Tagged: Carlos Aviles

Triple 9

Summary: When young Detective Chris Allen (Casey Affleck) is moved into a tough squad of the Atlanta Police Department he is unaware that his new partner, Marcus Belmont (Anthony Mackie), is corrupt and working with a group of criminals including Gabe Welch (Aaron Paul), Michael Atwood (Chiwetel Ejiofor), Russell Welch (Norman Reedus) and another corrupt officer, Franco Rodriguez (Clifton Collins Jnr.).

With the group running a series of robberies for Russian Mafia boss Irina Vlaslov (Kate Winslet) they find themselves stretched to the limit and it is decided that the only way to pull off the hardest of the robberies is to have Triple 9 (Police officer down) call put across the airwaves. Their chosen target is Chris because they know his uncle, respected Detective Jeffrey Allen (Woody Harrelson) will pull every officer onto the case.

Year: 2016

Australian Cinema Release Date: 3rd March 2016

Australian DVD Release Date: TBA

Country: USA

Director: John Hillcoat

Screenwriter: Matt Cook

Cast: Terri Abney (Leah Green), Casey Affleck (Chris Allen), Armando Alonzo (Emilio), Michelle Ang (Trina Ling), Carlos Aviles (Fernando Rivera), Alexander Babara (Ben Feldman), Anthony Belevstov (Yussel Gotlib), Ian Casselberry (Gomez), Clifton Collins Jnr. (Franco Rodriguez), Luis Da Silva Jnr. (Luis Pinto), Chiwetel Ejiofor (Michael Atwood), Gal Gadot (Elena Vlaslov), Michael Harding (Walter Sims), Woody Harrelson (Jeffrey Allen), Karen Kaia Livers (Shanice), Anthony Mackie (Marcus Belmont), Blake McLennan (Felix), Valiant Michael (Sergio), E. Roger Mitchell (Smith), Teresa Palmer (Michelle Allen), Aaron Paul (Gabe Welch), Norman Reedus (Russell Welch), Terence Rosemore (Joshua Parks), Labrandon Shead (Sgt. Pete Nelson), Christiana Simonds (Christina), Michael Kenneth Williams (Sweet Pea), Kate Winslet (Irina Vlaslov)

Runtime: 115 mins

Classification: MA15+

 

OUR TRIPLE 9 REVIEWS & RATINGS:

 

David Griffiths:

Yes it might be a year when we are getting films like Batman vs Superman and of course another Captain America film but one of the films I was most excited to see this year was Triple 9. Triple 9 looked like it would be interesting watch, not only did it have a stellar cast involved including two of my favourites Woody Harrelson and Kate Winslet (who never normally chooses a bad script) but was also directed by John Hillcoat whose filmography contains films like The Proposition, The Road and Lawless all films that have revealed that he is gritty director certainly worth watching the work of. Throw in a healthy dose of Police corruption and this was well and truly on the road to becoming one of my fave films of the year. That was until I sat down and watched it.

To be honest Triple 9 isn’t a bad film, in fact many elements of the film do in fact work. Hillcoat is at his normal gritty best with some realistic action sequences in which a normal cops and robbers chase across Atlanta becomes something of violent beauty, while some of the urban shoot-outs will have the audience on the edge of their seat. The problem with Triple 9 though is that it tries to do too much and is sadly let down by a script that needed just a few more re-writes.

It’s not surprising to learn that Triple 9’s screenwriter Matt Cook is a first time feature writer. The idea behind Triple 9 is sound but still the screenplay itself has some very big holes. First of all there is way too much happening and too many of the characters are too similar, so similar in fact that some of the critics at the Melbourne media screening were turning to each other and asking ‘who the hell was?’ after the screening… never a good sign.

As a screenwriter Cook seems to created quite a good world with a massive amount of back story that just doesn’t come through during the film. Just how did Michael start having a relationship with Elena, what ended etc are just never fully explained. Then there are huge plotholes like if all the team need is for a Triple 9 call to go over the airwaves do they really need to shoot a cop or can they just ‘pretend’ a cop has been shot? A seasoned screenwriter would have known to have ironed out things like that during the writing process but sadly that is something that Cook has overlooked. Hillcoat does all he can to make the screenplay watchable but just falls short of making this a decent film.

