Tagged: Salma Hayek

This spring, everyone’s favorite leche-loving, swashbuckling, fear-defying feline returns.

For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet.

Academy Award® nominee Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Oscar® nominee Salma Hayek).

In their quest, Puss and Kitty will be aided—against their better judgment—by a ratty, chatty, relentlessly cheerful mutt, Perro (Harvey Guillén, What We Do in the Shadows). Together, our trio of heroes will have to stay one step ahead of Goldilocks (Oscar® nominee Florence Pugh, Black Widow) and the Three Bears Crime Family, “Big” Jack Horner (Emmy winner John Mulaney, Big Mouth) and terrifying bounty hunter, The Big Bad Wolf (Wagner Moura, Narcos).

Puss in Boots: The Last Wish features an all-star comedic cast that includes Oscar® winner Olivia Colman, Ray Winstone (Black Widow), Samson Kayo (Sliced), Emmy nominee Anthony Mendez (Jane the Virgin) and Tony nominee Da’Vine Joy Randolph (Trolls World Tour).

The long-awaited follow-up to the 2011 Academy Award®-nominated blockbuster, The Last Wish is directed by Joel Crawford and produced by Mark Swift, the creative team behind DreamWorks Animation’s smash, The Croods: A New Age. The film’s executive producer is Illumination founder and CEO Chris Meledandri.

The character of Puss in Boots first appeared in 2004’s Oscar®-nominated Shrek 2 and instantly became a global, scene-stealing sensation. Puss then co-starred in two other Shrek sequels and his solo film, as well as in multiple DreamWorks Animation videos and TV series. The Shrek and Puss in Boots films have collectively earned more than $3.5 billion worldwide.

For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet.

Academy Award® nominee Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Oscar® nominee Salma Hayek).

In their quest, Puss and Kitty will be aided—against their better judgment—by a ratty, chatty, relentlessly cheerful mutt, Perro (Harvey Guillén, What We Do in the Shadows). Together, our trio of heroes will have to stay one step ahead of Goldilocks (Oscar® nominee Florence Pugh, Black Widow) and the Three Bears Crime Family, “Big” Jack Horner (Emmy winner John Mulaney, Big Mouth) and terrifying bounty hunter, The Big Bad Wolf (Wagner Moura, Narcos).

Puss in Boots: The Last Wish features an all-star comedic cast that includes Oscar® winner Olivia Colman, Ray Winstone (Black Widow), Samson Kayo (Sliced), Emmy nominee Anthony Mendez (Jane the Virgin) and Tony nominee Da’Vine Joy Randolph (Trolls World Tour).

The long-awaited follow-up to the 2011 Academy Award®-nominated blockbuster, The Last Wish is directed by Joel Crawford and produced by Mark Swift, the creative team behind DreamWorks Animation’s smash, The Croods: A New Age. The film’s executive producer is Illumination founder and CEO Chris Meledandri.

The character of Puss in Boots first appeared in 2004’s Oscar®-nominated Shrek 2 and instantly became a global, scene-stealing sensation. Puss then co-starred in two other Shrek sequels and his solo film, as well as in multiple DreamWorks Animation videos and TV series. The Shrek and Puss in Boots films have collectively earned more than $3.5 billion worldwide.

Summary:  When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel their legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately…murder.

Year: 2022

Cinema Release Dates:  1st January 2022 (Australia), 26th November 2021 (UK), 24th November 2021 (USA)

