Tagged: Bryan Cranston

Oscar® nominee and Emmy®, Golden Globe®, Screen Actors Guild® and Tony® Award winner Bryan Cranston (Breaking Bad) has signed on to star and executive produce the new SHOWTIME event series YOUR HONOR which will stream exclusively on Stan in Australia. The series is a legal thriller that rips through all strata of New Orleans society. Cranston will star as a respected judge whose son is involved in a hit-and-run that leads to a high-stakes game of lies, deceit and impossible choices. The 10-episode event series will be executive produced by Emmy nominees Robert and Michelle King (The Good Fight, The Good Wife). Peter Moffat – whose Criminal Justice served as the basis for The Night Of – serves as showrunner, executive producer and will write multiple episodes, including the first episode. YOUR HONOR will go into production later this year in New Orleans. The announcement was made by Gary Levine, President of Entertainment, Showtime Networks Inc., at the Television Critics Association’s Winter Press Tour.

“Peter, Michelle and Robert have crafted an original thriller with gut-wrenching suspense, raw emotion and moral complexity,” Levine said. “And we are simply ecstatic that Bryan Cranston, one of the planet’s finest actors, shares our enthusiasm and has agreed to play the lead. I can’t wait to shoot YOUR HONOR and show it to the world!”

In addition to four Emmys, a Golden Globe and a Screen Actors Guild  award recognition for Breaking Bad, Cranston has also earned Academy Award® and BAFTA nominations as lead actor for Trumbo. He received a Screen Actors Guild Award and Emmy and Golden Globe nominations as actor in a limited series for All the Way – itself adapted from the Broadway production that gave Cranston a Tony Award. In 2018, Cranston won the Lawrence Olivier Award for his stage performance in Network in London, whose current run on Broadway has been extended into April.

Earlier in his career, Cranston received three Emmy nominations as best supporting actor in a comedy series and a Golden Globe nomination for his performance in Malcolm in the Middle. His numerous other credits include Sneaky Pete (which he co-created and executive produced) and Argo, as well as an Emmy-nominated guest performance on Curb Your Enthusiasm, and prominent guest appearances on such series as Seinfeld. Cranston also has three Directors Guild nominations, including the rare feat of nominations in the same year for directing a drama (Breaking Bad) and a comedy (Modern Family). He shared in three Producers Guild awards with the team from Breaking Bad.

YOUR HONOR, produced by CBS Television Studios in association with King Size Productions, is being adapted from the Israeli series Kvodo, created byRon Ninio and Shlomo Mashiach, produced by Ram Landes and airing on the country’s Yes TV. Liz Glotzer (The Good Fight, Castle Rock, The Shawshank Redemption), Alon Aranya and Rob Golenberg (Hostages, Betrayal) of Scripted World and James Degus will also serve as executive producers.

Wakefield Poster

Summary: A man’s nervous breakdown causes him to leave his wife and live in his attic for several months.

Year: 2016

Australian Cinema Release Date: N/A

Australian DVD Release Date: 6th September 2017

Country: USA

Director: Robin Swicord

Screenwriter: Robin Swicord, E.L. Doctorow (short story), Nathaniel Hawthorne (short story)

Cast: Pippa Bennett-Warner (Emily), Victoria Bruno (Taylor), Eliza Coleman (Gleaner), Bryan Cranston (Howard Wakefield), Beverley D’Angelo (Babs), Ian Anthony Dale (Ben Jacobs), Jennifer Garner (Diana Wakefield), Monica Lawson (Ellen), Issac Leyva (Herbert), Jason O’Mara (Dirk Morrison), Carinna Rossignoli (Young Taylor), Ellery Sprayberry (Giselle), Alexander Zale (Dr. Sondervan)

Runtime: 106 mins

Classification: TBC

OUR WAKEFIELD REVIEWS & RATINGS:

 

Dave Griffiths:

 

Every now and then a role comes along that allows an actor to really show what they are capable of. Think of the sadly departed Heath Ledger in The Dark Knight or Sir Anthony Hopkins in The Silence Of The Lambs. That moment has now come for Bryan Cranston, a man who has shown that he has many talents in the acting game – from outrageous comedy in the hit Malcolm In The Middle through to award winning dramatic acting at its best in the cult favourite Breaking Bad. Now comes Wakefield, a dramatic film that sees Cranston at his very best – in a role that would stretch the abilities of any actor.

From director Robin Swicord (The Jane Austen Book Club, Red Coat) Wakefield sees Cranston (Argo, Drive) play Howard Wakefield, a man who feels like he is not appreciated by his beautiful wife, Diana (Jennifer Garner – Dallas Buyers Club, Juno) and their two daughters. When he arrives home late one night from work and sees his wife throwing out his dinner and not acting too ‘worried’ he decides to fake his own disappearance and watch her from the attic.

During this time Howard reflects on things like how he dishonestly gained Diana’s affections while she was actually dating his best friend Dirk Morrison (Jason O’Mara – One For The Money, Resident Evil: Extinction) while speculating what her intentions are with their handsome friend and colleague, Ben Jacobs (Ian Anthony Dale – The Hangover, The Bucket List) and also the plotting that is going on between her and her mother, Babs (Beverley D’Angelo – American History X, National Lampoon’s Christmas Vacation).

While the film doesn’t strive to be an intense thriller there is an air of suspense that remains throughout the film. Robin Swicord’s screenplay does leave the audience asking a lot of questions throughout the film which only enhances that suspense. While the synopsis of the film reads that these events follow from Howard having a nervous breakdown that is not always clear during the film and at times you find yourself wondering what kind of cruel husband/father could put their family through such a psychological game. That is only enhanced when you see what Howard was willing to do his best friend Dirk in order to win the affection of Diana.

To Swicord’s credit though she allows her audience to never truly hate Howard as she also shows his softer side by befriending the disabled teenagers from next door, Emily (Pippa Bennet-Warner – Harlots, Sick Note) and Herbert (Isaac Leyva – Any Day Now), when they seem to be shunned by the rest of the neighbourhood. The screenplay also allows a great insight into Howard’s mind with some well written, a never boring, monologues which are delivered throughout the film and by the time Howard’s stay in the attic hits winter and has a negative effect on his health we know that there is something seriously wrong with the man.

What sets Wakefield apart from the similar story in the great Australian film Tom White is the style. Swicord takes some pretty big risks in Wakefield, and luckily they all work. Having a lot of voiceover and monologues in a film has the real risk of boring the audience but that is never the case here and instead they become an impressive way for Howard to voice his thoughts to the audience. Likewise the fact that we see everything from Howard’s point-of-view, we rarely hear what Diana is saying to anyone throughout the film, gives a real one-sided view of events that only enhances how the audience warms to Howard despite his actions. Then of course there is the constant suspense throughout the film as the audience wonders what is going to happen when (if) Diana ever learns that Howard is living in the attic.

The great screenplay also allows for a brilliant acting performance from Bryan Cranston. Despite the prescience of Jennifer Garner and the occasional other actor in scenes this very much feels like a one-man movie. Cranston delivers monologues like a seasoned theatre actor while he uses body language and facial expressions amazingly well during scenes where Howard is all alone. The biggest battle for Cranston in this film is to make Howard likable to an audience where they are plainly seeing him psychologically torturing his family, and to his credit he does that remarkably well. This is an acting performance that deserves to be considered ‘one for the ages.’

The stylistic approach of Wakefield might mean this is a film not enjoyed by everybody but if you are a serious film lover who likes a good character driven film then this may well be a film that you will enjoy. An intriguing screenplay is only made better by a performance that shows the world just what a great talent Bryan Cranston really is.
Stars(4)

 

 

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating:  Wakefield (2016) on IMDb

 

Other Subculture Entertainment Wakefield Reviews: Nil

Trailer:

Why Him

Director Paul Hamburg is no stranger to making hit comedies. He is the man behind films such as Meet The Parents and Meet The Fockers and this holiday season sees him return to that tried and true meet-the-in-laws formula with Why Him?, a film that essentially pits Breaking Bad’s Bryan Cranston against Oscar-nominated actor James Franco.

A quick look at the trailer for Why Him? may leave the audience thinking that Franco’s character, Laird Mayhew, may well be one of the rudest and most disgusting people to have ever graced the screen but Franco laughs as he admits that there is more to Laird then meets the eye. “I play a guy who is dating Bryan Cranston’s daughter. I’m a video game designer. I’m very successful, but I’m also a bit unpolished, rude and I have tattoos, and I use crude language. So I’m everything that Bryan Cranston’s character wouldn’t want in a son. So, I ask him for his blessing because I want to ask his daughter to marry me and he refuses, so I spend our Christmas holiday trying to win him over. Essentially Laird is not a bad guy he’s actually a really nice guy! So I just said to John that initially we need this guy to be very frightening to a father and one of the ways to do that is to make his exterior frightening because actually inside he’s actually everything that you probably want in a son-in-law. So there was this gag that we had been wrestling with from the beginning about Laird trying to do something when he initially meets the family that he thinks is a gesture of solidarity and a welcome and they read it completely differently and so there were a lot of different incarnations of that and finally we settled on the idea that he would get a tattoo of the family on his back and then John added on that that he only had a Holiday Card photo of the family and that’s the photo that he used, and the tattoo artist also included the Happy Holidays on it.”

So was it the fact that Laird Mayhew that is comedy gold that drew Franco to the role? “I think the first thing that drew me to the movie was John Hamburg,” explains Franco. “He was actually my teacher at NYU when I was there for the Graduate Film Media program. He was actually my teacher there when I was doing 127 Hours, so I wasn’t there a lot but we talked a lot and I got to know him on the phone but yeah he was the initial thing that drew me to this, and I’ve always liked his writing. And then I heard, and he told me that he was thinking about Bryan Cranston for the father role, and I didn’t know Bryan, but I saw him backstage on the last episode of The Colbert Report, and he said ‘hey I heard you might do this and I might do this. What do you think?’ so we started talking, and Bryan Cranston is just the greatest human being ever.

Of course playing alongside Franco in Why Him? is Bryan Cranston who aside from playing Walter in Breaking Bad had a long stretch playing a frustrated father in hit comedy Malcolm In The Middle, so what was it like for Franco to co-star alongside a comedy legend. “I think he had a blast,” says Franco laughing out loud. “ He hasn’t really done comedy since Malcolm In The Middle, and what was that over ten years ago now, so I think he had a great time actually and you wouldn’t expect that Bryan is sort of the one to push the envelope, but he would always make a suggestion for a scene that was just too far, not only for his character but for everybody and I love that. I mean that I love that in Bryan.

Franco also admits that like on most of Paul Hamburg’s sets the actors did have a little bit of ‘free reign.’ “John works in a way that is similar to a lot of the movies I’ve done before, where there is always room for improvisation. You know you start with a script and then kind of role from there and see what you find. And I guess what you always want in that situation is that you want somebody that can give good suggestions. I mean if you are riffing and then they can sort of build on that. You want somebody like that behind the camera that can help support you.”

For Bryan Cranston though he says that he had an instant personal connection to the film and to the role of Ned. “You know there is the truth about the Dads,” he says with a huge smile on his face. “You know I can remember when I was dating the Dads didn’t like me very much and I didn’t know why. I NOW KNOW WHY! I think Ned wants to be open, although it is tough enough as a Dad myself to see your child grow up and become an adult. And for us to have to be responsible for them for all of their lives and then just voluntary let go of that grip and away they go, and the choices they make you are just like sheesh, and you are a little fearful about how all of that is going to play out. Of course these two guys, Ned and Laird, are different in every way. Different level of education, in the way that they were raised, who they were raised by, the principals by the way they were raised, everything, the way they live, their taste in music, their generation, everything about them is a complete opposite to each other. So naturally you would think that there is going to be friction because they just can’t relate to each other in any way. Laird just doesn’t have a filter, but what is great about the Laird character though, and we really talked about this a lot before we got into production, is that he is not capable of lying, he is clumsy, he is socially crude, and he hurts feelings sometimes because he just says what is real, what is honest and what is true, and we know that that isn’t always the best policy. He can’t help it; he just doesn’t have that gear to be able to control himself. But on the other side, he also doesn’t have the gear to be dishonest or purposely hurtful. He just can’t do it.”

It doesn’t take listening to Bryan for long to learn that he really enjoyed his time working on Why Him? and he is only too happy to explain why. “Being able to play with these actors has been a blast. They were all fabulous. I love doing dramatic roles and doing things like Trumbo and All The Way, and doing stage and doing film and Breaking Bad was fantastic but you don’t have as much fun as you do when you do comedy because the whole idea is to be thinking of different approaches of how to make something funny and when your job is to go to work, and you laugh and you make other people laugh then that is a good day. When I first read the script, the script was funny, and I said ‘can we work on this’, and they said ‘oh yeah we are going to work and work on this until you are sick of it’ and I loved that, I loved the all in nature. John brings a sensibility that is very inviting. He allows the actor room to fail and I don’t mean that in an ‘oh he’s going to fail here’ way it’s more of an ‘okay, yeah try that, try it, try it’… that is really his motto. And it is has been so much fun; we’re like children. We do the scene as written and then we are not only allowed to change it but are encouraged just to go crazy and add whatever is appropriate to your character.”

The fact that the cast had so much fun making the film is not a surprise when you walk out of a theatre still laughing after viewing Why Him? – a film that has turned into a surprise comedy hit this summer.

Why Him? is showing in cinemas right now.

The Good The Bad The Ugly Film Show Logo

This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick  take a look at new release films ‘A United Kingdom,’ ‘Allied,’ ‘Paterson,’ ‘La La Land,’ ‘Gimme Danger,’ ‘Red Dog: True Blue,’ and ‘Why Him?’.

This episode also contains interviews with Marion Cotillard, Robert Zemekis, James Franco, Zoey Deutch, Bryan Cranston, Mark D’Angelo (Docklands Drive-In Cinema), Kristy Mathison (Gimme Danger/ACMI), Matt Johnson (Operation Avalanche), Kieran Darcy-Smith (The Duel) and George Kacevski (Remember).

We also give our listeners a chance to win copies of either I Am Johnny Cash or Guns ‘N’ Roses The Collection thanks to our friends at ViaVision. Just listen to the show, listen out for your question that you must answer to enter and then enter on either our Facebook or Twitter pages with a private message.

You can listen to The Good The Bad The Ugly Film Show or download it for free from our Podcast Channel – Listen/Download here.

Why Him

James Franco and Bryan Cranston star in the new adult-only comedy Why Him which lands in Australian cinemas on Boxing Day, so we decided that it was time to deliver some Why Him interviews.

 

James Franco – Laird Mayhew

 

Zoey Deutch – Stephanie Fleming

 

Keegan-Michael Key – Gustav

 

Griffin Gluck – Scotty Fleming

 

Bryan Cranston – Ned Fleming

 

John Hamburg – Director

 

Megan Mullally – Barb Fleming

 

Cedric The Entertainer – Lou Dunne

Kung Fu Panda 3

Summary: Continuing his “legendary adventures of awesomeness”, Po must face two hugely epic, but different threats: one supernatural and the other a little closer to his home.

Year: 2016

Australian Cinema Release Date: 23rd March 2016

Australian DVD Release Date: TBA

Country: USA, China

Director: Alessandro Carloni, Jennifer Yuh Nelson

Screenwriter: Jonathan Aibel, Glenn Berger

Cast: Jack Black (Po (voice)), Jackie Chan (Monkey (voice)), Radzi Chinyanganya (Mi (voice)), Bryan Cranston (Li (voice)), David Cross (Crane (voice)), Barbara Dirickson (Grandma Panda (voice)), Steele Gagnon (Bao (voice)), Willie Geist (Dim (voice)), Dustin Hoffman (Shifu (voice)), April Hong (Mrs. Chow (voice)),  James Hong (Mr. Ping (voice)), Kate Hudson (Mei Mei (voice)), Angelina Jolie (Tigress (voice)), Knox Jolie-Pitt (Ku Ku (voice)), Pax Jolie-Pitt (Yoo (voice)), Shiloh Jolie-Pitt (Shuai Shuai (voice)), Zahara Jolie-Pitt (Meng Meng (voice)), Randall Duk Kim (Oogway (voice)), Liam Knight (Lei Lei (voice)), Wayne Knight (Big Fun/Hom-Lee (voice)), Lucy Liu (Viper (voice)), Seth Rogen (Mantis (voice)), Al Roker (Sum (voice)), Lindsey Russell (Peony (voice)), J.K. Simmons (Kai (voice)), Fred Tatasciore (Master Bear (voice)), Ming Tsai (Ming (voice)), Jean-Claude Van Damme (Mast Croc (voice))

Runtime: 95 mins

Classification: PG

 

OUR KUNG FU PANDA 3 REVIEWS & RATINGS:

 

John Noonan:

Five years since he last skiddooed onto the scene, Po the Panda is back and this time, for fear of sounding like a movie poster, he’s bringing the whole family. Yes, a chance encounter at his adoptive father’s restaurant leads  Po (Jack Black) to meeting up with his long lost Dad, Li Shan (Bryan Cranston). Meanwhile, the vengeful spirit of a great warrior known as Kai (JK Simmons) has returned to the mortal realm and is seeking to steal Po’s chi.

This is the second sequel to DreamWorks’s 2008 hit and it’s amazing to see the difference between this and their previous flagship series, Shrek. By the time Shrek coughed and spluttered into his third sequel, the franchise was nothing more than weak storylines on which to pin dated pop culture references and Eel songs.

Conversely, Kung Fu Panda 3 allows Po and his pals to grow organically. Despite being declared Dragon Warrior in the previous film, there’s still much for the young panda to learn. Including it seems, that of how to be a panda. With his newly found father, Po ventures to their secret village in the hills to understand panda nature (tips include that they don’t do stairs and they don’t get up before midday) and potentially learn something that can defeat Kai.

Yes, this ‘just be yourself’ through line is a tried and tested formula, but it’s yet to feel derivate in the Panda universe. Po, despite his prowess, is a still a student. He has questions about his place in the universe that he hopes to answer. Meanwhile, there is only so many ways to you teach an ogre that’s okay to be an ogre, as long as you change yourself a bit.

Kung Fu Panda 3, as has become expected, is beautiful with traditional animation – admittedly done by computers – used for line drawn flashbacks. It’s a simple trick, but one that is used to great and emotional effect. Elsewhere the vocal talent is uniformly brilliant, with JK Simmons sounding like he’s channelling the angriest of angry John Goodmans, whilst James Hong steals every scene as Po’s adoptive father, Mr Ping; who doesn’t take kindly to others cutting his grass.

Rumours are that DreamWorks’s have at least another three chapters in the story of Po, and whilst that is a tempting offer, should they never surface, rest assured Kung Fu Panda 3 is a wonderful and joyous ending to a truly enjoyable series of films.

Stars(4)

 

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: Kung Fu Panda 3 (2016) on IMDb

 

Other Subculture Entertainment Kung Fu Panda 3 reviews: Nil

Trailer:

Academy Awards

The 2016 Oscar nominations have been announced. The big winner who have scored multiple nominations include The Revenant (12 nominations), Mad Max: Fury Road (10), The Martian (7), Bridge Of Spies (6), Carol (6), Spotlight (6), The Big Short (5), Star Wars: The Force Awakens (5), The Danish Girl (4), Room (4), Brooklyn (3), The Hateful Eight (3), Sicario (3), Ex Machina (2), Inside Out (2) and Steve Jobs (2).

And the nominations are:

 

BEST MOTION PICTURE OF THE YEAR

The Big Short

Brooklyn

Bridge Of Spies

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE

Bryan Cranston (Trumbo)

Matt Damon (The Martian)

Leonardo DiCaprio (The Revenant)

Michael Fassbender (Steve Jobs)

Eddie Redmayne (The Danish Girl)

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE

Cate Blanchett (Carol)

Brie Larson (Room)

Jennifer Lawrence (Joy)

Charlotte Rampling (45 Years)

Saoirse Ronan (Brooklyn)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

Christian Bale (The Big Short)

Tom Hardy (The Revenant)

Mark Ruffalo (Spotlight)

Mark Rylance (Bridge Of Spies)

Sylvester Stallone (Creed)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

Jennifer Jason Leigh (The Hateful Eight)

Rooney Mara (Carol)

Rachel McAdams (Spotlight)

Alicia Vikander (The Danish Girl)

Kate Winslet (Steve Jobs)

BEST ACHIEVEMENT IN DIRECTING

Adam McKay (The Big Short)

George Miller (Mad Max: Fury Road)

Alejandro Gonzalez Inarritu (The Revenant)

Lenny Abrahamson (Room)

Tom McCarthy (Spotlight)

BEST WRITING, SCREENPLAY WRITTEN DIRECTLY FOR SCREEN

Matt Charman, Ethan Coen, Joel Coen (Bridge Of Spies)

Alex Garland (Ex Machina)

Pete Docter, Meg Lefauve, Josh Cooley, Ronnie Del Carmen (Inside Out)

Josh Singer, Tom McCarthy (Spotlight)

Andrea Berloff, Jonathan Herman, S. Leigh Savidge, Alan Wenkus (Straight Outta Compton)

BEST WRITING, SCREENPLAY BASED ON MATERIAL PREVIOUSLY PRODUCED OR PUBLISHED

Charles Randolph, Adam McKay (The Big Short)

Nick Hornby (Brooklyn)

Phyllis Nagy (Carol)

Drew Goddard (The Martian)

Emma Donoghue (Room)

BEST ANIMATED FEATURE FILM OF THE YEAR

Anomalisa

O Menino e o Mudno

Inside Out

Shaun The Sheep Movie

Omoide no Mani

BEST FOREIGN LANGUAGE FILM OF THE YEAR

El Abrazo De La Seripiente

Krigen

Mustang

Saul Fia

Theeb

BEST ACHIEVEMENT IN CINEMATOGRAPHY

Edward Lachman (Carol)

Robert Richardson (The Hateful Eight)

John Seale (Mad Max: Fury Road)

Emmanuel Lubezki (The Revenant)

Roger Deakins (Sicario)

BEST ACHIEVEMENT IN EDITING

Hank Corwin (The Big Short)

Margaret Sixel (Mad Max: Fury Road)

Stephen Mirrione (The Revenant)

Tom McArdle (Spotlight)

Maryann Brandon, Mark Jo Markey (Star Wars: The Force Awakens)

BEST ACHIEVEMENT IN PRODUCTION DESIGN

Adam Stockhausen, Rena DeAngelo, Bernhard Henrich (Bridge of Spies)

Eve Stewart, Michael Standish (The Danish Girl)

Colin Gibson, Lisa Thompson (Mad Max: Fury Road)

Arthur Max, Celia Bobak (The Martian)

Jack Fisk, Hamish Purdy (The Revenant)

BEST ACHIEVEMENT IN COSTUME DESIGN

Sandy Powell (Carol)

Sandy Powell (Cinderella)

Paco Delgado (The Danish Girl)

Jenny Beavan (Mad Max: Fury Road)

Jacqueline West (The Revenant)

BEST ACHIEVEMENT IN MAKEUP AND HAIRSTYLING

Love Larson, Eva Von Behr (Hundraaringem Som Klev Ut Genom Fonstret Och Forsvann)

Lesley Vanderwalt, Elka Wardega, Damian Martin (Mad Max: Fury Road)

Sian Grigg, Duncan Jarman, Robert A Pandini (The Revenant)

BEST ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES, ORIGINAL SCORE

Thomas Newman (Bridge Of Spies)

Carter Burwell (Carol)

Ennio Morricone (The Hateful Eight)

Johann Johannsson (Sicario)

John Williams (Stars Wars: The Force Awakens)

BEST ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES, ORIGINAL SONG

‘Earned It’ – The Weekend, Belly, Jason ‘DaHeala’ Quenneville, Stephan Moccio (Fifty Shades Of Grey)

‘Til It Happens To You’ – Diane Warren, Lady Gaga (The Hunting Ground)

‘Manta Ray’ – J. Ralph, Antony Hegarty (Racing Extinction)

‘Writing’s On The Wall’ – Sam Smith, James Napier (Spectre)

‘Simple Song #3’ – David Lang (Youth)

BEST ACHIEVEMENT IN SOUND MIXING

Andy Nelson, Gary Rydstrom, Drew Kunin (Bridge Of Spies)

Chris Jenkins, Gregg Rudloff, Ben Osmo (Mad Max: Fury Road)

Paul Massey, Mark Taylor, Mac Ruth (The Martian)

Jon Taylor, Frank A. Montano, Randy Thom, Chris Duesterdiek (The Revenant)

Andy Nelson, Christopher Scarabosio, Stuart Wilson (Star Wars: The Force Awakens)

BEST ACHIEVEMENT IN SOUND EDITING

Mark A. Mangini, David White (Mad Max: Fury Road)

Oliver Tarney (The Martian)

Martin Hernandez, Lon Bender (The Revenant)

Alan Robert Murray (Sicario)

Matthew Wood, David Acord (Star Wars: The Force Awakens)

BEST ACHIEVEMENT IN VISUAL EFFECTS

Andrew Whitehurst, Paul Norris, Mark Williams Ardington, Sara Bennett (Ex Machina)

Andrew Jackson, Tom Wood, Dan Oliver, Andy Williams (Mad Max: Fury Road)

Richard Stammers, Anders Langland, Chris Lawrence, Steven Warner (The Martian)

Richard McBride, Matt Shumway, Jason Smith, Cameron Waldbauer (The Revenant)

Roger Guyett, Pat Tubach, Neal Scanlan, Chris Corbould (Stars Wars: The Force Awakens)

BEST DOCUMENTARY, FEATURE

Amy

Cartel Land

The Look Of Silence

What Happened, Miss Simone?

Winter On Fire

BEST DOCUMENTARY, SHORT SUBJECT

Body Team 12

War Within The Walls

Claude Lanzmann: Spectres Of The Shoah

A Girl In The River: The Price Of Forgiveness

Last Day Of Freedom

BEST SHORT FILM, ANIMATED

Historia de un oso

Mi ne mozhem zhit biz kosmosa

Prologue

Sanjay’s Super Team

World Of Tomorrow

BEST SHORT FILM, LIVE ACTION

Ave Maria

Day One

Alles Wird Gut

Shok

Stutterer

Avengers 2

We all know that popularity is everything in the Entertainment game so what have been the Top 25 Movies and Television shows that internet users have been searching for over the past week?

  1. Avengers: Age Of Ultron – Robert Downey Jnr, Chris Evans, Mark Ruffalo, Chris Hemsworth
  2. Guardians Of The Galaxy – Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldana
  3. Sons Of Anarchy – Charlie Hunnam, Katey Sagal, Mark Boone Junior, Tommy Flanagan
  4. Teenage Mutant Ninja Turtles – Megan Fox, Will Arnett, William Fichtner, Noel Fisher
  5. Game Of Thrones – Lean Headey, Peter Dinklage, Maisie Williams, Emilia Clarke
  6. The Walking Dead – Andrew Lincoln, Jon Bernthal, Sarah Wayne Callies, Steven Yuen
  7. The Giver – Brenton Thwaites, Jeff Bridges, Meryl Streep, Taylor Swift
  8. If I Stay – Chloe Grace Moretz, Mireillle Enos, Jamie Blackley, Joshua Leonard
  9. Batman v Superman: Dawn Of Justice – Amy Adams, Henry Cavill, Jason Momoa, Ben Affleck
  10. American Horror Story – Evan Peters, Jessica Lange, Sarah Paulson, Frances Conroy
  11. Doctor Who – Matt Smith, David Tennant, Jenna Coleman, Karen Gillan
  12. The Hunger Games: Mockingjay Part 1- Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson
  13. Divergent – Shailene Woodley, Theo James, Kate Winslet, Jai Courtney
  14. Sin City: A Dame To Kill For – Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt
  15. Once Upon A Time – Gennifer Goodwin, Jennifer Morrison, Lana Parrilla, Josh Dallas
  16. Breaking Bad – Bryan Cranston, Aaron Paul, Anna Gunn, Betsy Brandt
  17. Edge Of Tomorrow – Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson
  18. Arrow – Stephen Amell, Katie Cassidy, David Ramsey, Susanna Thompson
  19. The Maze Runner – Dylan O’Brien, Kaya Scodelario, Will Poulter, Thomas Brodie Sangster
  20. Fury – Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena
  21. Orange Is The New Black – Tayor Schilling, Danielle Brooks, Taryn Manning, Emma Myles
  22. The Fault In Our Stars – Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern
  23. Chef – Jon Favreau, Robert Downey Jnr, Dustin Hoffman, Scarlett Johansson
  24. Outlander – Caitriona Balfe, Sam Heughan, Graham McTavish, Duncan Lacroix
  25. Lucy – Scarlett Johansson, Morgan Freeman, Min-sik Choi, Amr Waked

Elizabeth Olsen

Some actresses may feel like they have an uphill battle ahead of them when they decide to head into the entertainment industry, but few will face the same problems that Elizabeth Olsen faced. Some might see the fact that she was the little sister of two of the most famous twins of all time, “Full House” stars Mary-Kate and Ashley, as a step-up into the industry, but true industry insiders would know that was the very thing that could have railroaded her career before it even started. Luckily, this determined young actress had something to make her become a star on her own terms.

Elizabeth Chase Olsen was born on Feb. 16, 1989 in Sherman Oakes, California. Her father, David Olsen, is a mortgage banker and a real estate developer while her mother, Jarnette, was a personal manager. However, when Elizabeth was just six years old her father divorced her mother and remarried.

The entertainment bug bit Olsen at a very young age. She enrolled in singing and ballet classes and was soon appearing in her sister’s videos including “How The West Was Fun” and “The Adventures Of Mary-Kate And Ashley.” However, unlike most young actors Olsen decided not to drop out of school. Instead she attended Campbell Hall School in North Hollywood until graduation and then went to Tisch School Of The Arts, before also attending the Moscow Art Theater School in 2009.

In 2011, Olsen returned to the big screen in the horror film “Silent House” before wowing the world with her portrayal of a cult victim in the haunting “Martha Marcy May Marlene.” The film won Olsen a number of awards and saw her nominated for many more. More important was the fact though that it showed Hollywood that this was an Olsen who could really act.

She backed up that performance with more credible performances in “Peace, Love & Misunderstanding,” “Red Lights” and “Liberal Arts” before starring alongside Dane DeHaan and Daniel Radcliffe in “Kill Your Darlings,” another film which received even more critical success. To cap off 2013, she also appeared in “Very Good Things” and “In Secret” before finishing the year alongside Josh Brolin and Samuel L. Jackson in Spike Lee’s “Oldboy.”

Unlike her sisters, Elizabeth Olsen has always been somebody who likes to shy away from the public spotlight. Nothing at all is known about her relationship status; however, it is known that she was so worried about Mary-Kate’s eating disorder and the media frenzy that it caused that she considered turning her back on her acting career.

Despite her young age (Olsen is still only twenty-four) Elizabeth Olsen has fast become one of Hollywood’s most sought after actresses as throughout her short acting career she has constantly shown that she is able to pull off any film role that she attempts, normally with dazzling results. The next project that she is attempting, however, will win her a whole new batch of fans as she is set to star in “Godzilla” alongside Bryan Cranston before then playing Scarlet Witch in “The Avengers: Age Of Ultron.” Yes, Elizabeth Olsen may be an award winner but now she is also about to become a box office winner.