Likewise the weak screenplay also leaves some of the cast floundering as well. Luckily Casey Affleck and Kate Winslet are there to save things. Affleck does a more than admirable job playing the fresh faced Chris, but it is Winslet that really excels herself. Casting Winslet as a Russian Mafia boss was a risky pick. A pick so risky that if she had failed she could have been looking at finding herself in Golden Razzie territory, luckily though she is up to the task and Winslet delivers another fine performance… this time showing that she can pretty much handle anything that is thrown at her.

Also up to the task is Harrelson who seems to borrow a little bit from his role that he had in Rampart. Those suffering though are the likes of Antony Mackie, Aaron Paul and Chiwetel Ejiofor who in roles where they are severely hampered by the fact that their characters are dangerously clichéd. Then there are poor Gal Gadot, Teresa Palmer and Michelle Ang whose characters just seem to go missing for huge chunks of the film.

There is no doubt that with a little bit more work on the screenplay Triple 9 could have been a brilliant film. The poor screenplay unfortunately though leaves the audience asking too many questions and dumps this film right in the middle of a heap of other average films. While it may appeal to fans of The Shield don’t expect the writing of Triple 9 to ever lift it to anything near as brilliant.

Stars(3)

 

 

Adam Ross:

You can listen to Adam’s Triple 9 review on The Good The Bad The Ugly Film Show Ep #168

Stars(3)

 

 

Greg King:

Australian director John Hillcoat makes visceral, violent, dark and aggressively masculine thrillers, ranging from the bleak prison drama Ghosts… Of The Civil Dead through to the gritty outback western The Proposition, the apocalyptic journey into a heart of darkness with The Road or the prohibition era crime drama Lawless. And he seems to be able to attract A-list actors to work with him. Hillcoat’s latest film is another gritty and morally murky crime drama that is not for the squeamish or faint hearted. Triple 9 features a strong cast, some strong action sequences and a high body count. But it is also something of a disappointment given his body of work.

Written by first time writer Matt Cook, Triple 9 is set on the mean streets of Atlanta, Georgia, a lawless city full of crime and corruption where the gang and gun culture seems out of control. But the script itself raises too many questions and there are some gaping holes in the plot. Some of the dialogue is cliched, and the characterisation underdone.

When the film opens a carefully planned bank robbery is in progress. The thieves rob some money but their prime interest lies with a safety deposit box that holds some important documents vital to a Russian gangster incarcerated in a Siberian gulag. The thieves turn out to be a couple of former special forces operatives and a couple of corrupt cops. They have been blackmailed by the powerful Irina Vaslov (Kate Winslet, cast against type), the wife of the Russian gangster, into working for the Kosher Nostra, a criminal gang of Russian Jews. But Irina welshes on paying them, instead she forces them to break into a Homeland Security safe house, an even more secure location, to steal further incriminating evidence. The thieves plan to distract the police by killing honest cop Chris Allen (Casey Affleck).

On the trail of the daring brazen thieves is veteran detective Jeffrey Allen (Woody Harrelson), who happens to be Chris’s cousin.

The title comes from the police code for “Officer Down,” a code that sees police officers everywhere stop what they are doing and respond immediately to the distress signal. The film itself is full of some violent action, double crosses and revenge. But this contemporary heist thriller is also a morally empty film, and its seedy air of corruption and desperation reminds audiences of Training Day and the films of Sidney Lumet (Serpico, Dog Day Afternoon, etc).

Hillcoat certainly directs with energy and he maintains a fast pace throughout. He effectively ramps up the action with a superb urban shootout that imitates Michael Mann’s superb Heat, and an exciting adrenaline charged car chase on the city’s freeway.

Belgian cinematographer Nicholas Karakatsanis (the moody crime drama The Drop, etc) gives the film a grimy authenticity as he has shot the film largely using a restless handheld cameras to take us into the action. This is particularly effective in a couple of tense scenes. He has also shot in muted colours, lots of reds and blacks that is meant to intensify the mood, but the colour scheme also sometimes renders it hard to discern what is happening. The film has also been edited in that rapid, kinetic style by Dylan Tichenor (who has worked with the likes of Paul Thomas Anderson and Wes Anderson) which sometimes renders the action incomprehensible. And too many of the characters seems too similar and we never really get a handle on them and what makes them tick.

Strong performances from Affleck, Winslet and Harrelson bolster the film. Winslet steps into a role originally intended for Cate Blanchett (who wisely said “nyet”), but she adopts a convincing Russian accent and a cool icy demeanour. Affleck delivers one of his best perfomances yet as the fresh faced cop unaware of the corruption surrounding him. Harrelson is also good as the seedy and jaded veteran cop with an addiction problem, a role that has some similarities to his recent work in True Detective and the gritty drama Rampart.

Unfortunately, talented players like Anthony Mackie, Chiwetel Ejiofor, Clifton Collins jr, Breaking Bad‘s Aaron Paul and The Walking Dead‘s Norman Reedus find themselves stuck with cliched, one-dimensional characters ands do not leave much of an impression.

With its convoluted plotting and cliched characters, Triple 9 is unfortunately just another police action thriller that doesn’t really offer anything particualrly new or surprising.

Stars(3)

 

 

John Noonan:

John Hillcoat has an impressive back catalogue to show off. All of them tapping into a vein of masculinity being tested. Whether it be Ray Winstone saving face in The Proposition, Viggo Mortensen going above and beyond fatherly duties in The Road, or literally every cell mate in Ghosts… Of the Civil Dead. Based on a screenplay by Matt Cook, Triple 9 lets Hillcoat return to these themes and, well, triple them. Not always to great effect.

In Atlanta, Georgia, three professional criminals (Chiwetel Ejiofor, Norman Reedus and Aaron Paul)  join up with two corrupt lawmen (Anthony Mackie and Clifton Collins Jnr) to rob a bank at the behest of a Russian mob wife (Kate Winslet). She stiffs the group on their reward, politely and violently asking them do one last robbery for the sake of her incarnated husband.

Each of the man has a lot to lose, financially and personally, if they don’t steam ahead. Ejiofor, for example, will lose custody rights to the kid he’s fathered with Winslet’s sister. So, realizing that the robbery is impossible unless they come up with a big enough distraction, the decision is made to kill a cop on the day. With Atlanta’s police searching for a cop killer, they should have plenty of time to get in and out unnoticed. Enter Casey Affleck as Mackie’s new partner, who he clearly doesn’t care for.

Triple 9 is bolshy, angry and suffers from excess in all departments. With such a pedigree of cast on display, I haven’t even mentioned Woody Harrelson yet, it’s understandable the film wants to get plenty of bang for its buck.

This should be an ensemble piece, but it feels like Triple 9 can’t decide who its focus is. Is it Affleck stumbling around naively? Is it Mackie wrestling with his subconscious? Perhaps it’s Ejiofor battling to see his son. Triple 9 wants it to be all of them. And that’s fine, but it doesn’t achieve its goals.

Meanwhile, Hillcoat’s direction paints a suitably sweaty, gritty world lit in blue and red. At it’s best, it’s a reminder of Ghosts… of the Civil Dead. At it’s worst it’s Heat as directed by Michael Bay, where men are real chest beating men and women have minimal dialogue or clothing. That’s not an exaggeration as Triple 9 ensures that anyone remotely female is saved for background or wifely duties. It’s only really Winslet that manages to rise above the heap and she does so with an outrageous accent.

There is still a lot to enjoy here, with some breathtaking set pieces that suggest Hillcoat could be eyeing up an action movies as his next gig. But  this is then clouded by overripe dialogue, undercooked characterisation and so much backstabbing it makes Wild Things blush. Please understand, this isn’t a bad film. It’s perfectly serviceable, but it is not what we expect from Hillcoat, who has proven in the past he can play with restraint. Enjoyable, but a bit of a misstep.

