Tagged: Damon Herriman

2016 MIFF

Down Under

Summary: A black comedy set during the aftermath of the Cronulla riots, it is the story of two carloads of hotheads from both sides of the fight destined to collide.

Year: 2016

Australian Cinema Release Date: 11th August 2016

Australian DVD Release Date: TBA

Country: Australia

Director: Abe Forsythe

Screenwriter: Abe Forsythe

Cast: Fayssal Bazzi (D-Mac), Josef Ber (Sgt.Bryce Halliday), Chris Bunton (Evan), Ruby Burke (Destiny), Suppakorn Chuwongwut (Nutt), Arka Das (Steve), Michael Denkha (Ibrahim), Harriet Dyer (Stacey), Alexander England (Shit-Stick), David Field (Vic), Damon Herriman (Jason), Josh McConville (Gav), Marshall Napier (Graham), Henry Nixon (Sgt. James McFadden), Julia Ohannessian (Rashida), Lap Phan (Terry), Robert Rabiah (Amir), Rahel Romahn (Nick), Justin Rosniak (Ditch), Anthony Taufa (Taufa), Christiaan Van Vurren (Doof), Lincoln Younes (Hassim), Dylan Young (Az)

Runtime: 90 mins

Classification: TBC

 

OUR DOWN UNDER REVIEWS & RATINGS:

 

John Noonan:

Sometimes the best comedy is the darkest. In Duck Soup, The Marx Brothers’ led Freedonia into a good old fashioned knees up to celebrate the oncoming war that will swamp the country. The terrorists in Chris Morris’ Four Lions are shown to be petty, back stabbers that argue about Mini-Babybels and struggle to align their separate ideologies. And now we have Abe Forsyth’s Down Under, a violent, gut-bursting farce set against the backdrop of the Cronulla Riots.

We follow two separate groups of men chomping at the bit to get into a boot party. In the Cronulla corner, we have family man Jason (Damon Herriman) and Ned Kelly’s biggest fan Ditch (Justin Rosniak) on the prowl for anyone looking vaguely middle eastern. And vague is the operative word, as at one point it becomes apparent that they’re not even sure who they’re really after. To bulk up their numbers, they drag along dope head Shit-Stick (Alexander England) who would rather watch Lord of the Rings with his cousin from Nimbi, Evan (Chris Bunton)

Playing for the Sydney West team is the fiery Nick (Rahel Romahn), insufferable beat-boxer D-Mac (Fayssal Bazzi) and deeply religious Ibrahim (Michael Denkha). Tagging along with them is Hassim (Lincoln Younes), whose brother went missing the day the riots started.

Neither group is treated as the heroes of Down Under. Instead Forsythe highlights how their need to bash people because of a perceived difference really comes from the same misguided rage. And in the film, as in real life, this rage only begets more rage until no one is listening to anyone. It’s interesting to note that the director never allows the violence committed by the men to be diluted by the comedy. Each punch and bat swung connects viciously, there’s consequences to what they deal out. Instead, he bursts their bubbles by highlighting their naivety and hypocrisy, such as when Jason takes a break from bashing to get his pregnant girlfriend a kebab, or when Nick’s bravado reveals a violent resentment of immigrants. Other times, Forsythe soundtracks his characters’ actions to inappropriate pop songs from the era, including a rather wonderful rendition of Natalie Imbruglia’s Torn.

Where Down Under falls flat, at least for me, is Nick and Hassim’s interactions with drug dealer, Vic (David Field). Vic’s lascivious advances towards Hassim whilst surrounded by well-oiled, well-muscled young men feels trite and, in a film that lampoons stereotypes, feels, well, stereotypical. Because despite how the film’s trailer portrays them, these aren’t stupid men. Sure they say stupid things, but they’re clearly caught up in the chest beating and hubris that’s permeating in the streets. One of Jason’s team is revealed to have a white collar job, whilst Hassim is shown from the off-set to be studying for uni. These are not all thick men, and that’s what makes them scary. They’ve found an opportunity to release they deep-rooted beliefs.

With an ending that will pull the rug from under you, Down Under exposes the underbelly and idiocy of racism through laughter, violence, copious amounts of swearing and B*Witched songs. Sure to be controversial, you need to see it.

 

Stars(3.5)

 

 

Average Subculture Rating (out of 5):   Stars(3.5)

 

IMDB Rating:  Down Under (2016) on IMDb

 

Other Subculture Entertainment Down Under reviews: Nil.

 

Trailer:

FeatureDown Under

StudioCanal has announced that Abe Forsythe’s second feature film, DOWN UNDER will hit Australian cinemas AUGUST 4, 2016.

 A black comedy set during the aftermath of the Cronulla riots, DOWN UNDER is the story of two carloads of hotheads from both sides of the fight destined to collide. Sincere, though misguided, intent gives way to farcical ineptitude as this hilarious yet poignant story of ignorance, fear and kebab-cravings unfolds, and what was meant to be a retaliation mission turns into something neither side could have imagined.

 DOWN UNDER stars Lincoln Younes (Hiding, Love Child Season 2), Rahel Romahn (Underbelly: The Golden Mile, The Combination), Damon Herriman (The Water Diviner, The Little Death, Justified), Michael Denkha (The Combination, Stealth), Fayssal Bazzi (Crownies, Cedar Boys), Alexander England (Gods Of Egypt, Power Games: The Packer-Murdoch Story), Justin Rosniak (Animal Kingdom), Harriet Dyer (Love Child, Janet King) and introduces Christopher Bunton. It also features Josh McConville, Dylan Young, Christiaan Van Vuuren, Anthony Taufa along with Marshall Napier (The Water Horse, Babe) and David Field (Last Cab To Darwin, The Rover, Chopper).

 

AACTA Awards

The 2015 AACTA Awards were held in Sydney this week. Here are all the major winners.

BEST LEAD ACTRESS IN A TV DRAMA

Danielle Cormack (Wentworth)

Ashleigh Cummings (Puberty Blues)

Marta Dusseldorp (Janet King) – WINNER

Kat Stewart (Offspring)

BEST LEAD ACTOR IN A TV DRAMA

Luke Arnold (INXS: Never Tear Us Apart)

Richard Roxburgh (Rake)

Dan Spielman (The Code)

Ashley Zuckerman (The Code) – WINNER

BEST LIGHT ENTERTAINMENT SERIES

The Checkout

Hamish & Andy’s Gap Year: South America – WINNER

Paddock To Plate

The Project

BEST TELE-FEATURE OR MINI SERIES

Carlotta

Devil’s Playground – WINNER

INXS – Never Tear Us Apart

Secrets + Lies

BEST SCREENPLAY IN TELEVISION

Shelley Birse (The Code)

Trent O’Donnell/Phil Lloyd (The Moodys)

Josh Thomas (Please Like Me) – WINNER

Peter Duncan (Rake)

BEST DRAMA SERIES

The Code – WINNER

Janet King

Puberty Blues

Rake

BEST SUPPORTING ACTOR IN A MOVIE

Patrick Brammall (The Little Death)

Yilmaz Erdogan (The Water Diviner) – WINNER

Robert Pattinson (The Rover)

TJ Power (The Little Death)

BEST SUPPORTING ACTRESS IN A MOVIE

Erin James (The Little Death)

Jacqueline Mackenzie (The Water Diviner)

Kate Mulvaney (The Little Death)

Susan Prior (The Rover) – WINNER

BEST DIRECTOR (FILM)

Jennifer Kent (The Babadook) – WINNER

Rolf de Heer (Charlie’s Country)

Michael Spierig/Peter Spierig (Predestination)

David Michod (The Rover)

BEST LEAD ACTOR IN A FILM

Russell Crowe (The Water Diviner)

David Gulpilil (Charlie’s Country) – WINNER

Damon Herrimon (The Little Death)

Guy Pearce (The Rover)

BEST LEAD ACTRESS IN A FILM

Kate Box (The Little Death)

Essie Davis (The Babadook)

Sarah Snook (Predistination) – WINNER

Mia Wasikowska (Tracks)

BEST FILM

The Water Diviner – JOINT WINNER

The Railway Man

Charlie’s Country

The Babadook – JOINT WINNER

Tracks

Predestination

The Longford Lyell Award: Andrew Knight

AACTA Trailblazer Award: Rose Byrne

Son Of A Gun

Summary: While locked up for a minor offence, 19-yr-old JR (Thwaites) becomes apprentice to the enigmatic Brendan Lynch (McGregor), a calculating crime boss with connections both inside and out. After helping Lynch and his crew orchestrate a daring prison escape, JR is invited to join in on their next job – a high stakes heist that promises to deliver millions.

But as they plan the heist, JR begins to suspect he is being played and soon finds himself on a collision course with his mentor in a very dangerous game.

Year: 2014

Australian Cinema Release Date: 16th October, 2014

Australian DVD Release Date: TBA

Country: Australia

Director: Julius Avery

Screenwriter: Julius Avery, John Collee

Cast: Eddie Baroo (Merv), Tom Budge (Josh), Nash Edgerton (Chris), Damon Herriman (Private Wilson), Sam Hutchin (Dave), Marko Jovanovic (Ken), Jacek Koman (Sam), Ivan Lightbody (Mitch), Ewan McGregor (Brendan), Matt Nable (Sterlo), Soa Palelei (Thomy), Brenton Thwaites (JR), Alicia Vikander (Tasha)

Runtime: 109 mins

Classification: MA15+

 

OUR SON OF A GUN REVIEWS & RATINGS:

 

Greg King: You can check out Greg’s Son Of A Gun review on The Good The Bad The Ugly Film Show Ep #101

Stars(3)

 

Dave Griffiths:

The heat is really on Australian films at the moment. Films this year that were supposed to be big hits – These Final Hours, The Rover and Felony – have all had dismal returns at the box office, and now comes Son of A Gun a film that has its producers (and the whole Australian film industry) watching with baited breath to see whether the inclusion of Scottish actor Ewan McGregor on the bill will be enough to make Australian audiences actually want to go and see the film in the cinemas.

Of course as Predestination and The Rover found out earlier this year the inclusion of international stars like Robert Pattinson and Ethan Hawke on the cast list doesn’t necessarily guarantee that the film is going to make an impact at the Box Office either. But what the producers of Son Of A Gun will be hoping is that the fact that Son Of A Gun is back in that gritty crime drama genre that has seen films such as Animal Kingdom become a hit in the past.

From first-time director Julius Avery, who has built a sturdy short film career, Son Of A Gun sees young small-time criminal JR (Brenton Thwaites) suddenly thrust into the rigours of a tough prison environment. While the brash young crim feels that he has what it takes to survive he suddenly finds himself needing the help of seasoned notorious armed robber Brendan (Ewan McGregor) who takes the young man under his wing and includes him in his plans for a violent prison breakout and resulting major heist at a Western Australian gold mine.

On the outside though JR and Brendan don’t find things to run as smoothly as they hoped. Brendan says that he is a crim-of-his-word although his honour is tested when they become involved with a rich mobster named Sam (Jacek Koman) who is money hungry and has no time for JR… especially when he sets his sights on one of Sam’s girls an immigrant named Tasha (Alicia Vikander).

But of course it takes more than some big names and a well believed in genre for a film to work and sadly it is in other areas where Son Of A Gun is largely let down. Early on things seem promising for Son Of A Gun it has all the grit and intensity off prison/crime films like Everynight, Everynight and Animal Kingdom while the actual prison breakout and some of the car chases almost lift this film into the action film genre, but this film is dangerously let down by some of the film’s slower moments.

At times the film seems like it wants to touch on the gangster romance element that made Two Hands so popular but the relationship here never wins the audience over the same way that the Heath Ledger/Rose Byrne chemistry did in the Aussie classic while the films last quarter is a massive let down. After the gold mine heist the film seems to lose its way, so badly that the ending feels like something you would have expected to see in a trashy American film like Wild Things. And of course if you’ve been a loyal audience member and kept a track of all the crumbs and sign posts that Avery has left so blatantly throughout the film you may get a really early sense of exactly what the big suspenseful moment is going to be during the finale as well.

The one thing that does lift Son Of A Gun up though, aside from the first brilliant twenty minutes, are the cast. Ewan McGregor does show that he is a class above everybody else in the film with a strong character performance that almost seems him become the rough-and-ready Brendan. He is well supported by young gun on the rise Brenton Thwaites whose tough boy image is very different to the pretty boy he recently played in The Giver.

The rest of the cast however are not quite so lucky. Alicia Vikander is given very little to work with at all. Her character motivation is weak and she quickly becomes a cliché as does many of the other ‘baddies’ in the film, a shame when you realise that actors such as Jacek Koman are capable of pulling off some really dramatic roles when they are called to. The big crime though is the treatment of Vikander whose role is so weak you can only wonder why she bothered making the trip out to Australia to make the film in the first place. Her performance is good, but the script lets her down.

Son Of A Gun is a film that seems like it is desperate to make the same grade as classic Australian crime films like The Boys, but sadly the films weak last quarter really drags it down and leaves a bad taste in the audience’s mouth. Worse is the fact that the opening of the film is so good that you are left wondering how the same screenwriter could be responsible for such a letdown of a finale. Son Of A Gun may briefly breathe life back into the Australia film industry but it is certainly not the saviour that everybody was hoping for.

Stars(3)

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating: Son of a Gun (2014) on IMDb

 

Other Subculture Entertainment Reviews of ‘Son Of A Gun′: For our full Son Of A Gun review please check The Good The Bad The Ugly Film Show Ep #101 . Dave’s Son Of A Gun review can also be viewed on The Book The Film The T-Shirt

Trailer:

 

The Little Death Still

Josh Lawson’s directorial debut THE LITTLE DEATH has been acquired by Wagner/Cuban Company’s Magnolia Pictures for release in North America in 2015. This is a great win for the hilarious comedy about sex, which opens in Australian cinemas today.

In addition to being picked up for release in the US by Magnolia Pictures, California Films will release THE LITTLE DEATH in Latin America, as will Apex in Korea, M2 in Poland, and Cirko in Hungary. These territories now join France and Spain (Wildbunch), Germany and Austria (Weltkino), Switzerland (Impulse), UK and Ireland (Kaleidoscope), and Taiwan (Joint Entertainment).

This is a huge feat for THE LITTLE DEATH, and producer Jamie Hilton says; “We knew when we premiered the film to audiences that we had something very special on our hands. That said, we never expected to sell it as quickly as we have. We couldn’t be happier knowing that our film will now be seen the world over.”

THE LITTLE DEATH had its international premiere at this year’s Toronto International Film Festival (TIFF), and locally at the 2014 Sydney Film Festival (SFF), where it was voted second in SFF’s Audience Award for Best Feature.

A laugh-out-loud funny, honest and ultimately moving film, THE LITTLE DEATH looks at the secret sex lives of five ordinary couples. It explores the strange, hilarious and sometimes disastrous places our desires can take us in pursuit of that fleeting moment of sexual ecstasy; a moment the French call ‘la petite mort’ – the little death. Featuring an ensemble cast of Australia’s finest talent, including Bojana Novakovic, Damon Herriman, Kate Mulvany, Patrick Brammall, Lachy Hulme and Lisa McCune, writer and director Josh Lawson has cleverly constructed a film that all at once defies expectations, continually surprises and is genuinely charming.

THE LITTLE DEATH was produced by Jamie Hilton, Michael Petroni and Matt Reeder for See Pictures.

The Little Death is screening in Australian cinemas now.

Son Of A Gun Still

SON OF A GUN is the debut feature of award-winning Australian director Julius Avery (Jerrycan). A smart edge-of-your-seat heist thriller starring Ewan McGregor (Salmon Fishing in the Yemen, The Impossible), and talented newcomer Brenton Thwaites (The Giver, Maleficent), SON OF A GUN will screen in Official Competition at this year’s BFI London Film Festival. This also marks the film’s International Premiere.

Of his film screening at the festival, Avery said, “it is such a proud and exciting moment for everyone involved in SON OF A GUN to be in official competition at a festival as historic and respected as the BFI London Film Festival.”

SON OF A GUN tells the story of a young man who is drawn into the lawless world of a notorious criminal. Serving six months for a minor offence, 19-year-old JR (Thwaites) quickly learns the harsh realities of prison life. After a chance encounter, he finds himself under the watchful eye of the enigmatic Brendan Lynch (McGregor), a calculating crime boss with extensive connections both inside and out. In exchange for protection, JR becomes apprentice to Lynch, and upon release he must orchestrate Lynch’s daring prison escape.

Rewarded for his involvement and with a taste for the high life, JR joins the crew on their next job – a high stakes heist that promises to deliver millions. As he gets sucked deeper into Lynch’s criminal underworld, a tangled, co-dependent relationship develops. While planning the heist, he begins to suspect he is being played. Unsure of whom to trust, JR soon finds himself on a collision course with his mentor in a very dangerous game.

Shot in Perth, Melbourne and Kalgoorlie, SON OF A GUN also stars Alicia Vikander, Matt Nable, Damon Herriman, Tom Budge, Nash Edgerton and Jacek Koman. This taught psychological thriller is Avery’s debut feature. His short film Jerrycan won a Jury Prize at the Cannes Film Festival.

The 58th BFI London Film Festival runs from October 8-19, 2014.

Entertainment One Australia will release SON OF A GUN in cinemas nationally on October 16, 2014.

The Little Death Still

Actor, writer, director and all-round funny man Josh Lawson will see his debut feature film, THE LITTLE DEATH, have its international premiere at this year’s Toronto International Film Festival (TIFF). A truly original comedy about sex, love, relationships and taboo, THE LITTLE DEATH will screen in TIFF’s Discovery section – devoted to first or second features.

THE LITTLE DEATH explores the strange, hilarious and sometimes disastrous places our desires can take us in pursuit of that fleeting moment of sexual ecstasy; a moment the French call ‘la petite mort’ – the little death. Featuring an ensemble cast of Australia’s finest talent, including Bojana Novakovic, Damon Herriman, Kate Mulvany, Patrick Brammall, Lachy Hulme and Lisa McCune, writer and director Josh Lawson has cleverly constructed a film that all at once defies expectations, continually surprises and is genuinely charming.

A laugh-out-loud funny, honest and ultimately moving film, THE LITTLE DEATH looks at the secret sex lives of five ordinary couples. It tells the story of Maeve, who has a dangerous sexual fantasy that her boyfriend Paul struggles to fulfil; Evie and Dan, who reignite their spark with role-play; Rowena, who discovers she finds pleasure in her husband Richard’s pain; Phil, who finds a newfound love for his wife Maureen in her quieter moments; and Monica and Sam, who become caught up in a dirty and chaotic phone call.

Premiering at this year’s Sydney Film Festival (SFF) where it was voted second in SFF’s Audience Award for Best Feature, Lawson’s directorial debut has struck a chord with audiences and critics alike, with the Hollywood Reporter calling it “a deviant antipodean version of Love Actually, actor Josh Lawson’s writing and directing debut shows both his funny bone and his heart are in the right place.”

To say Lawson is excited about his debut feature screening at TIFF is an understatement. Upon hearing the announcement, Lawson said, “When I heard that THE LITTLE DEATH had been accepted in the Toronto International Film Festival I honestly punched the air like Judd Nelson at the end of The Breakfast Club, but less cool. I couldn’t have been more excited. I’m thrilled and proud to have our film in one of the world’s most illustrious film festivals. I think we’ve done something really original and funny and bold with THE LITTLE DEATH, and I can’t wait for people to finally see it.”

The Toronto International Film Festival runs from September 4-14, 2014.

Entertainment One Australia will release THE LITTLE DEATH in cinemas nationally on September 25, 2014.

The Sapphires

And the nominees are:

FEATURE FILM

AACTA AWARD FOR BEST FILM
Burning Man
Lore
The Sapphires
Wish You Were Here

AACTA AWARD FOR BEST DIRECTION
Jonathan Teplitzky, Burning Man
Cate Shortland, Lore
Wayne Blair, The Sapphires
Kieran Darcy-Smith, Wish You Were Here

AACTA AWARD FOR BEST ORIGINAL SCREENPLAY
Burning Man
Mental
Not Suitable For Children
Wish You Were Here

AACTA AWARD FOR BEST ADAPTED SCREENPLAY
Lore
The Sapphires

AACTA AWARD FOR BEST CINEMATOGRAPHY
Burning Man
Lore
The Sapphires
Wish You Were Here

AACTA AWARD FOR BEST EDITING
Burning Man
The Sapphires
Wish You Were Here
X

AACTA AWARD FOR BEST SOUND
Burning Man
Lore
The Sapphires
Swerve

AACTA AWARD FOR BEST ORIGINAL MUSIC SCORE
33 POSTCARDS
A Few Best Men
Mental
Not Suitable For Children

AACTA AWARD FOR BEST PRODUCTION DESIGN
Burning Man
Killer Elite
Lore
The Sapphires

AACTA AWARD FOR BEST COSTUME DESIGN
Burning Man
Lore
Mental
The Sapphires

AACTA AWARD FOR BEST LEAD ACTOR
Joel Edgerton, Wish You Were Here
Matthew Goode, Burning Man
Chris O’Dowd, The Sapphires
Guy Pearce, 33 POSTCARDS

AACTA AWARD FOR BEST LEAD ACTRESS
Toni Collette, Mental
Deborah Mailman, The Sapphires
Felicity Price, Wish You Were Here
Sarah Snook, Not Suitable For Children

AACTA AWARD FOR BEST SUPPORTING ACTOR
Ryan Corr, Not Suitable For Children
Liev Schreiber, Mental
Antony Starr, Wish You Were Here
Gary Waddell, The King Is Dead!

AACTA AWARD FOR BEST SUPPORTING ACTRESS
Essie Davis, Burning Man
Rebecca Gibney, Mental
Deborah Mailman, Mental
Jessica Mauboy, The Sapphires

AACTA AWARD FOR BEST YOUNG ACTOR
Brenna Harding, Puberty Blues
Ed Oxenbould, Julian
Saskia Rosendahl, Lore
Lily Sullivan, Mental

AACTA AWARD FOR BEST VISUAL EFFECTS
Iron Sky
Killer Elite
The Sapphires
Utopia Girls — How Women Won The Vote

AACTA RAYMOND LONGFORD AWARD
Al Clark

TELEVISION

AACTA AWARD FOR BEST CHILDREN’S TELEVISION SERIES
The Adventures of Figaro Pho
Dance Academy — Series 2
Flea-bitten!
Guess How Much I Love You — The Adventures of Little Nutbrown Hare

AACTA AWARD FOR BEST TELEVISION COMEDY SERIES
A Moody Christmas
Danger 5
Lowdown — Season 2
Shaun Micallef’s Mad As Hell

AACTA AWARD FOR BEST LIGHT ENTERTAINMENT TELEVISION SERIES
Adam Hills In Gordon Street Tonight — Series 2
Agony Aunts
Gruen Sweat
The Hamster Wheel — Series 1

AACTA AWARD FOR BEST REALITY TELEVISION SERIES
The Amazing Race Australia
MasterChef Australia — Series 4
My Kitchen Rules — Series 3
The Voice

AACTA AWARD FOR BEST TELEVISION DRAMA SERIES
Puberty Blues
Rake — Season 2
Redfern Now
Tangle — Season 3

AACTA AWARD FOR BEST TELEFEATURE OR MINI SERIES
Beaconsfield
Devil’s Dust
Howzat! Kerry Packer’s War
Underground

AACTA AWARD FOR BEST DIRECTION IN TELEVISION
The Amazing Race Australia
Beaconsfield
Howzat! Kerry Packer’s War
Jack Irish: Bad Debts

AACTA AWARD FOR BEST SCREENPLAY IN TELEVISION
A Moody Christmas — Episode 5 “Water Under the Bridge”
Lowdown — Season 2 — Episode 3 “One Fine Gay”
Puberty Blues — Episode 5
Redfern Now — Episode 6 “Pretty Boy Blue”

AACTA AWARD FOR BEST LEAD ACTOR IN A TELEVISION DRAMA
Jimi Bani, Mabo
Anthony Hayes, Devil’s Dust
Lachy Hulme, Howzat! Kerry Packer’s War
Richard Roxburgh, Rake — Season 2

AACTA AWARD FOR BEST LEAD ACTRESS IN A TELEVISION DRAMA
Ashleigh Cummings, Puberty Blues
Essie Davis, Miss Fisher’s Murder Mysteries
Susie Porter, Dangerous Remedy
Leah Purcell, Redfern Now

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTOR IN A TELEVISION DRAMA
Luke Carroll, Redfern Now
Abe Forsythe, Howzat! Kerry Packer’s War
Aaron Jeffrey, Underbelly Badness
Dan Wyllie, Puberty Blues

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTRESS IN A TELEVISION DRAMA
Shareena Clanton, Redfern Now
Mandy McElhinney, Howzat! Kerry Packer’s War
Susan Prior, Puberty Blues
Laura Wheelwright, Underground

AACTA AWARD FOR BEST PERFORMANCE IN A TELEVISION COMEDY
Patrick Brammall, A Moody Christmas
Barry Crocker, The Strange Calls
Damon Herriman, Laid — Series 2
Frank Woodley, Woodley

SHORT FILM

AACTA AWARD FOR BEST SHORT ANIMATION
The Hunter
LEGO Star Wars: The Padawan Menace
The Maker
Sleight of Hand

AACTA AWARD FOR BEST SHORT FICTION FILM
B I N O
Dumpy Goes to the Big Smoke
Julian
Transmission

AACTA AWARD FOR BEST SCREENPLAY IN A SHORT FILM
B I N O
Dumpy Goes to the Big Smoke
Julian
Transmission

DOCUMENTARY

AACTA AWARD FOR BEST FEATURE LENGTH DOCUMENTARY
A Common Purpose
The Curse of the Gothic Symphony
Dr Sarmast’s Music School
Storm Surfers 3D

AACTA AWARD FOR BEST DOCUMENTARY UNDER ONE HOUR
All the Way
I Can Change Your Mind About Climate
The Man Who Jumped
Then the Wind Changed

AACTA AWARD FOR BEST DOCUMENTARY SERIES
Go Back to Where You Came From
Once Upon a Time in Cabramatta
Singapore 1942 – End of Empire
Sporting Nation

AACTA AWARD FOR BEST DIRECTION IN A DOCUMENTARY
Dr Sarmast’s Music School
Fighting Fear
Go Back to Where You Came From
Once Upon a Time in Cabramatta

AACTA AWARD FOR BEST CINEMATOGRAPHY IN A DOCUMENTARY
Dr Sarmast’s Music School
Fighting Fear
Go Back to Where You Came From
Storm Surfers 3D

AACTA AWARD FOR BEST EDITING IN A DOCUMENTARY
Chateau Chunder — A Wine Revolution
Dr Sarmast’s Music School
Once Upon a Time in Cabramatta
Storm Surfers 3D

AACTA AWARD FOR BEST SOUND IN A DOCUMENTARY
Dr Sarmast’s Music School
Once Upon a Time in Cabramatta
Paul Kelly — Stories of Me
Singapore 1942 – End of Empire