Tagged: Jacki Weaver


R&R Films is delighted to announce that the cinema release of the laugh out loud comedy NEVER TOO LATE has been rescheduled for October 29.

With enthusiastic cinema support, the film will open on approximately 150 screens nationally.

In the film, when a nursing home stands in the way of a 50-year courtship, four grumpy old Vietnam Vets unite to re-enact the great escape. They may have lost their memory and speed, but these renegades prove it’s never too late for new adventures, even if you have to break rules to break free.

Cinema goers will love the shenanigans of these four vets, one of their long-lost loves and an estranged son – played by the stellar cast of Jacki Weaver, Jack Thompson, Shane Jacobson, James Cromwell, Dennis Waterman, Roy Billing and Max Cullen.

Filmed on location in Adelaide, Never Too Late was directed by Mark Lamprell (My Mother Frank, A Few Less Men), was written by screenwriter and crime novelist Luke Preston and produced by Antony I Ginnane (Patrick, Turkey Shoot) and David Lightfoot (Wolf Creek).
The film will be released in Australia by Richard Becker and Robert Slaviero from R&R Films.

Never Too Late is a charmer and we are confident audiences will love the antics of our heroes and the warmth of the late-in-life love story played so delightfully by our fabulous cast,” Richard and Robert said.

Transmission Films invites Australian audiences on a personal journey through Australian cinema with David Stratton, our most revered film critic, when DAVID STRATTON: A CINEMATIC LIFE releases in cinemas this year.
DAVID STRATTON: A CINEMATIC LIFE is an intimate journey with David Stratton, from his first boyhood cinema experience in England, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy.
While David turned his passion for cinema into a profession, a growing band of courageous Australians turned their enthusiasm for storytelling into an extraordinary body of work. Alongside David, this absorbing documentary includes commentary from some of the most recognisable names in Australian cinema including Gillian Armstrong, Eric Bana, Bryan Brown, Russell Crowe, Judy Davis, Nicole Kidman, George Miller, Sam Neill, Geoffrey Rush, Fred Schepisi, Warwick Thornton, Jacki Weaver and Hugo Weaving.
“David Stratton is a true champion of Australian cinema. The opportunity to share his unique personal story on the big screen is a privilege,” said Transmission Films Joint Managing Director Andrew Mackie.
DAVID STRATTON: A CINEMATIC LIFE is written and directed by Sally Aitken (Getting Frank Gehry, Streets of Your Town) and produced by Jo-anne McGowan and executive produced by Jennifer Peedom (Sherpa).
DAVID STRATTON: A CINEMATIC LIFE will open in cinemas nationally on March 9th. David Stratton will be in attendance at select Q&A screenings across the country from late February, with more details coming soon.

Last Cab To Darwin

Thanks to our friends at Icon Distribution Subculture Entertainment has some double passes to new Australian film Last Cab To Darwin to giveaway. Two lucky winners will also receive limited edition Last Cab To Darwin tea-towels. Simply listen to this week’s episode of The Good The Bad The Ugly Film Show to hear how you can win.

Last Cab To Darwin stars Michael Caton, Ningali Laford-Wolf, Mark Coles Smith, Emma Hamilton and Jacki Weaver. It hits cinema screens this Thursday.

Revelation Film Festival
In what has been seen as a bleak time for Australian Cinema, Revelation Perth International Film Festival is leading the charge to demonstrate that a change is afoot.Opening the 18th Revelation Film Festival in 2015 will be Last Cab To Darwin, an extraordinary film of depth and perception. Directed by Jeremy Sims and featuring a high calibre cast including Michael Caton and Jacki Weaver, Last Cab To Darwin is another example of the incredible talent that exists in the local industry.

Also surfing this current revival are a number of other Australian films and co-productions, many of which will have their Australian premiere at Revelation.  Titles such as Plague, Vixen Velvet, Cambodian Space Project, What Lola Wants and Gameloading showcase the diversity of Australian cinema.

The Revelation program will also include two features that have been produced in WA; a snapshot of Perth’s cultural life in Parkerville Amphitheatre: Sets, Bugs and Rock ‘n’ Roll and the quirky Alvin’s Harmonious World of Opposites which was partially shot in Kambalda. Two more films, the documentary Industrial Soundtrack for the Urban Decay and feature narrative Echoes of War were also directed by Australians.

“It’s the renaissance we didn’t know we were having,” says Revelation Festival Director Richard Sowada, “Combine these high-quality – and in most part undistributed – films with the fantastic shorts and you’d got a more than viable industry on its own terms. That’s a real achievement.”

Revelation Film Festival will also run a number of workshops for both aspiring and established filmmakers including a three day digital filmmaking class with Craig Deeker and an acting masterclass with Steve Bisley.

Revelation’s full program will be released on 6 June. The festival runs 2-12 July.

Lido Logo

Melbourne cinema lovers rejoice; the new Lido Cinemas is due to unveil June 25th. The stunning eight-screen artiplex, showing both commercial and art house films, will open on Hawthorn’s bustling Glenferrie Road bringing both excitement and vibrancy with Australian premieres, exclusive releases and a focus on local community engagement.

A labour of love from the owners of Elsternwick’s Classic and Belgrave’s Cameo, cinephiles Eddie and Lindy Tamir, who against all odds, have lovingly restored this beautiful building for an extraordinary cinema opening unseen in Melbourne for many years.

Lido will be the first venue in mainland Australia, to have a rooftop screen attached to a cinema. This exciting project sees some of the world’s most cutting edge technology, including a 4K projector and Dolby Atmos, contrasted in a beautifully historic venue, boasting gorgeous features like an Edwardian-era marble staircase.

Eddie, who has always been a sucker for old buildings and who also restored the Cameo and Classic Cinemas, says: “The building is beautiful and I wanted to keep as much of the traditional charm as possible. While visiting old cinema sites I was most inspired by the ones which still had some of their old characteristics, as well as street theatre; a location with a vibrant atmosphere.”

Eddie, who also founded the Jewish International Film Festival, sees his cinemas as community centres for locals, “it’s important for us that we cater to all people, and to understand that people can like both art-house and commercial films, people are not one dimensional and Lido certainly isn’t either,” Eddie adds.

Aidan Halloran was the man behind the design, who has spent five years working to face the challenge of retaining many of the old features, while installing eight screens and transforming it into an exciting cinema. “The original decorative plaster ceiling, the two original marble and tiled staircases, and the multi-coloured 1930s terrazzo floor in the foyer are some of the aspects we were able to refresh and restore.  The new elements sit in obvious contrast to the old, adding another layer to the long history of the building, which served as a theatre, cinema, pool hall, dance studio, and cabaret venue, among others,” said Aidan. Lido was home to a cinema in 1917 but closed down in 1956.

The fabulous Hawthorn location has boomed in recent years, with the launch of exciting eateries like Fonda Mexican, the redevelopment of the Hawthorn Arts Centre and charming cafes like Crabapple Kitchen, who will also be opening Vaporetta – a Venetian Bar Restaurant backing onto the cinemas. With the launch of Lido and new Huxtaburger and Yo-Chi stores, Hawthorn is set to continue growing as a prime location.

“Even with the boom of downloading films, the romance and experience of going to the cinema will always be paramount in the industry. Restoring an old, beautiful building adds to the theatre of the whole cinema experience,” adds Eddie.

The cinemas will open with an eclectic mix of art house titles, family holiday releases and upmarket commercial releases catering for all tastes including Minions, Pixar’s Inside Out, the story of The Beach Boys frontman Brian Wilson Love & Mercy, Far From The Madding Crowd based on the literary classic by Thomas Hardy, an exclusive Lido season of JIFF 2014 hit, the critically acclaimed and multi-award winning black comedy Zero Motivation, and an ongoing partnership with Monster Pictures which will include the annual Monster Fest, Australia’s Premiere horror film festival, plus a weekly Friday night Monster Fest Presents Midnight Mayhem showcase which kicks off with the Melbourne Premiere of the much anticipated THE HUMAN CENTIPEDE 3 (FINAL SEQUENCE).

In addition, the Lido launch period will include the Lido’s 8K Radius Film Series, in partnership with City of Boroondara, directed by Kenny’s Clayton Jacobson and focusing on the weird and wonderful stories of everyday people living and working in the area, an Australian film focus lead by the new film Last Cab To Darwin starring Michael Caton and Jacki Weaver, and following with support for a number of local gems. In addition, the Lido is working on exciting programmes and partnerships with Swinburne’s famed School Of Film & TV, in addition to a number of cultural film festivals with partnering organisations.

Lido Cinemas

675 Glenferrie Road, Hawthorn


Last Cab To Darwin

Icon Film Distribution is proud to announce that the official world premiere of the new Australian feature, LAST CAB TO DARWIN will be held at Sydney’s State Theatre on Saturday June 6, 2015.

The Sydney Film Festival today announced the inclusion of LAST CAB TO DARWIN in its 2015 programme and the first festival screening of the film will also be the premiere event ahead of its release in cinemas across Australia on August 6.

Cast and crew from the film will be in attendance to walk the red carpet and witness the audience falling in love with the film first hand.

Jeremy Sims (Beneath Hill 60 and Last Train to Freo) skilfully directs Australian acting legends, Michael Caton and Jacki Weaver against the backdrop of the stunning Australian outback.  Sims began working on the project with co-writer, Reg Cribb over 10 years ago and commented about this labour of love.

“I’m so proud of this film. After 3000 kms, 18 flat tyres, three bogged vans on the Oodnadatta Track and 4 billion flies; with the help of entire communities at Oodnadatta and Daly waters, an indomitable crew, brave and supportive investors and our brilliant cast, we have made what I hope is a truly ‘Australian’ film, with a big heart and a bigger story to tell. Caton is of course the centre of it all, and I hope people give themselves the chance to watch a true legend of Australian screen give the performance of his career…”

With so many iconic characters already to his name (Uncle Harry in TV’s The Sullivans, Ted Taylor in TV’s Packed To The Rafters, and of course, Daryl Kerrigan in The Castle) Michael Caton gives the performance of a lifetime in LAST CAB TO DARWIN.  Caton is Rex, a Broken Hill cab driver who, when told he doesn’t have long to live, sets out on an epic journey to Darwin in a bid to die on his own terms.   Along the way he is forced to expand his once limited horizons and open himself up to new people and new experiences; teaching us all that it’s never too late to start living.

In her first Australian feature film performance since the meteoric international rise that has included two Academy Award® nominations and back to back Hollywood projects; Jacki Weaver appears as audiences have never seen her before.  As the controversial Dr Farmer, she provides a multi-layered portrayal of a doctor struggling between her ability to help one patient or the many more to follow.

In fact, Michael Caton’s tour de force portrayal is in great company with so many standout turns from the cast, including up and coming actor, Mark Coles Smith (Beneath Hill 60 and TV’s The Gods of Wheat Street) who plays incorrigible larrikin, Tilly.  Coles Smith’s enigmatic Tilly wheedles his way into Rex’s cab and inevitably into his life, guiding him along his journey through the heart of the country and providing his unique perspective on life as an Indigenous Australian living in outback communities.  This breakout performance will see Coles Smith feature on many one-to-watch lists.

Australian-born actress, Emma Hamilton who plays British backpacker Julie has built a career in the UK including TV’s The Tudors.  Another standout, she not only nails the accent, but gives Julie both the no-nonsense attitude of a seasoned nurse and the tender understanding of a natural healer.

As Rex heads off on his Darwin-bound adventure, he leaves behind his neighbour and sometime lover, Polly.  In yet another dynamic portrayal, Ningali Lawford-Wolf brings Polly’s strength and vulnerability to life in a combination of comic timing and chutzpah.  In addition to her work on screen in Rabbit Proof Fence and Bran Nue Dae, Ningali was also recognised for her services to Indigenous performing arts with the Australian Centenary Medal in 2001.

Also waiting back at the pub in Broken Hill are Rex’s mates played by Australian acting stalwarts, John Howard, Alan Dukes and David Field.  Other highly familiar faces rounding out the support cast include Brendan Cowell, Leah Purcell and Jeremy Cumpston.

Director Sims and Cinematographer Steve Arnold have captured the incredible Australian landscape in all its glory and to the point that it serves much like its own character in the film.  From the desert landscapes to the lush tropical locales, Rex’s journey along the Oodnadatta Track and up through central Australia serves as a love letter to the outback.

As quintessentially Australian as the red earth itself, the sport of AFL and its deep connection with Indigenous communities also features as a key theme in the film.   AFL legend, Brian Taylor also stars in the film, playing the Darwin coach who gives Tilly his big break.

2015 is shaping up as a great year for Australian film and LAST CAB TO DARWIN will continue the trend with a touching and life-affirming story that is sure to resonate with everyone from coast to country town.  An extensive talent tour across Australia is planned for the months between the world premiere at the Sydney Film Festival and film’s actual release.

Icon Film Distribution CEO, Greg Hughes commented, “We are greatly excited by the opportunity to showcase this extraordinary film as part of the Sydney Film Festival and to be able to align the world premiere event inside of the festival’s timelines.  Icon has enjoyed working closely with the LAST CAB TO DARWIN team throughout the film’s journey from script to screen and we are very proud to be associated with the final product and to be able to share this moving story with Australian audiences.”

Filled with hope, humour and heart, LAST CAB TO DARWIN takes us on a journey in cinemas from August 6.

Magic In The Moonlight

Summary: An uptight English magician (Firth), who prides himself on knowing the detail behind every popular illusion, reconnects with an old colleague while on tour in Europe. Intrigued by the story of a young spirit medium (Stone) who claims to be able to speak with the dead husband of a wealthy widow (Weaver), the pair travel to the sun-dappled coastal villa of the family to assist in unmasking this possible swindle. Set during the 1920s against a backdrop of the Côte d’Azur, glorious provincial mansions, garden parties and fashionable jazz joints,

Year: 2014

Australian Cinema Release Date: 28th August, 2014

Australian DVD Release Date: TBA

Country: USA

Director: Woody Allen

Screenwriter: Woody Allen

Cast: Eileen Atkins (Aunt Vanessa), Colin Firth (Stanley), Marcia Gay Harden (Mrs. Baker), Erica Leerhsen (Caroline), Hamish Linklater (Brice), Simon McBurney (Howard Burkan), Catherine McCormack (Olivia), Jeremy Shamos (George), Emma Stone (Sophie), Jacki Weaver (Grace)

Runtime: 97 mins

Classification: PG




Greg King: You can check out Greg’s Magic In The Moonlight review on The Good The Bad The Ugly Film Show Ep #94



Nick Gardener: You can check out Nick’s Magic In The Moonlight review on The Good The Bad The Ugly Film Show Ep #94



David Griffiths:

It seems like talented actor/director Woody Allen really is Mr. Teflon. The scandals that have plagued his personal life over the years would have been enough to bring other filmmaker’s careers crashing down around them. They would have become box office poison and eventually been shunned by film studios right around the world.

That certainly hasn’t happened with Allen though who has instead just merrily gone about his business churning out at least one film a year for as long as I can remember. The good thing about that though is that even with age the level of greatness he has managed to bring to each of his films has never dropped. Over recent years he has proved that with films such as To Rome With Love, Midnight In Paris and Vicky Cristina Barcelona which have all been absolute gems.

Now comes Magic In The Moonlight a film that sees Allen drag his audience make into the roaring 1920s as he tells the story of the talented yet seemingly perennially grumpy Stanley (Colin Firth) who is brought in to investigate the claims by a young girl named Sophie (Emma Stone) who says that she is able to predict people’s futures with her connection to the ‘universe.’

With a rich family, including young Brice (Hamish Linklater), believing every word that Sophie says and now giving her money for her services Stanley’s good friend Howard (Simon McBurney) demands that he investigates her.

Not only does Allen make sure the set design for this period is absolutely spot on but he has also delivered a film that almost feels like it was made back in these times as well. A time when filmmakers knew that a good script and some great acting were far more important to the audience then special effects or the like. In fact if Allen had filmed Magic In The Moonlight in the black-and-white you could have been excused for thinking the film was a re-born classic. Yes, this isn’t the kind of film that you want to watch in the latest multiplex cinema, to get the true beauty of this film you really need to hunt down the oldest theatre in your city and go watch it there.

Having praised Mr. Allen to high heaven though it is worth pointing out that Magic In The Moonlight is not one of his finest films, but then even an ordinary Woody Allen film is usually better than most films out at the time. Still Magic In The Moonlight does have all the things that a true Allen fan looks for his films – the witty dialogue, the big twist and an air of mystery that only the masters of old can manage to create.

But there is one big weakness with Magic In The Moonlight, and that is the romance element. It does work and despite some fears that whole idea of Colin Firth and Emma Stone coming together isn’t as gag worthy as what we had to sit through with Zeta-Jones and Connery in Entrapment, but the romantic element of the film seems to be the only reason that the last quarter of the film has been tacked on. Once the big reveal happens the romance seems unnecessary and as a result the ending of the film drags a little as all the suspense has already dissipated.

Just like all of Allen’s films though, he gets the best out of his cast. As usual Colin Firth is smooth and seems to enjoy the opportunity of delivering some of the catty lines that Allen’s script contains. At times it does feel like the screenplay has called upon Firth to almost parody the a 1920s gentlemen and he seems to do that well. He is also well supported by Emma Stone who seems to keep being able to silence her critics who cruelly suggest that she has better looks than talent. While she doesn’t exactly steal the show like she did in Easy A she again shows that she can move between comedy and drama in a heartbeat with ease.

Magic In The Moonlight is far from one of Woody Allen’s best films. The romance coming to the fore towards the end does let it down a little, but for the most part it does work. Just be warned that the film is aimed for an older demographic so if you are a little on the younger side this may not be the film for you.



Average Subculture Rating (out of 5):  Stars(3.5)


IMDB Rating: Magic in the Moonlight (2014) on IMDb


Other Subculture Entertainment Reviews of ‘Magic In The Moonlight′: For our full Magic In The Moonlight review please check The Good The Bad The Ugly Film Show Ep #94. You can also read Dave’s Magic In The Moonlight review on The Book The Film The T-Shirt.



Summary: When India loses her father in a car accident on her 18th birthday, her mother Evie invites India’s long-lost Uncle Charlie to stay with them. Charlie is a mysterious, charming and possibly dangerous figure, and as India’s suspicion of him grows, she finds herself drawn towards him..

Year: 2013

Australian Cinema Release Date: 29th August, 2013

Australian DVD Release Date: TBA

Country: USA, UK

Director: Chan-wook Park

Screenwriter: Wentworth Miller

Cast: Thomas A. Covert (Young Charles Stoker), Alden Ehrenreich (Whip), Judith Godreche (Doctor Jacquin), Matthew Goode (Charles Stoker), Jaxon Johnson (Jonathan Stoker), Paxton Johnson (Jonathan Stoker), Nicole Kidman (Evelyn Stoker), Harmony Korine (Mr. Feldman), Dermot Mulroney (Richard Stoker), Phyllis Somerville (Mrs. McGarrick), Lucas Till (Pitts),  Tyler von Tagen (Young Richard Stoker), Mia Wasikowska (India Stoker), Jacki Weaver (Gwendolyn Stoker)

Runtime: 99 mins



Greg King: Stars(3.5)

Please check Greg’s review of You’re Next’ that is available on www.filmreviews.com.au

Nick Gardener: Stars(3.5)

Please check Adam’s review of ‘You’re Nexdt’ that is available on The Good The Bad The Ugly Film Show Ep 47

Adam Ross: Stars(4)

Please check Adam’s review of ‘You’re Nexdt’ that is available on The Good The Bad The Ugly Film Show Ep 47

Average Subculture Rating (out of 5): Stars(3.5)

IMDB Rating:  Stoker (2013) on IMDb

Other Subculture Media Reviews of ‘Stoker′: Please check The Good The Bad The Ugly Film Show Ep 47 for our in-depth review of ‘Stoker.’


Silver Linings Playbook

Summary: Life doesn’t always go according to plan…Pat Solatano (Bradley Cooper) has lost everything — his house, his job, and his wife. He now finds himself living back with his mother (Jacki Weaver) and father (Robert DeNiro) after spending eight months in a state institution on a plea bargain. Pat is determined to rebuild his life, remain positive and reunite with his wife, despite the challenging circu…mstances of their separation. All Pat’s parents want is for him to get back on his feet – and to share their family’s obsession with the Philadelphia Eagles football team. When Pat meets Tiffany (Jennifer Lawrence), a mysterious girl with problems of her own, things get complicated. Tiffany offers to help Pat reconnect with his wife, but only if he’ll do something very important for her in return. As their deal plays out, an unexpected bond begins to form between them, and silver linings appear in both of their lives.

Year: 2013

Australian Cinema Release Date: 31st January, 2013

Australian DVD Release Date: TBA

Country: USA

Director: David O. Russell

Screenwriter: David O. Russell, Matthew Quick (novel)

Cast: Richard Adams (Ramon), Ted Barba (Doug Culpepper), Fritz Blacnchette (Fritzy), Regina Boies (Regina), Brea Bree (Nikki), Phillip Chorba (Jordie), Bradley Cooper (Pat), Robert De Niro (Pat Sr.), Vaughn Goland (Robert), Tiffany E. Green (Tanya), Paul Herman (Randy), Anupam Kher (Dr. Cliff Patel), Jennifer Lawrence (Tiffany), Anthony Lawton (Dr. Timbers), Patsy Meck (Nancy), Dash Mihok (Officer Keogh), John Oritz (Ronnie), Jeff Reim (Jeffrey), Matthew Russell (Ricky D’Angelo), Julia Stiles (Veronica), Chris Tucker (Danny), Jacki Weaver (Dolores), Shea Whigham (Jake)

Runtime: 122 mins


Dave Griffiths’s ‘Silver Linings Playbook’ Review: 

It’s funny how Oscar Buzz can win some people over so quickly. ‘Silver Linings Playbook’ has come in for some deserved Oscar nominations but calling it ‘film of the year’ is a little bit of a stretch. Yes this is one romantic film that has the right mix of drama and comedy (even better is the fact it’s comedy that will make you laugh) and the acting is out of this world, but at the end of the day it’s script is seriously predictable, so much so that you’ll be able to predict the ending from the start of the film.

Based on a novel by Matthew Quick, ‘Silver Linings Playbook’ begins with Pat (Bradley Cooper – The Place Beyond The Pines, Hit And Run) being picked up from a mental hospital by his mother, Dolores (Jacki Weaver – The Five Year Engagement, Summer Coda). It turns out that he was placed in the hospital by the court after he viciously bashed a man who was having an affair with his wife, Nikki (Brea Bee – TV’S General Hospital, TV’S Breaking In).

However, the news that Pat is out of hospital doesn’t exactly thrill his father, Pat Snr. (Robert De Niro – Freelancers, Being Flynn) who believes that Pat may not be ready to be back in society. At first Pat does all he can to break his restraining order and tries to see Nikki but after being picked up by Officer Keogh (Dash Mihok – 2nd Serve, TV’S Greetings From Home) a couple of times and because of advice from his doctor Dr Cliff Patel (Anupam Kher – Midnight’s Children, Jab Tak Hai Jaan) Pat decides that while he does still want to end up with Nikki but is going to have to work slowly at it so he can show her that he has changed.

Then his life changes forever when his friends Ronnie (John Oritz – Jack Goes Boating, TV’S Luck) and Veronica (Julia Stiles – The Makeover, Between Us) introduce him to the damaged Tiffany (Jennifer Lawrence – House At The End Of The Street, The Hunger Games) and while many feel they are bad for each other they soon form a strong bond that the others, aside from Danny (Chris Tucker – Rush Hour 3, Rush Hour 2), just don’t seem to understand.

Normally a film’s good script can make bad actors look good, but this time around it is a string of good acting performances that make a predictable script a worthy watch. It’s a shame that David O’ Russell’s (The Fighter, I Heart Huckabees) script is easy to predict from the get go because the script works on so many other levels – it gives a great insight into mental illness, has wonderful relationships between most of the characters and provides a few laughs along the way.

But the best thing about ‘Silver Linings Playbook’ are the remarkable performances of its key cast. Bradley Cooper and Jennifer Lawrence both show that they are most remarkable talents that are well and truly above the franchises that have made them famous while Robert De Niro also puts in one of his best performances for years.

‘Silver Linings Playbook’ also helps out some of Hollywood’s fringe dwelling actors to show their worth as well. Jacki Weaver is absolutely sensational and does Australia proud while Chris Tucker reminds Hollywood that he can be a talented actor when given the right script to work with again.

‘Silver Linings Playbook’ may be a little predictable but it is still an enjoyable journey and should certainly be classed as a must see.

Other Subculture Media Reviews of ‘Silver Linings Playbook′: Check Episode #18 of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Silver Linings Playbook’. Dave’s other review of ‘Silver Linings Playbook’ can be found on the Helium Entertainment Channel

Rating: 4/5

IMDB Rating: Silver Linings Playbook (2012) on IMDb


The 2012 Academy Award Nominations are in… here they are:

Best Picture:

“Beasts of the Southern Wild”

“Silver Linings Playbook”

“Zero Dark Thirty”


“Les Miserables”

“Life of Pi”


“Django Unchained”


Best Supporting Actor:

Christoph Waltz, “Django Unchained”

Philip Seymour Hoffman, “The Master”

Robert De Niro, “Silver Linings Playbook”

Alan Arkin, “Argo”

Tommy Lee Jones, “Lincoln”

Best Supporting Actress:

Sally Field, “Lincoln”

Anne Hathaway, “Les Miserables”

Jacki Weaver, “Silver Linings Playbook”

Helen Hunt, “The Sessions”

Amy Adams, “The Master”

Best Director:

David O. Russell, “Silver Linings Playbook”

Ang Lee, “Life of Pi”

Steven Spielberg, “Lincoln”

Michael Haneke, “Amour”

Benh Zeitlin, “Beasts of the Southern Wild”

Best Actor:

Daniel Day Lewis, “Lincoln”

Denzel Washington, “Flight”

Hugh Jackman, “Les Miserables”

Bradley Cooper, “Silver Linings Playbook”

Joaquin Phoenix, “The Master”

Best Actress:

Naomi Watts, “The Impossible”

Jessica Chastain, “Zero Dark Thirty”

Jennifer Lawrence, “Silver Linings Playbook”

Emmanuelle Riva, “Amour”

Quvenzhané Wallis, “Beasts of the Southern Wild”

Best Original Screenplay:

“Zero Dark Thirty”

“Django Unchained”

“Moonrise Kingdom”



Best Adapted Screenplay:


“Silver Linings Playbook”


“Life of Pi”

“Beasts of the Southern Wild”

Best Animated Feature:


“The Pirates! Band of Misfits”

“Wreck-It Ralph”



Best Foreign Feature:


“A Royal Affair”



“War Witch”

Best Visual Effects:

“Life of Pi”

“The Hobbit: An Unexpected Journey”

“The Avengers”


“Snow White and the Huntsman”

Best Cinematography:


“Anna Karenina”

“Django Unchained”

“Life of Pi”


Best Costume Design:

“Anna Karenina”

“Les Miserables”


“Mirror Mirror”

“Snow White and the Huntsman”

Best Documentary Feature:

“Searching for Sugar Man”

“How to Survive a Plague”

“The Gatekeepers”

“5 Broken Cameras”

“The Invisible War”

Best Documentary Short:

“Open Heart”



“Kings Point”

“Mondays at Racine”

Best Film Editing:


“Silver Linings Playbook”

“Life of Pi”


“Zero Dark Thirty”

Best Makeup and Hairstyling:


“The Hobbit: An Unexpected Journey”

“Les Miserables”

Best Music (Original Score):

“Anna Karenina”


“Life of Pi”



Best Music (Original Song):

“Before My Time” from “Chasing Ice”

“Everybody Needs A Best Friend” from “Ted”

“Pi’s Lullaby” from “Life of Pi”

“Skyfall” from “Skyfall”

“Suddenly” from “Les Misérables”

Best Production Design:

“Anna Karenina”

“The Hobbit: An Unexpected Journey”

“Les Misérables”

“Life of Pi”


Best Short Film, Animated:

Adam and Dog”

“Fresh Guacamole”

“Head over Heels”

“Maggie Simpson in ‘The Longest Daycare’”


Best Short Film, Live Action:


“Buzkashi Boys”


“Death of a Shadow (Dood van een Schaduw)”


Best Sound Editing:


“Django Unchained”

“Life of Pi”


“Zero Dark Thirty”

Best Sound Mixing:


“Les Misérables”

“Life of Pi”