Tagged: Bill Murray

Summary:  When a single mom and her two kids arrive in a small town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.

Year: 2021

Cinema Release Dates:  1st January 2022 (Australia), 13th January 2022 (Thailand), 18th November 2021 (UK), 19th November 2021 (USA)

VOD Release Dates: TBA

Country: USA, Canada

Director: Jason Reitman

Screenwriter: Gil Kenan, Jason Reitman

Cast: Shohreh Aghdashloo (Gozer (voice)), Paulina Alexis (Bunny), Dan Aykroyd (Ray Stantz), Stella Akyroyd (Deputy Medjuck), Billy Bryk (Zahk), Carrie Coon (Callie), Oliver Cooper (Elton), Sydney Mae Diaz (Swayze), Hannah Duke (Reseda), Josh Gad (Muncher (voice)), McKenna Grace (Phoebe), Bob Gunton (The Ghost Farmer), Ernie Hudson (Winston Zeddemore), Marlon Kazadi (Thick Neck), Logan Kim (Podcast), Bill Murray (Peter Venkman), Artoun Nazareth (Rufus), Celeste O’Connor (Lucky), Emma Portner (Spirit Of Gozer), Annie Potts (Janine Melnitz), Crystal Rosebourgh (Crystal), Paul Rudd (Grooberson), Shawn Seward (Skittles), J.K. Simmons (Ivo Shandor), Sigourney Weaver (Dana Barrett Venkman), Olivia Wilde (Gozer), Finn Wolfhard (Trevor), Bokeem Woodbine (Sheriff Domingo)

Running Time: 124 mins

Classification: PG (Australia), 12A (UK), PG-13 (USA)

OUR GHOSTBUSTERS: AFTERLIFE REVIEWS

David Griffiths’ and Lee Griffiths’s Ghostbusters: Afterlife Review:

Dave’s rating Out Of 5

Lee’s rating Out Of 5

Average Subculture Rating:

Other Subculture Ghostbusters: Afterlife Reviews:

Nil.

Trailer:

Summary: 
A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in “The French Dispatch Magazine”.

Year: 2021

Cinema Release Dates:  9th December 2021 (Australia), 22nd October 2021 (UK), 22nd October 2021 (USA)

VOD Release Dates: TBA

Country: USA, Germany

Director: Wes Anderson

Screenwriter: Wes Anderson

Cast: Mathieu Amalric (The Commissaire), Nicolas Avinee (Vittel), Bob Balaban (Uncle Nick), Mohamed Belhadjine (Mitch-Mitch), Adrien Brody (Julian Cadazio), Timothee Chalamet (Zeffirelli), Mauricette Coudivat (Maman), Willem Dafoe (Albert The Abacus), Cecile de France (Mrs B), Benicio del Toro (Moses Rosenthaler), Guillaume Gallienne (Mr. B), Winston Ait Hellal (Gigi), Tom Hudson (Mitch-Mitch (on stage)), Anjelica Huston (Narrator (voice)), Lyna Khoudri (Juliette), Alex Lawther (Morisot), Frances McDormand (Lucinda Krementz), Elisabeth Moss (Alumna), Bill Murray (Arthur Howitzer Jr.), Edward Norton (The Chauffeur), Steve Park (Nescaffier), Rodolphe Pauly (Patrolman Maupassant), Tony Revolori (Young Rosenthaler), Saoirse Ronan (Junkie/Showgirl #1), Jason Schwartzman (Hermes Jones), Lea Seydoux (Simone), Lois Smith (Upshur ‘Maw’ Clampette), Tilda Swinton (J.K.L. Berensen), Christoph Waltz (Paul Duval), Owen Wilson (Herbsaint Sazerac), Henry Winkler (Uncle Joe), Jeffrey Wright (Roebuck Wright)

Running Time: 107 mins

Classification: M (Australia), 15 (UK), R (USA)

OUR THE FRENCH DISPATCH REVIEWS

David Griffiths’ The French Dispatch Review:

There is always a funny reaction in film circles when you mention the name Wes Anderson. Either the person you are talking to will start to tell you that Anderson is a genius or they will nod and then say “yeah no thanks.”

