Tagged: Martin Donovan

Summary:  Set against the backdrop of the opioid epidemic, stories of an undercover cop, a professor, and a grieving mother collide in this dramatic thriller from writer/director Nicholas Jarecki.

Year: 2021

Cinema Release Dates: 18th March 2021 (Australia), 26th February 2021 (USA)

VOD Release Dates: 5th March 2021 (USA)

Country: Canada, Belgium

Director: Nicholas Jarecki

Screenwriter: Nicholas Jarecki

Cast: Paul Aharani (Customs Inspector Fournier), Rodney Alexandre (Frankie), Benz Antoine (Detective Carson), Michel Aranov (Minas), Eric Bruneau (Guy Broussard), Bill Bryk (David Reimann), Charles Champagne (Cedric Beauville), Jay Chevery (Agent E. Thomas), Lily-Rose Depp (Emmie Kelly), Martin Donovan (Lawrence Morgan), Charles Ebbs (Franklin), Luke Evans (Dr. Bill Simons), Veronica Ferres (Dr. Meg Holmes), Tony Garrn (Sarah), Alex Gendreau (Davidson), Nouella Grimes (Dean Sharon Jones), Armie Hammer (Jake Kelly), Nicholas Jarecki (Stanley Foster), Marcel Jeannin (Harold Morgan), Daniel Jun (Jun), Hiro Kanagawa (Dr. Ishiyama), Kid Cudi (Ben Walker), Greg Kinnear (Dean Talbot), Mia Kirshner (Susan), Hugo B. Lefort (Billy – RCMP), Evangeline Lily (Claire Reimann), Duke Nicholson (Derrick Millebran), Gary Oldman (Dr. Tyrone Brower), Michelle Rodriguez (Supervisor Garrett), Noah Ruscica (Simon Gilcrest), Sara Sampaio (Ines), Frank Schorpion (Coach Vogel), Linda E. Smith (Anne), Kwasi Songui (Red), Ellora Torchia (Reeva), Admen Tsekhmen (Armen), Indira Varma (Madira Brower)

Running Time: 118 mins

Classification: MA15+ (Australia), 15 (UK), R (USA)

“Dreamland” Day06, Photo: Jan Thijs 2019

OUR CRISIS REVIEWS

David Griffiths’ Crisis Review:

I do love big action blockbusters as much as the next film fan, but I have to admit that I wish all blockbusters were like Crisis. This has everything that I want in a blockbuster – suspense, good acting and a script that has been well thought and plotted out by its screenwriters. It is also doesn’t need to have an explosion or a car chase in every scene to keep the interest going.

The well written script is the work of screenwriter/director Nicholas Jarecki (Arbitrage) who uses the backdrop of the opioid epidemic in the USA as a way for the stories of three characters living three very different lives to collide.

First there is Jake Kelly (Armie Hammer – The Lone Ranger) who is working undercover in a bid to bring down both one of the biggest importers and largest exporters of opioids coming across the US and Canadian border. While he is stepping along a very dangerous line he feels that he is now being rushed by his superior (Michelle Rodriguez – The Fast & The Furious) which may bring everything crashing down in the case.

Then there is Claire Reimann (Evangeline Lilly – Ant-Man) who is a recovering opioid addict who is just trying to get her life back on track when suddenly she leans that there is a possibility that her son’s disappearance may have something to do with the murky underworld of Detroit.

Last but certainly not least is Dr Tyrone Brower (Gary Oldman – The Dark Knight) a well-respected professor at a University that relies on grants and paid research work to keep going. When he and his students are asked to test a new addictive-free drug that a pharmaceutical company is planning on releasing they find it is not as addictive-free as the company believes. What happens when he confronts the company about his findings soon finds him under a threat that he could never have predicted.

The brilliance of Crisis all starts with the writing of Jarecki. I’ll admit that I became a fan of his after his amazing film Arbritage blew me away back in 2012. With that film Jarecki created an under-rated suspenseful thriller that brought out the best of its cast which included Richard Gere, Susan Sarandon and Brit Marling. With Crisis Jarecki recaptures that magic.

To say that Jarecki has created a slow-burn thriller with Crisis is an understatement. This isn’t a film fuelled by suspense through action, Jarecki and his cast can get just as much suspense out of scene with Kelly in a bar with a gangster or Brower sitting at a board-room meeting when his future is being determined then most director/screenwriters can get out massive robot fights or stunning car chases. As a director Jarecki also knows how to use his environment to his advantage and by teaming up with cinematographer Nicolas Bolduc (War Witch) he uses the snowscapes of Canada and Detroit to bring a harshness to the film that further enhances the bleakness told in the story.

Also like Arbritage is the fact that Jarecki’s screenplay here brings out the best in the film’s cast. For a long time I have seen Armie Hammer as a pretty-boy actor. While his looks lend him well to roles such as the ones he has had in The Man From U.N.C.L.E. and The Lone Ranger his acting range has been lacking. Here though Hammer shines as a drug agent in over his head – finally it seems like he found an acting role where he could showcase his acting talent sadly at a time when his career maybe at the crossroads.

The screenplay here also sees Evangeline Lilly steps up as a distraught mother trying to overcome her past demons with an emotional performance that once again reminds us of her acting abilities outside franchises. Also brilliant here is Gary Oldman, but then when isn’t he brilliant? Here he uses his theatrical training to great effect and he is sensational in some of the film’s more suspenseful scenes.

I should also point out though that I did find a flaw with this film. It did feel like the film tried to bring in too many characters. Characters like Kelly’s drug addicted sister Emmie (Lily-Rose Depp – Yoga Hosers) seem superfluous and just make the film run a little longer than it really should. All in all though Crisis is a must see thriller for cinema-goers out there that like a good slow-burn thriller.

A beautifully written script lends its hand to some great acting performances with a film that reminds us that often the line between pharmaceutical companies and drug dealers is often blurry.

Dave’s rating Out Of 5

Kyle McGrath’s Crisis Review:

Kyle’s rating Out Of 5:

Average Subculture Rating:

IMDB Rating:

Crisis (2021) on IMDb

Other Subculture Crisis Reviews:

Nil.

Trailer:

Thanks to Defiant! Screen Entertainment we here at Subculture have 5 DVD Copes to giveaway of the brand new action film – Redemption Day.

The film stars Gary Dourdan, Serinda Swan, Ernie Hudson, Martin Donovan, Robert Knepper, Samy Naceri and Andy Garcia.

To enter simply go to the Subculture Entertainment Facebook page – then like it and private message the code word ‘Redemption’ to us.

Redemption Day is available on DVD now.

Summary: Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.

Year: 2020

Cinema Release Dates: 27th August 2020 (Australia), 27th August 2020 (Thailand), 26th August 2020 (UK), 3rd September 2020 (USA)

VOD Release Dates: Out now

Country: USA, UK

Director: Christopher Nolan

Screenwriter: Christopher Nolan

Cast: Kenneth Branagh (Sator), Michael Caine (Crosby), Adam Cropper (Young Sator), Jack Cutmore-Smith (Klaus), Elizabeth Debicki (Kat), Martin Donovan (Fay), Fiona Dourif (Wheeler), Dimple Kapadia (Priya), Yuri Kolokolnikov (Volkov), Mark Krenik (Toby), Anthony Molinari (Rohan), Himesh Patel (Mahir), Robert Pattinson (Neil), Clemence Posey (Barbara), Laurie Shepherd (Max), Denzil Smith (Sanjay), Aaron Taylor-Johnson (Ives), Jeremy Theobald (Steward), John David Washington (Protagonist)

Running Time: 150 mins

Classification: M (Australia), G (Thailand), 12-A (UK), PG-13 (USA)

OUR TENET REVIEWS

David Griffiths’ Tenet Review:

Dave’s rating Out Of 5

Kyle McGrath’s Tenet Review:

Kyle McGrath’s Score Out Of 5:

Average Subculture Rating:

IMDB Rating:

Tenet (2020) on IMDb

Other Subculture Tenet Reviews:

Nil.

Trailer:

Ant-Man

Summary: Life isn’t going well for Scott Lang (Paul Rudd). After famously being arrested for a modern day Robin Hood crime his release from prison finds himself unable to keep down a job – a big issue since his ex-wife, Maggie (Judy Greer), and her new partner Police Detective Paxton (Bobby Cannavale) won’t give him any form of custody to his daughter, Cassie (Abby Ryder Forsten).

He finally gives in to his best friend’s urges and decides to help out with a heist that suddenly finds him being recruited by Dr. Hank Pym (Michael Douglas) to become ‘Ant-Man.’ While Pym’s daughter, Hope (Evangeline Lilly), thinks it is a bad idea soon Scott is being trained to help prevent the money hungry Darren Cross (Corey Stoll) from selling technology that is destined to be used for evil.

Year: 2015

Australian Cinema Release Date: 16th July 2015

Australian DVD Release Date: TBA

Country: United States

Director: Peyton Reed

Screenwriter: Edgar Wright, Joe Cornish, Adam McKay, Paul Rudd, Stan Lee (comic), Jack Kirby (comic), Larry Lieber (comic)

Cast: Hayley Atwell (Peggy Carter), Carlos Aviles (Carlos), Nicholas Barrera (Ernesto), Bobby Cannavale (Paxton), Joe Chrest (Frank), Robert Crayton (Peachy), David Dastmalchian (Kurt), Martin Donovan (Mitchell Carson), Michael Douglas (Dr. Hank Pym), Chris Evans (Steve Rogers/Captain America), Abby Ryder Fortson (Cassie Lang), Judy Greer (Maggie Lang), Dax Griffin (Young Pym), Wood Harris (Gale), Tom Kenny (Hideous Rabbit), Lyndsi LaRose (Emily), Evangeline Lilly (Hope van Dyne), Anthony Mackie (Sam Wilson/Falcon), Cesar Mendoza (Gabriel), Jordi Molla (Castillo), Michael Pena (Luis), Paul Rudd (Scott Lang/Ant-Man), John Slattery (Howard Stark), Sebastian Stan (Bucky Barnes), Corey Stoll (Darren Cross/Yellowjacket), T.I. (Dave), Gregg Turkington (Dale), Danny Vasquez (Ignacio)

Runtime: 117 mins

Classification: PG

 

OUR ANT-MAN REVIEWS & RATINGS:

 

David Griffiths:

The Marvel universe has been chugging along quick nicely for a while now. The franchise has peaked with amazing films like Guardians Of The Galaxy and Captain America: Winter Soldier and even it’s weaker films, Thor 2 etc, are films that are worth more than one watch. But now comes the film that many would consider the problem child for Marvel, Ant-Man.

So why is Ant-Man the film that seems to have been causing Marvel the most amount of trouble. Well first of all the fanboys have been all over the film, criticizing the casting of Paul Rudd (like they did with Robert Downey Jnr. before Iron Man) and seemingly being outraged that they would even entertain inserting comedy into the film (yep because nobody had a chuckle during Guardians Of The Galaxy). But like is the case with so many problem children the real root of the issue was happening behind closed doors. See Ant-Man was supposed to be a Edgar Wright film. Yes the man who is largely responsible for the Cornetto Trilogy was supposed to be at the helm, but because he didn’t fall into Marvel’s line found himself turfed out and replaced with Peyton Reed (the man who brought us Bring It On), but the good news is that despite all this upheaval Ant-Man turns out to be a pretty decent film.

Now before you go into the cinema to feat on Ant-Man be aware that the problems behind the scenes have resulted in Ant-Man being very different to any of the other films in the Marvel universe, but that actually ends up being a good thing. Gone are the epic scenes of large flying ships crashing to Earth or the destruction of a major city and instead we are left with an action packed scene that occurs in a little girl’s bedroom but will have you laughing out loud as a giant Thomas The Tank Engine goes crashing out of the side of the house. Yes it is scenes like that has Edgar Wright’s finger prints all over it.

There are things that let Ant-Man down a little, the most annoying being that Michael Pena and Bobby Cannavale are simply playing walking clichés, but the plusses certainly outweigh the negatives. The screenwriting team have inserted the much needed heart that was missing from Avengers: Age Of Ultron as both Hank and Scott try to repair the relationships with their daughters while the well-written script has allows some of the cast to bring their A-Game to the acting stakes as well.

Yes that is right everybody it seems that throughout this film that Michael Douglas forgets that he is in a comic book movie and actually turns up his acting output to that of what we recently saw in Arbitrage. Douglas is on fire here and it seems to have a carry on affect on some of the actors around him as well. Evangeline Lilly brilliantly plays a character with divided loyalty and it is Hope that much of the suspense centres around. Is she really on Pym and Scott’s side or is her loyalty to Darren Cross more than what they bargained for? She plays the double agent well and you can only hope that both her and Douglas are used more in the Avengers franchise now.

Then there is Paul Rudd, who as I previously mentioned had the fanboys baying for his blood before the film was even released. Now I will admit that I was skeptical about Paul Rudd’s ability to play an action hero, but he well and truly made me eat my words with his performance. Rudd not got buff for the role but seems to become Ant-Man with complete ease. He manages to pull off the action sequences awesomely well, while it is also some of his quick wit and one liners that make the film a please to watch. Apparently we should also be thanking him for helping the script run smoothly after Wright’s departure… so Mr. Rudd from the bottom of our heart we thank you.

So the best way to approach Ant-Man is to go into the cinema not expecting anything like you have seen in the Marvel universe to date. Yes Ant-Man has two Avengers appear (one in the main frame of the film, the other in the credits) and there are a few references to the Avengers and Spider-Man, but this is very much a film that is out there on its own. Yes this is a child that is very different to its siblings, but sometimes they make the best friends, right? Ant-Man is enjoyable enough to make you hope that the character appears again somewhere… very soon.

 

Stars(3)

 

 

Adam Ross:

You can hear Adam’s full Ant-Man review on The Good The Bad The Ugly Film Show Ep #138

 

Stars(3)

 

 

Greg King:

You can read Greg’s full Ant-Man review on www.filmreviews.net.au

 

Stars(4)

 

 

 

Nick Gardener:

You can hear Nick’s full Ant-Man review on The Good The Bad The Ugly Film Show Ep #138

 

Stars(3)

 

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Ant-Man (2015) on IMDb

 

Other Subculture Entertainment Ant-Man reviews: You can listen to our Ant-Man review on The Good The Bad The Ugly Film Show Ep #138. You can also read our Ant-Man review on The Book The Film The T-Shirt.  There is also an alternative Ant-Man review on Heavy Cinema.

Trailer:

The Reluctant Fundamentalist

Summary: Set in the years following 9/11, The Reluctant Fundamentalist follows a young Pakistani man, Changez, chasing corporate success on Wall Street. Living in the suspicious, terrorism-altered Western world, he ultimately finds himself embroiled in a conflict between his American Dream, a hostage crisis, and the enduring call of his family’s homeland.

Year: 2013

Australian Cinema Release Date: 23rd May, 2013

Australian DVD Release Date: TBA

Country: USA/UK/Qatar

Director: Mira Nair

Screenwriter: Ami Boghani, Mohsin Hamid, Rutvik Oza, William Wheeler

Cast: Riz Ahmed (Changez), Shabana Azmi (Ammi), Ashwath Bhatt (Junaid), Haluk Bilginer (Nazmi Kemal), Vince Canlas (Kenzaburo), Deepti Datt (Amreh), Martin Donovan (Ludlow Cooper), Nelsan Ellis (Wainwright), Rohan Gupta (Rahim), Kate Hudson (Erica), Adil Hussain (Mustafa Fazil), Liam Ireson (Chris), Sonya Jehan (Nadia),  Clayton Landey (Agent Jackson), Om Puri (Abu), Claire Roberts Lamont (June Davis), Rory McCreray (Agent Ford), Cody W. Parker (Herman), Sarah Quinn (Clea), Gary Richardson (Anse Rainier), Liev Schreiber (Bobby Lincoln), Ali Sethi (Ahmed), Meesha Shafi (Bina), Imaad Shah (Sameer), Victor Slezak (Maxwell Underwood), Chris Smith (Mike Rizzo), Kiefer Sutherland (Jim Cross)

Runtime: 126 mins

Classification:M

SUBCULTURE MEDIA/THE GOOD THE BAD THE UGLY FILM SHOW REVIEWS/RATINGS OF ‘THE RELUCTANT FUNDAMENTALIST’:

Greg King: Stars(3.5)

Please check Greg’s review of ‘The Reluctant Fundamentalist’ that is available on www.filmreviews.net.au

Average Subculture Rating (out of 5): Stars(3.5)

IMDB Rating:The Reluctant Fundamentalist (2012) on IMDb

Other Subculture Media Reviews of ‘The Reluctant Fundamentalist′: Check Episode #33 (available late on 23rd May) of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘The Reluctant Fundamentalist’.

Trailer: