Tagged: Clint Eastwood

From Warner Bros. Pictures come director/producer Clint Eastwood’s uplifting and poignant drama “Cry Macho”.  The film stars Eastwood as Mike Milo, a one-time rodeo star and washed-up horse breeder who, in 1979, takes a job from an ex-boss to bring the man’s young son home from Mexico. Forced to take the backroads on their way to Texas, the unlikely pair faces an unexpectedly challenging journey, during which the world-weary horseman finds unexpected connections and his own sense of redemption.

Also starring are Eduardo Minett as the young boy, Rafo, in his feature film debut, Natalia Traven (“Collateral Damage”, TV’s “Soulmates”) as Marta, with Dwight Yoakam (“Logan Lucky”, “Sling Blade”) as Mike’s former employer, Howard Polk.  The cast also includes Fernanda Urrejola (“Blue Miracle”, Netflix’s “Narcos: Mexico”) as Leta and Horacio Garcia-Rojas (“Netflix’s “Narcos: Mexico”, TV’s “La querida del Centauro”) as Aurelio.

Oscar winner Eastwood directed from a screenplay by Nick Schenk and N. Richard Nash, based on the novel by Nash.  Eastwood, Albert S. Ruddy, Tim Moore and Jessica Meier produced the film, with David M. Bernstein serving as executive producer.

The filmmaker’s creative team behind the scenes included BAFTA-nominated director of photography Ben Davis (“Three Billboards Outside Ebbing, Missouri”, “Captain Marvel”), production designer Ron Reiss (set decorator, “Richard Jewell” and “The Mule”), Oscar-winning editor Joel Cox (“Unforgiven”), who has cut most of director Eastwood’s films, and editor David Cox (“Den of Thieves”, assistant editor on “Richard Jewell” and “The Mule”), and longtime collaborator costume designer Deborah Hopper.  The music is by Mark Mancina (“Moana”).

Warner Bros. Pictures Presents A Malpaso/Albert S. Ruddy Production, “Cry Macho”.  The film will be distributed worldwide by Warner Bros. Pictures and opens in Australian cinemas 4 November 2021.

Dave Griffiths’ list of the best films of 2020 continues today with numbers 20 through to 11.

20. ON THE ROCKS

Bill Murray was at his absolute best in this comedy-drama that also one of the best dialogue driven scripts of the year.

19. BOMBSHELL

One of the most thought provoking movies of the year also led to a tour de force of performances from Charlize Theron, Nicole Kidman and Margot Robbie.

18. THE ASSISTANT

Slow-moving but with the intensity level driven to the max, this was a slow-burner that really stuck with you. If Julia Garner doesn’t win awards for this film then there is something seriously wrong.

17. UNHINGED

The film itself was a reminder at how suspenseful cinema can be, while Russell Crowe relished the opportunity to play the bad guy.

16. RICHARD JEWELL

Once again Clint Eastwood reminded us why he is one of the best filmmakers of this generation. Truly amazing drama.

15. RAMS

This film is destined to become an Aussie classic alongside films like The Castle. Just the right amount of drama, comedy and Aussie heart to make it the perfect film.

14. PROMISING YOUNG WOMAN

Hard hitting film that after a slow opening then doesn’t let up. Carey Mulligan is in Oscar form – this is a film that all film lovers must see.

13. DEERSKIN

One of the strangest films of the year but it also is one of the most intriguing and interesting.

12. LET HIM GO

Intense! That is really the only way to describe this crime thriller that also manages to throw in a strong Western feel.

11. 1917

Powerfully epic war film that contained some of the best visuals of 2020.

 

Summary: American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist.

Year: 2019

Australian Cinema Release Date: 13th February 2020

Thailand Cinema Release Date: TBA

Australian DVD Release Date: TBA

Country: United States

Director: Clint Eastwood

Screenwriter: Billy Ray, Marie Brenner (article), Kent Alexander (book), Kevin Salwen (book)

Cast: Muhammed Ali (himself – archive footage), Ronnie Allen (Kenny Rogers), David An (Ken), Nina Arianda (Nadya Light), Matthew Atchley (FBI Agent Doug Wall), John Atwood (Mr Brenner), Kathy Bates (Bobi Jewell), Jonathan Bergman (Jerrod Braden), Kellan Boyle (Lonny), Brian Brightman (Zoeller), Tom Brokaw (himself – archive footage), Bill Clinton (himself – archive footage), Alex Collins (Max Green – APD), David de Vries (John Walter), Wayne Duvall (Richard Rackleff), Luke Georgecink (Rob), Ian Gomez (Dan Bennet), Will Gonzalez (Agent Rosario), Charles Green (Dr. W. Ray Cleere), Garon Grigsby (Bryant Gumbel), Jon Hamm (Tom Shaw), Paul Walter Hauser (Richard Jewell), Alan Heckner (Bill Miller – GBI), Izzy Herbert (Mariah Braden), Dylan Kussman (Bruce Hughes), Kelly Collins Lintz (Mrs. Braden), Eric Mendenhall (Eric Rudolph), Niko Nicotera (Dave Dutchess), Michael Otis (Mr. Braden), Desmond Phillips (Mike Silver – APD), Mike Pniewski (Brandon Walker), Grant Roberts (Will Jones – APD), Sam Rockwell (Watson Bryant), David Shae (Ron Martz), Billy Slaughter (Tim Barker),Aaron Strand (Joe Nobody), Robert Treveiler (Patrick Williams),  Olivia Wilde (Kathy Scruggs), Mike Wilson (Forsythe), Olaolu Winfunke (Eli Gradestone)

Running Time: 131 mins

Classification: M (Australia)

 

 

OUR RICHARD JEWELL REVIEWS & RATINGS:

 

Dave Griffiths Review

Richard Jewell! It should have been a simple true crime story but somewhere in this crazy universe that we call modern times it became one of the most controversial films of 2019. From journalists questioning the validity of the story surrounding the films main protagonist through to director Clint Eastwood’s political alignment being brought into the arguments against the movie; it seemed everybody had an opinion on the film before it even hit cinema screens.

The result was some people staunchly taking a stance against the film while many others had their curiosity peaked and went to see it in order to discover which side of the argument was on the ball. Whatever the reasons were behind people going to see Richard Jewell the end game was they saw one of the most powerful films of the year – a film that once again reminded us why Eastwood is one of the best directors in modern cinema.

Here Eastwood teams up with Oscar nominated screenwriter Billy Ray to tell the story of Richard Jewell a man who discovered that one newspaper article can turn from hero to villain in just a few paragraphs. Jewell (played by Paul Walter Hauser) was an over-ambitious security working at the 1996 Atlanta Olympics. While on duty one night at an Olympic concert he discovered a suspicious bag and quickly identified it as a bomb. Before the bomb could be disarmed it exploded killing some of the nearby concert goers while injuring many others.

At first Jewell was labelled hero – a man whose actions saved the lives of many of the people that had already been evacuated. That all changed a few days later though when journalist Kathy Scruggs (Olivia Wilde) published a story leaking the information that Jewell was the FBI’s main suspect. The result was a media circus and flurry of hatred aimed Jewell and his distressed mother (Kathy Bates) while the only person willing to defend them and their rights was under-prepared lawyer Watson Bryant (Sam Rockwell).

Over the past few years Eastwood has perfected a film-making style that sees him bring a sense of realism to the screen that at times makes the audience feel like they are watching a documentary. While with The 15:17 To Paris he used real soldiers rather than actors with Richard Jewell Eastwood enhances the suspense of Ray’s script to the point where you soon find yourself wondering whether or not Jewell is guilty or innocent despite having seen the night play out for us.

Eastwood allows the film to explore every aspect of the story at hand. He shows us why Jewell became a person of interest for the FBI while also showing us the desperation that led to Scruggs breaking the story in the first place. More importantly Eastwood also bears all about Jewell himself even revealing things like the fact that Jewell while working as a college security guard illegally pulling over speeding drivers while ‘posing’ as a Police Officer. To say this is a warts and all portrayal of all the characters involved is an understatement.

Suspense aside what lifts Richard Jewell to the highest echelon of modern day cinema are the performances of its cast. Every scene between Hauser and Rockwell is sheer brilliance. Rockwell matches his stunning performances in classic films like The Way Way Back and Moon and again shows why he is an under-rated great. But here even he is over-shadowed by the performances of Hauser and Bates whose portrayals of people pushed to the emotional limit is at times harrowing to watch.

The true power of Richard Jewell though is the fact that this is one movie that leaves you never being able to look at the media in the same light again. While people may have been critical of the film being made they miss the point that Eatwood and Ray are trying to make as filmmakers – always try to find out the truth about what you are watching. Richard Jewell is a modern day, suspenseful thriller that will stay with the viewer for a long time to come.

 

 

 

 

Kyle McGrath’s Review

 

 

 

Average Subculture Rating:

 

 

 

IMDB Rating: 
Richard Jewell (2019) on IMDb

 

Other Subculture Entertainment Richard Jewell Reviews: N/A

Trailer:

 

Clint Eastwood (Gran Torino, American Sniper) returns as an actor and director in new crime drama The Mule and Roadshow have just released the trailer for it… so take a look right here.

Also starring in the film are audience favourites Bradley Cooper (Silver Linings Playbook, American Hustle), Taissa Farmiga (The Bling Ring, Anna), Michael Pena (End Of Watch, Shooter) and Laurence Fishburne (The Matrix, Mystic River). The film is relesed on December 14th.

The Good The Bad The Ugly Film Show Logo

This week on The Good The Bad The Ugly Film Show Adam, Greg and Nick take a look at new release films ‘A Beautiful Planet,’ ‘Captain Fantastic,’ ‘Sully,’ ‘The Infiltrator,’ ‘The Secret Life Of Pets,’ and ‘Louis Theroux: My Scientology Movie’. This episode also contains interviews with Jennifer Lawrence, Tom Hanks, Aaron Eckhart, Clint Eastwood, Benjamin Bratt, Lake Bell, Marsha Ivins, Elyssa Zeccola (Lavazza Italian Film Festival), Cerise Howard (Czech & Slovak Film Festival), Richard Moore (AICE Israeli Film Festival) and Bryan McClure (‘Strings’).

You can listen to The Good The Bad The Ugly Film Show or download it for free from our Podcast Channel – Listen/Download here.

The Good The Bad The Ugly Film Show Logo

This week on The Good The Bad The Ugly Film Show Adam, Dave, Greg and Nick take a look at new release films ‘Wild’, ‘The Wedding Ringer’ and ‘American Sniper′ . This episode also contains interviews with Laura Dern, Reese Witherspoon, Cheryl Strayed, Josh Gad, Kevin Hart, Bradley Cooper, Clint Eastwood, Uwe Boll and visual artist Ego.

To listen to the show you can download it for free from our Podcast Channel – Listen/Download here.

Jersey Boys

Summary: The film tells the story of four young men from the wrong side of the tracks in New Jersey who came together to form the iconic 1960s rock group The Four Seasons, and the rise of star Frankie Valli.  The story of their trials and triumphs are accompanied by the songs that influenced a generation, including “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Dawn,” “Rag Doll,” “Bye Bye Baby,” “Who Loves You,” and many more.

Year: 2014

Australian Cinema Release Date: 3rd July, 2014

Australian DVD Release Date: TBA

Country: USA

Director: Clint Eastwood

Screenwriter: Marshall Brickman, Rick Elice

Cast: Toni Attell (Adrianne), Miles Aubrey (Charles Calello), Maggie Beal (Antonia Valli), Erich Bergen (Bob Gaudio), Johnny Cannizzaro (Nick DeVito), Dennis Delsing (Finney), Mike Doyle (Bob Crewe), Troy Grant (Ed Sullivan), John Griffin (Billy Dixon), Lacey Hannan (Angela), Elizabeth Hunter (Francine (7 Years Old)), Ashley Rose Joyner (Antonia Valli), Donnie Kehr (Norm Waxman), Grace Kelley (Francine (4 Years Old)), Chaz Langley (Hal Miller), Louis Lombardi (Trulio), Michael Lomenda (Nick Massi), Keith Loneker (Knuckles), Jeremy Luke (Donnie), James Madio (Stosh), Renee Marino (Mary), Rob Marnell (Joe Long), Michael Patrick McGill (Officer Mike), Steve Monroe (Barry Belson), Kathrine Narducci (Frankie’s Mother), Vincent Piazza (Tommy DeVito), Erica Piccininni (Lorraine), Heather Ferguson Pond (Miss Frankie Nolan), Grant Roberts (Johnny), Joseph Russo (Joey), Steve Schirripo (Vito), Vincent Selhorst-Jones (Hank), Freya Tingley (Francine (17 Years Old), Lou Volpe (Frankie’s Father), Christopher Walken (Gyp DeCarlo), Clint Ward (Officer Stanley), John Lloyd Young (Frankie Valli)

Runtime: 130 mins

Classification: M

 

OUR JERSEY BOYS REVIEWS & RATINGS:

 

Adam Ross: You can check out Adam’s Jersey Boys review on The Good The Bad The Ugly Film Show Ep #86

Stars(3)

 

Greg King: You can check out Greg’s Jersey Boys review on www.filmreviews.net.au

Stars(3)

 

Nick Gardener: You can check out Nick’s Jersey Boys review on The Good The Bad The Ugly Film Show Ep #86

Stars(3.5)

 

David Griffiths:

You could be forgiven for thinking ‘Clint Eastwood is directing what’ when it was first announced that he would be the director that would bring the award winning stage musical Jersey Boys to the big screen. However dig a little deeper into Eastwood’s career and you’ll see that his is perhaps, outside of Baz Luhrmann, the perfect choice for being at the helm of Jersey Boys.

See while many film lovers like to see Eastwood as the gritty director who brought Gran Torino to the screen but dig a little deeper into Eastwood’s biography and you’ll discover that he is the owner of a record label and also scored the music for films such as Flags Of Our Father and Million Dollar Baby just to name a few.

Perhaps that is one of the biggest reasons why it feels like Jersey Boys is such a let down… Eastwood could have done better but didn’t. There are parts of Jersey Boys that seem to work well. It is probably one of the first films since Moulin Rouge to really bring the whole musical theatre film into the cinema with it. Some of the concert scenes and of course the closing montage look they could have been lifted straight from a Broadway production but there are other sides of this film that become a total letdown.

Anyone who knows the Frankie Valli (John Lloyd Young) story will know that it can’t be told without stories of his links to Mafia kings like Gyp DeCarlo (Christopher Walken) and the fact that he and Tommy DeVito (Vincent Piazza) were convicted criminals before their first number one hits. It’s here where Jersey Boys feels like it lets down its audience. The film needs the nit and grit of a director like a Martin Scorcesce to delve into the murky world of the Mafia, but here it almost seems like Eastwood is scared to sully the Four Seasons’ reputation by going into the muck. The troubled home life of Valli himself is just skirted on so lightly that it feels like you are watching a tele-movie while most of the Mafia related characters becoming walking clichés, despite the efforts of Christopher Walken to try and pull out a good performance.

It’s these parts of Jersey Boys that makes it hard to watch. With all the darker sides of the story missing it feels like you are watching a glossy film with some segments of power pop infused to it, which doesn’t do justice to the story of Frankie Valli and The Four Seasons at all. And to be honest even the scenes of the group on stage seem so stilted you could be confused for believing that Eastwood had simply inserted some shots in from the actual Broadway musical. At some point Eastwood needed to make a call on whether he wanted this to be a music biopic with the power of The Runaways, become a full blown musical like Les Miserables or make it so light and fluffy it should have been a straight-to-DVD flick.

The weakened script and directing also means that the cast’s performances are sub-par. Christopher Walken is completely wasted as he places a clichéd version of Mafia boss Gyp DeCarlo. The biggest cast member to suffer from the weaknesses of Jersey Boys though is John Lloyd Young. Playing Frankie Valli on the big screen should have been the role that had this young actor being talked about as an Oscar nominee or even just been the film that put him on the map, however none of that will happen here because his performance is so hamstrung that it won’t even garnish a second glance from most Hollywood producers. The only cast member that can hold his head high here is Vincent Piazza who plays tough guy Tommy DeVito. Somehow he manages to brush aside the fluff and somehow put together a fairly decent acting performance.

It almost feels like a crime bashing a Clint Eastwood film. The man is certainly a legend and has shown over the years that he is capable of holding his own with the directional heavyweights, but here Eastwood is dangerously out of his depth. He never truly captures the darker side to the Frankie Valli story and as a result both the film and its audience are left wanting more.

 

Stars(2.5)

 

Average Subculture Rating (out of 5):  Stars(3)

 

IMDB Rating:  Jersey Boys (2014) on IMDb

 

Other Subculture Entertainment Reviews of ‘Jersey Boys′: For our full Jersey Boys review please check The Good The Bad The Ugly Film Show Ep #86

Trailer:

 

Robbie Williams

James Bond: The mysterious British Special Agent known worldwide as 007. It’s a coveted role for any actor. As the likes of Sean Connery, Daniel Craig and Pierce Brosnan have shown, playing the role of James Bond makes you not only a bankable star in one of the highest grossing franchises of all time, but it can also make sure that your name lives on for generations to come. It is for that reason that it is hard to fathom why some actors have actually been offered the lucrative role and then turned it down.

In 1970, the producers behind the franchise were looking to replace one of the most popular James Bond actors of all time, Sean Connery. First on the list was one of the finest American actors going around: Clint Eastwood. The star had made a name for himself in western films such as “The Good, The Bad, The Ugly” and “A Fistful Of Dollars,” so it wasn’t surprising that he was looked at for the role of James Bond. However, when offered the role, Eastwood turned it down because he felt the role should go to a British actor. It was probably a good thing he did turn down the role, or he would most likely not have gotten to play his most famous role – that of Harry Callahan in “Dirty Harry.”

The fact that Bond should be British also scared off a few more of the actors that were also approached for the role. TV’s Batman Adam West was also looked at the role, as was Burt Reynolds, another actor who had made a name for himself in the Western genre…this time in the television series “Gunsmoke.”

Also considered for the role of James Bond in the early 1970s was an actor who is known to fans of the Harry Potter franchise as Professor Albus Wulfric Brian Dumbledore – the theatre-trained Michael Gambon. Despite being a forerunner to play Bond, however, Gambon turned down the role because he didn’t feel that he had the looks to full off playing the debonair spy who was popular with the ladies.

In the mid 1990s, one of Ireland’s favorite sons, Liam Neeson, turned down the role of James Bond because he said he wasn’t interested in starring in action films. Something obviously changed his mind over the years as he is now the successful star of the “Taken” series of films.

Flash-forward to the 2000s and there was a fresh batch of performers who were threatening to take the role ahead of Daniel Craig. After he parodied the James Bond character in his “Millenium” video clip, popstar Robbie Williams was actually approached about playing the role in a feature film. However, he turned down the role saying he didn’t feel like he was refined enough for the role.

Aside from Williams, other actors considered to play James Bond in the 2000s were Dominic West, who went on to make a name for himself in “300” and “The Wire,” and Ewan McGergor who has received critical acclaim for films such as “Trainspotting,” “Black Hawk Down” and “Moulin Rouge” while winning over fans in George Lucas’ reboot of the “Star Wars” franchise. McGregor turned down the Bond role because he was afraid of becoming typecast, while West pulled himself out of the running when he heard that Pierce Brosnan may have been wanting to return to the role.

However, the actor who was the biggest threat to Daniel Craig was Australian actor Hugh Jackman. The Aussie actor was perfect for the role; he had the looks and was a guaranteed crowd pleaser, as his work as Wolverine in the “X-Men” franchise showed. The producer’s plans of naming Jackman as the new Bond were shelved, however, when Jackman read the script and didn’t like the direction the series was going in.

Whenever the role of James Bond is left vacant, there are never a shortage of names that are linked to the role. However, as time has shown in the past, just because an actor has made the decision to turn down what could have been the biggest role of their life, it doesn’t necessarily mean they still won’t become famous.