VOD Release Dates: TBA

Country: USA, Canada

Director: Ridley Scott

Screenwriter: Becky Johnston, Roberto Bentivegna

Cast: Florence Andrews (Jenny Gucci), Antonello Annunziata (Karl Lagerfield), Miloud Mourad Benamara (Omar), Philippe Boa (Bobby Short), Andrea Piedimonte Bodini (Ivano Savioni), Gaetano Bruno (Franco), Reeve Carney (Tom Ford), Camille Cotton (Paolo Franchi), Adam Driver (Maurizio Gucci), Ira Fronten (Maybeline), Madalina Ghenea (Sophia Loren), Salma Hayek (Pina Auriemma), Jack Huston (Domenico De Sole), Jeremy Irons (Rodolfo Gucci), Youssef Kerkour (Nemir Kirdar), Lady Gaga (Patrizia Reggiani), Mauro Lamantia (Max), Jared Leto (Paolo Gucci), Clelia Rossi Marcelli (Alessandra (teenager)), Alexia Murray (Silvana Reggiani), Mehdi Nebbou (Said), Al Pacino (Aldo Gucci), Martino Palmisano (Richard Avedon), Edouard Philipponnat (Walter), Vincent Riotta (Fernando Reggiani), Nicole Bani Sarkute (Alessandra (3 years old)), Vincenzo Tanassi (Benedetto Ceraulo), Catherine Walker (Anna Wintour), Mia McGovern Zaini (Alessandra (9 years old))

Running Time: 158 mins

Classification: MA15+ (Australia), 15 (UK), R (USA)

OUR HOUSE OF GUCCI REVIEWS

David Griffiths’ House Of Gucci Review:

Gucci! I might not be a fashion expert… okay my wardrobe is mainly made up of jeans and band T-Shirts… but even I was counting down the days until I could check out The House Of Gucci. I have always found  the history of fashion houses and the creative artists that live and work within them fascinating. Over the years I’ve read books and watched countless documentaries to fuel that curiosity and now director Ridley Scott (Prometheus) was going to be playing out one of the greatest sagas to hit a fashion house out on the big screen… how could I not be excited?

The story that Scott chronicles is that of Maurizio Gucci (Adam Driver Paterson). The son of one of the more reclusive Guccis, Rodolfo (Jeremy Irons – The Lion King), originally Maurizio had very little to do with the fashion side of the Gucci family. That side of things was left to his uncle, Aldo (Al Pacino – The Godfather), who operated the business in such a way that it was known for its classic chic when it came to bags and luggage.

But that all changed when Maurizio met Patrizia Reggiani (Lady Gaga – A Star Is Born) whom he immediately fell in love with. Scared of what the relationship would mean for Maurizio his father severed ties with him and soon Maurizio found himself closer to Rodolfo and his hapless dreamer cousin, Paolo (Jared Leto – Suicide Squad). The result was Patrizia urging Maurizio to become more involved with the fashion side of the business and to help turn it around after advice she has received from a clairvoyant named Pina (Salma Hayek – Savages).

As I watched this film play out on the big screen I realised that the story itself is very Shakesperian. The story itself has similarities to Macbeth and as a director Scott enhances that even more by allowing the film to play out it lavish homes and locations and focussing more on dialogue rather than on action and suspense. There are times in this film when Patrizia rants like Lady Macbeth and the suspense that does rear its head throughout the film comes from the characterisation – in particular who is going to act in what way when certain events happen. To be honest there is probably more suspense in this film for those that don’t know the story of Maurzio Gucci. Because I had previously watched a documentary on his life I often knew what was going to happen next, but that certainly wouldn’t be the case for someone that doesn’t know the story because Scott road-signs nothing.

For years I have heard about various Governments in Europe wanting to use cinema as a way to lure tourists to their countries. For the most part the films that have done it have felt forced whereas the way Scott has shot House of Gucci is purely natural yet it had me wanting to visit some of the beautiful gardens and narrow Italian laneways it is set in due to the way they appear on the screen.

Despite some strange casting decisions the performances of the cast here are exceptional. Lady Gaga should well and truly be in contention for an Oscar for her portrayal of Patrizia, while Adam Driver is natural and at times deliberately cold as Maurizio. In real life Maurizio was awkward and rarely showed emotion and that is something that Driver portrays well on the screen here. The strangest casting choice was perhaps Leto as the aloof and simple Paolo. Leto is unrecognisable in the role and once again takes character acting to the next level, hopefully his name is also mentioned once or twice during awards season.

Perhaps the only real weakness of House Of Gucci is a finale that seems a little rushed. I can’t say too much about it because I would be heading into spoiler territory, but the film builds to a climatic event but then just seems to sadly falls away afterwards and the fallout of the event is not explored in the way that it could have been. Still that is a small gripe for a film that mostly holds its drama throughout its expanded runtime.

House Of Gucci is a sensational drama. Scott highlights the Shakesperian nature of the story and delivers some powerful scenes that are further enhanced by a cast that are on the top of their game. Then there is also an awesome 70s and 80s soundtrack that captures the mood of the time perfectly well.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture House Of Gucci Reviews:

Nil.

Trailer:

Summary: 
The saga of the Eternals, a race of immortal beings who lived on Earth and shaped its history and civilizations.

Year: 2021

Cinema Release Dates:  4th November 2021 (Australia), 4th November 2021 (Thailand), 5th November 2021 (UK), 5th November 2021 (USA)

VOD Release Dates: TBA

Country: USA, UK

Director: Chloe Zhao

Screenwriter: Patrick Burleigh, Ryan Firpo, Chloe Zhao

Cast: Gemma Chan (Sersi), Esai Daniel Cross (Jack), Hannah Dodd (Sandra), Ma Dong-seok (Gilgamesh), Adria Escuero (Diego), Kit Harington (Dane Whitman), Salma Hayek (Ajak), Brian Tyree Henry (Phastos), Angelina Jolie (Thena), David Kaye (Arishem (voice)), Barry Keoghan (Druig), Richard Madden (Ikaris), Lia McHugh (Sprite), Kumail Nanjiani (Kingo), Patton Oswalt (Pip The Troll), Harish Patel (Karun), Lauren Ridloff (Makkari), Alan Scott (Patrick), Bill Skarsgard (Kro), Haaz Sleiman (Ben), Harry Styles (Eros), Sebastian Capitan Viveros (Jano)

Running Time: 157 mins

Classification: M (Australia), 13 (Thailand), 12A (UK), PG-13 (USA)

OUR ETERNALS REVIEWS

David Griffiths’ Eternals Review:

Another week, another Marvel film. That is certainly the way it feels at the moment. Shang-Chi And The Legend of The Ten Rings is still in cinemas and we have Venom: Let There Be Carnage and a new Spider-Man movie being released in the next couple of months. Now this week we have Eternals being released and once again we see that the Marvel juggernaut is deciding to do things differently with this ‘phase’ of the Marvel Universe.

Shang-Chi was the first step away from what the loud, brash films that fans right around world came to know and love. It had its fair share of battle sequences but the Asian cinema influence on the film was very clear and now with Eternals we see Marvel try something else new – alternative film-making.

Directed by Oscar-winning director Chloe Zhao (Nomadland) Eternals does everything it can do to try and separate itself from Marvel’s past but you could argue that the film doesn’t exactly tick off all of its goals even though it is still an enjoyable watch.

The film centres around a group of heroes (literally Gods) sent to this Earth thousands of years ago to protect humanity from beings known as Deviants. Over the years relationships formed between the Eternals – Ikaris (Richard Madden – Cinderella) and Cersei (Gemma Chan – Let Them All Talk) got married and then broke up while for her own mental stability Gilgamesh (Ma Dong-seok Train To Busan) took Thena (Angelina Jolie – Maleficent) away from humanity completly.

Now in modern times Cersei is living in London with Sprite (Lia McHugh – The Lodge) and is romantically attached to a human – the intelligent Dane Whitman (Kit Harington – Game Of Thrones) but their world is suddenly turned upside down when the thought-to-be-extinct Deviants suddenly reappear and begin attacking the Eternals themselves.

To be honest there are more Eternals in this film than I can mention here and that is one of the biggest flaws of this film. There are so many characters here that it is difficult to find yourself getting attached to any of them. Sure Druig (Barry Keoghan – Dunkirk) and Kingo (Kumail Nanjiani – Stuber) stand out because of their over the top personalitites but too many of the other Eternals become background noise as the audience focuses on Thena, Ikaris and Cersei. This feels like an ensemble film like The Avengers or the later X-Men movies but the issue is the audience really hasn’t had time to get to know the characters yet.

Still there are more plusses than negatives to the film. The characters that do stand-out are instantly likable and it is easy to see that at some time stand-alone films will be needed especially for Cersei and Thena and in a way you do find yourself liking the characters so much that you almost wish that this was the start of a television series that could allow you to see the characters become fleshed out a little more.

As a director Chloe Zhao does all she can to give this film its own identity. She tries to bring in more characterisation and introduces a more ‘adult’ feel to the film with scenes of romance and sex. It works, as does Zhao’s expert way of showing how the Eternals have co-existed with humans throughout the ages but at the end of the day this is Marvel movie and at some time Zhao had to bite the bullet and deliver some action sequences.

Yes, Zhao does steer the film away from AC/DC laden city crushing sequences and while the forest battle that ensues after the Eternals reunite with Druig works really well with its Asian cinema inspired feel the grand finale of this film lacks that memorable moment that it should have had. Yes, it moved the characters’ journeys along a lot and revealed a lot of secrets that begin a whole new adventure but even with volcanoes and rising statues it lacks the ‘wow’ factor that it needed.

Having said that though Eternals is still a worthy watch. It does introduce the audience to some characters that you feel are going to be very important going forward and it is obvious that Gemma Chan and Angelina Jolie had a lot of fun with their roles. Likewise the alternative feel throughout the film does work well but sadly the film is a little over-shadowed by the ‘transition’ feel that is ever present as fans everywhere get used to Marvel films without Iron-Man and Captain America. To sum up though – Eternals is really only for the hardcore Marvel fans.

Dave’s rating Out Of 5

Average Subculture Rating:

Other Subculture Eternals Reviews:

Nil

Trailer:

 

Summary: Two friends with very different ideals start a beauty company together. One is more practical while the other wants to earn her fortune and live a lavish lifestyle.

Year: 2020

Australian Cinema Release Date: 23rd January 2020

Thailand Cinema Release Date: TBA

Australian DVD Release Date: TBA

Country: United States

Director: Miguel Arteta

Screenwriter: Sam Pitman, Adam Cole-Kelly

Cast: Jaylah Alise (Young Mia), Caroline Arapoglou (Brook), Rose Byrne (Mel Carter), Catherine Carlen (Aunt Margo), Jennifer Coolidge (Sydney), Aaron Dominguez (Justin), Ari Graynor (Angela), Brittany Guess (Ellie), Tiffany Haddish (Mia), Ryan Hansen (Greg), Salma Hayek (Claire Luna), Lisa Kudrow (cameo), Vanessa Merrell (Lux), Veronica Merrell (Zaylee),  Mackenzie Messick (Mackenzie), Donece Monk (herself), Billy Porter (Barrett), Natasha Rothwell (Jill), Melissa Saint-Amand (Jess), Karan Soni (Josh), Jessica St. Clair (Kim), Jimmy O. Yang (Ron), Lana Young (Shay Whittmore)

Running Time: 83 mins

Classification: M (Australia) TBC (Thailand)

 

 

OUR LIKE A BOSS REVIEWS & RATINGS:

 

Dave Griffiths’ Review


 

 

Kyle McGrath’s Review

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:  Like a Boss (2020) on IMDb

 

Other Subculture Entertainment Like A Boss Reviews: N/A

Trailer:

The Hitman's Bodyguard

Few trailers have had people talking as much this year as the trailer for The Hitman’s Bodyguard – let’s face it if you’re an action junkie then this is going to be one of the best films of the year. The film sees Ryan Reynolds team up with action star Samuel L. Jackson.

Directed by Australian director Patrick Hughes, who showed enough with his debut film Red Hill to find himself in charge of The Expendables 3, The Hitman’s Bodyguard sees the legend himself Samuel L. Jackson play a character that needs to be protected by Reynolds, an actor who has shown in recent years that he is no slouch when it comes to action either – think Deadpool and Safe House for some of his best action work.

“I play a guy called Michael Bryce who suffers from extraordinary hubris,” says Reynolds with a huge grin on his face. “He is an executive protection agent, he is a self-proclaimed Triple A rated executive protection agent. Early on in the movie he loses a client and that sends him down a kind of shame spiral – his life then sort of unravels and this superficial existence that he had is all kind of lost. When we find him at the beginning of the film he is still actually believing that he is a much lower-rent protection agent, but he is still the best in the business he’s just taken a little bit of a fall from grace. He is then asked by a former flame of his, somebody that he used to be really in love with or perhaps still is, named Amelia from Interpol for help, she needs his services immediately. She’s not really asking him for his services she is telling him. So he complies, shows up and finds that his charge is a hitman who he has had a number of encounters with in the past so in a nut-shell my job is to protect a man who has spent the better part of a decade trying to kill me. These guys couldn’t be more polarised when we meet them but as we move through the film they both seem to get a begrudged love and respect for each other, and it is a love story. To me that is the story of the film – it is a love story wrapped in this whole crazy, zany action set-piece.”

Reynolds says when he first read the script he knew exactly who he wanted to have starring alongside him in the film. “Early on when I read the script the first thing I said to my agents was can we get Sam Jackson because I’d done an animated film with him years ago called Turbo and they paired us together for the junkets and we had great chemistry and I remember making a mental book note at the moment and thinking ‘oh if I ever find a kind of two-hander movie this would be a good guy to do it with and it proves in my opinion that we were right. We have a good thing going – and I think that is nice.”

Early critics screening of The Hitman’s Bodyguard has seen critics talking about the fact that this isn’t just your average action film and that is something that Reynolds agrees completely with “There is a certain heightened tone to this film and I think the audience are going to be excited to see that we embrace that tone in a wonderful way,” he explains. “You can have these amazing action sequences but they aren’t really ladened down with these depressing emotional spirals they are all kind of uplifting and fun, and you know every set-piece is very unique, it has its own beginning, middle and end and I think audiences are going to find it is one of those movies that just zips past so much that when you get to the end you’re like ‘what… I want thirty minutes more. I want to see these guys together more.’ At the end though we take them on a real adventure.”

Teaming up with Reynolds and Jackson in the film is Salma Hayek who moves away from some of the comedies that she has been doing recently – Sausage Party, Grown-Ups etc – and one again returns to the action genre. Here she plays Sonia – the wife of Samuel L. Jackson’s hit-man character, Darius.

“Sonia is a fantastic character,” says Hayek when she is asked to explain her character. “She is a married woman but her marriage is a little bit unusual because she is married to a hitman and she is not an outlaw but she is really, really tough. If anybody can handle by husband who is insane and very, very dangerous it is definitely Sonia. Everything that happens happens because Darius is in love with me, and he is so in love with me that everything he does is to prove his love for her. So it is really a love story and they have this amazing, wonderful, passionate, crazy relationship and even in the few moments where you get to see it it’s insane and romantic and full of fire in every way. You definitely get a glimpse of the fact that this woman is his match.”

For Hayek she says one of the highlights of working on The Hitman’s Bodyguard was certainly getting to work with Samuel L. Jackson. “I love Sam,” she says laughing. “I had been a fan for many, many years. He’s a legend and I was so excited that I got a chance to work with him and it ended up being so easy and it’s been fabulous to be his wife – his crazy, crazy wife – and she is very unpredictable and in a way very volatile, but he is still very solid, he is still a very stable character but with her you never know what she is going to say – you never know what is going to come out of her mouth. I think that is what makes her special. One very special trait of my character is that she has the dirtiest mouth of any character that I have ever played, and I have played characters with dirty mouths before. I say so many dirty things, bad words and I repeat them one after another and I have to say I love her. She is cuckoo but I love her.”

 

The Hitman’s Bodyguard is screening now.

Wes Craven

We take a look at who were the most popular stars online this week.

  1. Wes Craven
  2. Jaclyn Swedberg
  3. Tom Hardy
  4. Alexandra Daddario
  5. Alicia Vikander
  6. Rami Malek
  7. Wagner Moura
  8. Alycia Debnam-Carey
  9. Rebecca Ferguson
  10. Frank Dillane
  11. Chloe grace Moretz
  12. Margot Robbie
  13. Rachel McAdams
  14. Salma Hayek
  15. Hayden Panettiere
  16. Scott Eastwood
  17. Boyd Holbrook
  18. Alexa PenaVega
  19. Emily Ratajkowski
  20. Johnny Depp
  21. Kim Dickens
  22. Peggy Lipton
  23. Emilia Clarke
  24. Jake Gyllenhaal
  25. Shailene Woodley

The Good The Bad The Ugly Film Show

You know what it is like you pick up a DVD and think “hey so-and-so is in it, looks like it may be good”. Then you watch it and think “man why did they slum themselves in that awful piece of trash?” In The Good The Bad The Ugly Film Show Ep # 57 Greg, Adam Dave and Nick took a look at good actors in bad films, here’s the lists they came up with.

 

ADAM ROSS’ LIST

Sean Connery

  • Matt Damon (Euro Trip)
  • Jeremy Irons (Dungeons & Dragons)
  • Emma Thompson (Beautiful Creatures)
  • Jared Harris (The Mortal Instruments: City Of Bones)
  • Uma Thurman (Batman & Robin)
  • George Clooney (Batman & Robin)
  • Entire Cast (The Counselor)
  • Robert De Niro (Rocky & Bullwinkle)
  • Liam Neeson (Battleship)
  • Ralph Fiennes (Maid In Manhatten)
  • Samuel L Jackson (Snakes On A Plane)
  • Michael Caine (Jaws: The Revenge)
  • Sean Connery (The League Of Extraordinary Gentlemen)
  • Mickey Rourke (every second movie)
  • Nicolas Cage (every second movie)

DAVID GRIFFITHS’S LIST

Michael Shannon

  • Rose Byrne (Insidious)
  • Michael Shannon (My Son My Son What Have You Done)
  • Toni Collette (Mental)
  • Joseph Gordon-Levitt (Runner Runner)
  • Bryan Cranston (Total Recall)
  • Tom Hardy (This Means War)
  • Tom Hanks (Extremely Loud & Incredibly Close)
  • Ben Affleck (Daredevil)

GREG KING’S LIST

Joseph Gordon Levitt

  • Hugh Jackman (Movie 43)
  • Kate Winslet (Movie 43)
  • Liev Schreiber (Movie 43)
  • Naomi Watts (Movie 43)
  • Al Pacino (Jack & Jill)
  • Jodie Foster (Catchfire)
  • Helen Mirren (Shadow Boxer)
  • Joseph Gordon-Levitt (Shadow Boxer)
  • Stephen Dorff (Shadow Boxer)

 

NICK GARDENER’S LIST

Robert De Niro

  • Laurence Olivier (Inchon)
  • Dustin Hoffman (Ishtar)
  • Warren Beatty (Ishtar)
  • Dustin Hoffman (Sphere)
  • Samuel L. Jackson (Sphere)
  • Bridget Fonda (Lake Placid)
  • Brendan Gleeson (Lake Placid)
  • Russell Crowe (Les Miserables)
  • Michael Caine (On Deadly Ground)
  • Forest Whitaker (Battlefield Earth)
  • Kenneth Branagh (Wild Wild West)
  • Anthony Hopkins (Hannibal)
  • Willem Dafoe (Speed 2)
  • The Cast (Mamma Mia)
  • The Cast (Earthquake)
  • Al Pacino (Jack & Jill)
  • Steve Buscemi (Grown Ups)
  • Salma Hayek (Grown Ups)
  • Marlon Brando (The Island Of Dr Merrou)
  • George Clooney (Batman + Robin)
  • Uma Thurman (Batman + Robin)
  • Robert De Niro (Meet The Fockers, Little Fockers)
  • Sigourney Weaver (Abduction)

Grown Ups 2

Summary: The all-star comedy cast from Grown Ups returns (with some exciting new additions) for more summertime laughs.

Year: 2013

Australian Cinema Release Date: 26th September, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Dennis Dugan

Screenwriter: Fred Wolf, Adam Sandler, Tim Herlihy

Cast: Steve Austin (Tommy Cavanaugh), Maria Bello (Sally Lamonsoff), Cameron Boyce (Keithie Feder), Steve Buscemi (Wiley), Ellen Cleghorne (Mary Fluzoo), Marilyn Cortez (herself), Peter Dante (Officer Dante), Dennis Dugan (Dr. Larry), Kaleo Elam (Ronnie Mackenzie), Georgia Engel (Mrs. Lamonsoff), Frank Gingerich (Bean Lamonsoff), Morgan Gingerich (Bean Lamonsoff), Jake Goldberg (Greg Feder),  Kevin Grady (Muzby), Paulina Gretzky (Daisy), Salma Hayek (Roxanne Chase-Feder),Erin Heatherton (Ginger),  Oliver Hudson (Kyle), Kevin James (Eric Lamonsoff), Nadji Jeter (Andre Mckenzie), Ebony Jo-Ann (Mama Ronzoni), Michael Kay (Coach Romey), Taylor Lautner (Frat By Andy), Alexander Ludwig (Braden), China Anne McClain (Charlotte Mckenzie), Kamil McFaddin (Bumpty), Tim Meadows (Malcolm), Aly Michalka (Savannah), Richie Minervini (Principal Tarrdio), Shaquille O’Neal (Officer Fluzoo), Cheri Oteri (Penny), Alex Poncio (Duffy), Colin Quinn (Dickie Bailey), Chris Rock (Kurt McZenzie), Maya Rudolph (Deanne McKenzie), Halston Sage (Nancy Arbuckle), Alexys Nycole Sanchez (Becky Feder), Adam Sandler (Lenny Feder), Jackie Sandler (Jackie Tardo), Sadie Sandler (Sadie Tardo), Sunny Sandler (Sunny Tardo), Ada-Nicole Sanger (Donna Lamonsoff), Patrick Schwarznegger (Frat Boy Cooper), David Spade (Marcus Higgins), Nick Swardson (Nick), Milo Ventimiglio (Frat Boy Milo)

Runtime: 98 mins

Classification:PG

OUR REVIEWS/RATINGS OF ‘GROWN UPS 2’:

David Griffiths: Stars(2)

Please check Dave’s review of ‘Grown Ups 2’ that is available on The Helium Entertainment Channel

Greg King: Stars(2.5)

Please check Greg’s review of ‘Grown Ups 2’ that is available on The Good The Bad The Ugly Ep 51

Nick Gardener: Stars(1.5)

Please check Greg’s review of ‘Grown Ups 2’ that is available on The Good The Bad The Ugly Ep 51

Average Subculture Rating (out of 5): Stars(2)

IMDB Rating:  Grown Ups 2 (2013) on IMDb

Other Subculture Media Reviews of ‘Grown Ups 2′: Please check The Good The Bad The Ugly Ep 51 for a more in depth review of ‘Grown Ups 2’.

Trailer: