Tagged: Ethan Suplee

Summary: Two women face off as a deadly game called The Hunt goes completly off track.

Year: 2020

Australian Cinema Release Date: TBA

Thailand Cinema Release Date: 12th August 2020

Australian VOD Release Date: 9th April 2020

Country: USA

Director: Craig Zobel

Screenwriter: Nick Cuse, Damon Lindelof

Cast: Hannah Alline (Flight Attendant/Not Stewardess/Kelly), Usmine Ally (Crisis Mike), Alexander Babara (Bojan), Walter Babington (Bandana Man), Ike Barinholtz (Staten Island), Christopher Berry (Target), Reed Birney (Pop), Macon Blair (Fauxnvoy), Steve Coulter (The Doctor), Sylvia Grace Crim (Dead Sexy), Wayne Duvall (Don), Ariel Eliaz (Dino), Betty Gilpin (Crystal), Glenn Howerton (Richard), Jason Kirkpatrick (Rannnndeeee), Jim Klock (Captain O’Hara), J.C. MacKenzie (Paul), Amy Madigan (Ma), Steve Mokate (Sgt. Dale), Kate Nowlin (Big Red), Vince Pisani (Peter), Emma Roberts (Yoga Pants), Sturgill Simpson (Vanilla Nice), Charlie Slaughter (Young Crystal), Ethan Suplee ((Shut The F**k Up) Gary), Hilary Swank (Athena), Dean J. West (Martin), Teri Wyble (Liberty), Tadasay Young (Nicole)

Running Time: 90 mins

Classification: MA15+ (Australia), 18 (Thailand)

 

 

OUR THE HUNT MONSTER REVIEWS & RATINGS:

 

Dave Griffiths’ The Hunt Review:

In a year where people have learnt to embrace films in ways that they haven’t previously the one genre that seems to have topped all others has been the horror genre. While The Wretched topped the US Box Office just before the lockdown Leigh Whannell’s The Invisible Man found itself scoring five star reviews from some of the world’s top film journalists.

While those two results seemed to surprise fans of the genre the film they were eagerly anticipating was director Craig Zobel’s (Compliance) The Hunt. The excitement around the release was hardly surprising – Zobel’s post-apocalyptic thriller Z For Zachariah is one of the most under-rated films of the last decade while The Hunt was the latest film to come out of Blumhouse stable, a production company who rarely produce a dud.

The film itself is basically an adult version of The Hunger Games with some extra quirk thrown in for good measure. The opening scenes of The Hunt pretty much The Hunger Games but do quickly establish that characters like Crystal (Betty Gilpin – Stuber) are involved in a deadly game that has been set up by the mysterious Athena (Hilary Swank – Million Dollar Baby) But what exactly is the game that Crystal has found herself in? And why the hell has Athena set something up some vicious and cruel?

Those are the questions that the audience are asked to explore, but to be honest the road to getting those answers is un-original and at times plain boring. While the screenwriting team of Nick Cuse (Watchmen) and Damon Lindelof (Lost) try to give the film its own originality with some quirky Kevin Smith style black humour it does nothing to lift any interest in the film’s plot at all.

While the idea of losing characters on mass and at a whim throughout the early stages of the film may have made the script look like a horror film with a difference it just doesn’t work on the screen. Introducing characters and then having them killed or disappearing straight away makes it nearly impossible for the audience to get a vested interest in the film. It is also does nothing but waste the talents of quality performers like Emma Roberts (We’re The Millers).

While the film does gain a little bit of traction when it becomes a battle between Crystal and Athena even that comes to a crashing end with a lacklustre finale that any decent horror fan will have seen close a film a million times previously. To be honest that little battle royale comes a little bit too late for the interest of the audience as well. The film’s inability to engage its audience early on really does mean that you never really care for Crystal the way you should and again there are a lot of scenes throughout the film that are just too similar to other recent films like Peppermint.

The only winner out of this film is the star Betty Gilpin. While everyone falls around her her performance as Crystal is enough to at times back you forget the clichés that is holding the film back. She brilliantly delivers whatever is thrown at her – action, gore and black comedy. Her scenes with Hillary Swank are at times the only things making the film watchable and for that Gilpin deserves a lot of credit.

The Hunt never really lives up to the hype that came before it. Fans of genuine horror will give it a wide berth after just one viewing while it’s quirkiness and gore is probably enough to put off the casual cinema goer. If you’re looking for a decent gorey, catch-me-if-you-can horror then bypass The Hunt and try to find a way to watch Tony D’Aquino’s The Furies instead.

 

The Hunt is rated 18. It is available on a number of streaming services and will open in select Thai cinemas on August 12th.

 

 

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:

The Hunt (2020) on IMDb

Other Subculture Entertainment The Hunt Reviews:

Nil.

 

Trailer:

 

Summary: With the backdrop of 1950s Brooklyn a young Private Investigator decides to try and solve the crime that led to his boss’s death.

Year: 2020

Australian Cinema Release Date: 27th February 2020

Thailand Cinema Release Date: TBA

Australian DVD Release Date: 30th May 2020

Country: United States

Director: Edward Norton

Screenwriter: Edward Norton, Jonathan Letham (novel)

Cast: Nelson Avidon (Jacob Gleason), Alec Baldwin (Moses Randolph), Bobby Canavale (Tony Vermonte), Willem Dafoe (Paul Randolph), Cherry Jones (Gabby Horowitz), Leslie Mann (Julia Minna), Gugu Mbartha-Raw (Laura Rose), Edward Norton (Lionel Essrog), Joyce O’Connor (Cindy Fleming), Josh Pais (William Lieberman), Dallas Roberts (Danny Fanti),  Fisher Stevens (Lou), Ethan Suplee (Gilbert Coney), DeShawn White (Betty), Bruce Willis (Frank Minna), Robert Wisdom (Billy Rose)

Running Time: 124 mins

Classification: M (Australia), TBC (Thailand), 15 (UK), R (USA)

 

 

OUR MOTHERLESS BROOKLYN REVIEWS & RATINGS:

 

Dave Griffiths’ Motherless Brooklyn Review:

Over the years I have always found myself intrigued by those people in Hollywood whose careers seem to go through weird unexplained ups and downs. Two examples are Keanu Reeves and Ethan Hawke – both actors were at the top their game and then suddenly just seemed to have a string of straight-to-DVD movies, some of which were so good that you couldn’t help but wonder why they never received the cinema release they so deserved.

Another that should be on that list is Edward Norton as a filmmaker. Flashback twenty years ago and on the hunch of a friend I watched a movie with one of the weirdest synopsis of all time. The film was called Keeping The Faith and featured Ben Stiller as a Rabbi and Norton as a Priest, they then both fall in love with the same woman played by then television darling Jenna Elfman. It was an interesting enough film, but was also the only film that Norton had directed right up to this year. That is surprising when you consider that as a filmmaker his debut film was a success and that he has actuallu been linked to a number of other films over the years. Now twenty years later Norton helms Motherless Brooklyn, one of the most criminally under-rated films of 2020.

Based on a novel by Jonathan Lethem (which is now on my must read list) Motherless Brooklyn is set in 1950s New York and follows the story of a lonely Private Detective suffering from Tourettes named Lionel Essrog (Norton – Hulk). When his boss Frank Minna (Bruce Willis – Signs) is killed Lionel decides to take over his case and soon finds himself lost in a world of crime, underground jazz clubs and politics.

For me to give away too much of the plot of Motherless Brooklyn would be criminal. All I will say is that it is a film that contains all the elements that a great noir Detective story should have. Intrigue, suspense, a plot with twists and turns at every point and of course the Femme Fatale that you are never really sure can be trusted or not – here beautifully played by Gugu Mbatha-Raw (Belle).

What won me over with this film though is the brilliant plot and an amazing performance by Norton and the cast around him. I love a film that I can’t predict the twists and turns of and that is certainly the case here. As characters like Paul (Willem Dafoe – Spider-Man) and Moses Randolph (Alec Baldwin – The Departed) come into Lionel’s world it is impossible to tell who is telling the truth and who is lying.

I’ll be honest there were times that Motherless Brooklyn had me on the edge of my seat. It felt like Norton may have grown up on the same dose of Humphrey Bogart movies I did as he is the kind of director that has learnt that you don’t a huge action sequence to raise suspense, he can skilfully achieve that same intensity from tipping the audience off to the fact that a character is being untruthful or is concealing a weapon. For me there were times when this was almost heart-in-mouth kind of stuff and that is one of the reasons why this film will stay with me for a long time.

I can only describe this film as the perfect noir thriller. I was stunned at Norton’s brilliant, but reined in performance in which he manages to juggle Tourettes’ ticks with strong suspenseful scenes alongside some of the Hollywood’s elite. Given that he juggles that with directional duties on a film that explores topics as diverse as interracial relationships during the 1950s and Government corruption and I can only concur that Norton is one of the best filmmakers Hollywood has right now.

Very few films have ever made me feel like I wanted to turn around and walk straight back into the cinema to watch it again – but that is exactly how Motherless Brooklyn made me feel. This is a beautiful suspense film that showcases some of Hollywood’s best acting talents while never losing its unique noir feeling.

 

 

 

Average Subculture Rating:

 

 

IMDB Rating:  Motherless Brooklyn (2019) on IMDb

 

Other Subculture Entertainment Motherless Brooklyn Reviews: N/A

Trailer:

Deepwater Horizon

Summary: A story set on the offshore drilling rig Deepwater Horizon, which exploded during April 2010 and created the worst oil spill in U.S. history.

Year: 2016

Australian Cinema Release Date: 6th October 2016

Australian DVD Release Date: TBA

Country: USA

Director: Peter Berg

Screenwriter: Matthew Michael Carnahan, Matthew Sand

Cast: Joel Allen (Old Man Carl), Stella Allen (Sydney), Jonathan Angel (Gordon Jones), Peter Berg (Mr. Skip), Robert Walker Branchaud (Doug Brown), Anthony Centonze (Dan Barron/Roughneck #1), Joe Chrest (Sims), James DuMont (O’Bryan), J.D. Evermore (Dewey A. Revette), Henry Frost (Shane M. Roshto), Douglas M. Griffin (Landry), Garrett Hines (Wyman Wheeler), Michael Howell (Roy Wyatt Kemp), Kate Hudson (Felicia), Jason Kirkpatrick (Aaron Dale Burkeen), Garrett Kruithof (Karl Kleppinger Jnr.), Brad Leland (Kaluza), David Maldonado (Kuchta), John Malkovich (Vidrine), Terry Milam (Keith Blair Manuel), Dylan O’Brien (Caleb Holloway), Mayla Parker (Natlie (voice)), Jason Pine (Stephen Ray Curtis), Gina Rodriguez (Andrea Fleytas), Kurt Russell (Jimmy Harrell), Jeremy Sande (Adam Weise), Juston Street (Anthony Gervasio), Ethan Suplee (Jason Anderson), Deneen Tyler (Paula Walker), Mark Wahlberg (Mike Williams), Ronald Weaver (Donald Clark)

Runtime: 107 mins

Classification: M

OUR DEEPWATER HORIZON REVIEWS & RATINGS:

 

David Griffiths:

Peter Berg (Friday Night Lights) has to be one of the most underrated film directors going around. Barring the ill-fated Battleship Berg has created always created films and television shows that felt as natural as can be. Lone Survivor made the audience feel that they were right there on the battlefield while many made the mistake of watching Friday Night Lights and thought they were watching a reality television show about a High School football team. Now Berg has taken that natural style of film-making and introduced it to the disaster film genre.

Deepwater Horizon tells the true story of electrician Mike Williams (Mark Wahlberg – Lone Survivor) who in 2010 left his wife, Felicia (Kate Hudson – Almost Famous), and once again went to work on the oil rig named ‘Deepwater Horizon’ in the Gulf Of Mexico. What he didn’t know was that on that fateful day due to poor work safety practices by BP an accident would occur that would cause the rig to erupt into flames. Suddenly Mike and his colleagues including his boss Mr. Jimmy (Kurt Russell – The Thing), radio operator Andrea Fleytas (Gina Rodriguez – Filly Brown), hard worker Caleb Holloway (Dylan O’BrienThe Maze Runner) and BP representative Vidrine (John Malkovich – Red 2) all find themselves fighting for their lives.

As a filmmaker Berg should be congratulated for his work with Deepwater Horizon. It was no secret that some of the survivors of the real Deepwater Horizon disaster were hesitant in wanting this film to be made, but they need not of worried. Berg certainly doesn’t ‘trivialize’ the memory of the men who died on that fateful day by making this a popcorn action film. Instead he makes this a character drama about not only the men who died on that day but also shows the world the valiant actions of people like Mike Williams whose brave acts saved many of the workers. To his credit Berg also doesn’t hide the facts of exactly what happened that day – no he points the finger firmly at BP without any hesitation even though he wouldn’t have known how the huge corporation would have reacted to it.

Many films these days claim to be suspenseful but few filmmakers have the skills to make the audience feel as part of the action and suspense as Berg does here. While with Lone Survivor the audience felt they were there on the side of the hill during the battle here Berg’s realistic style of directing makes the audience feel you are right there on the rig with Mike… you even at times feel like you can feel the heat of the flames against your skin.

