week, it has been a long process and we’re just so glad that people are enjoying the album finally.”

“When you craft an album like this, you hope that it will connect, but to have real people turn up to the record store or jump online and support us by buying the record is what really matters,” saidAmy Sheppard. “Thank you to all our fans and those that have helped us on our journey. Our first number one album is such a special milestone for us…… we’ll be celebrating tonight!”

Refusing to be defined by either their success or their detractors, Sheppard have steered their own ship as an independent band, making their own decisions and building a dedicated team that has proven a strong alternative to the majors. ‘Watching the Sky’ is the fifth Australian album to top the ARIA albums chart this year, with all five coming from indie labels, highlighting a shift in the Australian music landscape.

“Sheppard have well and truly shown that even in the world of pop rock, independent is the way to go and it’s a sign that where Aussie music is concerned, the majors are well off the pace,” saidSheppard manager Michael Chugg. “This year’s albums chart is proof positive that Australian fans want Australian music and if the corporate record and media industries can’t or won’t meet the demand, the indie scene is ready, willing and able to step up and carry the torch for our culture.”

“When Sheppard had their first hit with ‘Let Me Down Easy’ they said it couldn’t be repeated,” said Chugg. “Then we had ‘Geronimo’ and they said it was a fluke. Now they’re up to hit number five and have proven today that they are a solid album band as well. These kids work damn hard and it’s time to step back to celebrate and respect what they have achieved both for themselves and for Australian independent music.”

‘Watching The Sky’ features 14 brand new Sheppard tracks including the Australian hits‘Hometown’, ‘Keep Me Crazy’ and ‘Coming Home’ and Latin American top 10 ‘Edge Of The Night’.