Stars(3)

 

 

Nick Gardener:

You can listen to Nick’s Triple 9 review on The Good The Bad The Ugly Film Show Ep #168

Stars(2.5)

 

 

Sam Gironda:

Triple 9, directed by John Hillcoat and containing a decent cast consisting of Kate Winslet, Aaron Paul, Norman Reedus, Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Woody Harrelson and many more. Personally I am not one who is into all the Police and crime films but after seeing Triple 9 I must say that is a film that is definitely worth watching. The film opens with a bang consisting of a bank robbery and from that point on the film is non-stop action. There aren’t any big defying scenes of the film that consist of car chases and explosions but the film is very confronting when it comes to the criminal side of things. The film has a lot of graphic scenes which really gives the film a very dark feel to it. Some of the things I liked about the film was the story and the acting. The story itself had many twists and turns that you don’t see coming and it adds so much to the film when you see something you don’t believe would happen. The acting in the film from all the actors was incredible. The pure emotion that was seen on screen was great to me.
If your a fan of the Police and crime films this is a film that you really should go see.

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Triple 9 (2016) on IMDb

 

Other Subculture Entertainment Triple 9 reviews: You can listen to our full Triple 9  review on a The Good The Bad The Ugly Film Show Ep #168.

Trailer:

Ant-Man

Summary: Life isn’t going well for Scott Lang (Paul Rudd). After famously being arrested for a modern day Robin Hood crime his release from prison finds himself unable to keep down a job – a big issue since his ex-wife, Maggie (Judy Greer), and her new partner Police Detective Paxton (Bobby Cannavale) won’t give him any form of custody to his daughter, Cassie (Abby Ryder Forsten).

He finally gives in to his best friend’s urges and decides to help out with a heist that suddenly finds him being recruited by Dr. Hank Pym (Michael Douglas) to become ‘Ant-Man.’ While Pym’s daughter, Hope (Evangeline Lilly), thinks it is a bad idea soon Scott is being trained to help prevent the money hungry Darren Cross (Corey Stoll) from selling technology that is destined to be used for evil.

Year: 2015

Australian Cinema Release Date: 16th July 2015

Australian DVD Release Date: TBA

Country: United States

Director: Peyton Reed

Screenwriter: Edgar Wright, Joe Cornish, Adam McKay, Paul Rudd, Stan Lee (comic), Jack Kirby (comic), Larry Lieber (comic)

Cast: Hayley Atwell (Peggy Carter), Carlos Aviles (Carlos), Nicholas Barrera (Ernesto), Bobby Cannavale (Paxton), Joe Chrest (Frank), Robert Crayton (Peachy), David Dastmalchian (Kurt), Martin Donovan (Mitchell Carson), Michael Douglas (Dr. Hank Pym), Chris Evans (Steve Rogers/Captain America), Abby Ryder Fortson (Cassie Lang), Judy Greer (Maggie Lang), Dax Griffin (Young Pym), Wood Harris (Gale), Tom Kenny (Hideous Rabbit), Lyndsi LaRose (Emily), Evangeline Lilly (Hope van Dyne), Anthony Mackie (Sam Wilson/Falcon), Cesar Mendoza (Gabriel), Jordi Molla (Castillo), Michael Pena (Luis), Paul Rudd (Scott Lang/Ant-Man), John Slattery (Howard Stark), Sebastian Stan (Bucky Barnes), Corey Stoll (Darren Cross/Yellowjacket), T.I. (Dave), Gregg Turkington (Dale), Danny Vasquez (Ignacio)

Runtime: 117 mins

Classification: PG

 

OUR ANT-MAN REVIEWS & RATINGS:

 

David Griffiths:

The Marvel universe has been chugging along quick nicely for a while now. The franchise has peaked with amazing films like Guardians Of The Galaxy and Captain America: Winter Soldier and even it’s weaker films, Thor 2 etc, are films that are worth more than one watch. But now comes the film that many would consider the problem child for Marvel, Ant-Man.

