Tagged: Lucas Hedges

“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price (Michelle Pfeiffer), but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm (Lucas Hedges) and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.

Starring Michelle Pfeiffer, Lucas Hedges, Valerie Mahaffey, Imogen Poots, Danielle Macdonald, Tracy Letts

Directed by Azazel Jacobs

 

Summary: A family that are led by a domineering father are put through a catastrophic series of events.

Year: 2019

Australian Cinema Release Date: 9th July 2020

Thailand Cinema Release Date: NA

Australian VOD Release Date: TBA

Country: USA, Canada

Director: Trey Edward Shults

Screenwriter: Trey Edward Shults

Cast: Joshua Brockington (Stan), Rueben E.A Brown (Wally), Sterling K. Brown (Ronald), Justin R. Chan (Chang), Clifton Collins Jnr. (Bobby), Alexa Demie (Alexis), Harlan Drum (Sophie), David Garelick (Ryan), Renee Elise Goldsberry (Catherine), Kelvin Harrison Jnr. (Tyler), Holland Hayes (Doctor Steve), Lucas Hedges (Luke), Neal Huff (Bill), Harmony Korine (Mr. Stanley), Taisha Perez (Coroner Jessie), Viva Pineda (Elena), Taylor Russell (Emily), Bill Wise (Coach Wise)

Running Time: 135 mins

Classification: MA15+ (Australia)

 

 

OUR WAVES REVIEWS & RATINGS:

 

Dave Griffiths’ Waves Review:

One of the things I missed most during the cinema lockdowns was that feeling in the pit of your stomach when you discover a truly brilliant film for the first time. Yesterday, that feeling returned for me as I sat and watched Waves, a remarkable film that is made a masterpiece by a creative director, an amazing script and performances that deserve to be mentioned in the same breath as the word Oscars.

From filmmaker Trey Edward Shults (It Comes At Night) Waves chronicles life for a family led by dominating father, Ronald (Sterling K. Brown – Black Panther), as a chain of events occur that will change their lives forever.

Despite warnings from the family’s step-mother Catherine (Renee Elise Goldsberry – Hamilton) Ronald keeps pushing his teenage son Tyler (Kelvin Harrison Jnr – Monsters And Men) to succeed, especially when it comes to his High School wrestling career. But as Tyler struggles to keep going while obviously injured things start crashing down his life and flow on effect keeps on affecting everyone especially his girlfriend, Alexis (Alexa Demie – mid90s), and sister, Emily (Taylor Russell – Lost In Space).

There is a power to Waves that very few films in modern day cinema can match. With notable exceptions like Mud and The Perks Of Being a Wallflower a lot of coming-of-age films released over recent years have shied away from many of the hard-hitting topics that films like Kids or Bully did nearly two decades ago. To me that has always seemed like a weird notion seeing that the modern day teenager not only faces topics like sexuality and bullying plus a range of new vices and issues that the past generation could only dream about.

Unlike its contemporaries Waves doesn’t hold back and instead pushes the audience head-first into the world of a crumbling teenager that has moments that will leave them shocked to the core. Waves is like a spectacular yet beautiful car-crash. It hits hard and will affect all that watches it but at the same time you can’t look away from it.

One of the keys to Waves working for me was its unpredictability. Just as you think Shults’ plot-line is going one way he sharply, but realistically, takes it another way. As a story-teller Shults doesn’t sign-post key events during the film and the result is moments of true shock that the audience will never see coming.

Also adding to the experiences of watching Waves is Shults experimental style of changing the ratio of how the film appears on the screen depending on where we are in the family’s story. It seems a small gesture but you do notice it and it works to enhance the cinematic experience of the story rather than hindering it.

Rounding out what makes Waves one of the best films of 2020 are the performances from its cast. We haven’t had a clean sweep at the Oscars for awhile but if Sterling K.Brown, Taylor Russell, Kelvin Harrison Jnr and Lucas Hedges (Boy Erased) don’t get Oscar nominations for their performances here than a huge cinematic injustice has occurred. Their scenes together are delivered with pure emotion and the result is nothing short of phenomenal.

Waves is not just one of my favourite films of 2020 it was one of the best I have seen in the last decade. A sensational script, a creative director, a Trent Reznor soundtrack and a highly skilled cast lead to an explosion of brilliance that is not to be missed.

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:

Waves (2019) on IMDb

 

Other Subculture Entertainment Waves Reviews:

Nil

 

Trailer:

The Zero Theorem

Summary: In a not-too-distant future, introverted mathematical genius Qohen Leth (Christoph Waltz) is charged a seemingly impossible task: solving the mysterious Zero Theorem. Even as the assignment pushes him towards the brink of madness, Qohen waits in hope for a phone call – one that will reveal the meaning of existence.

Year: 2013

Australian Cinema Release Date: 15th May, 2014

Australian DVD Release Date: TBA

Country: USA, Romania, UK

Director: Terry Gilliam

Screenwriter: Pat Rushin

Cast: Sanjeev Bhaskar (Doctor 1), Matt Damon (Management), Naomi Everson (Lacy), Rupert Friend (TV Presenter), Lucas Hedges (Bob), Madison Lygo (Bonnie), Tilda Swinton (Dr. Shrink-Rom), David Thewlis (Joby), Melanie Thierry (Bainsley), Christoph Waltz (Qohen Leth), Ben Whishaw (Doctor 3)

Runtime: 107 mins

Classification: M

OUR THE ZERO THEOREM REVIEWS & RATINGS:

Greg King: You can check out Greg’s The Zero Theorem review on www.filmreviews.net.au

Stars(2.5)

 

Average Subculture Rating (out of 5): Stars(2.5)

IMDB Rating:  The Zero Theorem (2013) on IMDb

Other Subculture Media Reviews of ‘The Zero Theorem′: Please check our full The Zero Theorem review on The Good The Bad The Ugly Film Show Ep #79

Trailer:

Summary:Moonrise Kingdom is the new movie directed by two-time Academy Award-nominated filmmaker Wes Anderson. Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two 12-year olds who fall in love, make a secret pact, and run away together into the wilderness.

Year: 2012

Australian Cinema Release Date: 30th August, 2012

Australian DVD Release Date: 26th December, 2012

Country: United States

Director: Wes Anderson

Screenwriter: Wes Anderson, Roman Coppola

Cast: Bob Balaban (The Narrator), Marianna Bassham (Becky), Liz Callahan (Mrs. Billingsley), Rob H. Campbell (Deluca), Seamus Davey-Fitzpatrick (Roosevelt), Hugo DeAscentis (Edgar), James Demler (Noah), Tanner Flood (Murray Bishop), L.J. Foley (Izod), Chandler Frantz (Gadge), Jared Gilman (Sam), Kara Hayward (Suy), Lucas Hedges (Redford), Neal Huff (Jed), Harvey Keitel (Commander Pierce), Charlie Kilgore (Lazy Eye), Frances McDormand (Laura Bishop), Bill Murray (Walt Bishop), Tommy Nelson (Nickleby), Edward Norton (Scout Master Ward), Carolyn Pickman (Mrs. Lynn), Dakota Pimentel (Acolyte), Larry Pine (Mr. Billingsley), Jean-Michael Pion ((Ham), Wyatt Raliff (Rudy Bishop), Gabriel Rush (Skotak), Jake Ryan (Lionel Bishop), Jason Schwartzman (Cousin Ben), Andreas Sheikh (Panagle), Tilda Swinton (Social Services), Bruce Willis (Captain Sharp)

Runtime: 93 mins

Classification:PG

Dave Griffiths’s ‘Moonrise Kingdom’ Review:

If you aren’t a fan of director Wes Anderson’s (Fantastic Mr. Fox, The Darjeeling Limited) work then there really isn’t much of a point watching Moonrise Kingdom as it sees Mr. Anderson delve even further into his absurd brand of humor and it works remarkably well.

Set on a New England island in the 1960s Moonrise Kingdom focuses on orphan, Sam (Jared Gilman – newcomer) who organizes a brave escape from his scout troop, led by Scout Master Ward ( Edward Norton – The Bourne Legacy, Stone), so he can spend time with his to-be-girlfriend, Suzy (Kara Hayward – newcomer).

While Sam and Suzy believe they can create their own little piece of paradise they are soon being hunted down by the scouts who are after revenge, as well as local Police Officer Captain Sharp (Bruce Willis – Fire With Fire, The Expendables 2), Social Services (Tilda Swinton – We Need To Talk About Kevin, The Chronicles Of Narnia: The Voyage Of The Dawn Treader) and Suzy’s loopy parents Walt (Bill Murray – Passion Play, Fantastic Mr. Fox) and Laura Bishop (Frances McDormand – Madagascar 3: Europe’s Most Wanted, Transformers: Dark Of The Moon).

Anderson really doesn’t hold back with the comedy. Whether it be a fake looking lame explosion or some incredibly witty dialogue he knows how to get his audience to laugh and it works throughout the film. The fact that is script follows a young Romeo + Juliet style couple involved in their own tragic romance only makes the audience fall in love even more with film.

At time the deadpan nature of the acting does jar a little, but if you’re a fan of Wes Anderson’s work then it is something that you have come to get used to over the years. To his credit Anderson also takes some remarkably risks with Moonrise Kingdom, the fact that his two leads, Jared Gilman and Kara Hayward, are both newcomers and therefore unknown to cinema audiences was a big call that could have massively backfired, but as luck would have it both deliver amazing performances and instead announce themselves as stars of the future.

As usual Anderson does get the best out of his cast. Bruce Willis seems to relish the fact that he gets to play a role that does demand some real dramatic acting while Bill Murray and Frances McDormand lap up the opportunity to play up the comedy with some real out-there characters. But the real stars of the show here are Edward Norton who constantly has the audience in hysterics and Jason Schwartzman (TV’S Bored To Death & Sesame Street) who may only have limited screen time but certainly makes the best of it.

The humor of Moonrise Kingdom may not appeal to all, but if you think it may then this is a film that is guaranteed to make you laugh until you cry.

Other Subculture Media Reviews of Moonrise Kingdom: http://www.helium.com/items/2363846-movie-reviews-moonrise-kingdom-2012.

Rating: 3.5/5 Stars

IMDB Rating:Moonrise Kingdom (2012) on IMDb