Tagged: Rock

 

Mighty Swedish Stoner force GREENLEAF just released their amazing and amusing music video for „Good Ol`Goat“.

The band on their epic movie:
We wanted to do something funny and entertaining and Peder Bergstand came up with this idea. It’s a very fitting video since it’s packed with dad jokes and some of us recently became fathers. Enjoy the bass!
On November 9th, Hear The Rivers comes into world via Napalm Records.
This album turns out to be quite the mesmerizing bag of tricks that seizes the Swedish Stoner sound and enriches it with so many wonderful things, like the just released unforgettable riff-o-rama „Good Ol`Goat“ or the slow soulfeeder „We Are The Pawns“. An absolute gem of an album that is best kept in the family – which is why former GREENLEAF- and Dozer drummer Karl Daniel Lidén (Craft, Bloodbath, Crippled Black Phoenix amongst others) produced it.
GREENLEAF summarize this record in the following way:
Hear The Rivers is our full length number 7. Lucky number 7? Well, we like to think so! All the songs give us huge smiles on our faces and we are extremely proud of what we have done! As always we try to take our listeners on a trip with our music, make them wanna bang their heads, dance, smile and cry (of happiness of course). This is easily the biggest sounding record we have ever done and we hope people will enjoy it as much as we do!
The full track listing of Hear The Rivers reads as follows:
1. Let It Out!
2. Sweet Is The Sound
3. A Point Of A Secret
4. Good Ol´Goat
5. The Rumble And The Weight
6. We Are The Pawns
7. Oh My Bones
8. In The Caverns Below
9. High Fever
10. The Rivers Lullaby
Pre-Order now

Perth rockers (and burgeoning international superstars) The Faim have just released the video for their anthemic new single ‘A Million Stars’. The clip was premiered by influential L.A music site Ones To Watch. The video was filmed in Berlin, Germany and follows frontman Josh Raven as he reminisces over a past love interest. ‘A Million Stars’ also appears on the band’s debut EP, Summer Is a Curse, which serves as a prelude to their hotly-anticipated first full-length album, slated for release in 2019.

“ ‘A Million Stars’ isn’t only about appreciating the person you’re with or the location you’re in, it’s about being free of the world’s distractions and valuing the little details that make a memory unique. I believe we’re defined by our reactions to these moments,” says Josh. “This video represents the double-edged sword of sharing perfect memories, but being thrust into a situation where cherishing them might not ever be possible. It’s a reality anyone faces when you’re away from loved ones, friends or even a familiar place.”

In other news, The Faim are excited to announce their first ever U.S. tour, supporting fellow Aussies, Hands Like Houses, in November and December. The group will also share the stage with Emarosa, Devour The Day, andArlington. The trek begins and ends in California, kicking off in San Francisco on Saturday, November 10th and wrapping in Los Angeles on Sunday, December 9th. The run of dates also hits major cities including Chicago, Boston, New York City, Philadelphia, Nashville, and Atlanta.

The Faim are also currently on tour in Europe supporting Against The Current, which concludes in Paris next week on Thursday, October 11th. A full list of shows is included below.

Since the release of their new EP, The Faim have clocked an impressive 8+ million total global streams, as well as over 5.5 million globally on their smash single, “Summer Is a Curse.” The band’s music has also landed on notable Spotify playlists including New Music Friday, Rock This, The New Alt, Top of the Morning, The Scene, and New Noise.

 

The Faim Tour Dates:

^w/ Against The Current
* w/ Hands Like Houses

5th October- Trix Club, Antwerp, Belgium ^
6th October- Gretchen, Berlin Germany ^
7th October- Uebel & Gafaehrlich, Hamburg, Germany ^
9th October- Ampere, Munich, Germany ^
10th October- Batschkapp Frankfurt, Germany ^
11th October- Yoyo, Paris, France ^
10th November- Slims, San Francisco, California *
12th November- The Complex, Salt Lake City, Utah *
13th November- Marquis Theatre, Denver, Colorado *
16th November- Bottom Lounge, Chicago, Illinois *
17th November- Fubar, St. Louis, Missouri *
18th November- The Emerson Theatre, Indianapolis, Indiana *
19th November- Trixies, Louisville, Kentucky *
20th November- Magic Stick, Detroit, Michigan *
21st November- Skully’s, Colombus, Ohio *
23rd November- Brighton Music Hall, Boston, Massachusetts *
24th November- Gramercy Theatre, New York, New York *
25th November- The Foundry at the Fillmore, Philadelphia, Pennsylvania *
27th November- Soundstage, Baltimore, Maryland *
28th November- Cat’s Cradle, Carrboro, North Carolina *
29th November- Rocketown, Nashville, Tennessee *
30th November- The Masquerade, Atlanta, Georgia *
1st December- Soundbar, Orlando, Florida *
3rd December- White Oak Music Hall, Houston, Texas *
4th December- Gas Monkey Bar N’ Grill, Dallas, Texas *

