Tagged: Kate Mulvany

Summary:  Doctor Strange teams uFrom his childhood in Tupelo, Mississippi to his rise to stardom starting in Memphis, Tennessee and his conquering of Las Vegas, Nevada, Elvis Presley becomes the first rock ‘n roll star and changes the world with his music.

Year: 2022

Cinema Release Dates:  23rd June 2022 (Australia), 23rd June 2022 (Thailand), 24th June 2022 (UK), 24th June 2022 (USA)

VOD Release Dates: TBA

Country: Australia, USA

Director: Baz Luhrman

Screenwriter: Baz Luhrman, Sam Bromell, Craig Pearce, Jeremy Doner

Cast: Charles Allen (Reverend Brewster), Princess Mariama Andrews (Sweet Inspirations – Cissy), Gad Banza (Shake Rag Friend – Doc), Natasha Bassett (Dixie Locke), Natalie Bassingthwaighte (Dee Stanley), Nicholas Bell (Senator Eastland), Mike Bingaman (Sonny West), Liz Blackett (Grandma Dodger), Luke Bracey (Jerry Schilling), Sharon Brooks (Sweet Inspirations – Sylvia), Miles Burton (Shake Rag Friend – Bobby), Austin Butler (Elvis), Gary Clark Jr. (Arthur ‘Big Boy’ Crudup), Sandro Colarelli (Tony Goochera), Josie Cross (Glenda), Elizabeth Cullen (Natalie – Motel Girl), Gareth Davies (Bones Howe), Olivia DeJonge (Priscilla), Hilton Hyppolite Denis (Claude Thompson), Shonka Dukureh (Big Mama Thornton/Pentecostal Singer), Adam Dunn (Bill Black), Leon Ford (Tom Diskin), Miranda Frangou (Nell), Charles Grounds (Billy Smith), Tom Hanks (Colonel Tom Parker), Kelvin Harrison Jr. (B.B. King), Chaydon Jay (Young Elvis), ALyson Joyce (Marie Knight), Jenna Kenney (Barbara Hearn), Aristene Kisando (Sweet Inspirations – Myrna), Christian Kisando (Shake Rag Friend – Smoky), Alex Knight (Ron Tutt), Alton Mason (Little Richard), Christian McCarty (Red West), Josh McConville (Sam Phillips), Jack McGirr (Tommy), Senayt Mebrahtu (Sweet Inspirations – Estelle), Ange Miliken (Madam Z), Dacre Montgomery (Steve Binder), Andrea Moor (Nurse Tish), Cle Morgan (Mahalia Jackson), John Mukristayo (Jimmy), Kate Mulvany (Marion Keisker), Tony Nixon (Dr. Nick), Sarah Ogden (Mrs. Eastland), Anthony Phelan (Meyer Kohn), Greg Powell (Milton Berle), Alex Radu (George Klein), Terepai Richmond (DJ Fontana), Richard Roxburgh (Vernon), Patrick Shearer (DJ Dewey Phillips), Kodi Smit-McPhee (Jimmie Rodgers Snow), Xavier Samuel (Scotty Moore), Christopher Sommers (Horace Logan), Helen Thomson (Gladys), Melina Vidler (Barbara), David Wenham (Hank Snow), Katrina West (Ann Eastland), Mark Leonard Winter (Tom Hulett), Yola (Sister Rosetta Tharpe)

Running Time: 149 mins

Classification: M (Australia), G (Thailand), 12-A (UK), PG-13 (USA)

OUR ELVIS REVIEWS

David Griffiths’ Elvis Review:

Nobody makes films like Australian director Baz Luhrmann. Luhrmann’s own style of filmmaking was there for all to see with his 90s hit Strictly Moulin. From there he went from strength to strength wowing audiences with his own take on the classic Shakespearian tale of Romeo & Juliet and then of course came the gem in his crown – the visually spectacular Moulin Rouge. It seems the only blemish in Luhrmann’s career to date was the sub-standard Australia that made the country it was named after cringe.

When you think of the loud music and the glitz and glamour that Luhrmann loads his movies with you soon realise that he is the perfect filmmaker to bring the story of the great Elvis Presley to the big screen. Presley like Luhrmann was a glitzy showman who shone brightest when the spotlight was him and to the former’s credit he captures all that and more with his latest epic – Elvis.

Told through the eyes of Presley’s (Austin Butler – Arrow) long-time manager Colonel Tom Parker (Tom Hanks – Castaway) Elvis follows Presley’s career right from the earliest days when he performed to make money for his parents, Vernon (Richard Roxburgh – Van Helsing) and Gladys (Helen Thomson – Kangaroo Jack) through to Parker signing a long term deal that would see him perform some of his most energetic shows on the Vegas.

Along the way we see the young Presley working with musicians such as Little Richard (first time actor Alton Mason) who helped form his now famous sound and also his more personal moments especially as his relationship with Priscilla (Olivia DeJonge – Better Watch Out) begun to blossom.

Most will go into Elvis expecting a movie that is full of glitz and glam but lacks substance, in reality though nothing is further than the truth. Luhrmann surprisingly digs deep into the live of Elvis Presley and touches on some of the darker moments and events that happened throughout his career.  Topics such as racist politicians and law enforcement officers targeting Elvis during the early days of his career are explored in great depth and ground the film, it is a rarity to see Luhrmann tackle serious subjects like this in his films but he shows here that he is more than capable of it.

Likewise despite the fact the film is told through the eyes of Parker Luhrmann allows the film to explore many of the allegations brought against him. Early on Parker while acting as narrator defends himself saying he never did anything to harm Elvis yet later we see him recounting times when he pushed the man to the limit of exhaustion fuelling his drug habit while making selfish decisions that would benefit him but damage the career of the man he supposedly cared for.

Perhaps Luhrmann’s hand on the film really comes to light though during Presley’s Vegas years. The flashy neon lights and the fast pace of Las Vegas are perfect fodder for Luhrmann’s style of filmmaking and the scenes of Elvis on stage in Vegas are some of the highlights of the film – especially given that Austin Butler’s performance is so believable that it feels like you are watching archival footage.

In fact it probably isn’t out of place to suggest that Butler could easily earn an Oscar nomination for this film. His performance here is faultless as he literally seems to become Elvis. His singing voice mimics the King to a tee what his dancing ability is off the charts. When you mix that with his fine acting performance that takes him through all the emotions what you see here is one of the best acting performances of 2022.

This is also one of Tom Hanks finest acting performances to date, and that is saying something given the calibre of Hanks’ previous roles. He seems to embrace being able to play Parker as a type of villain and his performance is one of the most memorable things from the film. Likewise Olivia DeJone is stunning at Priscilla, she may have limited screen time but she makes use of what she does have.

Elvis far exceeds the expectations that many will have from it. The serious tone of the film is a huge step up and a surprise from Luhrmann. He keeps control of this film remarkably well knowing the right times to unleash his glitzy brilliance and when to hold it back for some of the films more serious moments. Together Luhrmann, Butler and Hanks have created something very special, something that is one of the best films of the year.

Dave’s rating Out Of 5

Alex First, Greg King, Jacqui Hammerton and Peter Krausz’s Elvis Review:

Alex’s rating Out Of 5

Greg’s rating Out Of 5

Jacqui’s rating Out Of 5

Peter’s rating Out Of 5

Average Subculture Rating:

Other Subculture Elvis Reviews:

N/A

Trailer:

ELVIS is an epic, big-screen spectacle from Warner Bros. Pictures and visionary, Oscar-nominated filmmaker Baz Luhrmann that explores the life and music of Elvis Presley, starring Austin Butler and Oscar winner Tom Hanks.

A thoroughly cinematic drama, Elvis’s (Butler) story is seen through the lens of his complicated relationship with his enigmatic manager, Colonel Tom Parker (Hanks).  As told by Parker, the film delves into the complex dynamic between the two spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America.  Central to that journey is one of the significant and influential people in Elvis’s life, Priscilla Presley (Olivia DeJonge).

Starring alongside Hanks and Butler, award-winning theatre actress Helen Thomson (“Top of the Lake: China Girl”, “Rake”) plays Elvis’s mother, Gladys, Richard Roxburgh (“Moulin Rouge!” “Breath”, “Hacksaw Ridge”) portrays Elvis’s father, Vernon, and DeJonge (“The Visit”, “Stray Dolls”) plays Priscilla.  Luke Bracey (“Hacksaw Ridge”, “Point Break”) plays Jerry Schilling, Natasha Bassett (“Hail, Caesar!”) plays Dixie Locke, David Wenham (“The Lord of the Rings” Trilogy, “Lion”, “300”) plays Hank Snow, Kelvin Harrison Jr. (“The Trial of the Chicago 7”, “The High Note”) plays B.B. King, Xavier Samuel (“Adore”, “Love & Friendship”, “The Twilight Saga: Eclipse”) plays Scotty Moore, and Kodi Smit-McPhee (“The Power of the Dog”) plays Jimmie Rodgers Snow.

Also in the cast, Dacre Montgomery (“Stranger Things”, “The Broken Heart Gallery”) plays TV director Steve Binder, alongside Australian actors Leon Ford (“Gallipoli”, “The Pacific”) as Tom Diskin, Kate Mulvany (“The Great Gatsby”, “Hunters”) as Marion Keisker, Gareth Davies (“Peter Rabbit”, “Hunters”) as Bones Howe, Charles Grounds (“Crazy Rich Asians”, “Camp”) as Billy Smith, Josh McConville (“Fantasy Island”) as Sam Phillips, and Adam Dunn (“Home and Away”) as Bill Black.

To play additional iconic musical artists in the film, Luhrmann cast singer/songwriter Yola as Sister Rosetta Tharpe, model Alton Mason as Little Richard, Austin, Texas native Gary Clark Jr. as Arthur Crudup, and artist Shonka Dukureh as Willie Mae “Big Mama” Thornton.

Oscar nominee Luhrmann (“The Great Gatsby”, “Moulin Rouge!”) directed from a screenplay by Baz Luhrmann & Sam Bromell and Baz Luhrmann & Craig Pearce and Jeremy Doner, story by Baz Luhrmann and Jeremy Doner.  The film’s producers are Luhrmann, Oscar winner Catherine Martin (“The Great Gatsby”, “Moulin Rouge!”), Gail Berman, Patrick McCormick and Schuyler Weiss.  Courtenay Valenti and Kevin McCormick executive produced.

The director’s behind-the-scenes creative team includes director of photography Mandy Walker (“Mulan”, “Australia”), Oscar-winning production designer and costume designer Catherine Martin (“The Great Gatsby”, “Moulin Rouge!”), production designer Karen Murphy (“A Star Is Born”), editors Matt Villa (“The Great Gatsby”, “Australia”) and Jonathan Redmond (“The Great Gatsby”), Oscar-nominated visual effects supervisor Thomas Wood (“Mad Max: Fury Road”), music supervisor Anton Monsted (“Australia”, “Moulin Rouge!”) and composer Elliott Wheeler (“The Get Down”).

Principal photography on “Elvis” took place in Queensland, Australia with the support of the Queensland Government, Screen Queensland and the Australian Government’s Producer Offset program. 

A Warner Bros. Pictures Presentation, A Bazmark Production, A Jackal Group Production, A Baz Luhrmann Film, “Elvis” will be distributed worldwide by Warner Bros. Pictures and released in Australian cinemas on June 23, 2022.

From Oscar-nominated visionary filmmaker Baz Luhrmann comes Warner Bros. Pictures’ drama “Elvis”, starring Austin Butler and Oscar winner Tom Hanks.

The film explores the life and music of Elvis Presley (Butler), seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker (Hanks).  The story delves into the complex dynamic between Presley and Parker spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America.  Central to that journey is one of the most significant and influential people in Elvis’s life, Priscilla Presley (Olivia DeJonge).

Starring alongside Hanks and Butler, award-winning theatre actress Helen Thomson (“Top of the Lake: China Girl”, “Rake”) plays Elvis’s mother, Gladys, Richard Roxburgh (“Moulin Rouge!” “Breath”, “Hacksaw Ridge”) portrays Elvis’s father, Vernon, and DeJonge (“The Visit”, “Stray Dolls”) plays Priscilla.  Luke Bracey (“Hacksaw Ridge”, “Point Break”) plays Jerry Schilling, Natasha Bassett (“Hail, Caesar!”) plays Dixie Locke, David Wenham (“The Lord of the Rings” Trilogy, “Lion”, “300”) plays Hank Snow, Kelvin Harrison Jr. (“The Trial of the Chicago 7”, “The High Note”) plays B.B. King, Xavier Samuel (“Adore”, “Love & Friendship”, “The Twilight Saga: Eclipse”) plays Scotty Moore, and Kodi Smit-McPhee (“The Power of the Dog”) plays Jimmie Rodgers Snow.

Also in the cast, Dacre Montgomery (“Stranger Things”, “The Broken Heart Gallery”) plays TV director Steve Binder, alongside Australian actors Leon Ford (“Gallipoli”, “The Pacific”) as Tom Diskin, Kate Mulvany (“The Great Gatsby”, “Hunters”) as Marion Keisker, Gareth Davies (“Peter Rabbit”, “Hunters”) as Bones Howe, Charles Grounds (“Crazy Rich Asians”, “Camp”) as Billy Smith, Josh McConville (“Fantasy Island”) as Sam Phillips, and Adam Dunn (“Home and Away”) as Bill Black.

To play additional iconic musical artists in the film, Luhrmann cast singer/songwriter Yola as Sister Rosetta Tharpe, model Alton Mason as Little Richard, Austin, Texas native Gary Clark Jr. as Arthur Crudup, and artist Shonka Dukureh as Willie Mae “Big Mama” Thornton.

Oscar nominee Luhrmann (“The Great Gatsby”, “Moulin Rouge!”) directed from a screenplay by Baz Luhrmann & Sam Bromell and Baz Luhrmann & Craig Pearce and Jeremy Doner, story by Baz Luhrmann and Jeremy Doner.  The film’s producers are Luhrmann, Oscar winner Catherine Martin (“The Great Gatsby”, “Moulin Rouge!”), Gail Berman, Patrick McCormick and Schuyler Weiss.  Courtenay Valenti and Kevin McCormick executive produced.

The director’s behind-the-scenes creative team includes director of photography Mandy Walker (“Mulan”, “Australia”), Oscar-winning production designer and costume designer Catherine Martin (“The Great Gatsby”, “Moulin Rouge!”), production designer Karen Murphy (“A Star Is Born”), editors Matt Villa (“The Great Gatsby”, “Australia”) and Jonathan Redmond (“The Great Gatsby”), Oscar-nominated visual effects supervisor Thomas Wood (“Mad Max: Fury Road”), music supervisor Anton Monsted (“Australia”, “Moulin Rouge!”) and composer Elliott Wheeler (“The Get Down”).

The main cast of Baz Luhrmann’s upcoming musical drama “Elvis” has been set, with Richard Roxburgh, Helen Thomson, David Wenham, Luke Bracey and Dacre Montgomery among the prominent Australian actors co-starring with Tom Hanks, Austin Butler and Olivia DeJonge in the film.

Richard Roxburgh (“Moulin Rouge!” “Breath”, “Hacksaw Ridge”) portrays Elvis’s father, Vernon Presley, and award-winning theatre actress Helen Thomson (“Top of the Lake: China Girl”, “Rake”) plays Elvis’s mother, Gladys Presley.  David Wenham (“The Lord of the Rings” Trilogy, “Lion”, “300”) plays Hank Snow, Natasha Bassett (“Hail, Caesar!”) plays Dixie Locke, Xavier Samuel (“Adore”, “Love & Friendship”, “The Twilight Saga: Eclipse”) plays Scotty Moore, Luke Bracey (“Hacksaw Ridge,” “Point Break”) plays Jerry Schilling, and Dacre Montgomery (“Stranger Things,” “The Broken Heart Gallery”), plays TV director Steve Binder.

            Joining the ensemble are Australian actors Leon Ford (TV’s “Gallipoli,” TV’s “The Pacific”) as Tom Diskin, Kate Mulvany (“The Great Gatsby,” TV’s “Hunters”) as Marion Keisker, Gareth Davies (“Peter Rabbit,” TV’s “Hunters”) as Bones Howe, Charles Grounds (“Crazy Rich Asians,” TV’s “Camp”) as Billy Smith, Josh McConville (“Fantasy Island”) as Sam Phillips, and Adam Dunn (TV’s “Home and Away”) as Bill Black.

Speaking about his cast, Luhrmann offered, “Elvis was surrounded by an extraordinary array of rich personalities, and we are very fortunate to pull together a tremendous ensemble to tell this story.  It’s exciting to unite some of Australia’s finest actors, from longtime collaborators from “Moulin Rouge!,” “Australia” and “The Great Gatsby” like Richard Roxburgh, David Wenham and Kate Mulvany, to exciting new faces such as Dacre Montgomery, Helen Thomson, Luke Bracey, Natasha Bassett and many more.  With the world as it is right now, our entire company is grateful that we can join together in this creative venture to bring employment and opportunity in front of and behind the camera, and to the community at large.”

Baz Luhrmann’s “Elvis,” explores the life and music of Elvis Presley, seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker.  The story delves into the complex dynamic between Presley and Parker spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America.  Central to that journey is one of the most significant and influential people in Elvis’s life, Priscilla Presley.

Luhrmann directs from the current screenplay written by Luhrmann and Craig Pearce.  Luhrmann is also producing the film, alongside Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, with Andrew Mittman executive producing.

The director’s behind-the-scenes creative team includes director of photography Mandy Walker (“Mulan,” “Australia”), Oscar-winning production designer and costume designer Catherine Martin (“The Great Gatsby,” “Moulin Rouge!”), editors Matt Villa (“The Great Gatsby,” “Australia”) and Jonathan Redmond (“The Great Gatsby”) and composer Elliott Wheeler (“The Get Down”).

Principal photography on “Elvis” is taking place in Queensland, Australia with the support of the Queensland Government, Screen Queensland and the Australian Government’s Producer Offset program.  The film will be distributed worldwide by Warner Bros. Pictures.

The Little Death Still

Josh Lawson’s directorial debut THE LITTLE DEATH has been acquired by Wagner/Cuban Company’s Magnolia Pictures for release in North America in 2015. This is a great win for the hilarious comedy about sex, which opens in Australian cinemas today.

In addition to being picked up for release in the US by Magnolia Pictures, California Films will release THE LITTLE DEATH in Latin America, as will Apex in Korea, M2 in Poland, and Cirko in Hungary. These territories now join France and Spain (Wildbunch), Germany and Austria (Weltkino), Switzerland (Impulse), UK and Ireland (Kaleidoscope), and Taiwan (Joint Entertainment).

This is a huge feat for THE LITTLE DEATH, and producer Jamie Hilton says; “We knew when we premiered the film to audiences that we had something very special on our hands. That said, we never expected to sell it as quickly as we have. We couldn’t be happier knowing that our film will now be seen the world over.”

THE LITTLE DEATH had its international premiere at this year’s Toronto International Film Festival (TIFF), and locally at the 2014 Sydney Film Festival (SFF), where it was voted second in SFF’s Audience Award for Best Feature.

A laugh-out-loud funny, honest and ultimately moving film, THE LITTLE DEATH looks at the secret sex lives of five ordinary couples. It explores the strange, hilarious and sometimes disastrous places our desires can take us in pursuit of that fleeting moment of sexual ecstasy; a moment the French call ‘la petite mort’ – the little death. Featuring an ensemble cast of Australia’s finest talent, including Bojana Novakovic, Damon Herriman, Kate Mulvany, Patrick Brammall, Lachy Hulme and Lisa McCune, writer and director Josh Lawson has cleverly constructed a film that all at once defies expectations, continually surprises and is genuinely charming.

THE LITTLE DEATH was produced by Jamie Hilton, Michael Petroni and Matt Reeder for See Pictures.

The Little Death is screening in Australian cinemas now.

The Little Death Still

Actor, writer, director and all-round funny man Josh Lawson will see his debut feature film, THE LITTLE DEATH, have its international premiere at this year’s Toronto International Film Festival (TIFF). A truly original comedy about sex, love, relationships and taboo, THE LITTLE DEATH will screen in TIFF’s Discovery section – devoted to first or second features.

THE LITTLE DEATH explores the strange, hilarious and sometimes disastrous places our desires can take us in pursuit of that fleeting moment of sexual ecstasy; a moment the French call ‘la petite mort’ – the little death. Featuring an ensemble cast of Australia’s finest talent, including Bojana Novakovic, Damon Herriman, Kate Mulvany, Patrick Brammall, Lachy Hulme and Lisa McCune, writer and director Josh Lawson has cleverly constructed a film that all at once defies expectations, continually surprises and is genuinely charming.

A laugh-out-loud funny, honest and ultimately moving film, THE LITTLE DEATH looks at the secret sex lives of five ordinary couples. It tells the story of Maeve, who has a dangerous sexual fantasy that her boyfriend Paul struggles to fulfil; Evie and Dan, who reignite their spark with role-play; Rowena, who discovers she finds pleasure in her husband Richard’s pain; Phil, who finds a newfound love for his wife Maureen in her quieter moments; and Monica and Sam, who become caught up in a dirty and chaotic phone call.

Premiering at this year’s Sydney Film Festival (SFF) where it was voted second in SFF’s Audience Award for Best Feature, Lawson’s directorial debut has struck a chord with audiences and critics alike, with the Hollywood Reporter calling it “a deviant antipodean version of Love Actually, actor Josh Lawson’s writing and directing debut shows both his funny bone and his heart are in the right place.”

To say Lawson is excited about his debut feature screening at TIFF is an understatement. Upon hearing the announcement, Lawson said, “When I heard that THE LITTLE DEATH had been accepted in the Toronto International Film Festival I honestly punched the air like Judd Nelson at the end of The Breakfast Club, but less cool. I couldn’t have been more excited. I’m thrilled and proud to have our film in one of the world’s most illustrious film festivals. I think we’ve done something really original and funny and bold with THE LITTLE DEATH, and I can’t wait for people to finally see it.”

The Toronto International Film Festival runs from September 4-14, 2014.

Entertainment One Australia will release THE LITTLE DEATH in cinemas nationally on September 25, 2014.