Tagged: Geoffrey Rush

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Transmission Films invites Australian audiences on a personal journey through Australian cinema with David Stratton, our most revered film critic, when DAVID STRATTON: A CINEMATIC LIFE releases in cinemas this year.
DAVID STRATTON: A CINEMATIC LIFE is an intimate journey with David Stratton, from his first boyhood cinema experience in England, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy.
While David turned his passion for cinema into a profession, a growing band of courageous Australians turned their enthusiasm for storytelling into an extraordinary body of work. Alongside David, this absorbing documentary includes commentary from some of the most recognisable names in Australian cinema including Gillian Armstrong, Eric Bana, Bryan Brown, Russell Crowe, Judy Davis, Nicole Kidman, George Miller, Sam Neill, Geoffrey Rush, Fred Schepisi, Warwick Thornton, Jacki Weaver and Hugo Weaving.
“David Stratton is a true champion of Australian cinema. The opportunity to share his unique personal story on the big screen is a privilege,” said Transmission Films Joint Managing Director Andrew Mackie.
DAVID STRATTON: A CINEMATIC LIFE is written and directed by Sally Aitken (Getting Frank Gehry, Streets of Your Town) and produced by Jo-anne McGowan and executive produced by Jennifer Peedom (Sherpa).
DAVID STRATTON: A CINEMATIC LIFE will open in cinemas nationally on March 9th. David Stratton will be in attendance at select Q&A screenings across the country from late February, with more details coming soon.

Pirates Of The Caribbean

 

The Pirates Of The Caribbean: Dead Men Tell No Tales teaser trailer has just been released. The fim which is directed by Joachim Ronning and Espen Sandberg has an all-star cast including Johnny Depp, Kaya Scodelario, Orlando Bloom, Javier Bardem, David Wenham, Brenton Thwaites and Geoffrey Rush.

Pirates Of The Caribbean: Dead Men Tell No Tales will be released in Australia on the 26th May, 2017.

You can view the Pirates Of The Caribbean: Dead Men Tell No Tales teaser trailer below.

 

GoE_DVD

 

Summary: Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict.

Year: 2016

Australian Cinema Release Date: 25th February 2016

Australian DVD/Blu-Ray/On Demand Release Date: 15th August, 2016

Country: USA, Australia

Director: Alex Proyas

Screenwriter: Matt Sazama, Burk Sharpless

Cast: Rachael Blake (Isis), Emma Booth (Nephthys), Chadwick Boseman (Thoth), Bryan Brown (Osiris), Gerard Butler (Set), Nicolaj Coster-Waldau (Horus), Yaya Deng (Astarte), Courtney Eaton (Zaya), Alexander England (Mnevis), Lindsay Farris (Older Bek (voice)), Goran D. Kleut (Anubis), Abbey Lee (Anat), Robyn Nevin (Sharifa), Kenneth Ransom (Sphinx), Geoffrey Rush (Ra), Rufus Sewell (Urshu), Brenton Thwaites (Bek), Elodie Yung (Hathor)

Runtime: 126 mins

Classification: M

 

OUR GODS OF EGYPT REVIEWS & RATINGS:

 

David Griffiths:

Sometimes when a film comes out and meets negative press you have to wonder whether some of the critics were watching the same film you just did. While ‘Gods Of Egypt’ isn’t exactly an Oscar winning film it is a fun sci-fi film that really does show the creative mind of Alex Proyas (The Crow). If you’re a fan of films like The Scorpion King then you’re really going to want to give this one a look.

Set in ancient Egyptian mythology ‘Gods Of Egypt’ shows what happens after the throne is stolen from Horus (Nikolaj Coster-Waldau – ‘Game Of Thrones’) by Set (Gerald Butler – ‘300’) whose plains will bring about the destruction of humanity. With Horus’ power gone he goes into hiding, but some like the innocent Zaya (Courtney Eaton – Mad Max: Fury Road) believe he can still save humanity. After her death the love of her life, Bek (Brenton Thwaites – Maleficent), goes in search of Horus in a bid to try and save the world.

Storywise ‘Gods Of Egypt’ works just like the sci-fi films that many of us grew up watching, films like ‘Never Ending Story.’ While it might just be a little too violent for kids, this is the kind of film that can be enjoyed by teens and adults alike as it is nowhere near as violent as a film like ‘300.’ The creativity is there throughout the film and Proyas is a gifted enough director to work with his screenwriters, Matt Sazama (‘Dracula Untold’) and Burk Sharpless (‘The Last Witch Hunter’), to create a film that not only creates suspense and action but also has a storyline that will allow the audience to actually care what happens to the characters at hand.

One of the biggest criticisms levelled at this film is that the CGI and special effects don’t look as good as they should but it is very obvious that what Proyas wanted with this film was for it to look and feel like a graphic novel or comic. It is impossible to fathom that a man who brought us a films like ‘The Crow’ and ‘Dark City’ would ever deliver a film that didn’t look the way he wanted it to – especially when he had the effects team who put together ‘Mad Max: Fury Road’ working with him as well.

Perhaps one of the most fun parts of watching ‘Gods Of Egypt’ for an Australian audience is playing a simple game called ‘spot the Aussie.’ Aside from Brenton Thwaites in the lead role other Australian actors including Geoffrey Rush (‘Shine’) and Bryan Brown (‘Two Hands’) pop in roles and it is great to see them getting international expose like this. As far as the acting of the leads go Brenton Thwaites again shows that he has more than enough skill to be a leading man in an action film like this while audience members also get to see everybody’s favourite Lannister, Nikolaj Coster-Waldau, flex his acting muscle and get to play the hero for once. Also announcing herself as a future star is Courtney Eaton, the young, inexperienced, Western Australian showing experience above her years and not being overwhelmed by appearing in a blockbuster like this.

The best way to approach ‘Gods Of Egypt’ is to just look at like you’re going to watch a fun movie. This is the kind of film that is going to be loved by anybody that has any interest in mythology while some of the epic battle scenes will do more than enough to keep the action junkies very happy. Don’t get put off by the negative press and make sure you check out ‘Gods Of Egypt’.

 

Stars(3)

 

 

 

Average Subculture Rating (out of 5):   Stars(3)

 

IMDB Rating:  Gods of Egypt (2016) on IMDb

 

Other Subculture Entertainment Gods Of Egypt reviews: You can also listen to our Gods of Egypt review on The Good The Bad The Ugly Film Show Ep #167.

 

Trailer:

MIFF Premiere Fund

The State Government of Victoria has delivered a $900,000 renewal of the Melbourne International Film Festival MIFF Premiere Fund, which provides strategic minority co-financing to new Australian films that then go on to premiere at MIFF.

“The MIFF Premiere Fund’s continuation is important for MIFF, audiences, local filmmakers, and the State’s creative economy,” said MIFF Chair Claire Dobbin. “Generating a pipeline of world premieres for MIFF, and screenings for the MIFF Premiere Regional Showcase, the Premiere Fund helps MIFF remain the Southern Hemisphere’s leading film event.”

“Together with MIFF 37ºSouth Market & Accelerator, the MIFF Premiere Fund reinforces Melbourne’s position as a creative industries capital,” said MIFF Industry Director and Premiere Fund Executive Producer Mark Woods. “Securing finance for independent Australian films is always a challenge and the contribution of the Premiere Fund has helped close the financing gap on some 45 films. The Fund is also proud of its part in fostering diversity and equality with nearly 50% of the Premiere Fund titles having feature debut directors, 31% having female directors and 53% female producers, while 13% had indigenous elements, 29% CALD community elements and 9% LGBTI engagement.”

The MIFF Premiere Fund is one of a suite of MIFF Industry Programs, which also include MIFF 37ºSouth Market, Australia’s only festival-based movie financing market, and the MIFF Accelerator emerging director workshop.

With combined budgets of more than $100 million, the MIFF Premiere Fund’s 45 films include the likes of BRAN NUE DAE starring Geoffrey Rush, BALIBO starring Anthony LaPaglia, THE TURNING featuring Cate Blanchett, Rose Byrne and Hugo Weaving, feature documentaries ELECTRIC BOOGALOO and IN BOB WE TRUST and the recent hit children’s film PAPER PLANES, starring Sam Worthington and David Wenham, that grossed nearly $10 million at the local box office. Following their world premieres at MIFF, the MIFF Premiere Fund-supported films also tour regionally with the MIFF Premiere Regional Showcase and have been selected for numerous overseas festivals including Cannes, Berlin, Toronto and Sundance.

“I strongly believe our industry in Victoria and MIFF is elevated by the significant opportunities the MIFF Premiere Fund provides and so it is wonderful that the Government is continuing the MIFF Premiere Fund,” said Seph McKenna, Head of Australian Production at Roadshow Films, the distributor of MIFF Premiere Fund-supported Bran Nue Dae, These Final Hours and this year’s family hit, Victorian Director Rob Connolly’s Paper Planes. “The MIFF Premiere Fund is an investment by the Government that guarantees Melbourne remains Australia’s premier film festival for all its constituencies from punter to filmmaker.”

“It is imperative for the state of filmmaking in Victoria that both the MIFF Premiere Fund and MIFF 37ºSouth Market continue to thrive and so I am thrilled that the Government is renewing the MIFF Premiere Fund,” said Lizzette Atkins who produced Rock N Roll Nerd, The Triangle Wars, Aim High In Creation and the upcoming Looking for Grace (starring Richard Roxburgh and Radha Mitchell) with MIFF Premiere Fund assistance. “Speaking from experience, the MIFF Premiere Fund can play a critical role in a project reaching its final budget.”

“I am delighted the State Government will continue to support the MIFF Premiere Fund,” said Antony I Ginnane, who produced Last Dance and Patrick with MIFF Premiere Fund support. “The MIFF Premiere Fund has punched above its weight and each individual contribution it has made to fiction and documentary features has helped expand the quantum of Victorian production and provide vital employment.”

“I fully support the MIFF Premiere Fund – one of the most amazing film funds in Australia – if not the world!” said Veronica Fury who produced Machete Maidens Unleashed, Curse of the Gothic Symphony, First Fagin, Electric Boogloo and the upcoming Neon with MIFF Premiere Fund assistance. “It is a valuable and critical asset to Victoria and to Melbourne and so I am thrilled that the Government will allow this valuable and vital Fund to continue.”

“I wholeheartedly applaud the continuation of the MIFF Premiere Fund and its work in keeping Victorian independent film on the national and international landscape,” said producer/director Richard Lowenstein who, with Lynn-Maree Milburn, has made feature documentaries Auto Luminescent, In Bob We Trust and the upcoming Ecco Homo with MIFF Premiere Fund support.

“Finding financial support for films by new directors is increasingly difficult and the Government’s continuation of the MIFF Premiere Fund is very important for Victorian filmmakers,” said producer Philippa Campey who has produced Bastardy and Galore with MIFF Premiere Fund assistance. “I wholeheartedly support the continuation of this pivotal Fund which has become a fundamental part of our local sector and will be increasingly critical in the future with its support of quality, independent feature-length projects.”

“The wonderful thing about the MIFF Premiere Fund is it invigorates the 37ºSouth Market at MIFF and connects Victorian film-makers into the international film financing system opening up opportunities for networking and co-production that would otherwise not be there,” said producer John Moore who is producing the upcoming Putuparri & The Rainmakers with MIFF Premiere Fund support.

Captain Jack Sparrow

Production has commenced on location in Australia on Disney and Jerry Bruckheimer Films’ epic comedy adventure “Pirates of the Caribbean: Dead Men Tell No Tales,” directed by Espen Sandberg & Joachim Rønning (“Kon-Tiki”), the fifth entry in the blockbuster franchise inspired by the classic Disney Theme Parks attraction, which has reaped $3.7 billion in worldwide box office. “Pirates of the Caribbean: Dead Men Tell No Tales” will film entirely at Village Roadshow Studios and on locations within Queensland, Australia.

Johnny Depp returns to his iconic, Academy Award®-nominated role of Captain Jack Sparrow, one of the most beloved characters in motion picture history, newly joined by Oscar® winner Javier Bardem (“No Country for Old Men,” “Skyfall”), rising young stars Kaya Scodelario (“The Maze Runner,” British television’s “Skins”) and Brenton Thwaites (“Maleficent,” “The Giver”) and Golshifteh Farahani (“The Patience Stone,” “Exodus: Gods and Kings”). Rejoining the action are Academy Award winner Geoffrey Rush as Barbossa, Kevin R. McNally as Joshamee Gibbs and Stephen Graham as Scrum.

Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying Captain Salazar (Bardem), escape from the Devil’s Triangle, determined to kill every pirate at sea…including him.  Captain Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, a powerful artifact that bestows upon its possessor total control over the seas

“Pirates of the Caribbean: Dead Men Tell No Tales” is produced by Jerry Bruckheimer and written by Jeff Nathanson (“Catch Me If You Can,” “Indiana Jones and the Kingdom of the Crystal Skull”). The executive producers are Chad Oman, Joe Caracciolo, Jr. and Brigham Taylor.

Joining Bruckheimer, Sandberg & Rønning for the swashbuckling new voyage is a first-tier group of award-winning behind-the-scenes artists—many of them new to the “Pirates of the Caribbean” family—including director of photography Paul Cameron (“Gone in Sixty Seconds,” “Déjà Vu,” “Collateral”), production designer Nigel Phelps (“Pearl Harbor,” “Transformers: Revenge of the Fallen, “Transformers: Dark of the Moon,” “World War Z”), costume designer Penny Rose (all four “Pirates of the Caribbean” films), visual effects supervisor Gary Brozenich (“The Lone Ranger,” “Edge of Tomorrow”), Oscar®-winning special effects production consultant John Frazier (nine Jerry Bruckheimer films and dozens of others) and special effects supervisor Dan Oliver (“Mad Max: Fury Road,” “X-Men Origins: Wolverine”), supervising stunt coordinator R.A. Rondell (“The Hunger Games: Mockingjay Part 1”) and stunt coordinators Thomas Robinson Harper (“Guardians of the Galaxy,” “Captain America: The Winter Soldier”) and Kyle Gardiner (“San Andreas,” “Kingsman: The Secret Service”), Academy Award®-winning makeup and hair designer Peter Swords King (“The Lord of the Rings” and “The Hobbit” trilogies, “Into the Woods”) and film editors Joel Cox ( “Unforgiven,” “Million Dollar Baby,” “American Sniper”) and Gary D. Roach (“American Sniper”).

The exciting filmmaking team of Sandberg & Rønning directed “Kon-Tiki,” the critically acclaimed story of famed explorer Thor Heyerdahl, which was nominated for both an Academy Award® and a Golden Globe Award® for Best Foreign Language Film from their native Norway. Following their work as award-winning commercial and music video directors, Rønning and Sandberg directed the World War II action drama “Max Manus: Man of War” before taking on “Kon-Tiki.” Most recently Rønning and Sandberg served as executive producers and directed the first two episodes of Netflix’s big-scale mini-series “Marco Polo,” which they filmed on exotic locations in Malaysia, Kazakhstan and Venice. A second season was recently announced for “Marco Polo,” with Rønning and Sandberg continuing on as executive producers.

First in partnership with Don Simpson, and then as the chief of Jerry Bruckheimer Films, Bruckheimer has produced an unprecedented string of worldwide smashes, impacting not only the motion picture and television industries, but mass culture as well. His film and television productions have been honored with numerous awards and nominations, including six Academy Awards®. In addition to his prolific television credits, Bruckheimer’s films include “Top Gun,” “Beverly Hills Cop,” “American Gigolo,” “Flashdance,” “Bad Boys,” “The Rock,” “Armageddon,” “Remember the Titans,” “Pearl Harbor,” “Black Hawk Down,” “National Treasure,” “Prince of Persia: The Sands of Time,” “The Lone Ranger” and “Deliver Us From Evil.” He is the producer of all four previous “Pirates of the Caribbean” films.

Geoffrey Rush

Fate Films, helmed by producers Jan Chapman and Nicole O’Donohue, is delighted to announce principal photography commences on The Daughter in Sydney, Australia on the 12th of September 2014. With support from Screen Australia and Screen NSW, the shoot will take place in Sydney and rural NSW.

Written and directed by critically acclaimed theatre director Simon Stone, The Daughter is a contemporary portrait of family love, dysfunction, deception and denial, inspired by Stone’s award-winning re-imagining of Henrik Ibsen’s The Wild Duck.

Stone has assembled a superb ensemble cast for his feature film debut, including Academy Award® winner Geoffrey Rush (The King’s Speech, Pirates of the Caribbean), Ewen Leslie (Dead Europe, Jewboy), Paul Schneider (Bright Star, Lars and the Real Girl), Miranda Otto (The Homesman, Reaching for The Moon), Anna Torv (Fringe, Deadline Gallipoli), with rising star Odessa Young and Sam Neill (The Piano, Jurassic Park).

Set in the last days of a dying logging town, Christian (Schneider) returns to his family home for his father Henry’s (Rush) wedding. Reconnecting with his childhood friend Oliver (Leslie) and Oliver’s family, wife Charlotte (Otto) and daughter Hedvig (Young) he unearths a long buried secret. As he tries to right the wrongs of the past, his actions threaten to shatter the lives of those he left behind years before. Will they survive the truth?

The film will be produced by Fate Films with Jan Chapman (Academy Award® winner The Piano, AFI Best Film winner Lantana and Palme d’Or nominated Bright Star) and Nicole O’Donohue (ACCTA Award nominated The Last Impresario and AACTA Award-winning feature film Griff the Invisible). When Chapman and O’Donohue saw Stone’s production of The Wild Duck at Sydney’s Belvoir Street Theatre they were drawn to the powerful story which instantly felt cinematic.

“We are delighted to be partnering with Simon whose work we have admired for some time, as well as an exceptional cast and crew to bring this truly emotional and resonant story to the screen.”

Roadshow Films, who has backed the project from its development, will distribute in Australia and New Zealand. Mongrel Film has acquired international sales. Roadshow Films Managing Director Joel Pearlman said, “Simon has achieved renown for his stage direction and we are thrilled to be supporting his entree into feature film directing, supported as he is by the strongest possible production team and phenomenal ensemble cast.”

Hannah Marshall

Australian actress Hannah Marshall (Packed to the Rafters) has won the Best Actress Award at the Inaugural Niagara Integrated Film Festival for her role in the time travel comedy feature film The Infinite Man. The film also screens tomorrow at the Edinburgh International Film Festival and will have its Australian Premiere at the 2014 Melbourne International Film Festival before releasing in Australian cinemas in September.

NIFF, founded by Bill Marshall (Founder and Chair Emeritus of the Toronto International Film Festival – TIFF), pairs premiere festival films with the premiere hospitality of the Niagara Wine Region. The festival screening, a special event with a paired three-course dinner and featuring local wines, was the Canadian Premiere of the film and Hannah was in attendance to accept the award. In a coup for Australia, the Best Actor award was won by Geoffrey Rush for his role in The Best Offer.

This is the fourth major North American screen of the film, following the recent New York premiere screening at Brooklyn’s rooftop cinema, a screening at the Newport Beach Film Festival and the World Premiere at South by Southwest earlier this year, which generated much critical acclaim, and saw the film make the time.com list of ‘ten films that made SXSW spectacular this year’, alongside Wes Anderson’s Grand Budapest Hotel, and Jon Favreau’s Chef.

Hannah Marshall is best known for her role as Loretta Schembri in Packed to the Rafters, for which she received a Logie nomination for Most Popular New Female Talent (2011).

Starring Josh McConville (The Turning), Hannah Marshall and Alex Dimitriades, The Infinite Man is a time travel comedy-romance about Dean (Josh McConville), a man whose attempts to construct the perfect romantic weekend backfire when he traps his lover Lana (Hannah Marshall) in an infinite loop.

The Infinite Man is the feature film debut for writer/director Hugh Sullivan and is produced by Kate Croser (Danger 5, My Tehran for Sale) and Sandy Cameron, executive produced by Jonathan Page and Cameron Rogers. DOP is Marden Dean (Fell).

The Infinite Man was produced by Hedone Productions in association with Bonsai Films, with investment from the South Australia Film Corporation (SAFC) through their FilmLab funding initiative, and development assistance from Screen Australia.

FilmLab is a $4.2million development initiative of the South Australian Film Corporation (SAFC), funded by the South Australian government. Designed to develop filmmakers who have a track record in short form to take the next step into long form film production, the initiative was also built to find unique new voices in Australian cinema.

 

The Infinite Man will be released in Australian cinemas in September 2014 by Infinite Releasing with international sales handled by Shoreline Entertainment.

The Best Offer

Summary: Virgil Oldman is an elegantly eccentric art auctioneer who lives alone surrounded by exquisite art. When he receives instructions to help a reclusive young woman sell her family’s antiques, his interest is piqued, not just due to the works at stake but because of the woman – who refuses to meet in person and will only communicate through walls and doors.

Year: 2013

Australian Cinema Release Date: 29th August, 2013

Australian DVD Release Date: TBA

Country: Italy

Director: Giuseppe Tornatore

Screenwriter: Giuseppe Tornatore

Cast: Dermot Crowley (Lambert), Sylvia Hoeks (Claire), Philip Jackson (Fred), Liya Kebede (Sarah), Geoffrey Rush (Virgil Oldman), Jim Sturgess (Robert),  Donald Sutherland (Billy Whistler)

Runtime: 124 mins

Classification:CTC

OUR REVIEWS/RATINGS OF ‘THE BEST OFFER’’:

Greg King: Stars(3.5)

Please check Greg’s review of ‘The Best Offer’ that is available on www.filmreviews.com.au

Nick Gardener: Stars(4)

Please check Nick’s review of ‘The Best Offer’ that is available on The Good The Bad The Ugly Film Show Ep 47

 

Average Subculture Rating (out of 5): Stars(4)

IMDB Rating:  The Best Offer (2013) on IMDb

Other Subculture Media Reviews of ‘The Best Offer′: Please check The Good The Bad The Ugly Film Show Ep 47 for our in-depth review of ‘The Best Offer.’

Trailer:

The Sapphires

The winners of the 2nd annual Australian Academy of Cinema and Televsion Arts Awards were last night announced at a star studded ceremony in Sydney last night. The night was hosted by Russell Crowe and the Awards were announced by the likes of Cate Blanchett, Geoffrey Rush, Nicole Kidman, Stephen Curry and Ricky Ponting.

Here is the full list of winners.

FILM

AACTA AWARD FOR BEST VISUAL EFFECTS
• Iron Sky. Samuli Torssonen, Jussi Lehtiniemi, Juuso Kaari, Kelly Myers.

AACTA RAYMOND LONGFORD AWARD
• Al Clark

TELEVISION
AACTA AWARD FOR BEST CHILDREN’S TELEVISION SERIES
• The Adventures of Figaro Pho. Dan Fill, Frank Verheggen, David Webster. ABC3

AACTA AWARD FOR BEST TELEVISION COMEDY SERIES
• Lowdown – Season 2. Nicole Minchin, Amanda Brotchie, Adam Zwar. ABC1

AACTA AWARD FOR BEST LIGHT ENTERTAINMENT TELEVISION SERIES
• Agony Aunts. Adam Zwar, Nicole Minchin. ABC1

AACTA AWARD FOR BEST PERFORMANCE IN A TELEVISION COMEDY
• Patrick Brammall. A Moody Christmas. ABC1

SHORT FILM
AACTA AWARD FOR BEST SHORT ANIMATION
• The Hunter. Marieka Walsh.

AACTA AWARD FOR BEST SHORT FICTION FILM
• Julian. Robert Jago, Matthew Moore.

AACTA AWARD FOR BEST SCREENPLAY IN A SHORT FILM
• Transmission. Zak Hilditch.

DOCUMENTARY

AACTA AWARD FOR BEST FEATURE LENGTH DOCUMENTARY
• Storm Surfers 3D. Ellenor Cox, Marcus Gillezeau.

AACTA AWARD FOR BEST DOCUMENTARY UNDER ONE HOUR
• Then The Wind Changed. Jeni McMahon, Celeste Geer. ABC1

AACTA AWARD FOR BEST DOCUMENTARY SERIES
• Go Back To Where You Came From. Rick McPhee, Ivan O’Mahoney. SBS

AACTA AWARD FOR BEST DIRECTION IN A DOCUMENTARY
• Fighting Fear. Macario De Souza. FOXTEL – Movie Network

AACTA AWARD FOR BEST CINEMATOGRAPHY IN A DOCUMENTARY
• Fighting Fear. Tim Bonython, Chris Bryan, Macario De Souza, Lee Kelly. FOXTEL – Movie Network

AACTA AWARD FOR BEST EDITING IN A DOCUMENTARY
• Once Upon A Time In Cabramatta – Episode 1. Sam Wilson. SBS

AACTA AWARD FOR BEST SOUND IN A DOCUMENTARY
• Dr Sarmast’s Music School. Dale Cornelius, Livia Ruzic, Keith Thomas. ABC1

FEATURE FILM
AACTA AWARD FOR BEST CINEMATOGRAPHY
• The Sapphires. Warwick Thornton.

AACTA AWARD FOR BEST EDITING
• The Sapphires. Dany Cooper ASE.

AACTA AWARD FOR BEST SOUND
• The Sapphires. Andrew Plain, Bry Jones, Pete Smith, Ben Osmo, John Simpson.

AACTA AWARD FOR BEST ORIGINAL MUSIC SCORE
• Not Suitable For Children. Matteo Zingales, Jono Ma.

AACTA AWARD FOR BEST PRODUCTION DESIGN
• The Sapphires. Melinda Doring.

AACTA AWARD FOR BEST COSTUME DESIGN
• The Sapphires. Tess Schofield.

AACTA AWARD FOR BEST YOUNG ACTOR
• Saskia Rosendahl. Lore.

NEWS.COM.AU AUDIENCE CHOICE AWARD FOR MOST MEMORABLE SCREEN MOMENT
• The Sapphires.

BYRON KENNEDY AWARD
• Sarah Watt

TELEVISION
AACTA AWARD FOR BEST REALITY TELEVISION SERIES
• The Amazing Race Australia. Michael McKay, Trent Chapman, David Gardner, Matthew Kowald. Seven Network

AACTA AWARD FOR BEST TELEVISION DRAMA SERIES
• Puberty Blues. John Edwards, Imogen Banks. Network Ten

AACTA AWARD FOR BEST TELEFEATURE OR MINI SERIES
• Howzat! Kerry Packer’s War. John Edwards, Mimi Butler. Nine Network

AACTA AWARD FOR BEST DIRECTION IN TELEVISION
• Jack Irish: Bad Debts. Jeffrey Walker. ABC1

AACTA AWARD FOR BEST SCREENPLAY IN TELEVISION
• Redfern Now – Episode 6 ‘Pretty Boy Blue’. Steven McGregor. ABC1

AACTA AWARD FOR BEST LEAD ACTOR IN A TELEVISION DRAMA
• Richard Roxburgh. Rake – Season 2. ABC1

AACTA AWARD FOR BEST LEAD ACTRESS IN A TELEVISION DRAMA
• Leah Purcell. Redfern Now – Episode 1 ‘Family’. ABC1

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTOR IN A TELEVISION DRAMA
• Aaron Jeffery. Underbelly Badness – Episode 3 ‘The Loaded Dog’. Nine Network

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTRESS IN A TELEVISION DRAMA
• Mandy McElhinney. Howzat! Kerry Packer’s War – Part 2. Nine Network

FEATURE FILM
AACTA AWARD FOR BEST FILM
• The Sapphires. Rosemary Blight, Kylie du Fresne.

AACTA AWARD FOR BEST DIRECTION
• The Sapphires. Wayne Blair.

AACTA AWARD FOR BEST ORIGINAL SCREENPLAY
• Wish You Were Here. Kieran Darcy-Smith, Felicity Price.

AACTA AWARD FOR BEST ADAPTED SCREENPLAY
• The Sapphires. Keith Thompson, Tony Briggs.

AACTA AWARD FOR BEST LEAD ACTOR
• Chris O’Dowd. The Sapphires.

AACTA AWARD FOR BEST LEAD ACTRESS
• Deborah Mailman. The Sapphires.

AACTA AWARD FOR BEST SUPPORTING ACTOR
• Antony Starr. Wish You Were Here.

AACTA AWARD FOR BEST SUPPORTING ACTRESS
• Jessica Mauboy. The Sapphires.
2nd AACTA Awards_Winners and Nominees_Luncheon, Ceremony & International Page 10 of 10

AACTA INTERNATIONAL AWARD FOR BEST SCREENPLAY
• Django Unchained. Quentin Tarantino.

AACTA INTERNATIONAL AWARD FOR BEST DIRECTION
• Silver Linings Playbook. David O. Russell.

AACTA INTERNATIONAL AWARD FOR BEST ACTOR
• Daniel Day-Lewis Lincoln.

AACTA INTERNATIONAL AWARD FOR BEST ACTRESS
• Jennifer Lawrence. Silver Linings Playbook.

AACTA INTERNATIONAL AWARD FOR BEST FILM
• Silver Linings Playbook. Donna Gigliotti, Bruce Cohen, Jonathan Gordon.