Berg’s filmmaking is also well supported by his screen writers who don’t waste time making this film too scientific. The audience is given bite-sized pieces of information about what an oil rig does and what has gone wrong here but they never forget that at the heart of this film it is a character drama. So instead of focusing on the ins and outs of the rig they concentrate the suspense around a man trying to get home to his daughter and wife and a scared woman trying to survive in order to see her partner again. The fact that little things like a dinosaur tooth for show-and-tell and car problems back home are so seamlessly inserted into the script just go even further into humanizing this story. Having said that though it is also important to point out the Berg and his cinematographer, Enrique Chediak (The 5th Wave), also create some amazing action sequences as the rig burns against a night sky.

As a director Berg also brings the best out in his cast. Here Mark Wahlberg delivers the best of both worlds as he plays the action hero extremely well but also has the dramatic acting ability to pull off the character driven elements of the screenplay as well. Kurt Russell also benefits from one of the more meatier roles he has been given over the years and he is well matched by John Malkovich who is technically this film’s ‘bad guy.’ Despite her limited screen time Kate Hudson is also one of the standouts of the film.

Deepwater Horizon is proof that a modern day disaster film can actually find the right mix of action and character drama. Brilliant directing by Peter Berg makes this one of the must see films of 2016.

Stars(4)

 

 

 

Average Subculture Rating (out of 5):  Stars(4)

 

IMDB Rating:  Deepwater Horizon (2016) on IMDb

 

Other Subculture Entertainment Deepwater Horizon Reviews: Nil

Trailer:

The Wolf Of Wall Street

Summary: Jordan Belfort (DiCaprio) is the son of an accountant, hoping to make it big on Wall Street as a stockbroker. Following the crash of 1987 Belfort reinvents himself with the help of Donnie Azoff (Jonah Hill) and close group of unscrupulous friends, starting brokerage firm Stratton Oakmont. Rapidly becoming wealthy beyond his wildest dreams, Belfort develops a hard-partying lifestyle that soon attracts the attention of federal government.

Year: 2014

Australian Cinema Release Date: 23rd January, 2014

Australian DVD Release Date: TBA

Country: Australia

Director: Martin Scorsese

Screenwriter: Terence Winter, Jordan Belfort (book)

Cast: Ashlie Atkinson (Rochelle Applebaum), Jon Bernthal (Brad), Loretta O. Booz (Wendy), P.J. Byrne (Nicky ‘Rugrat’ Koskoff), Chris Caldovino (Rocco #1), Katarina Cas (Chantalle), Aya Cash (Janet), Kyle Chandler (Agent Patrick Denham), Kenneth Choi (Chester Ming), Robert Clohessy (Nolan Drager), Shea Coleman (Skylar Belfort (14 months old)), Carla Corvo (Pam), Dan Daily (Honorary Raymond Samitz), Leonardo DiCaprio (Jordan Belfort), Bo Dietl (himself), Jean Dujardin (Jean Jacques Saurel), Christine Ebersole (Leah Belfort), Giselle Eisenberg (Skylar Belfort (4 Years Old)), Michael Engberg (Smith), Jon Favreau (Manny Riskin), Danny Flaherty (Zip), Marcus Antonio Gonzalez (Rocco #2), Ted Griffin (Agent Hughes), Jonah Hill (Donnie Azoff), Jake Hoffman (Steve Madden), Christina Jeffs (Venice), Spike Jonze (Dwayne), Dustin Kerns (Ben Jenner), Stephen Kunken (Jerry Fogel), Stephanie Kurtzuba (Kimmie Blezer), Aaron Lazar (Blair Hollingsworth), Ben Leasure (Brantley), Fran Lebowitz (Honorary Samantha Stogel), Joanna Lumley (Aunt Emma), J.C. MacKenzie (Lucas Soloman), Johnnie Mae (Violet), Rizwan Manji (Kalil), Matthew McConaughey (Mark Hanna), Madison McKinley (Heidi), Mackenzie Meehan (Hildy Azoff), Cristin Miliroti (Teresa Petrillo), Ron Nakahara (Rocky Aoki), Michael Nathanson (Barry Kleinman),  Sandra Nelson (Aliyah Farran), Dierdre Reimold (Nicole), Rob Reiner (Max Belfort), Margot Robbie (Naomi Lapaglia), Barry Rothbart (Peter DeBlasio), Brian Sacca (Robbie ‘Pinhead’ Feinberg), Jon Spinogatti (Nicholas the Butler), Ethan Suplee (Toby Welch), Natasha Newman Thomas (Danielle Harrison), Emily Tremaine (Cristy), Shea Whigham (Captain Ted Beecham), Joe Zaso (Bernardo), Henry Zebrowski (Alden ‘Sea Otter’ Kupferberg)

Runtime: 180 mins

Classification:R18+

OUR WOLF OF WALL STREET REVIEWS & RATINGS

Adam Ross: Stars(5)

Please check Adam’s The Wolf Of Wall Street review of that is available on The Good The Bad The Ugly Film Show Ep #65

 

Greg King: Stars(3.5)

Please check Greg’s The Wolf Of Wall Street review of that is available on www.filmreviews.net.au

Nick Gardener: Stars(3.5)

Please check Nick’s The Wolf Of Wall Street review that is available on Southern FM

David Griffiths:

First I do have to admit a real bias when I am reviewing The Wolf Of Wall Street – I am an avid Martin Scorsese film and also an avid Leonardo DiCaprio, yes I have been in heaven for the past few years while they are collaborated together on five films. And yes while films such as Shutter Island and The Departed would make my ‘Greatest Films Ever Made’ list, I am not biased enough to admit that these two have made some ordinary films together, especially The Aviator.

So where does The Wolf Of Wall Street fit on the Leonardo DiCaprio/Martin Scorsese scale. Well to be honest it is pretty bloody high up, because this is a good… no make that… great film. But to preface that I should say this film does go above and beyond to get its R18+ rating because Scorsese has pretty much made a film about a world of sleaze.

Under Scorsese’s wonderful direction DiCaprio plays Jordan Belfort, a young man who is introduced into the world of Wall Street finance by the ‘out there’ Mark Hanna (Matthew McCounaughey) who teaches Jordan the things he needs to succeed are cash, drugs and sex… and that you get them anyway you can.

Jordan’s first journey into Wall Street though doesn’t last after the crash of 1987 and soon Hanna disappears out of the picture and Jordan is left to resurrect himself, this time through a backyard operation that pretty much just sells worthless penny deals. But Jordan sees promise in that and soon he, and his new found buddy the loud Donnie Azoff (Jonah Hill), begin their new operation that has the sole aim of making them money.

Once Jordan is once again wealthy he again reaches Wall Street doing illegal deal after illegal deal while his weaknesses are still cash, drugs and sex… this time with his future wife, the beautiful Naomi Lapaglia (Margot Robbie). Everything is going well until a Federal Agent (played by Kyle Chandler) starts sniffing around Jordan and aims to bring him down.

With The Wolf Of Wall Street Scorsese is once again at the top of his game. He is cunning with the way that he tells this story – yes at times he glorifies the sick lifestyle that Jordan lives, but he also dramatically shows the downside of this lifestyle to the point where anybody watching the film would be an idiot to want to get involved in the finance world. At times Jordan appears to be a God, but that image is shattered when Scorsese allows the grime to reach the surface in shocking acts such as seeing Jordan punch his wife in the stomach. Those that criticize The Wolf Of Wall Street and point out that Scorsese is trying to glorify this film are on the wrong track completely because he is trying to do anything but that.

The critics that have pointed out that Scorsese goes back and reuses some of his old Goodfellas style are right, but always the inventor Scorsese also uses comedy to full affect in The Wolf Of Wall Street… perhaps to give his audience a rest from the onslaught, while he is also creative in the way that he allows Jordan to narrate this film, especially in the sense that Jordan seems to be able to pick and choose what he feels the audience will understand. He may be in his seventies but at least Scorsese is still a director willing to try new things.

Once again Scorsese also gets the best out of Leonardo DiCaprio. Just like he did in Django Unchained DiCaprio relishes the fact that he gets to play an unlikable character here and he is well deserved of all the awards he has been nominated for. But this isn’t just the DiCaprio show, oh no Matthew McConaughey steals the show with his brief performance, Kyle Chandler is once again smooth in his role while Jonah Hill provides more than just comedic relief showing that he is a genuine dramatic actor these days. However the person that deserves a big tick for The Wolf Of Wall Street is Australian actress Margot Robbie who shows that she is more than just a pretty face and delivers some intense acting during her sometimes vicious scenes with DiCaprio. Yes she well and truly deserves her ‘star on the rise’ label.

As previously mentioned The Wolf Of Wall Street is not a film that will be enjoyed by all. It is a powerful, and yes at times graphic film. It may be a little long (some of the scenes wouldn’t have suffered if the editor had been a bit more brutal) but this film once again shows why Martin Scorsese is a living legend when it comes to filmmaking.

Stars(4)  

Average Subculture Rating (out of 5): Stars(4)

IMDB Rating:  The Wolf of Wall Street (2013) on IMDb

Other Subculture Media Reviews of ‘The Wolf Of Wall Street′: Please check The Good The Bad The Ugly Film Show Ep #65 for our full The Wolf Of Wall Street review.

Trailer: