Roadshow Films is set to release another film in the successful RED DOG franchise in cinemas on December 5th, 2019.

The feature film, entitled KOKO: A RED DOG STORY, was produced by Nelson Woss (RED DOG, RED DOG TRUE BLUE and NED KELLY), and Lauren Brunswick (TOP KNOT DETECTIVE), written and directed by Dominic Pearce and Aaron McCann (TOP KNOT DETECTIVE).

KOKO: A RED DOG STORY is a Woss Group Film Production, receiving principal funding from Screen Australia in association with Screenwest and Lotterywest.

The film follows the story of Koko – the dog who played Red Dog in the first film and appeared in RED DOG: TRUE BLUE.

Jason Isaacs (THE HARRY POTTER FRANCHISE, THE PATRIOT and PETER PAN) narrates the film.

“It’s a love story about why we love dogs,” said producer Nelson Woss. “Koko had an amazing life and his impact on people and communities is his legacy. The release will work closely with animal shelters and community-based charities offering them the opportunity to use the film for charity events & screenings”.

Roadshow Films, who distributed and executive produced the 2011 box office smash-hit RED DOG and RED DOG: TRUE BLUE in 2016 – will distribute the new film in Australia alongside Good Dog Distribution.

“Red Dog found a place in the hearts of all Australians in 2011 to become a box office smash and an instant family favourite. We are thrilled to be distributing the next chapter in this incredible canine adventure” said Joel Pearlman, CEO Roadshow Films.


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Lagerstein have sailed their ship back from European shores, hung over and weary, but eager to please Australian audiences! Today, they have taken some Berocca and pulled themselves together enough to announce the local supports for their upcoming Australian Leg of their Endless Rum Tour. OH – and announce LAGERSTEIN VS TRIPLE KILL – over the next 3 weeks Lagerstein and tour supports Triple Kill are pitting themselves and their fans against each other in a band face off like no other. 3 competitions and 3 live show changing punishments that will shape the performances you see on the 25/7 Endless rum tour.

Tune into each band’s Facebook pages – facebook.com/lagerstein and facebook.com/TripleKillBand respectively – from Thursday each week to find out how you can help your favourite win, forcing the other band to do some really dumb (but ultimately, hilarious) stuff.

The supports for the Endless Rum Australian tour are – Friday 15th November in Canberra at The Basement with Clarity of Chaos, Sunday 17th November in Sydney at Frankies Pizza with As I Destruct and ZCluster, Wednesday 20th November in Adelaide at Lion Arts Factory with Keggin, Thursday 23rd November in Melbourne at Max Watts with The Backyarders and Thursday 30th November in Brisbane at The Triffid with Pavilion. Tickets for Lagerstein’s ‘Endless Rum’ Australian tour dates can be purchased directly from the band’s website.


Boasting traditionally seaworthy instrumentation scored with modern, distorted guitar work and coarse vocal outbursts, ‘25/7’ promises a glittering treasure trove of jaunty, colourful and undeniably boozy sea shanties. Recorded in Sweden with world renowned producer Fredrik Nordström (Bring Me The Horizon, Arch Enemy, In Flames, Soilwork), Lagerstein’s album 25/7 is out now via Kegstand Records.


Captain Gregarggh, The Majestic Beast, Neil Rummy Rackers, Mother Junkst, Jacob, The Fiercest Pirate in all the Caribbean, Lucky The Great and Rusty Timbers make up Lagerstein, and they have just returned from playing to the crowds of Europe’s renowned Sabaton Open Air and Wacken Open Air festivals. The band have been a favourite opener for some of the genre’s greatest, including Korpiklaani, Alestorm, Finntroll, Gloryhammer, and Ensiferum, Lagerstein are scarcely off the road, and across 22 countries, have brought their remarkable live show to tens of thousands of fans.

 

Lagerstein’s album ’25/7′ is available now at www.lagerstein.com/lagershop as well as tickets for the Endless Rum Tour Australian Dates.

Based on the bestselling comic book, Vin Diesel stars as Ray Garrison, a soldier recently killed in action and brought back to life as the super-human Bloodshot by the RST corporation.  With an army of nanotechnology in his veins, he’s an unstoppable force –stronger than ever and able to heal instantly.  But in controlling his body, the company has sway over his mind and memories, too.  Now, Ray doesn’t know what’s real and what’s not – but he’s on a mission to find out.

Starring Vin Diesel, Eiza Gonzalez, Sam Heughan, Toby Kebbell and Guy Pearce

Directed by David S. F. Wilson

Based on The Valiant Comic Book

 

IN CINEMAS FEBRUARY 20, 2020

One of the most devastating, blistering and sonically brutal tours of 2020 will hit Australia in February, when death/grind masters CATTLE DECAPITATION return to pulverise audiences.

Along for the ride will be Metal Blade labelmates REVOCATION for what is set to be the most decimating tours.

Fiercely uncompromising, confronting and utterly annihilating, CATTLE DECAPITATION are one of the most significant forces in extreme metal’s broad spectrum. Consistently delivering genre bending releases since 1996, this band are emissaries of inconvenient truths, a constant reminder of the awfulness wrought upon the natural world by the human race.

Touring in support of their forthcoming slab of brutality Death Atlas, their bleakest release to date. The cover art says it all, a stooped, skeletal Grim Reaper carrying the burnt-out husk of our planet on his back. “The core concept of this record is humanity‘s insignificance despite what we’ve convinced ourselves,” explains vocalist Travis Ryan.

Live, CATTLE DECAPITATION are an unrelenting cacophony of savagery, a frenzied maelstrom of pure deathgrind carnage, suffocating all in their wake. Expect nothing less than the absolute pinnacle of extremity.

Since their 2006 inception, REVOCATION have firmly established themselves as one of the most vibrant forces in progressive death/thrash metal. Consistently innovative in a technically demanding and boundary-pushing genre, REVOCATION’s latest release THE OUTER ONES sees the band pursuing Lovecraftian sci-fi/horror themes to deliver their boldest, most aggressive and most complex album so far.

Prepare for the most crushing onslaught of technical death/grind/thrash you will experience, as CATTLE DECAPITATION and REVOCATION tour Australia for shows all throughout February.

Cattle Decapitations ‘Death Atlas’ due out Friday 29th November via Metal Blade Records

LIFE OF AGONY emerged from the New York music scene in the early ’90s with one of the most distinctive sounds in its genre. Now the band with a new album in toe ‘The Sound Of Scars’ head to Australia for a string of shows in January 2020 thanks to Silverback Touring.

Best known for its 1993 metal/crossover debut “River Runs Red” named by Rolling Stone as being one of the 100 Greatest Metal Albums of All Time the band instantly built a die-hard, cult following attracting a wide fan base across the Metal & Hardcore Genres. For over two decades, the group toured relentlessly all over the world, sharing stages with the biggest names in rock, including Metallica, Black Sabbath, Ozzy Osbourne, Foo Fighters, and The Red Hot Chili PeppersLOA went onto release two more studio albums ‘Ugly’ (’95) and ‘Soul Searching Sun’ (’97), before signing to major label Sony/Epic Records in 2005 to record ’Broken Valley’. In 2017, the group released the highly acclaimed ‘A Place Where There’s No More Pain’. LIFE OF AGONY has sold over one million albums to date.

LIFE OF AGONY’s hard-hitting, emotional concept album ‘The Sound of Scars’, was released October 11th, 2019. ‘The Sound of Scars’ continues the haunting narrative from the band’s groundbreaking 1993 debut ‘River Runs Red’.

Check out their new track / video ‘’Black Heart’’: HERE

“By far, this is the best Life of Agony record you’ve heard in years,” explains guitarist Joey Z. “We really went back to our roots on this one and tapped into the mindset we had when we first started the band.”

Get ready for a firebrand show that drips energy and one that will bring with it all the classic tracks that put LIFE OF AGONY on the world stage and a spattering of their latest material.

The Ukrainian Progressive Groove Metal wrecking machine known as JINJER caused a huge stir with the announcement of their Australian tour that due to popular demand 2 new shows have been added to the run! Adelaide at the Lion Arts Factory (Licensed AA) on Tuesday 3rd March and Canberra on Wednesday 4th March at The BasementAdelaide and Canberra join the already announced Melbourne, Sydney and Brisbane. Their new album Macro drops this Friday, 25th October.

In less than 10 years, JINJER have carved their very own place in the Heavy Metal landscape and are poised to go even further in 2019 and beyond.

Hailing from Donetsk, this Ukrainian musical phenomenon formed in 2009 but consider the official start of the band with the addition of the incredible vocalist and femme fatale Tatiana Shmailyuk in 2010. The band laboured intensively and honed their sound in practice rooms and local stages relentlessly, culminating in their now cult, first album release Inhale, Don’t Breathe in 2012. The following year JINJER were nominated and won Best Ukrainian Metal Band. They would be awarded this prize again a few years later.

While most bands from a country not exactly known for its Heavy Metal exports would be content to enjoy the little recognition received in those first few years, it was clear that JINJER craved more and were willing to go the extra mile to make this happen. It was this attitude and clear vision that pushed the band to quickly write and release their second album Cloud Factory (2014), and venture into the international touring market for the first time, booking their own shows and building their reputation face to face, fan to fan and more importantly under their own terms.

It was this intensity that caught the attention of Napalm Records, who quickly signed JINJER leading to the release of their critically acclaimed third album King Of Everything (2016). As well as the release of their game-changing single and video for “Pisces”, which gained the band new fans, over 20 million of views/streams and countless reaction videos on YouTube. King Of Everything showcased the musical prowess and growth of the entire band while opening the floodgates to a bigger international touring circuit, which JINJER gladly took advantage of. By the end of nearly two years of non-stop touring in Europe, JINJER added new territories such as Israel, Philippines, United Arab Emirates, United Kingdom, America, Canada and most of Latin America, while sharing the festival stages and touring with the likes of Arch Enemy, Cradle of Filth and DevilDriver, to mention a few.

Somewhere between touring vans, roadside pit stops, backstage rooms, soundchecks, hotel rooms, visa applications and flights to tour destinations, JINJER buried themselves in the rehearsal room once again to compose 5 brand new tracks for what would become the Micro EP – written not only for the fans but for themselves, as they needed something new to keep their sanity on the road.

Released on the 11th of January 2019 and coinciding with the start of their European Tour together with Soilwork and Amorphis, the Micro EP was received with open arms from fans and critics alike. Songs “Ape” and “Perennial” became instant favourites, climbing to the top of many industry charts and radio station lists worldwide. And once again showcased the musical depth and phenomenal songwriting talent of the band, as well as Tatiana’s amazing vocal range.

 Get ready for March 2020… with their new album Macro on the airwaves, Australia is set to be blown away by JINJER – face-meltingly impressive live… Don’t miss your chance to see some of Metal’s absolute finest.

Following on from the sell-out success of previous events, Heavy Metal Trivia returns to The B-East in Melbourne’s north to celebrate its 5th anniversary on Saturday 16 November 2019.
Hosted by the hilarious and lovable duo of Doug Steele (Alarum) and Yeti (Vicious Circle), the night will feature three rounds of brutal metal questions, bonus rounds that will get those creative juices flowing, the best of the best metal tunes playing all night and the top three teams will take home not only the glory, but also a slew of prizes including a double pass to Wolves in the Throne Room’s Melbourne show, CDs, vinyl, t-shirts, merch and hot sauce courtesy of sponsors Soundworks Direct Presents, Nerve Gas and Melbourne Hot Sauce.
Even if you don’t know your Death from your Megadeth, with bonus prizes, delicious food (mmm those juicy B-East burgers), flowing beverages and a killer soundtrack, there’s something for all metal enthusiasts, from the the casual to the kvlt.
As the event is free and has a history of booking out well in advance, call The B-East to reserve a table for your Heavy Metal Trivia team on (03) 9036 1456 and head on over to Heavy Metal Trivia’s Facebook page for all of the details https://www.facebook.om/HeavyMetalTriviaNight/.
When: 7pm, Saturday, 16 November 2019
Where: The B-East, 80 Lygon Street, Brunswick East, Victoria
Cost: Free
Bookings: (03) 9036 1456

New Zealand’s Alae continue their metamorphosis into one of the tiny nation’s most interesting indie pop acts, releasing the powerful Hit Me Where It Hurts with a groundbreaking official video featuring the work of five of NZ’s most renowned film and video clip directors. The first taste from their freshly sealed partnership with Canadian producer Justin Gray and Anti Gravity records, this is Alae as you’ve never heard them before, delivering their most self-assured and liberated cut yet.

Conjuring all the feels, Hit Me Where Hurts wraps a tale of one-sided love in a springtime slice of slick soulful pop, and is the end result of a transformative L.A. session by songwriter and vocalist Alex Farrel-Davey. The group writing situation unlocked a new well of creativity for Farrel-Davey who was inspired to a new level of honesty and emotional evolution that has opened the band up to a future free of the shackles of expectation and conformity.

Alex Farrel-Davey said of the new single, “We can’t wait to get this never before heard side of Alae out to the people, this song’s been in the pipeline for a few months now and we’re fizzing to release it.”

“It’s packed full of the same emotional sincerity as usual but with a new pop consciousness that’ll make you want to listen again and again – and again.”

For the groundbreaking video clip, the band went seeking out five acclaimed music video directors, with one simple concept – everyone had a minute to create whatever video they wanted to, but without knowing what the other directors were creating. Tapping Chris Graham (Scribe, Smashproof), Greg Page (The Locals), Alexander Gander (Chelsey Jade, Finn Andrews, The Veils, Maala), Charlotte Evans (Marlon Williams, Aldous Harding, DMAs) and Petra Cibilich (Nika, Helen Corry) to bring their directing talents to the project, the final cut shows just how universal the tale of unrequited love can be, with each director taking the brief for their individual chapter and running with it to create the stunning clip.

Petra Cibilich said of the project, “There was something creatively liberating about not knowing what the video would reveal itself to be on screen, or how your own chapter could carry or disrupt its flow – it was a matter of running wild and anticipating the unexpected.”

Hit Me Where It Hurts is the first single to be released from Alae’s forthcoming five-track EP which will be released in Summer 2020. Hit Me Where It Hurts is out now wherever good digital music lives.

Brisbane newcomers Understory have released their new single and music video ‘Windbreaker’, which was premiered via AAA Backstage.
The lads have also announced an upcoming support show with Hands Like Houses and Young Lions on October 26 in Mooloolaba.
“Windbreaker focuses on a soul seeking guidance while having to navigate through a world where status often dictates our decisions or influences our thinking.”
Understory create a truly unique and dynamic brand of Rock music.

Understory formed in 2018 and have spent the past year honing their craft at venues throughout Queensland, playing alongside artists such as Greywood and Grizzlyshark.

The band recently headed into the studio with producers Troy Brady (The Amity AfflictionIn Hearts WakeThe Brave) and Forrester Savell (The Butterfly EffectMake Them Suffer, Dream On Dreamer) to record their debut EP (set for release on November 15.)

New single ‘Windbreaker’ is available for download on all major online stores.
UNDERSTORY
SINGLE LAUNCH DATE
Saturday October 26th – The Wharf Tavern, Mooloolaba
Supporting Hands Like Houses (Through Glass Tour) + Young Lions
Tickets available at www.oztix.com.au | 18+ only