So why is Ant-Man the film that seems to have been causing Marvel the most amount of trouble. Well first of all the fanboys have been all over the film, criticizing the casting of Paul Rudd (like they did with Robert Downey Jnr. before Iron Man) and seemingly being outraged that they would even entertain inserting comedy into the film (yep because nobody had a chuckle during Guardians Of The Galaxy). But like is the case with so many problem children the real root of the issue was happening behind closed doors. See Ant-Man was supposed to be a Edgar Wright film. Yes the man who is largely responsible for the Cornetto Trilogy was supposed to be at the helm, but because he didn’t fall into Marvel’s line found himself turfed out and replaced with Peyton Reed (the man who brought us Bring It On), but the good news is that despite all this upheaval Ant-Man turns out to be a pretty decent film.

Now before you go into the cinema to feat on Ant-Man be aware that the problems behind the scenes have resulted in Ant-Man being very different to any of the other films in the Marvel universe, but that actually ends up being a good thing. Gone are the epic scenes of large flying ships crashing to Earth or the destruction of a major city and instead we are left with an action packed scene that occurs in a little girl’s bedroom but will have you laughing out loud as a giant Thomas The Tank Engine goes crashing out of the side of the house. Yes it is scenes like that has Edgar Wright’s finger prints all over it.

There are things that let Ant-Man down a little, the most annoying being that Michael Pena and Bobby Cannavale are simply playing walking clichés, but the plusses certainly outweigh the negatives. The screenwriting team have inserted the much needed heart that was missing from Avengers: Age Of Ultron as both Hank and Scott try to repair the relationships with their daughters while the well-written script has allows some of the cast to bring their A-Game to the acting stakes as well.

Yes that is right everybody it seems that throughout this film that Michael Douglas forgets that he is in a comic book movie and actually turns up his acting output to that of what we recently saw in Arbitrage. Douglas is on fire here and it seems to have a carry on affect on some of the actors around him as well. Evangeline Lilly brilliantly plays a character with divided loyalty and it is Hope that much of the suspense centres around. Is she really on Pym and Scott’s side or is her loyalty to Darren Cross more than what they bargained for? She plays the double agent well and you can only hope that both her and Douglas are used more in the Avengers franchise now.

Then there is Paul Rudd, who as I previously mentioned had the fanboys baying for his blood before the film was even released. Now I will admit that I was skeptical about Paul Rudd’s ability to play an action hero, but he well and truly made me eat my words with his performance. Rudd not got buff for the role but seems to become Ant-Man with complete ease. He manages to pull off the action sequences awesomely well, while it is also some of his quick wit and one liners that make the film a please to watch. Apparently we should also be thanking him for helping the script run smoothly after Wright’s departure… so Mr. Rudd from the bottom of our heart we thank you.

So the best way to approach Ant-Man is to go into the cinema not expecting anything like you have seen in the Marvel universe to date. Yes Ant-Man has two Avengers appear (one in the main frame of the film, the other in the credits) and there are a few references to the Avengers and Spider-Man, but this is very much a film that is out there on its own. Yes this is a child that is very different to its siblings, but sometimes they make the best friends, right? Ant-Man is enjoyable enough to make you hope that the character appears again somewhere… very soon.

 

Stars(3)

 

 

Adam Ross:

You can hear Adam’s full Ant-Man review on The Good The Bad The Ugly Film Show Ep #138

 

Stars(3)

 

 

Greg King:

You can read Greg’s full Ant-Man review on www.filmreviews.net.au

 

Stars(4)

 

 

 

Nick Gardener:

You can hear Nick’s full Ant-Man review on The Good The Bad The Ugly Film Show Ep #138

 

Stars(3)

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Ant-Man (2015) on IMDb

 

Other Subculture Entertainment Ant-Man reviews: You can listen to our Ant-Man review on The Good The Bad The Ugly Film Show Ep #138. You can also read our Ant-Man review on The Book The Film The T-Shirt.  There is also an alternative Ant-Man review on Heavy Cinema.

Trailer: