Tagged: Quentin Tarantino

Tonight saw the 2020 Academy Award winners announced. Here are all the major winners:

 

BEST SUPPORTING ACTOR

WINNER: Brad Pitt (Once Upon A Time In Hollywood)

NOMINEES: Tom Hanks (A Beautiful Day In The Neighbourhood), Al Pacino (The Irishman), Joe Pesci (The Irishman), Anthony Hopkins (Two Popes)

 

BEST ANIMATED FEATURE FILM

 

WINNER: Toy Story 4

NOMINEES: How To Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link

 

BEST ANIMATED SHORT FILM

WINNER: Hair Love

NOMINEES:  Dcera (Daughter), Kitbull, Memorable, Sister

 

BEST ORIGINAL SCREENPLAY

WINNER: Bong Joon Ho & Han Jin Wor (Parasite)

NOMINEES: Rian Johnson (Knives Out), Noah Baumbach (Marriage Story), Sam Mendes (1917), Quentin Tarantino (Once Upon A Time In Hollywood)

 

BEST ADAPTED SCREENPLAY

WINNER: Taika Waititti (Jo Jo Rabbit)

NOMINEES: Steve Zaillan (The Irishman), Todd Phillips & Scott Silver (Joker), Greta Gerwig (Little Women), Anthony McCarten (Two Popes)

 

BEST LIVE ACTION SHORT FILM

WINNER: The Neighbour’s Widow

NOMINEES: Brotherhood, Nefta Football Club, Saria, A Sister

 

ACHIEVEMENT IN PRODUCTION DESIGN

WINNER: Barbara Ling and Nancy Haigh (Once Upon A Time In Hollywood)

NOMINEES: Bob Shaw and Regina Greaves (The Irishman), Ra Vincent and Nora Sopkova (Jo Jo Rabbit), Dennis Gassner and Lee Sandales (1917), Lee Ha Jun and Cho Won Woo (Parasite)

 

ACHIEVEMENT IN COSTUME DESIGN

WINNER: Jacqueline Durran (Little Women)

NOMINEES: Sandy Powell and Christopher Peterson (The Irishman), Mayes C. Rubeo (Jojo Rabbit), Mark Bridges (Joker), Arianne Phillips (Once Upon A Time In Hollywood)

 

BEST DOCUMENTARY FEATURE FILM

WINNER: American Factory

NOMINEES: The Cave, The Edge Of Democracy, For Sama, Honeyland

 

BEST DOCUMENTARY SHORT SUBJECT

WINNER: Learning To Skateboard In A War Zone (If You’re A Girl)

NOMINEES: In The Absence, Life Overtakes Me, St. Louis Superan, Walk Run Cha-Cha

 

BEST ACTRESS IN A SUPPORTING ROLE

WINNER: Laura Dern (Marriage Story)

NOMINEES: Kathy Bates (Richard Jewell), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)

 

 

ACHIEVEMENT IN SOUND EDITING

WINNER: Donald Sylvester (Ford vs Ferrari)

NOMINEES: Alan Robert Murray (Joker), Oliver Tarney and Rachael Tate (1917), Wyllie Stateman (Once Upon A Time In Hollywood), Matthew Wood and David Acord (Star Wars: The Rise Of Skywalker)

 

 

ACHIEVEMENT IN SOUND MIXING

WINNER: Mark Taylor and Stuart Wilson (1917)

NOMINEES: Gary Rydstrom, Tom Johnson and Mark Ulano (Ad Astra), Paul Massey, David Giammarco and Steven A. Morrow (Ford vs Ferrari), Tom Ozanich, Dean Zupancic, Tod Maitland (Joker), Michael Minkler, Christian P. Minkler, Mark Ulano (Once Upon A Time In Hollywood)

 

ACHIEVEMENT IN CINEMATOGRAPHY

WINNER: Roger Deakins (1917)

NOMINEES: Rodriego Prieto (The Irishman), Lawrence Sher (Joker), Jarin Blaschke (The Lighthouse), Robert Richardson (Once Upon A Time In Hollywood)

 

ACHIEVEMENT IN FILM EDITING

WINNER: MichaeL McCusker and Andrew Buckland (Ford vs Ferrari)

NOMINEES: Thelma Schoonmaker (The Irishman), Tom Eagles (Jojo Rabbit), Jeff Groth (Joker), Yang Jinmo (Parasite)

 

ACHIEVEMENT IN VISUAL EFFECTS

WINNER: Guillaume Rocheron, Greg Butler and Dominic Tuohy (1917)

NOMINEES: Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick (Avengers: Endgame), Pablo Helmann, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephanie Grabli (The Irishman), Robert Legato, Adam Valdez, Andrew R. Jones and Elliott Newman (The Lion King), Roger Guyett, Neal Scanlan, Patrick Tubach, Dominic Tuohy (Star Wars: The Rise Of Skywalker)

 

ACHIEVEMENT IN MAKE-UP AND HAIR STYLE

 

WINNER: Kazu Hiro, Anne Morgan and Vivican Baker (Bombshell)

NOMINEES: Nicki Ledermann and Kay Georgiou (Joker), Jeremy Woodhead (Judy), Paul Gooch, Arjen Tuiten and David White (Maleficent: Mistress Of Evil), Naomi Donne, Tristan Versluis and Rebecca Cole (1917)

 

BEST INTERNATIONAL FEATURE FILM

WINNER: Parasite

NOMINEES: Corpus Christi, Honeyland, Les Miserables, Pain And Glory

 

BEST ORIGINAL SCORE

WINNER: Hildur Guonadottir (Joker)

NOMINEES: Alexandre Desplat (Little Women), Randy Newman (Marriage Story), Thomas Newman (1917), John Williams (Star Wars: The Rise Of Skywalker)

 

BEST ORIGINAL SONG

WINNER: ‘(I’m Gonna) Love Me Again’ – Elton John and Bernie Taupin (Rocketman)

NOMINEES: ‘I Can’t Let You Throw Yourself Away’ – Randy Newman (Toy Story 4), ‘I’m Standing With You’ – Diane Warren (Breakthrough), ‘Into The Unknown’ – Kristen Anderson-Lopez and Robert Lopez (Frozen II), ‘Standing Up’ – Joshuah Brian Campbell and Cynthia Erivo (Harriet)

 

BEST ACHIEVEMENT IN DIRECTING

WINNER: Bong Joon Ho (Parasite)

NOMINEES: Martin Scorcese (The Irishman), Todd Phillips (Joker), Sam Mendes (1917), Quentin Tarantino (Once Upon A Time In Hollywood)

 

BEST ACTOR IN A LEADING ROLE

WINNER: Joaquin Phoenix (Joker)

NOMINEES: Antonio Banderas (Pain & Glory), Leonardo DiCaprio (Once Upon A Time In Hollywood), Adam Driver (Marriage Story), Jonathan Pryce (Two Popes)

 

BEST ACTRESS IN A LEADING ROLE

WINNER: Renee Zellweger (Judy)

NOMINEES: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saorise Ronan (Little Women), Charlize Theron (Bombshell)

 

BEST PICTURE

WINNER: Parasite

NOMINEES: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon A Time In Hollywood

The AACTA International Awards have been announced in LA and the winners are:

 

AACTA International Award for Best Film
PARASITE

AACTA International Award for Best Direction
Quentin Tarantino – ONCE UPON A TIME IN HOLLYWOOD

AACTA International Award for Best Screenplay
Taika Waititi – JOJO RABBIT

AACTA International Award for Best Lead Actor
Adam Driver – MARRIAGE STORY

AACTA International Award for Best Lead Actress
Saoirse Ronan – LITTLE WOMEN

AACTA International Award for Best Supporting Actor
Brad Pitt – ONCE UPON A TIME IN HOLLYWOOD

AACTA International Award for Best Supporting Actress
Margot Robbie – BOMBSHELL

The Astor Theatre in Melbourne will be paying their respects to the films of the King of Cool, the one and only Quentin Tarantino, with a from Dusk till Dawn marathon featuring a greatest hits collection from his iconic filmography. We’ll have five dollar shakes and some super sounds that would make a K-Billy or a Jack Rabbit Slim all shook up! Revenge is a dish that may be best served cold, but we’ll keep the fire burning all night that will make you bark and bite.

Featuring: Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, From Dusk Till Dawn, Kill Bill Vol: 1, Kill Bill Vol: 2, and The Hateful Eight – 70mm Roadshow Presentation. There will be a 30-minute breakfast intermission after Jackie Brown.

Session Details:
Saturday, 10th February – Sunday 11th February
There will be a 10-minute break between films, with a 30-minute breakfast intermission following Jackie Brown.
Tickets: $35-45

The Good The Bad The Ugly Film Show Logo

This week on The Good The Bad The Ugly Film Show Dave, Greg and Nick take a look at new release films ‘Skin Deep,’ ‘The Danish Girl,’ ‘Looking For Grace,’ and ‘The Hateful Eight’. This episode also contains interviews with Tom Hooper, Samuel L. Jackson, Quentin Tarantino, Sue Brooks, Jonny Leahy, Rosie Lourde, Will Weatheritt (The Tormentors) and Darren L. Downs (The Tormentors).

To listen to the show or can download it for free from our Podcast Channel – Listen/Download here.

121212

Summary: A mix of live performances and behind-the-scenes footage from the televised benefit concert to raise relief funds for victims of Hurricane Sandy in 2012.

Year: 2014

Australian Cinema Release Date: 1st May, 2014

Australian DVD Release Date: TBA

Country: USA

Director: Amir Bar-Lev

Screenwriter: Nil.

Cast: Jon Bon Jovi (himself), Steve Buscemi (himself), Eric Clapton (himself), Roger Daltrey (himself), Tony Danza (himself), Michael Dempsey (himself), James Dolan (himself), Dave Grohl (himself), Jake Gyllenhaal (himself), Mick Jagger (himself), Billy Joel (himself), Alicia Keys (herself), Chris Martin (himself), Paul McCartney (himself), Keith Richards (himself), Chris Rock (himself), Adam Sandler (himself), Bruce Springsteen (himself), Michael Stipe (himself), John Sykes (himself),, Quentin Tarantino (himself), Pete Townsend (himself), Eddie Vedder (himself), Roger Waters (himself), Charlie Watts (himself), Harvey Weinstein (himself), Kanye West (himself),
Runtime: 106 mins

Classification: M

OUR 12-12-12 REVIEWS & RATINGS:

David Griffiths:

It was the night that was put together to help aid the New Yorkers that were suffering in the wake of Hurricane Sandy, what it became was one of the biggest concerts held in music history. It was the night that saw Paul McCartney technically become the lead vocalist for Nirvana, the night that Pearl Jam’s Eddie Vedder put his Jimmy Fallon Show faux-pas and performed with the legendary Roger Waters, the night that REM’S Michael Stipe joined forces with Coldplay’s Chris Martin and to top it off the night when legends like Bruce Springsteen, Jon Bon Jovi, The Rolling Stones, Billy Joel and The Who looked down off the stage and saw a pit filled with the unlikely combination of Chris Rock, Quentin Tarantino, Kristen Stewart, Miles Teller and Michael Chiklis… just to name a few.

The good thing for music fans that couldn’t be at Madison Square Gardens for the 12-12-12 Hurricane Sandy relief concert is the fact that former Beatles front man Paul McCartney knew that something big was going on and had the foresight to capture the night on video. Teaming up with documentary filmmaker Amir Bar-Lev has seen McCartney end up being the executive producer of one of the most interesting and entertaining doccos that is likely to hit the screens in 2014.

12-12-12 isn’t simply just a re-run of the concert footage that went to air on the night of the concert, no Bar-Lev goes a lot deeper than that. The docco itself almost tells three stories, it shows the horror of the night that Sandy touched down in New York, it then tells the story of those that put their own safety last and reached out to help those affected in the tragedies aftermath and then shows all the hard work that the likes of Harvey Weinstein went into putting together this massive concert in just three weeks. The fact that of all us is intermixed with some brilliant live performances by some of the world’s greatest artists makes this a touching human interest documentary that is also likely to enthral any serious music fans.

Bar-Lev skills as a filmmaker are clearly on show for all to see in 12-12-12. Most directors would have simply just inserted some Hurricane Sandy footage into the concert footage and delivered it to the masses, but Bar-Lev goes deeper than that even showing the frantic pace that all involved in this concert went three in the days leading up to it and on the actual night. He shows the meltdown of some of the staff when it is realised that so many credit card donations are being made per second that the whole computer system is crashing, he shows the cool and calm owner of Google stepping in to fix the problem when nobody else seems able to. He also captures moments when stars became star struck themselves, moments like when Quentin Tarantino goes into complete surprise meeting Reggie Jackson and Chris Rock standing looking at the stage like a small child looking up at a Christmas Tree. Then there are the amazing interviews of those who survived Sandy, the volunteer firefighters who watched their own homes burn not being able to do a thing and an amazing insight from Tony Danza into what it means to be American. They are the things that most filmmakers would have overlooked… not so Bar-Lev.

12-12-12 is a documentary that no music fan should miss, it is also the kind of film that anyone who needs to renew their faith in mankind needs to see. It’s a film that looks at how community should pull together in the face of a tragedy whether they be your average Joe on the street or a wealthy musician… oh and this is a film that also shows us that Adam Sandler can still be funny when he wants to be. This is one documentary that shouldn’t be missed.

Stars(5)

Average Subculture Rating (out of 5): Stars(5)

IMDB Rating:  12-12-12 (2013) on IMDb

Other Subculture Media Reviews of ‘12-12-12′: For our complete review of 12-12-12 please check The Good The Bad The Ugly Film Show Ep #77.

Trailer:

Django Unchained

Well the sun has set on another year in cinema land. Films came, films went. Some exceeded expectations, others went away quickly never to be watched again. But if you are looking for the cream of the crop in 2013, then these are this writer’s favorite ten films.

“Django Unchained” – This is a borderline film for most people’s Top Ten lists this year. In some countries it opened in 2012, in other countries it opened in January 2013, so let’s call it a 2013 film. “Django Unchained” was director/screenwriter Quentin Tarantino at his absolute best. The script sizzled with great one liners and brilliant characterization and while the film did lapse a little (incidentally at about the time that Tarantino himself appeared on the screen), the film did more than enough to be one of this year’s best films. As if the script wasn’t enough to win you over, you then have some marvellous performances by Leonardo DiCaprio and Samuel L. Jackson that make this film a must see.

“The Way Way Back” – Every now and then a coming-of-age film comes along that reminds you just how good this genre can be when it is done the right way. Directors Nat Faxon and Jim Rash certainly go the formula right when they put together “The Way Way Back.” The film saw Steve Carell play one of the best against-type roles of all time as he played the emotional abusive father of Duncan (Liam James) while Sam Rockwell put in one of the finest performances of his career as he played the fun-loving owner of a water theme park. If you didn’t get to see “The Way Way Back” when it hit cinemas make sure you check it out when it reaches shelves on DVD.

“Mud” – There was a time when actor Matthew McConaughey was considered a joke. He acted in poorly written romantic comedies that used him more for his looks rather than acting ability. As a result people started to believe that McConaughey was a poor actor, but he turned that around with some great performances in “Bernie” and “Magic Mike.” 2013 saw McConaughey deliver another powerful performance in “Mud,” a small-time drama in which he plays an escaped convict using an island as a hideaway who uses two local boys Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) to help him escape. Director, Jeff Nichols, manages to make this drama an intense thriller by drawing the audience in and making them wonder exactly what Mud is hiding or willing to do in his escape.

“Rust And Bone” – When people talk about some of the acting performances of 2013, it is surprising how many people seem to skip right over Marion Cotillard’s performance in French film “Rust And Bone.” In what is at times a harrowing film Cotillard plays Stephanie, a young woman who loses her legs in an accident involving a killer whale at the marine park at which she works. In an extraordinary piece of screenwriting, Stephanie’s life is completely turned upside down when she meets Alain (Matthias Schoenaerts), an out-of-luck guy who loves to get involved in backyard fights. “Rust And Bone” may have been a gritty drama, but it is also one of the most intense romances to have surfaced in 2013, making it one of the most underrated films of the year.

“Prisoners” – One of the biggest surprises of this year has been the fact that when all the talk of Oscar nominations has been circulating, the film “Prisoners” hasn’t been getting more love. To be blunt “Prisoners” is one of the best crime thrillers to have surfaced since “Silence Of The Lambs.” Director, Denis Villeneuve makes this an intense thriller that sees Australian Hugh Jackman play Keller Dover a father who is pushed to the absolute extreme when his daughter goes missing along with her friend. Out-acting Jackman, just, is Jake Gyllenhaal who plays one of the most intriguing script cops of all time in Detective Loki. This is one crime thriller that will keep you guessing until the very end.

“Flight” – With “Flight,” cinema goers walked into the cinema expecting to see another disaster film. Denzel Washington would play a pilot who had to save a plane load of people as something went wrong … it would be a simple film right? Director, Robert Zameckis surprised everyone by delivering a film that opened with pilot, Whip Whitaker (Washington) snorting cocaine and drinking before boarding a flight. The film then became a well-written thriller after the plane crashes and the investigation tries to work out whether Whip is a hero or a villain. Sensational writing and a great performance by Washington makes for one hell of a film.

“The Paperboy” – One of the other big surprises of 2013 was the film “The Paperboy.” Zac Efron doesn’t normally spell one of the films of the year but this time the young actor really delivered. Efron plays Jack Jansen, a young boy that works at his father’s local newspaper who teams up with his older brother Ward (Matthew McConaughey) who is a journalist working on a racial murder case. Director, Lee Daniels, gets the absolute best out of his cast. Efron and McConaughey are sensational and are well supported by Nicole Kidman and John Cusack, who both act against type remarkably well.

“Broken” – Just when it looked like it was going to be a lean year for British films along came “Broken.” Directed by Rufus Norris “Broken” was a nasty little film that showed British society at its absolute worst. Told through the eyes of a young girl named Skunk (Eloise Laurence), “Broken” tells the story of the violent events that occur at the end of what should be quite English street. From a man who accused of being a sexual monster, to a broken marriage that is affecting some young children and a father who simply cannot cope any more, this is a film where the audience is left wondering who (if anyone) is going to be left emotionally okay (or even alive) by the final credits. “Broken” is British drama at its best.

“What Maisie Knew” – Another surprisingly good film for 2013. On the surface “What Maisie Knew” looked like it would be a film that should be on the Hallmark channel. Instead it became a gritty drama told through the eyes of a young girl named Maisie (Onata Aprile). This young girl becomes the victim of a bitter custody battle between her washed up rock star mother, Susanna (Julianne Moore), and her proud art-dealing Dad, Beale (Steve Coogan). The film had the power to emotionally affect anybody watching it as it soon becomes painfully plain that neither parents want the girl; they just don’t want their ex-partner to have her. “What Maisie Knew” delivers one of the most emotional scripts of the year.

“The Railway Man” – Rounding out the top ten is a late contender with the Australian/British co-production “The Railway Man.” Over the years a lot of filmmakers have told the story of how men cope when they return from war. Few, however, have focused on a story where a victim returns and faces the man who tortured them. Based on a hit novel, “The Railway Man” centers around Eric Lomax (Colin Firth), a man whose war demons come to the surface after he has married Patricia Wallace (Nicole Kidman). As the ghosts who have haunted him since he was a POW forced to work on the Thai Burma Railway come to the fore, Patricia inspires him to return to the scene of the crime, unaware that it will result in a tense standoff with Nagase (Hiroyuki Sanada). The scenes of the two men confronting each other made for some of the best cinematic moments of 2013.

It would be neglectful not to also mention the following films when talking about the best films of 2013. Also worth a look is “Thanks For Sharing” (with a surprisingly good performance by Pink), “Lygon Street: Si Parla Italiano,” “West Memphis Three,” “Trance,” “A Place Beyond The Pines,” “Performance (A Late Quartet),” “Silver Linings Playbook,” “Compliance,” “The Impossible,” “Warm Bodies” and “Ain’t Them Bodies Saints.”

Now that 2013 is out of the way, it is time to wait and see what new gems film lovers can uncover in 2014. Bring it on!

The Shadow ElectricThanks to The Shadow Electric Open Air Cinema we have some double passes to giveaway to their screening of ‘Jackie Brown’ on the 5th January.  ‘Jackie Brown’ is directed by Quentin Tarantino and stars Samuel L. Jackson, Pam Grier, Robert De Niro and Michael Keaton.

To enter our giveaway simply go to our Facebook page and tell us what your favourite Tarantino film is.

To check what else is screening at The Shadow Electric this summer, just check out Now Showing at The Shadow Electric page.

The Sapphires

The winners of the 2nd annual Australian Academy of Cinema and Televsion Arts Awards were last night announced at a star studded ceremony in Sydney last night. The night was hosted by Russell Crowe and the Awards were announced by the likes of Cate Blanchett, Geoffrey Rush, Nicole Kidman, Stephen Curry and Ricky Ponting.

Here is the full list of winners.

FILM

AACTA AWARD FOR BEST VISUAL EFFECTS
• Iron Sky. Samuli Torssonen, Jussi Lehtiniemi, Juuso Kaari, Kelly Myers.

AACTA RAYMOND LONGFORD AWARD
• Al Clark

TELEVISION
AACTA AWARD FOR BEST CHILDREN’S TELEVISION SERIES
• The Adventures of Figaro Pho. Dan Fill, Frank Verheggen, David Webster. ABC3

AACTA AWARD FOR BEST TELEVISION COMEDY SERIES
• Lowdown – Season 2. Nicole Minchin, Amanda Brotchie, Adam Zwar. ABC1

AACTA AWARD FOR BEST LIGHT ENTERTAINMENT TELEVISION SERIES
• Agony Aunts. Adam Zwar, Nicole Minchin. ABC1

AACTA AWARD FOR BEST PERFORMANCE IN A TELEVISION COMEDY
• Patrick Brammall. A Moody Christmas. ABC1

SHORT FILM
AACTA AWARD FOR BEST SHORT ANIMATION
• The Hunter. Marieka Walsh.

AACTA AWARD FOR BEST SHORT FICTION FILM
• Julian. Robert Jago, Matthew Moore.

AACTA AWARD FOR BEST SCREENPLAY IN A SHORT FILM
• Transmission. Zak Hilditch.

DOCUMENTARY

AACTA AWARD FOR BEST FEATURE LENGTH DOCUMENTARY
• Storm Surfers 3D. Ellenor Cox, Marcus Gillezeau.

AACTA AWARD FOR BEST DOCUMENTARY UNDER ONE HOUR
• Then The Wind Changed. Jeni McMahon, Celeste Geer. ABC1

AACTA AWARD FOR BEST DOCUMENTARY SERIES
• Go Back To Where You Came From. Rick McPhee, Ivan O’Mahoney. SBS

AACTA AWARD FOR BEST DIRECTION IN A DOCUMENTARY
• Fighting Fear. Macario De Souza. FOXTEL – Movie Network

AACTA AWARD FOR BEST CINEMATOGRAPHY IN A DOCUMENTARY
• Fighting Fear. Tim Bonython, Chris Bryan, Macario De Souza, Lee Kelly. FOXTEL – Movie Network

AACTA AWARD FOR BEST EDITING IN A DOCUMENTARY
• Once Upon A Time In Cabramatta – Episode 1. Sam Wilson. SBS

AACTA AWARD FOR BEST SOUND IN A DOCUMENTARY
• Dr Sarmast’s Music School. Dale Cornelius, Livia Ruzic, Keith Thomas. ABC1

FEATURE FILM
AACTA AWARD FOR BEST CINEMATOGRAPHY
• The Sapphires. Warwick Thornton.

AACTA AWARD FOR BEST EDITING
• The Sapphires. Dany Cooper ASE.

AACTA AWARD FOR BEST SOUND
• The Sapphires. Andrew Plain, Bry Jones, Pete Smith, Ben Osmo, John Simpson.

AACTA AWARD FOR BEST ORIGINAL MUSIC SCORE
• Not Suitable For Children. Matteo Zingales, Jono Ma.

AACTA AWARD FOR BEST PRODUCTION DESIGN
• The Sapphires. Melinda Doring.

AACTA AWARD FOR BEST COSTUME DESIGN
• The Sapphires. Tess Schofield.

AACTA AWARD FOR BEST YOUNG ACTOR
• Saskia Rosendahl. Lore.

NEWS.COM.AU AUDIENCE CHOICE AWARD FOR MOST MEMORABLE SCREEN MOMENT
• The Sapphires.

BYRON KENNEDY AWARD
• Sarah Watt

TELEVISION
AACTA AWARD FOR BEST REALITY TELEVISION SERIES
• The Amazing Race Australia. Michael McKay, Trent Chapman, David Gardner, Matthew Kowald. Seven Network

AACTA AWARD FOR BEST TELEVISION DRAMA SERIES
• Puberty Blues. John Edwards, Imogen Banks. Network Ten

AACTA AWARD FOR BEST TELEFEATURE OR MINI SERIES
• Howzat! Kerry Packer’s War. John Edwards, Mimi Butler. Nine Network

AACTA AWARD FOR BEST DIRECTION IN TELEVISION
• Jack Irish: Bad Debts. Jeffrey Walker. ABC1

AACTA AWARD FOR BEST SCREENPLAY IN TELEVISION
• Redfern Now – Episode 6 ‘Pretty Boy Blue’. Steven McGregor. ABC1

AACTA AWARD FOR BEST LEAD ACTOR IN A TELEVISION DRAMA
• Richard Roxburgh. Rake – Season 2. ABC1

AACTA AWARD FOR BEST LEAD ACTRESS IN A TELEVISION DRAMA
• Leah Purcell. Redfern Now – Episode 1 ‘Family’. ABC1

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTOR IN A TELEVISION DRAMA
• Aaron Jeffery. Underbelly Badness – Episode 3 ‘The Loaded Dog’. Nine Network

AACTA AWARD FOR BEST GUEST OR SUPPORTING ACTRESS IN A TELEVISION DRAMA
• Mandy McElhinney. Howzat! Kerry Packer’s War – Part 2. Nine Network

FEATURE FILM
AACTA AWARD FOR BEST FILM
• The Sapphires. Rosemary Blight, Kylie du Fresne.

AACTA AWARD FOR BEST DIRECTION
• The Sapphires. Wayne Blair.

AACTA AWARD FOR BEST ORIGINAL SCREENPLAY
• Wish You Were Here. Kieran Darcy-Smith, Felicity Price.

AACTA AWARD FOR BEST ADAPTED SCREENPLAY
• The Sapphires. Keith Thompson, Tony Briggs.

AACTA AWARD FOR BEST LEAD ACTOR
• Chris O’Dowd. The Sapphires.

AACTA AWARD FOR BEST LEAD ACTRESS
• Deborah Mailman. The Sapphires.

AACTA AWARD FOR BEST SUPPORTING ACTOR
• Antony Starr. Wish You Were Here.

AACTA AWARD FOR BEST SUPPORTING ACTRESS
• Jessica Mauboy. The Sapphires.
2nd AACTA Awards_Winners and Nominees_Luncheon, Ceremony & International Page 10 of 10

AACTA INTERNATIONAL AWARD FOR BEST SCREENPLAY
• Django Unchained. Quentin Tarantino.

AACTA INTERNATIONAL AWARD FOR BEST DIRECTION
• Silver Linings Playbook. David O. Russell.

AACTA INTERNATIONAL AWARD FOR BEST ACTOR
• Daniel Day-Lewis Lincoln.

AACTA INTERNATIONAL AWARD FOR BEST ACTRESS
• Jennifer Lawrence. Silver Linings Playbook.

AACTA INTERNATIONAL AWARD FOR BEST FILM
• Silver Linings Playbook. Donna Gigliotti, Bruce Cohen, Jonathan Gordon.

Django Unchained

Summary: Set in the South two years before the Civil War, Django Unchained stars Academy Award®-winner Jamie Foxx as Django, a slave whose brutal history with his former owners lands him face-to-face with German-born bounty hunter Dr. King Schultz (Academy Award®-winner Christoph Waltz).  Schultz is on the trail of the murderous Brittle brothers, and only Django can lead him to his bounty.  The unorthodox Schultz acquires Django with a promise to free him upon the capture of the Brittles – dead or alive.

Success leads Schultz to free Django, though the two men choose not to go their separate ways.  Instead, Schultz seeks out the South’s most wanted criminals with Django by his side.  Honing vital hunting skills, Django remains focused on one goal: finding and rescuing Broomhilda (Kerry Washington), the wife he lost to the slave trade long ago.

Django and Schultz’s search ultimately leads them to Calvin Candie (Academy Award®-nominee Leonardo DiCaprio), the proprietor of “Candyland,” an infamous plantation.  Exploring the compound under false pretenses, Django and Schultz arouse the suspicion of Stephen (Academy Award®-nominee Samuel L. Jackson), Candie’s trusted house slave.  Their moves are marked, and a treacherous organization closes in on them.  If Django and Schultz are to escape with Broomhilda, they must choose between independence and solidarity, between sacrifice and survival.

Year: 2013

Australian Cinema Release Date: 24th January, 2013

Australian DVD Release Date: TBA

Country: USA

Director: Quentin Tarantino

Screenwriter: Quentin Tarantino

Cast: Todd Allen (Dollar Bill), Michael Bacall (Smitty Bacall), Ned Bellamy (Rice), Christopher Berry (Willard), Edwick Browne (Joshua), Kesha Bullard (Crazy Sadie), Jarrod Bunch (Banjo), Laura Cayouette (Lara Lee Candie-Fitzwilly), Amari Cheatom (Roy), Dennis Christopher (Leonide Moguy), David Coennen (Mr Wigglesworth), Kim Collins (Randy), John Michael Corbin (Samson), Bruce Dern (Old Man Carrucan), Leonardo DiCaprio (Calvin Candie), Omar J. Dorsey (Chicken Charlie), Jamal Duff (Tatum), Doc Duhame (Ellis Brittle), Ato Essandoh (D’Artagnan), Jamie Foxx (Django), M.C. Gainey (Big John Brittle), Nichole Galicia (Sheba), Miriam F. Glover (Betina), Walton Goggins (Billy Crash), Dana Michelle Gourrier (Cora), Gary Grubbs (Bob Gibbs), Jonah Hill (Bag Head #2), Lee Horsley (Sheriff Gus), Cooper Huckabee (Lil Raj Brittle), Samuel L. Jackson (Stephen), John Jarratt (The LeQuint Dickey Mining Co. Employee), Don Johnson (Big Daddy), Kinetic (Franklin), Rex Linn (Tennessee Harry), Escalante Lundy (Big Fred), Richie Montgomery (Overseer Johnny Jerome), Franco Nero (Amerigo Vessepi), Johnny Otto (Dr. Brown), Michael Parks (The LeQuint Dickey Mining Co. Employee), Sharon Pierre-Louis (Little Jody), James Remar (Butch Pooch/Ace Speck), Dane Rhodes (Tennesse Redfish), Kim Robillard (Saloon Keeper Pete), Sammi Rotibi (Rodney), James Russo (Dicky Speck), Lewis Smith (Jinglebells Cody), David Steen (Mr. Stonesipher), Craig Stark (Tommy Gilles/Pedestrian), Don Stroud (Sheriff Bill Sharp), Quentin Tarantino (The LeQuint Dickey Mining Co. Employee), LaTeace Towns-Cuellar (Cleo), Mark Ulano (Gabby The Banker), Misty Upham (Minnie), Christoph Waltz (Dr. King Schultz), Kerry Washington (Broomhilda), Danielle Watts (Coco), Tom Wopat (U.S. Marshall Gill Tatum)

Runtime: 165 mins

Classification:MA15+

Dave Griffiths’s ‘Django Unchained’ Review: 

Remember the Western genre? The genre of film that your Dad used to pull out and make you watch when you were a kid. A genre full of John Wayne and Clint Eastwood in his early days? Well now Quentin Tarantino has taken the whole genre and turned it on its head with ‘Django Unchained’ a sensational film that already puts its hand up for film of the year.

The film opens with Django (Jamie Foxx – Horrible Bosses, Rio) being forced to walk across a freezing landscape as part of a slave chain gang. But then he is rescued by a dentist-come-bounty hunter, Dr. King Schultz (Christoph Waltz – Carnage, The Three Musketeers) who wants Django to help him track down two cruel slave owners that have a bounty on their head.

Schultz offers Django a deal, if he will help point out the two wanted men he will teach him to shoot, will give him a freedom and will also help to hunt down his wife, Broomhilda (Kerry Washington – A Thousand Words, TV’S Scandal). With the first part of the deal done Django and Schultz learn that Broomhilda is now owned by the cruel and nasty Calvin Candie (Leonardo DiCaprio – J. Edgar, Inception) is supported by his workers including his loyal man-servant Stephen (Samuel L. Jackson – Zambezia, The Avengers) and the rough-and-ready Billy Crash (Walton Goggins – Officer Down, Lincoln).

Tarantino’s script is brilliant from start to finish. The dialogue flows so well that even dialogue scenes seem to just flow by quickly while the tension that Tarantino manages to develop throughout the film draws the audience right in. The fact that he has created ‘good guys’ that the audience can’t help but like only enhances that tension when they find themselves in danger.

‘Django Unchained’ does has your typical Tarantino style which means it is extremely violent, so violent in fact that the shootout at Calvin Candie’s mansion must have ‘bled’ dry the fake blood supply in holiday. And while some have criticized the amount of violence and the use of the magic ‘n’ word in the film it doesn’t take a brain surgeon to work out that those are two of the things that make the film’s natural feel so realistic.

Of course like many of Tarantino’s films the wonder director once again brings the best out in his cast. Christoph Waltz pulls out a remarkably display of character acting while Leonardo DiCaprio seems to morph into Jack Nicholson as he relishes the chance to play the vile Calvin Candie. And if you’ve never been a fan of Jamie Foxx then this is the film that will win you over.

‘Django Unchained’ is Quentin Tarantino at his absolute best… yes folks it’s even better than ‘Pulp Fiction’.

Other Subculture Media Reviews of ‘Django Unchained′: Check Episode #17 of our The Good The Bad The Ugly Podcast for a more in-depth review of ‘Django Unchained’. Dave’s other review of ‘Django Unchained’ can be found on the Helium Entertainment Channel

Rating: 5/5

IMDB Rating: Django Unchained (2012) on IMDb