5th December- Alamo City Music Hall, San Antonio, Texas *
7th December- Crescent Ballroom, Phoenix, Arizona *
9th December- Teragram Ballroom, Los Angeles, California *

Phoenix, AZ based, Dark Alternative Rock Band THE SPIDER HOLE has announced the launch of a Kickstarter Campaign to help support their upcoming LP and associated graphic novel, To The Monsters. The unique project is built around the LP with 11 original songs, each about a different monster, as well as a 100 page horror anthology graphic novel written and illustrated by vocalist Ethan Scott; each story in the novel is about a different band member over the course of one fateful Halloween night.

To celebrate the upcoming launch, the quartet has revealed their first single, “The Skeleton Wedding,” from the album.

“We were at The Quarry in Bisbee grubbing and waiting to go on stage when Ethan asks everyone in the band what their greatest fear is. He wants to do a horror anthology comic to put out with the new album. Before we were even called to the stage, all four stories were basically written.” – The Spider Hole

Two versions of the graphic novel will be offered through the Kickstarter, the standard softcover edition, and a DELUXE hardcover edition, which includes 4 additional stories. The hardcover edition is only available to Kickstarter backers.

 

A quartet with frequent guest musicians, The Spider Hole performs songs meant to stir brains and rattle bones. Based in sun-scorched Phoenix, AZ, the band started banging sounds together in the late nineties, and has steadily developed an aural stew that is partly rock, partly cabaret, partly blues, and partly goth. Influences include Tom Waits, Oingo Boingo, Siouxsie and the Banshees, Primus, The Pixies, Frank Zappa, The Doors, and your face when you taste something unexpected. New music is being prepped for a new full-length album called To the Monsters, due near the end of 2018.

Active rock powerhouse Owl Company recently announced the upcoming release of their sophomore full-length album entitled Iris out November 9, 2018via Eclipse Records. The album was mixed by Matt Wallace (Maroon 5, Faith No More, Three Doors Down) and mastered by Paul Logus (Stone Sour, Pop Evil, Clutch).

It has been a mere four weeks since the release of their first single and music video for the track “Shattered Dreams”, and it has already surpassed 19,000 views on YouTube, and 20,000 organic plays on Spotify. Today, Owl Companyhave released a brand-new lyric video for the soaring active rock anthem, “Rise”. Watch it now via the Eclipse Records YouTube channel, or stream it via SpotifyApple Music, or Deezer today!

Vocalist Enrico Minelli states, “Rise is about faith and how those associated beliefs can intervene in a person’s life. It tells a story of someone who has realized that they are the god of their actions”. 

Iris contains thirteen memorable, melodic, active rock anthems which flex their muscles, and instantly make you want to hear more. Highlights on the album include the instant hit “Shattered Dreams” which tackles the concept of faith and how it can take away one’s free will, the self-empowering track “Rise” which also explores the concept of faith but from the perspective that individuals are responsible for their own actions, and the soaring energetic track “Antagonist” which is a personal reflection on the ending of a lifelong relationship.

Pre-order the full album on iTunesAmazon, or Google Play, and stream the singles via SpotifyApple Music, Deezer, Pandora, iHeartRadio, and elsewhere here.

For more information on Owl Company, please visit them on FacebookTwitter, or Eclipse Records.

 

 

Sydney based rock outfit Lese Majesty are set to release new single ‘Age of Outrage’ this Friday September 21! The duo, Jodie Gibson (vocalist) and Joel Henderson (guitarist and songwriter), have joined forces with producer Luke Palmer (Dead Letter Circus guitarist) for the song – and have also featured drummer Luke Williams of Dead Letter Circus on the track. Add to that, mixing credits to Forrester Savell (KarnivoolCogShihad), and you have something of a special broth brewing. It comes as a first taste of what is to come – on an EP that will be announced very soon.

Inspired by the outrage trend gripping the thumbs of the current digital age, the point of view is from the perspective of someone who’s made a mistake and can’t live it down. “It’s personal experience” said Joel. “I wrote this stupid joke as a teenager and I always thank my lucky Zuckerberg’s that social media wasn’t around, or I would have been destroyed…. now whenever I see someone repeating the same pattern, even if what they write is absurd, a part of me can empathise with them.”

Bassist Joel Henderson describes the recording process, “Luke had this crazy riff idea that scared the pants off us… we jammed on it in pre-production one weekend, and by the end of the day we had all the music finished but no lyrics or melody. For two months we wrote about four or five different choruses and more than fifteen different verses until we finally had something that was close to the mark.

I was reluctant about this song at first, it was so frantic that I didn’t know if we could pull it off live” reveals Joel, “but the riff was bouncing around inside my head for weeks, and I had so many lyric ideas that we just couldn’t put it aside.

“It was Forresters’ cat that gave us the inspiration behind the opening line.” Singer Jodie Gibson laughs, “We were recording vocals at his home studio, we walked outside for a break, the cat would slink on over, almost close enough for a pat, and just as we reached out – it would pull its head back… classic cat tease, almost saying: “Is this what you wanted?” So that became the opening line of the song.

The single comes along with a videoclip, filmed and edited by Joel Black from Tommirock, a music and film production company from Newcastle.

The shoot location was on an island north of Sydney. Jodie Gibson, vocalist for the band, said that “I was sick of chasing council permits, so instead we hired this small tin boat, loaded it with equipment and secretly transported all the gear across the water to get to this secluded spot… we then packed the kit with cushions and towels so there weren’t any noise complaints, and for the underwater scenes we filled the kit with rocks so it wouldn’t float.”
“The scene where I fall into the water was done at 6.30am on a winters morning.” Singer Jodie Gibson recalls, “It was pretty brutal, then we got a bit idealistic and put the whole band and all the equipment in the water, in hindsight we probably should have waited for summer for these kinds of ideas.”

Lese Majesty’s new single Age of Outrage is out this Friday September 21 in all good online stores and streaming outlets.

 

As A Rival are back – and they’re here to kick the door down with their second full length album, ‘Griefers’ – which will see its release into the world on Friday November 2. Today, they are heralding its imminent arrival into the world with anthemic new single ‘What We Got’. Pre-Orders for the album will go live this Friday September 21, with the single available for streaming and purchase same day. All Pre-Order links and streaming options will be at http://asarival.com.

The new single What We Got blasts away from As A Rival’s usual vein of punk rock showing a maturity and diversity in their songwriting, delivering a power punk ballad that will hit even the hardest of hearts. It’s about when someone you love is struggling through a dark time in their lives, holding onto the tiniest of threads, and doing everything possible to comfort them through it. It is an anthem about holding on to the good around you when you’re almost ready to give in to the flames.

Pete Cerni, vocalist for the band, said that “There are times when we are tested – things that we love, that we live for are put to the sword and we’re left to question ‘is it all worth it’? It’s hard not to focus on the negative. It’s hard enough when it’s your own fight, but watching it happen to someone close to you can be debilitating and make you feel helpless. What We Got addresses the internal struggle that comes with failed attempts to try and comfort those in need.

‘Griefers’ is a gaming term used to describe those who play alongside you only to turn against you, cause you pain and hinder your progress. The same can be used to describe the people we let into our lives. Pete explains, “We go through life meeting people. Connecting with them. Let them in, share with them our passions, our dreams. Some people glide in and out naturally, but others will smile at you while they fight to destroy everything you’ve built.” ‘Griefers’ encompasses the hurt you have to face to crawl out of the mess and deal with the aftermath. Life is about the fight for what you believe in. ‘Griefers’ acknowledges these trying times – the times when you do fall but that it’s ok, as long as you climb even higher as a result.

Recorded at Homesurgery Recordings, the album was produced by Tom Larkin (Shihad) with Sam K Sproull and Jon Grace. The sessions started out with a challenge – complete 50 demos within a 2 month period. A challenge that was met with gusto. 50+ songs later having explored a myriad of styles touched on in previous releases, these sessions enabled As A Rival to hone their craft and evolve their sound. The result: a 12 song punk rock deluge, tackling themes of betrayal, deceit and defiance

‘Griefers’ pays homage to a number of influences and genres culminating into what is As A Rival’s best release to date. From the raw gallop of lead single, ‘Bring Out The Dead’ to the power and grace of ‘What We Got’. The anthemic hooks of ‘Head In The Clouds’ to the burst of energy that is ‘Coup De Main’. The album is full of riffs, hooks and sing-along choruses that keep you coming back for more.
They have seamlessly collected the promises from their debut album ‘By Design’ and set them on fire, constructing a new sound from the ashes. ‘Griefers’ is not just a collection of songs, but a statement, a stamp in time outlining the challenges that have landed in their path. However, instead of dwelling on the issues and letting it hold them back, it’s time to let go. They decided to let the past die – kill it if you have to. Pete Cerni (vox/guitar) and Nathan Wheatley (drums) are joined by Johnny Beech (guitar) and Paul Trevorrow (bass) to deliver a powerfully polished punk rock album. After the tease of previous releases, what remains is a certainty and drive that screams that they are the rival they have always threatened to be.

Pre-Order As A Rival’s new album ‘Griefers’ from this Friday September 21, for release Friday November 2. For more information, go to https://www.asarival.com.

 

The Pineapple Thief  have launched their brand new video for “Try As I Might”, the new single from their forthcoming new studio album Dissolution.

The highly anticipated follow up to 2015’s Your Wilderness, is the band’s second album to feature King Crimson and Porcupine Tree drummer Gavin Harrison.

Vocalist, songwriter and guitarist Bruce Soord explains his dystopian view “The video follows the theme of the song and the album – if you sign up to this hyper connected world we live in, then you have to live with the consequences.  Try as you might to get out of it. 

The futuristic clip was created by Blacktide Phonic/Visual (www.black-tide.co.uk) director George Laycock, who expands on how he created the film “When The Pineapple Thief came to me with their track ‘Try as I might’, they had a broad basis for an idea for a music video that dealt with a social media obsessed ‘connected’ world.

This had nods to previous films and television like ‘The Truman Show’, ‘Black Mirror’, the ‘Big Brother’ landscape and its preceding shows, so it was about creating a storyline using these broad influences and encapsulating into an obscure 3 minute film on a budget.

I was interested in the concept of ‘in eye cameras’, scary technology I am sure isn’t too far away from us. We decided to go down the optical medical route and follow our character on a journey from first pre-operation, to surgery, recovery and then trying to battle the decision he has made, whilst battling with the corporation he has signed up too. The film hopefully leaves the viewer to create their own conceptions on his outcome.

We filmed it all on the Dorset/Devon coastline around where I live and were fortunate to be able to secure great locations to shoot in with a few favours, including a remote seaside post-modern house, a private beach and a real working hospital and opticians.

To keep the cast down to a minimum I decided that the camera that is watching Bruce would become the main supporting actor and his nemesis, appearing in scenes without anyone operating it. This allowed us to see the cameras point of view and tell the story to the fictional viewer. This old broadcast camera weighed an absolute ton, and carrying through remote woods, down a mile-long steep cliff path to a beach was a challenge on some of the hottest days of the year. Filming in the water at the end was a welcome refreshment. 

Many thanks to all those who helped with the film, especially everyone involved at Yeovil hospital for allowing us such amazing access, and to Bruce for being so amenable about having scalpels inches from his eyeball.”

The Pineapple Thief have grown to become one of the leading lights of Europe’s experimental rock domain, Your Wilderness produced 4m+ album streams, a #7 in the UK Independent Charts and two extensive headline European tours culminating at London’s Islington Assembly Hall where the concert was recorded for the live release Where We Stood, and their new album Dissolution promises to propel the band to even greater heights. 

Dissolution will be released in the following formats – all available to pre-order now at

thepineapplethief.lnk.to/DissolutionPR

 

 

The band isn’t just a way of life, its been much more than that. To us, as a family, writing music of such honesty, and reaching people who feel it similarly, is as profound an expression of art and life as its possible to be. People have said to me it must be cathartic to write songs like this. I often say the real gift is in the people I do it with. For what we share and what we mean to each other when all is said and done.The landscapes are internal” Daniel Cavanagh

Internal Landscapes showcases the highly influential Liverpool sextet’s uncompromising dedication to fearless artistry. They’ve continually evolved since 1990 by placing hope in the future – from leaving the underground scene they were fundamental in establishing to continually mesmerising the world with dramatic post-progressive alternative rock that knows no borders.

The release of Internal Landscapes follows an extensive worldwide headline tour, including performances at Download FestivalArcTanGent and Wembley Arena with Opeth in support of their 2017 studio album The Optimist. The release won the Album of the Year at the Progressive Music Awards ’17, reached the top 10 in the Polish charts, top 20 in Germany, top 40 in the UK, and has 5.8 million track streams on Spotify. This built on the success of their previous Kscope material, which also won at the Progressive Music Awards, including Album of the Year, Live Event of the Year & Multimedia Package of the Year for 2010’s We’re Here Because We’re Here, 2012’s Weather Systems and 2013’s Universal.

This collection, curated by the band, selects the best works from their prolific output on the ground-breaking label Kscope since 2008. In this time the band left their heavier roots and transcended into emotional heaviness that resonated deep within the heart of the listener. It takes its name from the band’s perhaps most heartfelt song, from their most popular album of the period, Weather Systems.

Daniel Cavanagh has provided the album sleeve notes and the artwork was created by long-time collaborator Travis Smith

Internal Landscapes will be released on CD, LP and available through usual download and streaming platforms.

It is available to pre-order at anathema.lnk.to/InternalLandscapesPR
 

Tracklisting 
1. Anathema [06:41]
2. Untouchable part 1 [06:14]
3. Untouchable part 2 [05:33]
4. Thin Air [06:00]
5. Ariel [06:29]
6. Can’t Let Go [04:34]
7. Dreaming Light [05:47]
8. Are you There? [05:11]
9. J’ai Fait Une Promesse [03:33]
10. Leaving It Behind [04:27]
11. Springfield [05:42]
12. Distant Satellites [08:07]
13. Internal Landscapes [08:37]

 

Something for Kate frontman and celebrated solo troubadour, Paul Dempsey, is delighted to announce a very special solo acoustic show at Melbourne’s magnificent Recital Centre on Wednesday  14th November.

Having spent a jam-packed 2018 moving between a variety of projects including :  3 sold out Australian tours, duetting at the Australian of the Year ceremony with Amy Shark; touring Europe, Iceland and South America with members of David Bowie’s band in Celebrating David Bowie ; and writing new material for the forthcoming Something For Kate album, Paul will take to the stage for one night only at the iconic Melbourne venue to perform songs from across his vast solo and Something for Kate catalogue with the addition of his signature classic covers and the promise of some new SFK material. Having performed at festivals, theatres, bars, clubs and pubs all over the world, this is a unique opportunity to hear one of Australia’s most powerful voices in a pristine, state of the art auditorium.

As with every single Paul Dempsey performance, his desire and ability to connect directly with his audience lies at the heart of the show. Stepping on to the Recital Centre stage in his home town, alone with his guitar, Dempsey will tell stories, and hold musical conversations that connect performer with audience in a way very few artists can. It’s this rare ability (alongside an uncanny ability to produce quality material for over two decades) that explains Dempsey’s long career and unique relationship with his audience.

Says Paul of the desire to play this special one-off show at the Recital Centre:  “Hometown shows are always special and I’m particularly excited about this one. It’s about bloody time I gave my audience an opportunity to enjoy the music in a stunning acoustic environment whilst (hopefully) wearing something nice and reclining in a well-designed chair at a perfectly reasonable hour on a school night.”

 Since forming Something for Kate in 1994, Paul Dempsey has travelled a road of consistent musical quality, authenticity and credibility to become one of Australia’s most celebrated and fiercely original song writers and performers, both as part of his band, and as a solo performer. It’s a rare double act, made even more unique by the fact that he has managed to do both in tandem, with his parallel careers evoking similar levels of devotion and critical acclaim amongst fans and media alike.

With over 500,000 album sales, 10 gold and platinum awards, multiple number ones and sold out tours stretching back over 20 years, preferring to tackle subject matters well beyond the realm of rock ‘n’ roll, Dempsey is the rarest of breeds: talented, credible, and popular. Perhaps most crucially, he’s a man constantly curious about the world around him, a fact that goes some way to explaining his constant musical and lyrical evolution.

With a deep love of live performance, and a pronounced sense of excitement about playing a home town show in a room designed for listening, this one-off show promises to be an event that will long live in the memory of everyone in attendance in this very special venue.

 

PAUL DEMPSEY AT THE MELBOURNE RECITAL CENTRE

WEDNESDAY 14TH NOVEMBER, 2018

Tickets available HERE