Yes like a lot of classic things Anderson is an acquired taste and one that people either love and or hate. Myself? Well, I’m in the former category. I fell in love with the work of Mr. Anderson when I discovered The Darjeeling Limited. I loved its quirkiness, I loved how different it was and from then on I was hooked.

If though you are in the other camp then there is no way that you will ever be able to get into The French Dispatch, for me though this is one of the films of the year. Only Anderson could bring together stories like this and have the end result be something as special as this.

The film is pulled together by a fictional magazine known as The French Dispatch who is edited by the forthright but slightly crazy Arthur Howitzer Jnr (Bill Murray – Lost In Translation). He has pulled together a group of eccentric writers including the intrepid Lucinda Krementz (Frances McDormand – Fargo), J.K.L Berensen (Tilda Swinton – Snowpiercer), the cycling crazy Herbsaint Sazerac (Owen Wilson – Wedding Crashers), and food critic Roebuck Wright (Jeffrey Wright – Shaft).

The film itself is made up of the stories they are telling in their articles from a mysterious painter (Benicio Del Toro – Sicario) who is in love with his prison guard (Lea Seydoux – No Time To Die) through the story of opposing revolutionary leaders who are in love with each other.

That is where there are strengths and weaknesses with this film. The film comes together like a bunch of short films with a common theme, and like all short films, there are the good and bad.  The stories such as the one involving the artist and Owen Wilson’s fast-moving trip through a small town are brilliant but some of the others drag. The good news for audiences though is the good ones clearly outweigh the bad ones.

The stroke of Anderson’s genius is on show throughout the film. His quirky humor is always on show throughout the film and I’ll be quick to admit that I found myself laughing throughout the film. The brilliant thing is that humor comes in all forms – from witty one-liners through to visual humor. The best part though is that every joke lands and gets a laugh.

The other highlight for me was the fact that Anderson brings so many different kinds of filmmaking to the game with this film. From animation, through to fast-paced European comedy and then to classic black and white cinema, there isn’t anything Anderson isn’t willing to try and somehow he ends up being a master to them all.

Likewise always with an Anderson film the cast is a case of a who’s who of Hollywood. Actors like Willem Dafoe (The Card Counter) and Edward Norton (Motherless Brooklyn) turn up in a blink and you will miss them roles but it is the stars of this film that steal the show. Owen Wilson steals the show in his all too brief storyline while Benicio Del Toro shines playing an artistic killer trying to paint while locked away in prison.

As in normally the case with Anderson films it is Bill Murray that brings everything together. When it comes to Anderson’s work Murray is the ringmaster and the film his circus. He leads the way and it is obvious no other actor quite enjoys the quirkiness of Anderson’s work the way that Murray does. Having said that though this is an ensemble film where every actor is at the top of their game and the result is yet another classic Anderson film.

If you are not already a fan of Anderson’s work then this isn’t the film that is going to win you over. This film feels like it has been made for the Anderson tragic, it has his tropes all over it and once again the result is something magical. The film is slightly let down by the weaker ‘parts’ but for the most part this is an enjoyable ride.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture The French Dispatch Reviews:

Nil

Trailer:

Dave Griffiths’ list of the best films of 2020 continues today with numbers 20 through to 11.

20. ON THE ROCKS

Bill Murray was at his absolute best in this comedy-drama that also one of the best dialogue driven scripts of the year.

19. BOMBSHELL

One of the most thought provoking movies of the year also led to a tour de force of performances from Charlize Theron, Nicole Kidman and Margot Robbie.

18. THE ASSISTANT

Slow-moving but with the intensity level driven to the max, this was a slow-burner that really stuck with you. If Julia Garner doesn’t win awards for this film then there is something seriously wrong.

17. UNHINGED

The film itself was a reminder at how suspenseful cinema can be, while Russell Crowe relished the opportunity to play the bad guy.

16. RICHARD JEWELL

Once again Clint Eastwood reminded us why he is one of the best filmmakers of this generation. Truly amazing drama.

15. RAMS

This film is destined to become an Aussie classic alongside films like The Castle. Just the right amount of drama, comedy and Aussie heart to make it the perfect film.

14. PROMISING YOUNG WOMAN

Hard hitting film that after a slow opening then doesn’t let up. Carey Mulligan is in Oscar form – this is a film that all film lovers must see.

13. DEERSKIN

One of the strangest films of the year but it also is one of the most intriguing and interesting.

12. LET HIM GO

Intense! That is really the only way to describe this crime thriller that also manages to throw in a strong Western feel.

11. 1917

Powerfully epic war film that contained some of the best visuals of 2020.

 

Summary: The peaceful town of Centerville finds itself battling a zombie horde as the dead start rising from their graves.

Year: 2019

Australian Cinema Release Date: 26th September 2019

Thailand Cinema Release Date: TBA

Australian DVD Release Date: 11th March 2020

Country: United States, Swden

Director: Jim Jarmusch

Screenwriter: Jim Jarmusch

Cast: Eszter Balint (Fern), Steve Buscemi (Farmer Frank Miller), Austin Butler (Jack), Rosal Colon (Lily), Maya Delmont (Stella), Adam Driver (Officer Ronnie Peterson), Larry Fessendon (Danny Perkins), Danny Glover (Hank Thompson), Selena Gomez (Zoe), Caleb Landry Jones (Bobby Wiggins), Carol Kane (Mallory O’Brien), Bill Murray (Chief Cliff Robertson), Rosie Perez (Posie Juarez), RZA (Dean), Luka Sabbat (Zack), Chloe Sevigny (Officer Mindy Morrison), Tilda Swinton (Zelda Winston), Tom Waits (Hermit Bob), Taliyah Whitaker (Olivia), Jahi Di’Allo Winston (Geronimo)

Running Time: 104 mins

Classification: MA15+ (Australia) TBC (Thailand)

 

 

OUR THE DEAD DON’T DIE REVIEWS & RATINGS:

 

Dave Griffiths’ The Dead Don’t Die Review:

Some directors are just an acquired taste. Think of filmmakers like Gaspar Noe or Terrence Malick. They are directors that you will normally find that cinema-lovers are left in awe of or go to the opposite and can’t stand their work. Another director that should be added to that list is Jim Jarmusch. For me films like Only Lovers Left Alive and Paterson are absolutely sensational films that need to be savoured as you watch them. At the same time though I can perfectly understand why someone wouldn’t enjoy the more alternative aspect.

Now comes Jarmusch next little beauty – The Dead Don’t Die which sees the talented director bring his own sense of humour to the zombie genre in a way that makes this a truly memorable film. So many supposed comedies this year have failed to impress me at all so it was a welcome relief to see The Dead Don’t Die and find myself laughing all the way through it.

Set in the small peaceful town of Centerville the film centres around three Police Officers who bring law and order to the town. Chief Cliff Robertson (Bill Murray – Ghostbusters, Lost In Translation), Officer Ronnie Peterson (Adam Driver – Star Wars: The Last Jedi, Inside Llewyn Davis) and Officer Mindy Morrison (Chloe Sevigny – Boys Don’t Cry, Big Love) do what they can to bring law and order to the town but when the dead start rising even they aren’t completely sure what is the best avenue to follow.

Plot wise The Dead Don’t Die is probably one of the most simplistic films you will see this year. For most of the film the plot follows the traditional zombie trope storylines that we have come to know and love over the years. What makes the film so special though is the interesting characters that Jarmusch has created to inhabit the town. Interesting characters such as Farmer Frank Miller (Steve Buscemi – Fargo, Reservior Dogs) and Zelda Winston (Tilda Swinton – Snowpiercer, Suspiria) keep the audience guessing throughout the film. Countless times you find yourself whether Zelda’s sword-fighting skills are going to be what ends up saving the town or whether someone likes Hermit Bob (Tom Waits – Seven Psychopaths, Down By Law) knows more about the events than they are letting on.

Also making the film stand-out from other zombie comedies is the unique Jarmusch humour and dialogue that is delivered by the characters here. At times the dry wit humour and language used by the characters brings back memories of legendary television shows like Northern Exposure… and that is a welcome relief in a time when it feels sometimes that some screenwriters have forgotten how to create good dialogue.

The take it or leave it aspect of this being a Jim Jarmusch film will most likely come into play for most people when he takes this film into the weird territory of breaking down the line between the characters and the actors. Early on when Adam Driver refers to a song playing on the radio as ‘the theme music’ you realise that Jarmusch breaks down the third wall and here the actors know they are ‘characters’ in a movie. That might be a little confronting and a little weird for those that are not used to alternative film-making but once you get a handle of it it is something that adds to the creativity and uniqueness of the film.

The resulting nature of the film does allow its stars to shine. Bill Murray and Adam Driver seem to enjoy the deadpan style of their character’s interactions. The pair seem to share an amazing on-screen partnership that only enhances the film. Jarmsuch’s star-pulling power also sees the likes of RZA (The Man With The Iron Fists, American Gangster) and Selena Gomez (Spring Breakers, Hotel Transylvania)  play smaller roles in the film while the inclusion of screen veterans like Danny Glover (Lethal Weapon, 2012) also add to the films atmosphere. Jarmusch also doesn’t waste his plethora of stars giving them all memorable moments while also brilliantly giving small nods to their past roles throughout the film.

What Jim Jamusch has created here is a smart horror-comedy that deserves all the accolades that the film has been garnishing. The film is smart enough to be different that previous zombie horror-comedies like Zombieland and Shaun Of The Dead and has that unique Jamusch stamp on it which will mean it is a film that will be adored by those who love his unique style of filmmaking.

 

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:  The Dead Don't Die (2019) on IMDb

 

Other Subculture Entertainment The Dead Don’t Die Reviews:

Nil.

 

Trailer:

The Jungle Book

With the film about to be released we decided it was time to bring you this series of The Jungle Book interviews.

 

Scarlett Johansson

Jon Favreau

Christopher Walken

Sir Ben Kingsley

Bill Murray

Idris Elba

Lupita Nyong’o

Neel Sethi

Black Mass

We take a look at the most popular movies and television shows online over the past week.

 

  1. Black Mass (2015) – Johnny Depp, Benedict Cumberbatch, Dakota Johnson, Joel Edgerton
  2. The Visit (2015) – Olivia Delonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie
  3. Narcos (2015) – Wagner Moura, Boyd Holbrook, Pedro Pascal, Joanna Christie
  4. Maze Runner: The Scorch Trials (2015) – Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Giancarlo Espositio
  5. The Jungle Book (2016) – Scarlett Johansson, Idris Elba, Neel Sethi, Bill Murray
  6. Everest (2015) – Jason Clarke, Ang Phula Sherpa, Thomas M. Wright, Martin Henderson
  7. The Bastard Executioner (2015) – Lee Jones, Katey Sagal, Flora Spencer-Longhurst, Sam Spruell
  8. Fear The Walking Dead (2015) – Mercedes Mason, Ruben Blades, Kim Dickens, Cliff Curtis
  9. Krampus (2015) – Adam Scott, Toni Collette, Allison Tolman, Emjay Anthony
  10. Games Of Thrones (2011) – Emilia Clarke, Peter Dinkalge, Kit Harington, Lean Headey
  11. Mad Max: Fury Road (2015) – Tom Hardy, Charlize Theron, Nicholas Hoult, Zoe Kravitz
  12. American Horror Story (2011) – Evan Peters Sarah Paulson, Jessica Lange, Denis O’Hare
  13. The Walking Dead (2010) – Andrew Lincoln, Jon Bernthal, Sarah Wayne Callies, Steven Yuen
  14. Avengers: Age Of Ultron (2015) – Robert Downey Jnr., Chris Evans, Mark Ruffalo, Chris Hemsworth
  15. Straight Outta Compton (2015) – O’Shea Jackson Jnr., Corey Hawkins, Jason Mitchell, Neil Brown Jnr.
  16. Star Wars: Episode VII – The Force Awakens (2015) – Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver
  17. The Martian (2015) – Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara
  18. Mr. Robot (2015) – Rami Malek, Christian Slater, Portia Doubleday, Carly Chaikin
  19. Legend (2015) – Tom Hardy, Emily Browning, Taron Egerton, Paul Anderson
  20. The Perfect Guy (2015) – Sanaa lathan, Michael Ealy, Morris Chestnut, L. Scott Caldwell
  21. Supernatural (2005) – Jared Padalecki, Jensen Ackles, Jim Beaver, Misha Collins
  22. Sicario (2015) – Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal
  23. Once Upon A Time (2011) – Ginnifer Goodwin, Jennifer Morrison, Lana Marrilla, Josh Dallas
  24. Southpaw (2015) – Jake Gyllenhaal, Rachel McAdams, Oona Laurence, Forest Whitaker
  25. Arrow (2012) – Stephen Amell, Katie Cassidy, David Ramsey, Susanna Thompson

St. Vincent

Summary: When Maggie (Melissa McCarthy) is forced to move house with her son Oliver (Jaeden Lieberher) due to a divorce she doesn’t count on the fact that her new next door neighbour is going to be someone that she will never forget.

On the outside Vincent (Bill Murray) is a grump who has let his house go to ruin, wastes all of his money at the track (which is just one of his many vices), never has a kind word to say to anyone and is usually in the company of his ‘good friend and companion’ stripper-turned-prostitute Daka (Naomi Watts). But when Oliver one day returns home from school after bullies have stolen his key and turns to Vincent for help Maggie finds herself hiring the ‘neighbour from hell’ as her babysitter, something that can only lead to trouble or so it seems.

Year: 2014

Australian Cinema Release Date: TBA

Australian DVD Release Date: 19th December, 2014

Country: USA

Director: Theodore Melfi

Screenwriter: Theodore Melfi

Cast: Scott Adsit (David), Dario Barosso (Ocinski), Reg E. Cathey (Gus), Amber Clayton (Amber), Nate Corddry (Terry), Sade Demorcy (Keesha), Ann Dowd (Shirley), Emma Fisher (Bridgette), Niles Fitch (Brooklyn), Alexandra Fong (Rachele), Terrence Howard (Zucko), David Iacono (Jeremiah), Ray Iannicelli (Roger), Jaeden Lieberher (Oliver), Melissa McCarthy (Maggie), Ron McLarty (Principal O’Brien), Donna Mitchell (Sandy), Bill Murray (Vincent), Deirdre O’Connell (Linda), James Andrew O’Connor (Antwan), Chris O’Dowd (Brother Geraghty), Kimberly Quinn (Nurse Ana), Maria Elena Ramirez (Amelda), Lenny Venito (Coach Mitchell), Naomi Watts (Daka), Brenda Wehle (Judge Reynolds)

Runtime: 102 mins

Classification: M

 

OUR ST. VINCENT REVIEWS & RATINGS:

 

Greg KingYou can check out Greg’s St. Vincent review on www.filmreviews.net.au

Stars(4)

 

Nick GardenerYou can check out Nick’s St. Vincent review on The Good The Bad The Ugly Film Show Ep #110

Stars(4)

 

David Griffiths:

Over recent years acting legend Bill Murray has become an actor who really knows how to pick a decent script. Sure he will always be remembered for cult classics like Groundhog Day or Ghostbusters but back then Murray also delivered up a dog of a film quite regularly. Flash forward to recent years when Murray has taken chances on films such as The Darjeeling Limited, Get Low, Zombieland and Moonrise Kingdom and they have resulted in him appearing in some of the top films of the years they were released. Well it seems that Murray’s knack of picking the right script has worked again with a role in new comedy St. Vincent.

There haven’t been many comedy highs over the last year or so, and to be honest Melissa McCarthy has sadly been involved in some of the worst of those but St. Vincent is the one comedy that should remind people that every now and then America still knows how to hit an audience right on a funny bone. Add that to the fact that this film also delivers some thought pondering drama and it is easy to see why St. Vincent should be considered one of the films of the year.

The most surprising thing about St. Vincent is that it comes from a relative newcomer to the directing/screenwriting game. Aside from short films the only time that Theodore Melfi has ventured into feature film territory was to deliver the very average Rachel Hunter led Winding Roads back in 1999. Just one viewing of St. Vincent will quickly tell you that the fact that Melfi has delivered a film in the fifteen years since is an absolute crime because this is a gem.

Melfi’s screenplay is clearly one of the best of the year as it makes a completely unlikable character literally a saint. A brief look at Vincent and you would think that he has all the merits to make him a ‘bad guy’ in a film like this. A foul-mouthed and dirty living old man who is prepared to sue a single, struggling, divorced mother over a small amount of damage to a car and a fence is not the kind of character an audience will normally warm to, but such is the power of Melfi’s script that soon you find yourself laughing out loud at Vincent’s crassness and even ‘barracking’ for him as he tries to outrun the loan shark who is desperate to get his money and break some knees. The fact that Melfi has the sense to use his screenplay to give Vincent real characterisation and not just make him a one dimensional character also goes a long way to making this film work.

Supported by such a well written screenplay it is hardly surprising that the cast also comes to the fore in St. Vincent. Melissa McCarthy puts outside some recent poor performances to put in a credible performance in a role where she isn’t called upon to deliver a laugh a minute. Murray is at his exceptional best mixing comedy and drama into a character that seems like he will become a cult cinema favourite.

Young Jaeden Lieberher also puts in a stunning debut, he certainly seems to be an actor who his acting well above his age range, while the film is further enhanced by good acting performances by actors in the smaller roles. Naomi Watt’s is a standout as European prostitute Daka while Chris O’Dowd also puts in a warm, nice performance even though he is skirting thin ice but almost becoming type cast to play Catholic priests in films these days.

There is just so much to love about St. Vincent that this review could go on forever. From its beautifully written script to the fact that it bravely decides to be different to most either comedies on the market, to the fact that Bill Murray puts in a truly memorable acting performance there is just no weakness with St. Vincent at all. Clearly one of the better films of this year St. Vincent also announces the arrival of a filmmaker who is well worth watching in the future.

Stars(4)

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating: St. Vincent (2014) on IMDb

 

Other Subculture Entertainment St. Vincent reviews: For our full Keep On Keepin’ On review make sure you check out The Good The Bad The Ugly Film Show Ep #110. You can also read our review on The Book The Film The T-Shirt.

Trailer:

Golden Globe Awards

The 2015 Golden Globes nominations are now in… here they are.

BEST MOTION PICTURE – DRAMA

Boyhood

Selma

The Imitation Game

Foxcatcher

The Theory Of Everything

BEST MOTION PICTURE – MUSICAL OR COMEDY

Birdman

The Grand Budapest Hotel

St. Vincent

Into The Woods

Pride

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

Steve Carell (Foxcatcher)

Benedict Cumberbatch (The Imitation Game)

Jake Gyllenhaal (Nightcrawler)

Eddie Redmayne (The Theory Of Everything)

David Oyelowo (Selma)

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

Jennifer Aniston (Cake)

Julianne Moore (Still Alice)

Rosamund Pike (Gone Girl)

Reese Witherspoon (Wild)

Felicity Jones (The Theory Of Everything)

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY

Michael Keaton (Birdman)

Ralph Fiennes (The Grand Budapest Hotel)

Christoph Waltz (Big Eyes)

Bill Murray (St. Vincent)

Joaquin Phoenix (Inherent Vice)

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY

Amy Adams (Big Eyes)

Emily Blunt (Into The Woods)

Julianne Moore (Maps To The Stars)

Helen Mirren (The Hundred Foot Journey)

Quvenzhane Wallis (Annie)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

Mark Ruffalo (Foxcatcher)

Ethan Hawke (Boyhood)

J.K. Simmons (Whiplash)

Robert Duvall (The Judge)

Edward Norton (Birdman)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE

Patricia Arquette (Boyhood)

Keira Knightley (The Imitation Game)

Emma Stone (Birdman)

Meryl Streep (Into The Woods)

Jessica Chastain (A Most Violent Year)

BEST DIRECTOR – MOTION PICTURE

Alejandro Gonzalez Inarritu (Birdman)

Richard Linklater (Boyhood)

Ava DuVernay (Selma)

David Fincher (Gone Girl)

Wes Anderson (The Grand Budapest Hotel)

BEST SCREENPLAY – MOTION PICTURE

Boyhood

Birdman

Gone Girl

The Imitation Game

The Grand Budapest Hotel

BEST ORIGINAL SONG – MOTION PICTURE

Big Eyes by Lana Del Ray (Big Eyes)

Glory by John Legend & Common (Selma)

Mercy Is by Patty Smith & Lenny Kaye (Noah)

Opportunity by Sia (Annie)

Yellow Flicker Beat by Lorde (The Hunger Games: Mockingjay Part 1)

BEST ORIGINAL SCORE – MOTION PICTURE

Alexandre Desplat (The Imitation Game)

Johann Johannsson (The Theory Of Everything)

Trent Reznor (Gone Girl)

Antonio Sanchez (Birdman)

Hans Zimmer (Intersteallar)

BEST ANIMATED FILM

The Book Of Life

The Boxtrolls

Big Hero 6

How To Train Your Dragon 2

The Lego Movie

BEST FOREIGN LANGUAGE FILM

Ida

Leviathan

Force Majeure

Gett: The Trial Of Viviane Amsalem

Tangerines

BEST TELEVISION SERIES – DRAMA

Downton Abbey

The Good Wife

House Of Cards

Game Of Thrones

The Affair

BEST TELEVISION SERIES – MUSICAL OR COMEDY

Girls

Orange In The New Black

Transparent

Silicon Valley

Jane The Virgin

BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

Olive Kitteridge

True Detective

Fargo

The Missing

The Normal Heart

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

Kevin Spacey (House Of Cards)

Liev Schreiber (Ray Donovan)

James Spader (The Blacklist)

Dominic West (The Affair)

Clive Owen (The Knick)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA

Robin Wright (House Of Cards)

Julianna Marguiles (The Good Wife)

Viola Davis (How To Get Away With Murder)

Claire Danes (Homeland)

Ruth Wilson (The Affair)

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY

Lena Dunham (Girls)

Edie Falco (Nurse Jackie)

Julia Louis-Dreyfus (Veep)

Taylor Schilling (Orange Is The New Black)

Gina Rodriguez (Jane The Virgin)

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY

Don Cheadle (House Of Lies)

Ricky Gervais (Derek)

Jeffrey Tambor (Transparent)

William H. Macy (Shameless)

Louis C.K. (Louie)

BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Martin Freeman (Fargo)

Billy Bob Thornton (Fargo)

Matthew McConaughey (True Detective)

Woody Harrelson (True Detective)

Mark Ruffalo (The Normal Heart)

BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Jessica Lange (American Horror Story)

Maggie Gyllenhaal (The Honourable Woman)

Frances McDormand (Olvie Kitteridge)

Frances O’Connor (The Missing)

Allison Tolman (Fargo)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Jon Voight (Ray Donovan)

Alan Cumming (The Good Wife)

Bill Murray (Olive Kitteridge)

Colin Hanks (Fargo)

Matt Bomer (The Normal Heart)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MINI-SERIES OR A MOTION PICTURE MADE FOR TELEVISION

Allison Janney (Mom)

Uzo Aduba (Orange Is The New Black)

Kathy Bates (American Horror Story)

Michelle Monaghan (True Detective)

Joanne Froggatt (Downton Abbey)

The Good The Bad The Ugly Film Show

The boys from ‘The Good The Bad The Ugly Film Show’ take a look at the best films performances when an actor has gone against type.

NICK GARDENER’S LIST

Jim Carrey Eternal

  • Morgan Freeman – ‘Now You See Me’
  • Morgan Freeman – ‘Nurse Betty’
  • Jennifer Aniston – ‘Horrible Bosses
  • Jennifer Aniston – ‘We’re The Millers
  • Leonardo DiCaprio – ‘Django Unchained
  • Don Johnson – ‘Django Unchained
  • Vanessa Hudgens – ‘Spring Breakers’
  • Charlize Theron – ‘Monster’
  • Kisten Dunst – ‘Melancholia’
  • Cameron Diaz – ‘Being John Malkovich
  • John Wayne – ‘The Conqueror’
  • Robin Williams – ‘One Hour Photo’
  • Robert De Niro – ‘Meet The Parents’
  • Christopher Walken – ‘Hairspray’
  • Tom Cruise – ‘Collateral’
  • James Stewart – ‘Vertigo’
  • Michael Keaton – ‘Desperate Measures’
  • Jim Carrey – ‘Kick-Ass 2’
  • Jim Carrey – ‘Eternal Sunshine Of The Spotless Mind’
  • Jim Carrey – ‘The Truman Show’
  • Vince Vaughn – ‘Domestic Disturbance’
  • Adam Sandler – ‘Punch Drunk Love’

 

ADAM ROSS’ LIST

Tom Crusie Interview With

  • Ben Kingsley – ‘Sexy Beast’
  • Edward Norton – ‘American History X’
  • Jack Nicholson – ‘About Schmidt’
  • Sean Penn – ‘Milk’
  • Michael Douglas – ‘Behind The Candelabra’
  • Charlize Theron – ‘Monster’
  • Harrison Ford – ‘What Lies Beneath’
  • Tom Cruise – ‘Tropic Thunder’
  • Tom Cruise – ‘Interview With The Vampire’
  • Jim Carrey – ‘The Truman Show’
  • Jim Carrey – ‘Kick-Ass 2’
  • Robin Williams – ‘One Hour Photo’
  • Robin Williams – ‘Insomnia’
  • John Travolta – ‘Pulp Fiction’
  • Russell Crowe – ‘A Beautiful Mind’
  • Pierce Brosnan – ‘The Matador’
  • Halle Berry – ‘Cloud Atlas’
  • Hugh Grant – ‘Cloud Atlas’
  • Tom Hanks – ‘Cloud Atlas’
  • Hugo Weaving – ‘Cloud Atlas’
  • Nicole Kidman – ‘To Die For’

GREG KING’S LIST

Henry Fonda

  • Morgan Freeman – ‘Hard Rain
  • Vince Vaughm – ‘Psycho’
  • Gary Oldman – ‘Prick Up Your Ears’
  • Gregory Peck – ‘The Big Country’
  • Gregory Peck – ‘The Boys From Brazil’
  • Gregory Peck – ‘The Omen’
  • Steve Carell – ‘The Way Way Back’
  • Ashton Kutcher – ‘Jobs’
  • David Koencher – ‘Cheap Thrills’
  • John Travolta – ‘The Punisher’
  • John Travolta – ‘Broken Arrow’
  • Nicole Kidman – ‘The Paperboy’
  • Nicole Kidman – ‘Stoker’
  • Michael Keaton – ‘Batman’
  • Henry Fonda – ‘Once Upon A Time In The West’
  • Frank McMurray – ‘Double Indemnity’
  • Frank McMurray – ‘The Apartment’
  • Elijah Wood – ‘Maniac’
  • Elijah Wood – ‘Sin City’
  • Jack Palance – ‘City Slickers’
  • Michael Cera – ‘Youth In Revolt’
  • Brad Pitt – ‘Inglorious Basterds’
  • Ernest Borgnine – ‘Marty’
  • Albert Brooks – ‘Drive’
  • Matthew McConaughey – ‘Killer Joe’

 

DAVID GRIFFITHS’ LIST

Leonardo DiCaprio Django Unchained

  • Steve Carell – ‘The Way Way Back’
  • Jim Carrey – ‘Man On The Moon’
  • Henry Fonda – ‘Once Upon A Time In The West’
  • Robin Williams – ‘Insomnia’
  • Robin Williams – ‘One Hour Photo’
  • Bill Murray – ‘Get Low’
  • John Stamos – ‘Captive’
  • Leonardo DiCaprio – ‘Django Unchained’
  • Ewan McGregor – ‘Moulin Rouge!’
  • Russell Crowe – ‘Les Miserables’
  • Michael Cera – ‘This Is The End’
  • Ben Affleck – ‘Jay + Silent Bob Strike Back’
  • Matt Damon – ‘Jay + Silent Bob Strike Back’
  • Melissa Gilbert – ‘Ice House’
  • Matthew McConaughey – ‘Mud’
  • Matthew McConaughey – ‘Magic Mike’
  • Matthew McConaughey – ‘Bernie’
  • Tom Cruise – ‘Rock Of Ages’
  • Tom Cruise – ‘Tropic Thunder’
  • Seth Rogen – ‘Take This Waltz’
  • Heath Ledger – ‘The Dark Knight
  • Liam Neeson – ‘Batman Begins’
  • Robert De Niro ‘Stardust’