Tagged: In Bob We Trust

MIFF Premiere Fund

The State Government of Victoria has delivered a $900,000 renewal of the Melbourne International Film Festival MIFF Premiere Fund, which provides strategic minority co-financing to new Australian films that then go on to premiere at MIFF.

“The MIFF Premiere Fund’s continuation is important for MIFF, audiences, local filmmakers, and the State’s creative economy,” said MIFF Chair Claire Dobbin. “Generating a pipeline of world premieres for MIFF, and screenings for the MIFF Premiere Regional Showcase, the Premiere Fund helps MIFF remain the Southern Hemisphere’s leading film event.”

“Together with MIFF 37ºSouth Market & Accelerator, the MIFF Premiere Fund reinforces Melbourne’s position as a creative industries capital,” said MIFF Industry Director and Premiere Fund Executive Producer Mark Woods. “Securing finance for independent Australian films is always a challenge and the contribution of the Premiere Fund has helped close the financing gap on some 45 films. The Fund is also proud of its part in fostering diversity and equality with nearly 50% of the Premiere Fund titles having feature debut directors, 31% having female directors and 53% female producers, while 13% had indigenous elements, 29% CALD community elements and 9% LGBTI engagement.”

The MIFF Premiere Fund is one of a suite of MIFF Industry Programs, which also include MIFF 37ºSouth Market, Australia’s only festival-based movie financing market, and the MIFF Accelerator emerging director workshop.

With combined budgets of more than $100 million, the MIFF Premiere Fund’s 45 films include the likes of BRAN NUE DAE starring Geoffrey Rush, BALIBO starring Anthony LaPaglia, THE TURNING featuring Cate Blanchett, Rose Byrne and Hugo Weaving, feature documentaries ELECTRIC BOOGALOO and IN BOB WE TRUST and the recent hit children’s film PAPER PLANES, starring Sam Worthington and David Wenham, that grossed nearly $10 million at the local box office. Following their world premieres at MIFF, the MIFF Premiere Fund-supported films also tour regionally with the MIFF Premiere Regional Showcase and have been selected for numerous overseas festivals including Cannes, Berlin, Toronto and Sundance.

“I strongly believe our industry in Victoria and MIFF is elevated by the significant opportunities the MIFF Premiere Fund provides and so it is wonderful that the Government is continuing the MIFF Premiere Fund,” said Seph McKenna, Head of Australian Production at Roadshow Films, the distributor of MIFF Premiere Fund-supported Bran Nue Dae, These Final Hours and this year’s family hit, Victorian Director Rob Connolly’s Paper Planes. “The MIFF Premiere Fund is an investment by the Government that guarantees Melbourne remains Australia’s premier film festival for all its constituencies from punter to filmmaker.”

“It is imperative for the state of filmmaking in Victoria that both the MIFF Premiere Fund and MIFF 37ºSouth Market continue to thrive and so I am thrilled that the Government is renewing the MIFF Premiere Fund,” said Lizzette Atkins who produced Rock N Roll Nerd, The Triangle Wars, Aim High In Creation and the upcoming Looking for Grace (starring Richard Roxburgh and Radha Mitchell) with MIFF Premiere Fund assistance. “Speaking from experience, the MIFF Premiere Fund can play a critical role in a project reaching its final budget.”

“I am delighted the State Government will continue to support the MIFF Premiere Fund,” said Antony I Ginnane, who produced Last Dance and Patrick with MIFF Premiere Fund support. “The MIFF Premiere Fund has punched above its weight and each individual contribution it has made to fiction and documentary features has helped expand the quantum of Victorian production and provide vital employment.”

“I fully support the MIFF Premiere Fund – one of the most amazing film funds in Australia – if not the world!” said Veronica Fury who produced Machete Maidens Unleashed, Curse of the Gothic Symphony, First Fagin, Electric Boogloo and the upcoming Neon with MIFF Premiere Fund assistance. “It is a valuable and critical asset to Victoria and to Melbourne and so I am thrilled that the Government will allow this valuable and vital Fund to continue.”

“I wholeheartedly applaud the continuation of the MIFF Premiere Fund and its work in keeping Victorian independent film on the national and international landscape,” said producer/director Richard Lowenstein who, with Lynn-Maree Milburn, has made feature documentaries Auto Luminescent, In Bob We Trust and the upcoming Ecco Homo with MIFF Premiere Fund support.

“Finding financial support for films by new directors is increasingly difficult and the Government’s continuation of the MIFF Premiere Fund is very important for Victorian filmmakers,” said producer Philippa Campey who has produced Bastardy and Galore with MIFF Premiere Fund assistance. “I wholeheartedly support the continuation of this pivotal Fund which has become a fundamental part of our local sector and will be increasingly critical in the future with its support of quality, independent feature-length projects.”

“The wonderful thing about the MIFF Premiere Fund is it invigorates the 37ºSouth Market at MIFF and connects Victorian film-makers into the international film financing system opening up opportunities for networking and co-production that would otherwise not be there,” said producer John Moore who is producing the upcoming Putuparri & The Rainmakers with MIFF Premiere Fund support.

Cinema Nova

Movie loving Melbourne audiences have given Cinema Nova a reason to celebrate the start of 2014 by breaking the arthouse venue’s record for biggest week at the box office.

From Boxing Day to New Year’s Day (26/12/2013 – 1/1/2014) Cinema Nova enjoyed its highest grossing week ever at the box office, notably by screening upscale and arthouse features; a reassurance that Melbourne movie goers are not only interested in Hollywood blockbusters.

New and recent releases including PHILOMENA, THE RAILWAY MAN, AUGUST: OSAGE COUNTY and AMERICAN HUSTLE exceeded business expectations while Nova exclusives including SHORT TERM 12, DRINKING BUDDIES, LYGON STREET: SI PARLA ITALIANO, UNCHARTED WATERS and IN BOB WE TRUST captivated audiences intrigued by excellent reviews and strong word-of-mouth. Long-running audience and critical darlings GRAVITY (in its 13th week) and BLUE JASMINE (in its 16th week) also attracted sizable crowds still keen to catch the likely Oscar candidates on the cinema screen.

The previous house record had been set in the first cinema week of 2011 when The King’s Speech commenced its extraordinary charge upon the local & international box office before going on to win Best Picture at the Academy Awards.

Cinema Nova’s General Manager Kristian Connelly said “Over the past twelve months we have explored new filmic territory to great success. Audiences look to Nova to bring them an alternative to what is found at other venues while also providing a selection of the very best that international cinema has to offer, from Gravity and Blue Jasmine to Amour and Tim Winton’s The Turning. Having broken a house record last week without screening any of the top four films at the national box office augurs well for our unique approach.”

With a considerable number of quality releases already dated for release at the Carlton venue, international critic indications suggest the best is still yet to come. Spike Jonze’s futurist love story HER, The Coen Brothers’ folk musical INSIDE LLEWYN DAVIS, Steve McQueen’s fact-based drama TWELVE YEARS A SLAVE, Paolo Sorrentino’s award-winning THE GREAT BEAUTY, Cannes Palme d’Or winner BLUE IS THE WARMEST COLOUR, Robert Redford survival drama ALL IS LOST, Alexander Payne’s monochrome comedy NEBRASKA, Hayao Miyazaki’s animated THE WIND RISES and Martin Scorsese’s THE WOLF OF WALL STREET all release at Cinema Nova before the Academy Award winners are announced on March 3rd, local time.

With exclusive releases accounting for over a quarter of all feature films playing a theatrical season at Cinema Nova in 2013, the iconic venue plans to expand upon its enthusiasm for unique stories, alternate content and cinema events in the year ahead.

The Good The Bad The Ugly Film Show

This week on The Good The Bad The Ugly Film Show Dave, Nick, Adam and Greg take a look at new release films ‘About Time’, ‘In Bob We Trust’, ‘Mystery Road’, ‘Prisoners’ and ‘Stranger By The Lake’ . This episode also features interviews with Domhnall Gleeson, Rachel McAdams and Anna Monia.  The boys also take a look at the best and west musos who have been actors and launch two exciting new competitions – one which gives you a chance to attend an exclusive screening of ‘Lassiter’s Bones’ and one that could see you getting a chance to see ‘Machete Kills’.

To listen to the show you can download it for free from our Podcast Channel – Listen/Download here

In Bob We Trust

Summary: Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.

Year: 2013

Australian Cinema Release Date: 17th October, 2013

Australian DVD Release Date: TBA

Country: Australia

Director: Lynn-Maree Milburn

Screenwriter: Lynn-Maree Milburn

Cast: Archbishop Denis Hart (himself), Bob Maguire (himself), Cardinal George Pell (himself), John Safran (himself),

Runtime: 102 mins

Classification:PG

OUR REVIEWS/RATINGS OF ‘IN BOB WE TRUST’:

Greg King: Stars(2.5)

Please check Greg’s review of ‘In Bob We Trust’ that is available on www.filmreviews.net.au

Nick Gardener: Stars(3)

Please check Nick’s review of ‘In Bob We Trust’ that is available on Southern FM

Average Subculture Rating (out of 5): Stars(3)

IMDB Rating:  In Bob We Trust (2013) on IMDb

Other Subculture Media Reviews of ‘In Bob We Trust′: Please check The Good The Bad The Ugly Ep 54 for a more in depth review of ‘In Bob We Trust’.

Trailer: